ebook img

A Handbook to Classical Reception in Eastern and Central Europe PDF

612 Pages·2017·6.933 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview A Handbook to Classical Reception in Eastern and Central Europe

A Handbook to Classical Reception in Eastern and Central Europe Wiley Blackwell Handbooks to Classical Reception This series offers comprehensive, thought‐provoking surveys of the reception of major classical authors and themes. These Handbooks will consist of approxi- mately 30 newly written essays by leading scholars in the field, and will map the ways in which the ancient world has been viewed and adapted up to the present day. Essays are meant to be engaging, accessible, and scholarly pieces of writing, and are designed for an audience of advanced undergraduates, graduates, and scholars. Published: A Handbook to the Reception of Ovid John Miller and Carole E. Newlands A Handbook to the Reception of Thucydides Christine Lee and Neville Morley A Handbook to the Reception of Greek Drama Betine van Zyl Smit A Handbook to Classical Reception in Eastern and Central Europe Zara Martirosova Torlone, Dana LaCourse Munteanu, and Dorota Dutsch Forthcoming: A Handbook to the Reception of Classical Mythology Vanda Zajko A Handbook to Classical Reception in Eastern and Central Europe Edited by Zara Martirosova Torlone Dana LaCourse Munteanu Dorota Dutsch This edition first published 2017 © 2017 John Wiley & Sons, Inc Registered Office John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148‐5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www. wiley.com/wiley‐blackwell. The right of Zara Martirosova Torlone, Dana LaCourse Munteanu, and Dorota Dutsch to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought. Library of Congress Cataloging‐in‐Publication Data Names: Torlone, Zara Martirosova, editor. | Munteanu, Dana LaCourse, 1972– editor. | Dutsch, Dorota, editor. Title: A handbook to classical reception in eastern and central Europe / edited by Zara Martirosova Torlone, Dana Lacourse Munteanu, Dorota Dutsch. Description: Chichester, West Sussex : John Wiley & Sons Inc., 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016036904| ISBN 9781118832714 (cloth) | ISBN 9781118832684 (epub) | ISBN 9781118832721 (pdf) Subjects: LCSH: Classical literature–Appreciation–Europe, Eastern. | Classical literature– Appreciation–Europe, Central. | Classical literature–Appreciation–Russia (Federation) | Classical literature–Appreciation–Georgia (Republic) | Classical literature–Appreciation– Armenia (Republic) Classification: LCC PA3013 .H27 2017 | DDC 880.09–dc23 LC record available at https://lccn.loc.gov/2016036904 A catalogue record for this book is available from the British Library. Cover design: Wiley Cover image: Flory/Gettyimages Set in 11/13pt Dante by SPi Global, Pondicherry, India 10 9 8 7 6 5 4 3 2 1 Contents List of Illustrations x Notes on Contributors xii Acknowledgments xix Introduction 1 Zara Martirosova Torlone, Dana LaCourse Munteanu, and Dorota Dutsch Part I Croatia 13 Neven Jovanović 1 Classical Reception in Croatia: An Introduction 15 Neven Jovanović 2 Pula and Split: The Early Modern Tale(s) of Two Ancient Cities 21 Jasenka Gudelj 3 Croatian Neo‐Latin Literature and Its Uses 35 Neven Jovanović 4 The First Dalmatian Humanists and the Classics: A Manuscript Perspective 46 Luka Špoljarić 5 The Swan Song of the Latin Homer 57 Petra Šoštarić Part II Slovenia 67 Marko Marinčič 6 Classical Reception in Slovenia: An Introduction 69 Marko Marincǐč vi Contents 7 Collecting Roman Inscriptions Beyond the Alps: Augustinus Tyfernus 74 Marjeta Šašel Kos 8 Sta. Maria sopra Siwa: Inventing a Slavic Venus 88 Marko Marincǐč 9 Images from Slovenian Dramatic and Theatrical Interpretations of Ancient Drama 99 Andreja N. Inkret Part III Czech Republic 113 Jan Bažant 10 Classical Reception in the Czech Republic: An Introduction 115 Jan Bažant 11 Classical Antiquity in Czech Literature between the National Revival and the Avant‐Garde 121 Daniela Čadková 12 The Classical Tradition and Nationalism: The Art and Architecture of Prague, 1860–1900 133 Jan Bažant 13 The Case of the Oresteia: Classical Drama on the Czech Stage, 1889–2012 146 Alena Sarkissian Part IV Poland 159 Dorota Dutsch 14 Classical Reception in Poland: An Introduction 161 Dorota Dutsch 15 From Fictitious Letters to Celestial Revolutions: Copernicus and the Classics 166 Dorota Dutsch and François Zdanowicz 16 Respublica and the Language of