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KKrraassnneerr__bbiinnddeexx..iinndddd 440044 88//1111//22001111 55::0011::2222 PPMM A History of Modern Drama Volume I KKrraassnneerr__ffffiirrss..iinndddd ii 88//1122//22001111 1122::3322::1199 PPMM Books by David Krasner An Actor’s Craft: The Art and Technique of Acting (2011) Theatre in Theory: An Anthology (editor, 2008) American Drama, 1945–2000: An Introduction (2006) Staging Philosophy: New Approaches to Theater, Performance, and Philosophy (coeditor with David Saltz, 2006) A Companion to Twentieth-Century American Drama (editor, 2005) A Beautiful Pageant: African American Theatre, Drama, and Performance, 1910–1927 (2002), 2002 Finalist for the Theatre Library Association’s George Freedley Memorial Award African American Performance and Theater History: A Critical Reader (coeditor with Harry Elam, 2001), Recipient of the 2002 Errol Hill Award from the American Society for Theatre Research (ASTR) Method Acting Reconsidered: Theory, Practice, Future (editor, 2000) Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910 (1997), Recipient of the 1998 Errol Hill Award from ASTR See more descriptions at www.davidkrasner.com KKrraassnneerr__ffffiirrss..iinndddd iiii 88//1122//22001111 1122::3322::1199 PPMM A History of Modern Drama Volume I David Krasner A John Wiley & Sons, Ltd., Publication KKrraassnneerr__ffffiirrss..iinndddd iiiiii 88//1122//22001111 1122::3322::1199 PPMM This edition first published 2012 © 2012 David Krasner Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of David Krasner to be identified as the author of this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought. Library of Congress Cataloging-in-Publication Data Krasner, David, 1952– History of modern drama, Volume I / David Krasner. – 1st ed. p. cm. Includes bibliographical references and index. ISBN 978-1-4051-5757-5 (hardback) 1. Drama–History and criticism. I. Title. PN1601.K73 2011 809.2–dc23 2011022725 A catalogue record for this book is available from the British Library. This book is published in the following electronic formats: ePDF 9781444343731; Wiley Online Library 9781444343762; ePub 9781444343748; Mobi 9781444343755 Set in 10.5/13pt Galliard by SPi Publisher Services, Pondicherry, India 1 2012 KKrraassnneerr__ffffiirrss..iinndddd iivv 88//1122//22001111 1122::3322::2200 PPMM For LeAnn Fields KKrraassnneerr__ffffiirrss..iinndddd vv 88//1122//22001111 1122::3322::2200 PPMM KKrraassnneerr__ffffiirrss..iinndddd vvii 88//1122//22001111 1122::3322::2200 PPMM Contents Preface and Acknowledgements ix Chapter 1 Introduction 1 Part I: Trauma Drama 33 Chapter 2 The Price of Freedom 39 Chapter 3 Unhinged Subjectivity 80 Chapter 4 Aboulia 109 Part II: Modernist Beginnings 137 Chapter 5 Rising Symbolism 145 Chapter 6 Rising Expressionism 158 Part III: Realism 167 Chapter 7 Rural Realism 171 Chapter 8 Urban Realism 178 Chapter 9 Optimistic Passion 182 Chapter 10 The Campaign Against Earnestness 189 Part IV: Dissociated Sensibility 193 Chapter 11 Distorted Modernism 195 Chapter 12 Lyrical Modernism 203 Chapter 13 Sentimental Modernism 210 Part V: Avant Garde 215 Chapter 14 Eros and Thanatos 217 KKrraassnneerr__ffttoocc..iinndddd vviiii 77//2288//22001111 66::2233::0055 PPMM viii Contents Chapter 15 Robots and Automatons 226 Chapter 16 Farce and Parody 229 Part VI: Epic Modernism 235 Chapter 17 Gaming the System 237 Part VII: The Divided Self of American Drama 259 Chapter 18 Illusions 265 Chapter 19 Delusions 275 Chapter 20 Dreams 281 Chapter 21 Gender 289 Chapter 22 Race 293 Part VIII: Hell Is Other People 301 Chapter 23 The Farce of Intimacy 307 Chapter 24 The Tragedy of Intimacy 315 Part IX: Modernist Improvising 325 Chapter 25 Beckett Impromptu 327 Part X: Conclusion 349 Notes 351 Index 389 KKrraassnneerr__ffttoocc..iinndddd vviiiiii 77//2288//22001111 66::2233::0055 PPMM

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