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A history of western music PDF

888 Pages·2001·69.833 MB·English
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ion esdiix th A HISTORY OF wee. ER NOM OSC Donald Jay Grout and Claude V. Palisea Sixth Edition A History of Western Music has been recognized as the finest survey of Western art music since its appearance in 1960. With its thorough yet accessible overview of the field, this exceptional book has enlightened multitudes of students and connoisseurs. Today’s Grout/Palisca remains the most authoritative and useful text available, providing readers with insights into both the music and its historical context. In preparing this Sixth Edition, Claude Palisca has been assisted by an editorial advisory board of musi- cologists who are distinguished both for their scholarly achievements and their teaching excellence. The book is newly designed, with clarity and readability in mind. The number of maps has been increased, and all the maps were redrawn to make them clearer and easier for students to use. Time lines have been expanded to make them visually more informative and appealing. And, of course, Professor Palisca has applied his impeccable scholarship to the book so that it remains the standard to which all other music histories are held. In addition, A History of Western Music, Sixth Edition, offers headings, subheadings, and marginal headings that provide a clear and consistent outline. Judicious touches of color highlight the maps, diagrams, and technical discussions, and dozens of vignettes offer the wisdom of composers and writers in their own words. Sixteen full-color plates and numerous black-and-white images illustrate specific musical points and show music making in its social context. As always, no effort has been spared to bring to today’s teachers and students the best Grout/Palisca ever. Donald Jay Grout, late professor of music at Cornell University, also wrote a standard history of opera. Claude V. Palisca, professor of music at Yale University, began his collaboration on A History of Western Music with the Third Edition. Among his many publications are a collection of scholarly essays on Italian Renaissance music and a history of Baroque music. Jacket design: Mary McDonnell Cover art: Georges Braque, Musical Instruments (1908). Private collection. © 2001 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo Giraudon/Art Resource, NY. A HISTORY OF WESTERN MUSIC Sixth Edition Sixth Edition DONALD JAY GROUT Late of Cornell University GEAUDEOV. TPALISCA Yale University eS Vary er) Ose COMP AUN Y NEW YORK LONDON Copyright © 2001, 1996, 1988, 1980, 1973, 1960 by W. W. Norton & Company, Inc. All rights reserved Printed in the United States of America The text of this book is composed in Minion with the display set in Gill Sans Composition by UG / GGS Information Services, Inc. Manufacturing by Quebecor World Book design by Mary McDonnell Cover illustration: Georges Braque. Musical Instruments (detail). 1908. Private collection. © 2000 Artists Rights Society (ARS), New York/ADAGP, Paris. Sixth Edition Library of Congress Cataloging-in-Publication Data Grout, Donald Jay. A history of western music/Donald Jay Grout, Claude V. Palisca—é6th ed. p. -cm: Includes bibliographical references and index. ISBN 0-393-97527-4 1. Music—History and criticism. I. Palisca, Claude V. ML160.G872 2001 780'.9—dc21 00-058411 W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, N.Y. 10110 Wwww.wwnorton.com W. W. Norton & Company Ltd., Castle House, 75/76 Wells Street, London W1T 3QT DON mone”) Musical Life and Thought in Ancient Greece and Rome | The Greek and Roman Heritage | Timeline: Greece and Rome 2 Music in Ancient Greek Life and Thought 2 The Greek Musical System 8 Greek Music Theory in Depth 8 Musicin Ancient Rome 15 The Early Christian Church 17 Byzantine Music in Depth 20 Timeline: The Early Christian Church 22 Bibliography 29 Chant and Secular Song in the Middle Ages 3| Roman Chant and Liturgy 31 Classes, Forms, and Types of Chant 38 Later Developments of the Chant 46 Medieval Music Theory and Practice 50 Nonliturgical and Secular Monody 57 Medieval Instrumental Music and Instruments 64 Bibliography 66 The Beginnings of Polyphony and the Music of the Thirteenth Century 70 Historical Background of Early Polyphony 70 Early Organum 71 Florid Organum 73 Notre Dame Organum 76 Timeline: Early Polyphony 78 Polyphonic Conductus 84 The Motet 84 Thirteenth-Century Notation in Depth 91 Summary 92 Bibliography 93 French and Italian Music in the Fourteenth Century 96 General Background 96 ‘Timeline: Fourteenth-Century France and Italy 97 The Ars Novain France 98 Italian Trecento Music 106 French Music of the Late Fourteenth Vv vi CONTENTS Century I11 Musica Ficta 113 Fourteenth-Century Notation in Depth 116 Instruments 118 Summary 120 Bibliography 121 England and the Burgundian Lands in the Fifteenth Century 23 English Music 123 Music in the Burgundian Lands 129 Timeline: The Fifteenth Century 131 Bibliography 141 The Age of the Renaissance: Music of the Low Countries 144 General Characteristics 144 Timeline: The Sixteenth Century 148 Northern Composers and Their Music 154 Josquin Des Prez 164 Some Contemporaries of Obrecht and Josquin 170 Summary 172 Bibliography 172 New Currents in the Sixteenth Century 77 The Franco-Flemish Generation (1520-50) 177 The Rise of National Styles 181 The Italian Madrigal 183 Secular Song outside Italy 194 Instrumental Music of the Sixteenth Century 205 Bibliography 219 Church Music of the Late Renaissance and Reformation 2A The Music of the Reformation in Germany 224 Reformation Church Music outside Germany 228 Timeline: Events Affecting English Church Music, 1530-1660 232 The Counter-Reformation 234 Summary 248 Bibliography 248 Music of the Early Baroque Period Dil General Characteristics 251 Early Opera 260 Timeline: Early Baroque 264 Vocal Chamber Music 278 Venice 285 Genres of Catholic Church Music 287 Lutheran Church Music 290 Instrumental Music 294 Bibliography 304 Opera and Vocal Music in the Late Seventeenth Century 309 Opera 309 Vocal Chamber Music 324 Church Music 327 Timeline: The Later Seventeenth Century 328 Bibliography 341 Instrumental Music in the Late Baroque Period 345 Organ Music 345 Harpsichord and Clavichord Music 351 Ensemble Music 356 Bibliography 369

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