2012 Artist's & Graphic Designer's Market PDF
Preview 2012 Artist's & Graphic Designer's Market
Mary Burzlaff Bostic, Editor NORTH LIGHT BOOKS CINCINNATI, OHIO artistsmarketonline.com CONTENTS FROM THE EDITOR BUSINESS BASICS HOW TO USE THIS BOOK HOW TO STAY ON TRACK & GET PAID COPYRIGHT BASICS PROMOTING YOUR WORK ARTICLES & INTERVIEWS ADAPT AND SELL MORE ART IN 2012 by Lori McNee SECRETS TO SOCIAL MEDIA SUCCESS Twitter, Facebook and YouTube by Lori McNee POCKET-SIZED PROMOTION Perfectly Portable Solutions by Maggie Price NEED AN ONLINE PRESENCE FAST? We’ll Show You How to Build an Art Blog in an Hour by Grace Dobush and Tim Langlitz SELLING ART THE WAY YOUR CUSTOMER BUYS by Karen Leland SOMETHING TO TALK ABOUT 4 Strategies for Generating Referrals by Peleg Top WORKSHOPS IOI Tips From Today’s Top Instructors by Jessica Canterbury HANDLING PROBLEMS THE CREATIVE WAY by Holly DeWolf CREATIVITY IN PRACTICE by Peleg Top MANAGING YOUR CLIENTS Two Skills That Will Put You Back in the Driver’s Seat in Your Client Relationships by Ilise Benun TOM DAVIE Hand-Made Design by Tamera Lenz Muente MIKE MAYDAK Find Your Tribe by Tamera Lenz Muente MARKETS GALLERIES MAGAZINES BOOK PUBLISHERS GREETING CARDS, GIFTS & PRODUCTS POSTERS & PRINTS ADVERTISING, DESIGN & RELATED MARKETS SYNDICATES & CARTOON FEATURES ARTISTS’ REPRESENTATIVES ART FAIRS CONTESTS WORKSHOPS & ART TOURS RESOURCES GRANTS State and Provincial RESIDENCIES & ORGANIZATIONS INDEXES GEOGRAPHIC INDEX NICHE MARKETING INDEX GENERAL INDEX FROM THE EDITOR Each year we look for new and better ways to give you the tools you need to make the most of your artistic career with Artist’s & Graphic Designer’s Market. And, I have to say, I am really excited to share this year’s edition with you. We’ve increased the number of up-to-date market listings to more than 1,700 contacts, and we’ve doubled the number of business features and interviews. There is so much new material, we had to increase the page count! On some of those new pages you’ll find lots of advice for improving your art or graphic design business and selling your work. Check out special features on selling more art in 2012, secrets to social media success, pocket-sized promotion, creating an online presence, fine-tuning your sales pitch and generating referrals. Then read on for insider secrets to getting the most from workshops, handling problems creatively, applying creative thinking to running your business and managing your clients. You’ll also find inspiring and informative interviews with successful professionals, including graphic designer Tom Davie and artist and illustrator Mike Maydak. It’s all here—inspiration, information and practical tips on how to get it done. Read on, keep creating and good luck! Mary Burzlaff Bostic [email protected] www.artistsmarketonline.com BUSINESS BASICS HOW TO USE THIS BOOK If you’re picking up this book for the first time, you might not know quite how to start using it. Your first impulse might be to flip through and quickly make a mailing list, submitting to everyone with hopes that someone might like your work. Resist that urge. First you have to narrow down the names in this book to those who need your particular art style. That’s what this book is all about. We provide the names and addresses of art buyers along with plenty of marketing tips. You provide the hard work, creativity, and patience necessary to hang in there until work starts coming your way. Listings The book is divided into market sections, from galleries to art fairs. (See the Table of Contents for a complete list.) Each section begins with an introduction containing information and advice to help you break into that specific market. Listings are the meat of this book. In a nutshell, listings are names, addresses, and contact information for places that buy or commission artwork, along with a description of the type of art they need and their submission preferences. Articles and interviews Throughout this book you will find helpful articles and interviews with working artists and experts from the art world. These articles give you a richer understanding of the marketplace by sharing the featured artists’ personal experiences and insights. Their stories, and the lessons you can learn from other artists’ feats and follies, give you an important edge over competition. HOW ARTIST’S & GRAPHIC DESIGNER’S MARKET WORKS Following the instructions in the listings, we suggest you send samples of your work (not originals) to a dozen (or more) targeted markets. The more companies you send to, the greater your chances of a positive response. Establish a system to keep track of who you submit your work to and send follow-up mailings to your target markets at least twice a year. How to read listings The first thing you’ll notice about many of the listings in this book is the group of symbols that appears before the name of each company. (You’ll find a quick- reference key to the symbols on the front and back inside covers of the book.) Here’s what each symbol stands for: Market new to this edition Canadian market International market Market prefers to work with local artists/designers Each listing contains a description of the artwork and/or services the company prefers. The information often reveals how much freelance artwork is used, whether computer skills are needed, and which software programs are preferred. In some sections, additional subheads help you identify potential markets. Magazine listings specify needs for cartoons and illustrations. Galleries specify media and style. Editorial comments, denoted by , give you extra information about markets, such as company awards, mergers and insight into a company’s staff or procedures. It might take a while to get accustomed to the layout and language in the listings. In the beginning, you will encounter some terms and symbols that might be unfamiliar to you. Refer to the Glossary to help you with terms you don’t understand. Working with listings 1. Read the entire listing to decide whether to submit your samples. Do not use this book simply as a mailing list of names and addresses. Reading listings carefully helps you narrow your mailing list and submit appropriate material. 2. Read the description of the company or gallery in the first paragraph of the listing. Then jump to the Needs or Media heading to find out what type of artwork is preferred. Is it the type of artwork you create? This is the first step to narrowing your target market. You should send your samples only to places that need the kind of work you create. 3. Send appropriate submissions. It seems like common sense to research what kind of samples a listing wants before sending off just any artwork you have on hand. But believe it or not, some artists skip this step. Some art directors have pulled their listings from Artist’s & Graphic Designer’s Market because they’ve received too many inappropriate submissions. Look under the First Contact & Terms heading to find out how to contact the market and what to send. Some companies and publishers are very picky about what kinds of samples they like to see; others are more flexible. FREQUENTLY ASKED QUESTIONS 1 How do companies get listed in the book? No company pays to be included—all listings are free. Every company has to fill out a detailed questionnaire about their art needs. All questionnaires are screened to make sure the companies meet our requirements. Each year we contact every company in the book and ask them to update their information. 2 Why aren’t other companies I know about listed in this book? We may have sent these companies a questionnaire, but they never returned it. Or if they did return a questionnaire, we may have decided not to include them based on our requirements. If you know of a market you’d like to see in the book, send an e-mail request to art. [email protected]. 3 I sent some samples to a company that stated they were open to reviewing the type of work I do, but I have not heard from them yet, and they have not returned my materials. What should I do? At the time we contacted the company, they were open to receiving such submissions. However, things can change. It’s a good idea to contact any company listed in this book to check on their policy before sending them anything. Perhaps they have not had time to review your submission yet. If the listing states that they respond to queries in one month, and more than a month has passed, you can send a brief e-mail to the company to inquire about the status of your submission. Some companies receive a large volume of submissions, so you must be patient. Never send originals when you are querying—always send copies. If for any reason your samples are never returned, you will not have lost forever the opportunity to sell an important image. It is a good idea to include a SASE (self- addressed, stamped envelope) with your submissions, even if the listing
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