Freedom: The Polish Experiment 179 Anna Grzesḱ owiak‐Krwawicz 17 Two Essays on Classical Reception in Poland 190 Jerzy Axer 18 Parallels between Greece and Poland in Juliusz Słowacki’s Oeuvre 207 Maria Kalinowska Contents vii Part V Hungary 223 Farkas Gábor Kiss 19 Classical Reception in Hungary: An Introduction 225 Farkas Gábor Kiss 20 Classical Reception in Sixteenth‐Century Hungarian Drama 233 Ágnes Juhász‐Ormsby 21 Truditur dies die: Reading Horace as a Political Attitude in Nineteenth‐ and Twentieth‐Century Hungary 245 Ábel Tamás 22 The Shepherdess and the Myrmillo: The Sculptor István Ferenczy and the Reception of Classical Antiquity in Hungary 260 Nóra Veszprémi Part VI Romania 277 Dana LaCourse Munteanu 23 Classical Reception in Romania: An Introduction 279 Radu Ardevan, Florin Berindeanu, and Ioan Piso 24 Loving Vergil, Hating Rome: Cosb̧ uc as Translator and Poet 287 Carmen Fenechiu and Dana LaCourse Munteanu 25 Noica’s Becoming within Being and Meno’s Paradox 300 Octavian Gabor 26 Reception of the Tropaeum Traiani: Former Paths and Future Directions 312 Allison L.C. Emmerson Part VII Bosnia‐Herzegovina, Serbia, and Montenegro 327 Nada Zečević 27 Classical Reception in Bosnia‐Herzegovina, Serbia, and Montenegro: An Introduction 329 Nada Zecě vić and Nenad Ristović 28 Classical Antiquity in the Franciscan Historiography of Bosnia (Eighteenth Century) 336 Nada Zecě vić 29 Innovative Impact of the Classical Tradition on  Early Modern Serbian Literature 347 Nenad Ristović viii Contents 30 Classical Heritage in Serbian Lyric Poetry of the Twentieth Century: Jovan Dučić, Miloš Crnjanski, and Ivan V. Lalic ́ 360 Ana Petković 31 The Ancient Sources of Njegoš’s Poetics 373 Darko Todorović Part VIII Bulgaria 387 Yoana Sirakova 32 Classical Reception in Bulgaria: An Introduction 389 Yoana Sirakova 33 Bulgarian Lands in Antiquity: A Melting Pot of Thracian, Greek, and Roman Culture 396 Mirena Slavova 34 In the Labyrinth of Allusions: Ancient Figures in Bulgarian Prose Fiction 411 Violeta Gerjikova 35 “Bulgarian” Orpheus between the National and the Foreign, between Antiquity and Postmodernism 423 Yoana Sirakova 36 Staging of Ancient Tragedies in Bulgaria and Their Influence on the Process of Translation and Creative Reception 437 Dorothea Tabakova Part IX Russia 449 Judith E. Kalb 37 Classical Reception in Russia: An Introduction 451 Judith E. Kalb 38 “Men in Cases”: The Perception of Classical Schools in Prerevolutionary Russia 457 Grigory Starikovsky 39 Homer in Russia 469 Judith E. Kalb 40 Vergil in Russia: Milestones of Identity 480 Zara Martirosova Torlone 41 Russian Encounters with Classical Antiquities: Archaeology, Museums, and National Identity in the Tsarist Empire 493 Caspar Meyer Contents ix Part X Armenia and Georgia 507 Zara Martirosova Torlone 42 Armenian Culture and Classical Antiquity 509 Armen Kazaryan and Gohar Muradyan 43 Medieval Greek–Armenian Literary Relations 516 Gohar Muradyan 44 The “Classical” Trend of the Armenian Architectural School of Ani: The Greco‐Roman Model and the Conversion of Medieval Art 528 Armen Kazaryan 45 Classical Reception in Georgia: An Introduction 541 Ketevan Gurchiani 46 Greek Tragedy on the Georgian Stage in the Twentieth Century 548 Ketevan Gurchiani Index 560 List of Illustrations Figure 2.1 Antoine de Ville, View of Pula Bay and the Antiquities, in Portus and Urbis Polae, Antiquitatum, ut et Thynnorum descriptio curiosa, Venetia, 1633 23 Figure 2.2 Arsenale gate, Venice, 1460 26 Figure 2.3 Diocletian’s palace, reconstruction, in Daniele Farlati, Illyricum sacrum, vol. II, Venetiis, 1753 32 Figure 7.1 Tombstone of the Durrii family, reused for Nicolaus Merck 83 Figure 7.2 Tombstone of the Durrii family: sketch from Tyfernus 84 Figure 9.1 Scene from the first production of Antigone by Dominik Smole 109 Figure 12.1 Josef Myslbek, Music, Foyer of the National Theater, bronze, 1907–1912 141 Figure 12.2 Photo of the Esquiline Venus with Myslbek’s measurements 142 Figure 22.1 István Ferenczy, Wise Pannonia, 1825–1840s 263 Figure 22.2 István Ferenczy, István Kultsár Memorial, 1829–1832, Inner City Church, Budapest 268 Figure 22.3 István Ferenczy, Monument to Benedek Virág, 1830–1834, National Pantheon, Szeged 269 Figure 26.1 The Tropaeum Traiani today 315 Figure 26.2 F.B. Floresu’s Metope IV, Metope XXIV, Metope XXVIII, Metope LIV 320 Figure 33.1 Nicopolis ad Istrum 401 Figure 33.2 Ancient theater of Philippopolis 402

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.