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362 Pages·2016·9.121 MB·English
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SURAIYA FAROQHI is Professor of History at Istanbul Bilgi University. She was previously Professor of Ottoman Studies at the Ludwig Maximilians University, Munich. Among her many publications are Travel andArtisans inthe Ottoman Empire, Artisans of Empire, The Ottoman EmpireandtheWorldAroundIt,PilgrimsandSultansandSubjectsoftheSultan (allpublishedbyI.B.Tauris). ‘Suraiya Faroqhi takes the reader on a journey of discovery: whether in the shape of a crown, a tent, a rosewater bottle, a pistol, or a coffee cup, artefacts are here used to narrate a new cultural history of the Ottoman Empire. With unique erudition and flair, Faroqhi combines bold interpretationsandintimateandlittle-knownstories.TheOttomanelites, asifbymagic,becomealive.’ GiorgioRiello,ProfessorofGlobalHistoryandCulture, UniversityofWarwick ‘EverynewbookbySuraiyaFaroqhiraiseshithertounsuspectedquestions andpushesourknowledgeintoadifferentsphere.ThisstudyofOttoman materialculturefromthesixteenthtothemidnineteenthcenturyranges widelyacrossresearchinarthistory,manufacturing,tradeandconsump- tion studies. It brings together diverse work on museum collections, portraits,platesandceramics,onthingsworn,weighedandcultivated,on itemstakenasbooty,offeredasgiftsorthosesimplytreasured.’ C.M.Woodhead,TeachingFellow(OttomanHistory), UniversityofDurham a C u lt u r a l h iS tory oF the o t t o m a n S the imperial elite and its artefacts S u r a i y a Fa r o q h i Publishedin2016by I.B.Tauris&Co.Ltd London•NewYork www.ibtauris.com Copyrightq2016SuraiyaFaroqhi TherightofSuraiyaFaroqhitobeidentifiedastheauthorofthiswork hasbeenassertedbytheauthorinaccordancewiththeCopyright, DesignsandPatentsAct1988. Allrightsreserved.Exceptforbriefquotationsinareview,thisbook,oranypart thereof,maynotbereproduced,storedinorintroducedintoaretrievalsystem, ortransmitted,inanyformorbyanymeans,electronic,mechanical,photocopying, recordingorotherwise,withoutthepriorwrittenpermissionofthepublisher. Everyattempthasbeenmadetogainpermissionfortheuseoftheimages inthisbook.Anyomissionswillberectifiedinfutureeditions. Referencestowebsiteswerecorrectatthetimeofwriting. TheauthorisarecipientoftheTurkishCulturalFoundationFellowshipinTurkish CultureandArt.Thecontentsofthebookarethesoleresponsibilityoftheauthorand caninnowaybetakentoreflecttheviewsoftheTurkishCulturalFoundation. ISBN:9781784530969 eISBN:9780857729804 ePDF:9780857727824 AfullCIPrecordforthisbookisavailablefromtheBritishLibrary AfullCIPrecordisavailablefromtheLibraryofCongress LibraryofCongressCatalogCardNumber:available TypesetinStoneSerifbyOKSPrepressServices,Chennai,India PrintedandboundinGreatBritainbyT.J.International,Padstow,Cornwall FormyfriendTu¨layArtan . ) s e i r u t n e c h t n e e t h g i e – h t n e e t n e v e s ( e r i p m E n a m o t t O e h t n i s e r t n e c g n i r u t c a f u n a m d e t c e l e S P A M CONTENTS Map vi ListofPlates viii Acknowledgements xiii ANoteonTransliteration xvii Introduction 1 1. Reusingtheworkofpasttimesandforeignlands 34 2. TheOttomansultan:victoriousandpious 60 3. Societyanditsdivisions 81 4. Aworldofthreereligions:Ottomanconquestsandthe non-Muslimpopulation 99 5. Makingwarandpeace:fighting,gift-givingandthe delineationofborders 118 6. Eatinganddrinking,mostlyfrompreciousobjects 146 7. Pilesandpilesoftextilesandleathers 166 8. Earth,water,airandfire:thegiftsandperilsofnature 191 Conclusion 215 Glossary 225 Timeline 230 Notes 235 Bibliography 263 Index 303 LIST OF PLATES Plate 0. A Holbein carpet. Bayerisches Nationalmuseum, Mu¨nchen. Holbein: Inv.