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A Short History of the Crimean War PDF

225 Pages·2019·13.907 MB·English
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I.B.TAURIS SHORT HISTORIES I.B.Tauris Short Histories is an authoritative and elegantly written new series which puts a fresh perspective on the way history is taught and understood in the twenty-first century. Designed to have strong appeal to university students and their teachers, as well as to general readers and history enthusiasts, I.B.Tauris Short Histories comprises a novel attempt to bring informed interpretation, as well as factual reportage, to historical debate. Addressing key subjects and topics in the fields of history, the history of ideas, religion, classical studies, politics, philosophy and Middle East studies, the series seeks intentionally to move beyond the bland, neutral ‘introduction’ that so often serves as the primary undergraduate teaching tool. While always providing students and generalists with the core facts that they need to get to grips with the essentials of any particular subject, I.B.Tauris Short Histories goes further. It offers new insights into how a topic has been understood in the past, and what different social and cultural factors might have been at work. It brings original perspectives to bear on the manner of its current interpretation. It raises questions and – in its extensive bibliographies – points to further study, even as it suggests answers. Addressing a variety of subjects in a greater degree of depth than is often found in comparable series, yet at the same time in concise and compact handbook form, I.B.Tauris Short Histories aims to be ‘introductions with an edge’. In combining questioning and searching analysis with informed history writing, it brings history up to date for an increasingly complex and globalized digital age. www.short-histories.com ‘A Short History of the Crimean War provides an authoritative account of the origins of the conflict, its principal engagements and its geopolitical consequences. Furthermore, the author’s thoughtful and erudite discussions of literary and visual materials – together with the careful attention given to the significance of journalism in forming public opinion, and of the key roles played by women – mean that the book also makes a very welcome contribution to current debate on the lasting historical and cultural significance of the Crimean War. An excellent introduction.’ – Philip Shaw, Professor of Romantic Studies, University of Leicester, author of Waterloo and the Romantic Imagination ‘Trudi Tate’s book, besides giving an admirably concise history of the Crimean War which will appeal to a wide readership, also offers new and thought-provoking insights of undoubted interest to the specialist. Whether it be in her analysis of the role of the British press in reporting the war, her examination of the literary response towards it, or her highlighting of the extent to which criticism of the conduct of the war was largely class-based, Dr Tate pronounces with authority. If one aspect of the book were to be singled out for special praise, however, it would have to be her explanation of how the capture of the Russian fortress of Sebastopol was perceived by onlookers and represented in both print and the new art-form of photography. One does not readily forget the passage where the author vividly summarises the reaction of visitors to the shattered ruins of Sebastopol, a mixture of simple pride at martial achievement – “Look at what we have done!” – and frightened awe as the realisation of the destructive power of industrialised warfare on the cusp sank home for the first time: “Look at what we have done”. All in all, a book that can be recommended without reservation.’ – Alastair Massie, author of The National Army Museum Book of the Crimean War A Short History of . . . the American Civil War Paul Anderson (Clemson University) the American Revolutionary War Stephen Conway (University College London) Ancient China Edward L Shaughnessy (University of Chicago) Ancient Greece P J Rhodes, FBA (Durham University) Ancient Rome Andrew Wallace-Hadrill (University of Cambridge) the Anglo-Saxons Henrietta Leyser (University of Oxford) Babylon Karen Radner (University of Munich) the Byzantine Empire Dionysios Stathakopoulos (King’s College London) Christian Spirituality Edward Howells (Heythrop College, University of London) the Crimean War Trudi Tate (University of Cambridge) English Renaissance Drama Helen Hackett (University College London) the English Revolution and the Civil Wars David J Appleby (University of Nottingham) the Etruscans Corinna Riva (University College London) Florence and the Florentine Brian Jeffrey Maxson (East Tennessee State Republic University) the Hundred Years War Michael Prestwich (Durham University) Irish Independence J J Lee (New York University) the Italian Renaissance Virginia Cox (New York University) the Korean War Allan R Millett (University of New Orleans) Medieval Christianity G R Evans (University of Cambridge) Medieval English Mysticism Vincent Gillespie (University of Oxford) the Minoans John Bennet (University of Sheffield) the Mongols George Lane (SOAS, University of London) the Mughal Empire Michael H Fisher (Oberlin College) Muslim Spain Amira K Bennison (University of Cambridge) New Kingdom Egypt Robert Morkot (University of Exeter) the New Testament Halvor Moxnes (University of Oslo) Nineteenth-Century Philosophy Joel Rasmussen (University of Oxford) the Normans Leonie V Hicks (Canterbury Christ Church University) the Ottoman Empire Baki Tezcan (University of California, Davis) the Phoenicians Mark Woolmer (Durham University) the Reformation Helen L Parish (University of Reading) the Renaissance in Northern Europe Malcolm Vale (University of Oxford) Revolutionary Cuba Antoni Kapcia (University of Nottingham) the Risorgimento Nick Carter (Australian Catholic University, Sydney) the Russian Revolution Geoffrey Swain (University of Glasgow) the Spanish Civil War Julián Casanova (University of Zaragoza) the Spanish Empire Felipe Fernández-Armesto (University of Notre Dame) and José Juan López-Portillo (University of Oxford) Transatlantic Slavery Kenneth Morgan (Brunel University London) Venice and the Venetian Empire Maria Fusaro (University of Exeter) the Vikings Clare Downham (University of Liverpool) the Wars of the Roses David Grummitt (University of Kent) the Weimar Republic Colin Storer (University of Nottingham) THE CRIMEAN WAR Trudi Tate Published in 2019 by I.B.Tauris & Co. Ltd London • New York www.ibtauris.com Copyright © 2019 Trudi Tate The right of Trudi Tate to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. Every attempt has been made to gain permission for the use of the images in this book. Any omissions will be rectified in future editions. References to websites were correct at the time of writing. PB ISBN: 978 1 84885 861 9 HB ISBN: 978 1 84885 860 2 eISBN: 978 1 78672 555 4 ePDF: 978 1 78673 555 3 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress Catalog Card Number: available Typeset by Free Range Book Design & Production Limited Contents List of Maps and Illustrations ix Acknowledgements xi Timeline xii Introduction 1 Chapter 1: The Drift to War and the Battle of the Alma 13 Chapter 2: The Siege Established and the Battle of 49 Balaklava Chapter 3: Scutari, Inkerman and the Siege 73 Chapter 4: Sebastopol: The Fallen City 103 Chapter 5: The Baltic Campaign 127 Chapter 6: The End of the War 149 Further Reading 167 Notes 175 Index 197 List of Maps and Illustrations MAPS Map 1: The Black Sea xv Map 2: The Route from Britain to the Crimea xvi Map 3: The Advance to Sebastopol xvii Map 4: The Battle of the Alma xviii Map 5: The Area of War in the Crimea xix Map 6: Sebastopol Defences xx FIGURES Fig. 1: Plan of the Battle of the Alma, Illustrated London 30 News, 28 October 1854, p. 425 Fig. 2: Scene in the French Camp after the Battle of the Alma, 32 Illustrated London News, 14 October 1854, p. 377 Fig. 3: Roger Fenton, View of the Lines of Balaklava from 51 Guard’s Hill, 1855. Royal Collection, RCIN 2500495 © Her Majesty Queen Elizabeth II 2018 Fig. 4: Roger Fenton, The Ordnance Wharf at Balaklava, 52 March 1855. Royal Collection, RCIN 2500461 © Her Majesty Queen Elizabeth II 2018 Fig. 5: James Robertson, Harbour of Balaklava, 1855–6. 53 Royal Collection, RCIN 2500729 © Her Majesty Queen Elizabeth II 2018 ix

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