A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries PDF
Preview A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
_book_id: 0 _book_language: en _book_alttitle: 0 _dedication_title: 0 _publisher_id: 0 _collection_id_series: bcmc i A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries © koninklijke brill nv, leiden, 2021 | doi:10.1163/9789004435032_001 ii Brill’s Companions to the Musical Culture of Medieval and Early Modern Europe VOLUME 4 The titles published in this series are listed at brill.com/bcmc iii A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries Edited by Andrew H. Weaver LEIDEN | BOSTON iv Cover illustration: ‘Die suessen Melodey’, plate 24 of the Triumphzug of Maximilian I, woodcut by Hans Burgkmair, begun 1512, published 1526. From Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses, Beilage to vol. 1 (Vienna, 1883-84), public domain. Courtesy Florida State University . Library of Congress Cataloging-in-Publication Data Names: Weaver, Andrew H., editor. Title: A companion to music at the Habsburg courts in the sixteenth and seventeenth centuries / edited by Andrew H. Weaver. Description: Leiden ; Boston : Brill, 2020. | Series: Companions musical culture of medieval and early modern Europe, 2214-9511 ; volume 4 | Includes index. Identifiers: LCCN 2020027776 (print) | LCCN 2020027777 (ebook) | ISBN 9789004434363 (hardback) | ISBN 9789004435032 (ebook) Subjects: LCSH: Music--Europe--16th century--History and criticism. | Music--Europe--17th century--History and criticism. | Habsburg, House of--Music patronage. Classification: LCC ML240.2 .C66 2020 (print) | LCC ML240.2 (ebook) | DDC 780.9/031--dc23 LC record available at https://lccn.loc.gov/2020027776 LC ebook record available at https://lccn.loc.gov/2020027777 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 2214-9511 isbn 978-90-04-43436-3 (hardback) isbn 978-90-04-43503-2 (e-book) Copyright 2021 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense, Hotei Publishing, mentis Verlag, Verlag Ferdinand Schöningh and Wilhelm Fink Verlag. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. This book is printed on acid-free paper and produced in a sustainable manner. ContentCsontents v Contents Acknowledgements IX List of Illustrations X List of Tables XII List of Music Examples XIII Manuscript Sigla and Other Abbreviations xIV Notes on Contributors xXIII xXvIII Introduction 1 Andrew H. Weaver 1 Politics, Religion, and Music at the Early Modern Habsburg Courts 16 Paula Sutter Fichtner with Andrew H. Weaver Part 1 Institutional Contexts 2 The Court Chapels of the Habsburg-Burgundian Line: From Emperor Maximilian I to Emperor Charles V 59 Honey Meconi 3 The Court Chapels of the Spanish Line: From King Philip II to King Charles II 96 Pablo L. Rodríguez 4 The Court Chapels of the Austrian Line (I): From Emperor Ferdinand I to Emperor Matthias 131 Jonas Pfohl 5 The Court Chapels of the Austrian Line (II): From Archduke Charles II to Emperor Leopold I 176 Lawrence Bennett, Steven Saunders, and Andrew H. Weaver 6 The Court Chapels of the Tyrolean Line: From Archduke Ferdinand II to Archduke Ferdinand Charles 220 Sara Pecknold Contents Contents Acknowledgements Illustrations Manuscript Sigla and Other Abbreviations Notes on Contributors Introduction 1 Andrew H. Weaver Chapter 1 vi Contents Politics, Religion, and Music at the Early Modern Habsburg Courts: Some Context 16 Paula Sutter Fichtner with Andrew H. Weaver Part 1 Part 2 Institutional Contexts Chapter 2 Cultural Contexts The Court Chapels of the Habsburg-Burgundian Line 59 From Emperor Maximilian I to Emperor Charles V Honey Meconi Chapter 3 7 Italian Musical Dramatic Genres at the Courts of the Austrian The Court Chapels of the Spanish Line 96 From King Philip II to King Charles II Habsburgs 255 Pablo L. Rodríguez Chapter 4 Herbert Seifert The Court Chapels of the Austrian Line (I) 131 From Emperor Ferdinand I to Emperor Matthias Jonas Pfohl Chapter 5 8 Festivity and Spectacle at the Spanish Royal Court 273 The Court Chapels of the Austrian Line (II) 176 From Archduke Charles II to Emperor Leopold I Louise K. Stein Lawrence Bennett, Steven Saunders, and Andrew H. Weaver Chapter 6 The Court Chapels of the Tyrolean Line 220 From Archduke Ferdinand II to Archduke Ferdinand Charles 9 Contexts for and Functions of Instrumental Music in Central Sara Pecknold Part 2 Europe 308 Cultural Contexts Chapter 7 Charles E. Brewer Italian Musical Dramatic Genres at the Courts of the Austrian Habsburgs 255 Herbert Seifert Chapter 8 10 Manuscript Culture: The Habsburg-Burgundian Scriptorium and Some Festivity and Spectacle at the Spanish Royal Court 273 Louise K. Stein Successors 347 Chapter 9 Contexts for and Functions of Instrumental Music in Central Europe 308 Honey Meconi Charles E. Brewer Chapter 10 Manuscript Culture 347 The Habsburg-Burgundian Scriptorium and Some Successors 11 Print Culture: Printed Music and Other Media in the Service of the Honey Meconi Chapter 11 Habsburgs 397 Print Culture 397 Printed Music and Other Media in the Service of the Habsbliberurgs Andrew H. Weaver Andrew H. Weaver Chapter 12 Colonialism and Music in Habsburg New Spain 439 Drew Edward Davies 12 Colonialism and Music in Habsburg New Spain 439 Part 3 International Contexts Drew Edward Davies Chapter 13 Die Teutsche Nation 467 Musical Links between the Habsburg Courts and the German States of the Empire Alexander J. Fisher Chapter 14 Part 3 Milan 499 Imperial City and ‘Theatre of the World’ International Contexts Christine Getz Chapter 15 Musical Connections between the Austrian Habsburgs and Venice in the Late Sixteenth and Seventeenth Centuries 534 Beth L. Glixon, Jeffrey Kurtzman, and Steven Saunders 13 Die Teutsche Nation: Musical Links between the Habsburg Courts and Chapter 16 A Tale of Two entrate 571 the German States of the Empire 467 Processions, Politics, and Patronage for the Habsburgs in Sixteenth – and Seventeenth-Century Rome Virginia Christy Lamothe Alexander J. Fisher Index 611 14 Milan: Imperial City and ‘Theatre of the World’ 499 Christine Getz 15 Musical Connections between the Austrian Habsburgs and Venice in the Late Sixteenth and Seventeenth Centuries 534 Beth L. Glixon, Jeffrey Kurtzman, and Steven Saunders Contents vii 16 A Tale of Two entrate: Processions, Politics, and Patronage for the Habsburgs in Sixteenth- and Seventeenth-Century Rome 571 Virginia Christy Lamothe Index 611 viii Contents
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