-Nr. T1598, Teppich mit ornamentaler Gestaltung, Photograph D15440, photographer unknown. Borkopp Restle et al. (2002). Textile Scha¨tze aus Renaissance und Barock aus den Sammlungen des BayerischenNationalmuseums:mitgrossenFreuden,TriumphundKo¨stlichkeit, Ausstellung Mu¨nchen, Bayerisches Nationalmuseum: 10.10.2002–16.2.2003 (Munich:BayerischesNationalmuseum). Plate1.Romangravestone.AnadoluMedeniyetleriMu¨zesi,Ankara.Author’s photograph. Credit: French, David (2003). Greek, Latin and Byzantine Inscriptions of Ancyra (Ankara: The Foundation of Museum of Anatolian Civilizations),p.146,No.43. Plate 2. Tile-work panel showing Mecca (seventeenth century). Sadberk HanımMuseum.SHM-17645kucuk.Bilgi,Hu¨lya(2009).DanceofFire,Iznik TilesandCeramicsintheSadberkHanımMuseumandO¨merM.Koc(cid:1)Collections (Istanbul:VehbiKoc(cid:1) Foundation),p.434. Plate3.Iranianinspirations.MAK.Photograph:qGeraldZugmann/MAK. T8327. Noever, Peter, ed. (2009). Global-Lab: Kunst als Botschaft, Asien und Europa/Art as a Message, Asia and Europe (Vienna: MAK), pp. 300–1, No.227. Plate4.IndianwarelephantinBelgrade.TopkapıPalaceMuseum.TSMK. H.1517,fol.98a.Atıl,Esin(1986).Su¨leymanname:TheIllustratedHistoryof Su¨leymantheMagnificent(Washington,NewYork:NationalGalleryofArt andHarryN.AbramsInc.),pp.108–9,Ill.No.8. Plate 5. Chinese porcelain coffee cups. Sadberk Hanım Museum. H.K. 166-3229. Carswell, John (1995). Chinese Ceramics in the Sadberk Hanım Museum(Istanbul:VehbiKoc(cid:1) FoundationandSadberkHanımMuseum), p.137,No.190. LISTOFPLATES ix Plate6.PistolsfromcentralEuropeintheOttomanEmpire.VesteCoburg. Source:KunstsammlungenderVesteCoburgV79–80. Plate 7. Sketches (for a helmet). Bayerisches Nationalmuseum, Mu¨nchen. Inv.-Nr. 8248, Grafik tu¨rkischer Helm (unvollendet) Photograph D14427 Berlinger. Rapp, Ju¨rgen (2003). ‘Der Pergamentriss zu Su¨leymans Vierkro- nenhelm und weitere venezianische Goldschmiedeentwu¨rfe fu¨r den tu¨rkischen Hof aus dem sogenannten Schmuckinventar Herzog Albrechts vonBayern’,in:Mu¨nchnerJahrbuchderbildendenKunst,3.Series54,105–49. Plate 8. Portrait of Sultan Mehmed III. Handschrift Rastatt 201, fol. 15b. Kangal, Selmin et al. (2000). The Sultan’s Portrait: Picturing the House of Osman(Istanbul:Tu¨rkiyeI˙s¸ Bankası),p.292,No.62. Plate 9. An Ottoman ambassador in India. The David Collection, Copenhagen, Inventory number 49/1992, photographer: Pernille Klemp. Von Folsach, Kjeld (1996). Sultan, Shah and Great Mughal: The History and Culture of the Islamic World (Copenhagen: The National Museum),p.411,No.386. Plate 10. Painting of Mehmed IV. Nordiska Museets, Stockholm. Picture_0035 Mats Landin, q Nordiska museet. A˚dahl, Karin (2006). Alay-ı Hu¨mayun: I˙svec(cid:1) Elc(cid:1)isi Ra˚lamb’ın I˙stanbul Ziyareti ve Resimleri 1657– 1658,tr.byAliO¨zdamar(Istanbul:KitapYayınevi),p.79. Plate 11. A portrait of Mahmud II. Staatsbibliothek Berlin. Cod.or.fol. 3064,Bl.73b/74a.Exhibitioncatalogue(1985).Tu¨rkischeKunstundKultur ausosmanischerZeit(Recklinghausen:AurelBongers). Plate12.AyoungOttomangentleman(Levni)andaBursawoman(Levni). Topkapı Palace Museum. TSMK. H.2164, fol.10b ve fol.7a. I˙repog˘lu, Gu¨l (1999). Levni: Nakıs¸ S¸iir Renk (Istanbul: Ku¨ltu¨r ve Turizm Bakanlıg˘ı), pp.180,186,No.7aand10b. Plate13.Weighingscalesandweights.PeraMuseum.PMA645(scales)and PMA 241 (weight). Suna ve I˙nan Kırac(cid:1) Vakfı Anadolu Ag˘ırlık ve O¨lc(cid:1)u¨leri Koleksiyonu. Ku¨rkman, Garo (2003). Anadolu’da Agırlık ve O¨lc(cid:1)u¨leri (Antalya:AKMED)No.148andNo.185(nopagination). Plate 14. A peasant family. Staatsbibliothek Mu¨nchen. td33905-00001. Stackelberg,OttoMagnusFreiherrvon(1831).TrachtenundGebra¨ucheder Neugriechen(Berlin:Reimer),separateprints. Plate 15. Faience plate showing a captive. Vo¨lkerkunde-Museum, Munich (now:Museumderfu¨nfKontinente).Janissaryimage17-33-33@1Ekta-SAM-2.

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