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A Cultural History of Democracy in the Renaissance PDF

289 Pages·2022·8.696 MB·English
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A CULTURAL HISTORY OF DEMOCRACY VOLUME 3 A Cultural History of Democracy General Editor: Eugenio F. Biagini Volume 1 A Cultural History of Democracy in Antiquity Edited by Paul Cartledge and Carol Atack Volume 2 A Cultural History of Democracy in the Medieval Age Edited by David Napolitano and Kenneth J. Pennington Volume 3 A Cultural History of Democracy in the Renaissance Edited by Virginia Cox and Joanne Paul Volume 4 A Cultural History of Democracy in the Age of Enlightenment Edited by Michael Mosher and Anna Plassart Volume 5 A Cultural History of Democracy in the Age of Empire Edited by Tom Brooking and Todd M. Thompson Volume 6 A Cultural History of Democracy in the Modern Age Edited by Eugenio F. Biagini and Gary Gerstle A CULTURAL HISTORY OF DEMOCRACY IN THE RENAISSANCE VOLUME 3 Edited by Virginia Cox and Joanne Paul 9781350042810_txt_print.indd 3 25-02-2021 21:33:31 BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Copyright © Virginia Cox, Joanne Paul, and contributors, 2021 Virginia Cox, Joanne Paul, and contributors have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Authors of this work. Series design by Raven Design Cover image: Portrait of a Halberdier, Pontormo (Jacopo Carucci), Italy, 1529-30, oil on panel transferred to canvas, 95.3 x 73 cm. Digital image courtesy of Getty’s Open Content Program All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1-3500-4281-0 HB Set: 978-1-3500-4293-3 Series: The Cultural Histories Series Typeset by Integra Software Services Pvt. Ltd. To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters. CONTENTS List of iLLustrations vii GeneraL editor’s Preface xi Introduction Virginia Cox and Joanne Paul 1 1 Sovereignty Daniel Lee 23 2 Liberty and the Rule of Law Peter Stacey 41 3 The Common Good Simone Maghenzani 63 4 Economic and Social Democracy Anna K. Becker 83 5 Religion and the Principles of Political Obligation Ethan H. Shagan 101 6 Citizenship and Gender Virginia Cox 117 7 Human Diversity and Democracy in the Renaissance Peter Stamatov 141 vi CONTENTS 8 Democratic Crises, Revolutions, and Civil Resistance David Ragazzoni 159 9 International Relations Kurosh Meshkat 183 10 Beyond the Polis Kirsty Rolfe 201 notes 217 references 223 notes on contributors 258 index 260 ILLUSTRATIONS Cover This portrait, by the Florentine artist Jacopo Pontormo, has been image identified as a depiction of a young Florentine patrician, Francesco Guardi, dressed in the uniform of the citizen militia defending the last Florentine republic (1527–30) against an imperial army 0.1 Early eighteenth-century engraving representing the Five Nation (or Iroquois) Confederacy, mirroring representations of European deliberative bodies 5 0.2 The king of Aragon enthroned, with the Catalan Parliament. Frontispiece to a printed edition of the Constituciones Catalanas (Catalan Constitution) of 1495 6 0.3 Queen Elizabeth (1533–1603) at the Opening of Parliament, by Robert Glover (1544–88) 9 0.4 Detail of Gentile Bellini’s 1496 painting Procession in St. Mark’s Square, showing members of the Scuola Grande di San Giovanni Evangelista (literally, The Great School of St. John the Evangelist) carrying a reliquary with a miracle-working fragment of the True Cross 10 0.5 Domenico Ghirlandaio’s decorations for the Sala dei Gigli (Room of the Lilies) in