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A survey of the production of religious motion pictures PDF

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A SURVEY OF THE PRODUCTION OF RELIGIOUS MOTION PICTURES A Thesis Presented to the Faculty of the Department of Cinema University of Southern California In Partial Fulfillment of the Requirements for the Degree Master of Arts by Ralph Marion Nichols June 1950 UMI Number: EP42691 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI EP42691 Published by ProQuest LLC (2014). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 C-i-v^ ‘SO A U *J This thesis, ‘written by Ms RALPH M. NICHOLS under the guidance of A~i&~ Faculty Committee, and approved by all its members, has been presented to and accepted by the Council on Graduate Study and Research in partial fulfill­ ment of the requirements for the degree of MASTER OF ARTS JUNE 1950 Date. Faculty Committee Chairman TABLE OF CONTENTS CHAPTER PAGE I. THE PROBLEM AND DEFINITIONS OF TERMS USED . . 1 The problem .............................. 1 Statement of the problem............. . 1 Importance of the study . . . . . . . . 1 Definitions of terms used ............... 2 Religious .............. 2 Organization of thesis ................... 3 II. HISTORICAL DEVELOPMENT ..................... 4 III. METHOD OF PROCEDURE AND SOURCES OF DATA . . . 7 IV. CONCEPTION .......... 14 The organization . . . . . . ............. 15 The story ............................ 20 V. PURPOSE OF THE PRODUCTION . ............... 22 Evaluation ............ 22 Determination of success or failure . . . . 23 Distribution......................... 27 Distribution by public libraries ........ 29 Television................................ 30 VI. SUMMARY OF FINDINGS AND CONCLUSIONS... 32 Summary . . ........................... . 32 Conclusions ......................... 33 BIBLIOGRAPHY...................................... 35 ii CHAPTER PAGE APPENDIX A. A Condensed Guide to Religious Motion Pictures .......... 37 APPENDIX B. Addresses of Producers and Distributors of Religious Motion Pictures Listed in Appendix A 124 i LIST OF TABLES TABLE PAGE I. Tabulation of Survey Results Except for Questions 8, 11 and 1 2 ............. 11 II. Type of Organization Engaged in the Pro­ duction of Religious Motion Pictures . . . . 17 III. Factors Mentioned by the Producer Deter­ mining Success or Failure of Pictures . . . 26 IV. Denominational Affiliations of Producers . . . 28 LIST OF FIGURES FIGURE PAGE 1. Increase in Production of Religious Motion Pictures . . . . . ............................ 12 2. Producers in Production ................. 13 CHAPTER I THE PROBLEM AND DEFINITIONS OF TERMS USED There has been much discussion concerning the value of religious motion pictures, and the many and varied problems faced by the producer of such pictures during the past decade. Up to this time there has been little compre­ hensive study of the situation prevailing concerning the development of 16mm films for churches and little cor­ related material has been published with regard to the religious films which have been produced. I. THE PROBLEM Statement of the problem. It was the purpose of this survey (1) to show some of the practical problems that must be faced by those people who are attempting to express the truths of religion through the visual medium; (2) to show the present trend in the production of religious motion pictures; (3) to show the material available for pastor, Sunday School worker or anyone else interested in this medium of expression. Importance of the study. Motion pictures are coming more and more to the forefront in religious training. Hit and miss use has been made of them, sometimes with very remarkable results. Ever since motion pictures were in­ vented, they have been used as a social force. During the early years of development several moral pictures were produced. However, in the past decade the productions have increased; so much so, that attempts have been made to operate what might be called a "religious theater." This is an attempt to bring as many of the films together as is possible. The falling off of church atten­ dance and the increased interest in religious motion pictures, coupled with the dawning era of television, are factors worthy of consideration as playing a great part in the future of the church. The producers of religious motion pictures have been pioneers in their field, whose principles and attitudes have been different from those who have made pictures for entertainment alone. In this study an attempt was made to approach the problem from their point of view. The questions considered are vital to those within the industry. Therefore, to anyone in the business or to anyone interested in studying the business, this report presents a picture of the present-day trend in the production of religious motion pictures. II. DEFINITIONS OF TERMS USED Religious. Throughout the report of this survey the term religious shall be interpreted as meaning that which Has to do with man's relation to a Supreme Being, directly or indirectly. III. ORGANIZATION OF THESIS This study sets forth, from the results of a ques­ tionnaire to all religious motion picture producers known at the time to the writer, some of the problems which are encountered. From this information and from other sources, the historical development is traced, some of the problems attendant to the conception of a film are set forth, and the purpose of the religious production noted.

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