Palazzo Vecchio, Florence 16 9781350042810_txt_print.indd 7 25-02-2021 21:33:31 viii ILLUSTRATIONS 1.1 The façade of Antwerp town hall, built mid-sixteenth century 26 3.1 Ambrogio Lorenzetti, Allegory of Good Government, 1338–9, Siena, Palazzo Pubblico (Sala dei Nove) 64 3.2 Representation of the Great Seal of the Commonwealth of England, showing Parliament in session, 1651 69 3.3 Seal of Massachusetts Bay Colony, 1629 75 4.1 Copy by Rowland Lockey, dating to 1592, of a group portrait by Hans Holbein of the family of the humanist Sir Thomas More, painted in 1527 (and destroyed by a fire in 1752) 84 4.2 Isaac Oliver, The Browne Brothers with an Unknown Man, 1598. Oliver’s miniature portrait portrays Anthony-Maria Brown, second Viscount Montagu, with his younger brothers, John and William, standing under a motto, Figurae conformis affectus 93 4.3 This painting, dating to 1563, by an unidentified artist, depicts the family of Pierre de Moucheron and his wife Isabeau de Gerbier 98 4.4 Diebold Schilling the Younger, Swiss Mercenaries Crossing the Alps, from the Lucerne Chronicle, 1513 99 6.1 Titian (Tiziano Vecellio) and workshop, The Vendramin Family Venerating a Relic of the True Cross, early 1540s, oil on canvas. London, National Gallery 120 6.2 Four of the Nine Heroines (neuf preuses), as represented in a fresco cycle by an anonymous artist dating to around 1420, in the Castello della Manta, near Saluzzo in Piedmont 124 6.3 Andrea del Castagno, Queen Tomyris, c. 1450, from a cycle of nine Famous Men and Women painted for the Villa Carducci in Legnaia, near Florence 125 6.4 Ercole de’ Roberti, Brutus and Portia, c. 1486–90 128 6.5 Hans Eworth, Elizabeth I and the Three Goddesses, 1569 129 6.6 Matteo Pagani, La piu bella e piu favorite donna del gran Turcho, dita la Rossa, 1540–50 131 9781350042810_txt_print.indd 8 25-02-2021 21:33:31 ILLUSTRATIONS ix 6.7 Matteo Pagani, Sulimano Imperator de’ Turchi, 1540–50 132 7.1 “El Corregidor convida a gente baja” (The Corregidor [title of a Spanish colonial magistrate] hosts a meal for low people). Illustration from the chronicle of Felipe Guamán Poma de Ayala, Nueva corónica y buen gobierno (New Chronicle and Good Government) (1615) 146 7.2 “A wonderful Indian woman of Cumaná,” woodcut from Girolamo Benzoni, Historia del mondo nuovo (History of the New World) (1565) 147 7.3 “Pole” from Cesare Vecellio’s costume book On the Ancient and Modern Customs of Various Parts of the World, 1590 152 7.4 “Married Englishwoman” from Cesare Vecellio’s costume book On the Ancient and Modern Customs of Various Parts of the World, 1590 153 8.1 Palazzo della Signoria (and its Tower) today 164 8.2 Francesco and Raffaello Petrini, La Veduta della Catena (detail) 165 8.3 Ambrogio Lorenzetti, Allegory of Bad Government, 1338–9 166 8.4 Frontispiece of Thomas Hobbes, Leviathan (1651), etched by Parisian artist Abraham Bosse with creative input from Hobbes himself 169 8.5 Frontispiece of A Sacred Decretall (1645) 177 8.6 Woodcut frontispiece for a 1646 edition of the English ballad “The World Turned Upside Down” 178 9.1 Buddha offers fruit to the devil, Compendium of Chronicles, Khalili Collection, MSS727, c. 1314 185 9.2 King (Alexander) with an astrologer and a physician. Pseudo-Aristotle, Secretum Secretorum, translated by Philip of Tripoli, 1326–7 192 9.3 Macrocosm and Microcosm from Tobias Schutz, Harmonia macrocosmi cum microcosmi (1654) 193 9781350042810_txt_print.indd 9 25-02-2021 21:33:31

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