Praise for 1,000 Foods to Eat Before You Die “Mimi Sheraton was one of the few critics or writers on food who, had she expressed displeasure with me, would have caused me to consider quitting the business. As a chef, I feared and respected her. As a writer and observer and enthusiast—as someone who travels largely on his stomach—I can tell you that what Mimi doesn’t know is hardly worth knowing. This fat, comprehensive guide to the 1,000 foods to eat before dying is just that: 1,000 foods you NEED to try, urgently. Read . . . and seek.” —Anthony BourdAin, author, host, enthusiast “There is no one more authoritative than Mimi Sheraton to help you discover 1,000 Foods to Eat Before You Die. And that’s because she has actually eaten each and every one of them with gusto, and with one of the world’s most discerning and educated palates. This book may just become my go-to source for new menu ideas at our restaurants!” —dAnny Meyer, restaurateur and author of Setting the table: the tranSforming Power of hoSPitality in buSineSS “We are forever grateful to the incomparable Mimi Sheraton for her knowledge and certainty as a journalist and critic.” —thoMAs Keller, chef/proprietor of the french Laundry “Few people in the world have the experience that Mimi Sheraton brings to the subject of food. I’ll be spending the rest of my days knocking off dish by dish in 1,000 Foods to Eat Before You Die.” —BoBBy FlAy, chef, restaurateur “Informative, evocative, and entertaining. It’s a pleasure to check off the foods you’ve eaten and to plan to try the ones you haven’t yet enjoyed.” —MArcus sAMuelsson, cookbook author, chef, owner of red rooster harLem “I’m in awe of Mimi’s ability to compile such a beautiful and insightful book, again proving why she is one of the most important food writers of our time. This book is a gift to all food lovers, a thorough, delicious guide to the best dishes and ingredients around the globe.” —dAniel huMM, chef/owner, eLeven madison park and the nomad “If you love food, this is a book to read before you die! Mimi Sheraton’s knowledge of the world’s foods is legendary, as is the sharpness of her opinions. On nearly every page of 1,000 Foods to Eat Before You Die, I’ve learned something new or honed my own judgment on hers. And with its links to sources and resources all over the world, I’ll be dining in and out on it for years to come.” —hArold McGee, author of on food and Cooking: the SCienCe and lore of the kitChen and keyS to good Cooking: a guide to making the beSt of food and reCiPeS “Who else would you trust on topics ranging from English jellied eel to hokey pokey ice cream from New Zealand and everything in between? Only the well-seasoned Mimi Sheraton.” —GrAnt AchAtz, chef/co-owner of aLinea, next, the aviary “Mimi Sheraton has always reminded us that eating is an activity as much of the imagination as of the palate and the tongue. In 1,000 Foods to Eat Before You Die, she reaps the rich harvest of her prodigious gifts of endless curiosity, lightly worn knowledge, and elegance of style. She has provided us with a feast to be tasted and savored with the greatest pleasure.” —MAry Gordon, author of the liar’S wife and final PaymentS “This book reads like a map to many of the great food experiences the world has to offer. A valuable addition to any food library.” —eric ripert, chef, Le bernardin, author of aveC eriC: a Culinary Journey with eriC riPert “Gargantuan in its appetite and encyclopedic in its scope, this is the most comprehensive book ever written on the great foods of the world. The book every food writer dreams of writing. A tour de force.” —steven rAichlen, author of the barbeCue! bible cookbooks and host of Primal grill “Mimi Sheraton has written the definitive international guide for food lovers. Each page is filled with culinary treasures and surprises, presented in an engaging and entertaining manner. Reading and dining pleasure awaits you!” —drew nieporent, restaurateur, tribeca GriLL, nobu, bâtard “To this non-foodie, 1,000 Foods to Eat Before You Die was a revelation—perhaps the most useful travel guide on my shelf. I’m heading to Marrakesh for tagine right now.” —Andrew MccArthy, traveL writer, actor, director “Mimi Sheraton is a national treasure. Her knowledge of food can’t be beat—if anyone knows the 1,000 foods of a lifetime, it’s Mimi.” —dAniel Boulud, chef, restaurant danieL, new york city 11,,000000 FF OO OODDSS TT EE OO AATT BB EEFFOORREE YY DD OOUU IIEET®®M A Food Lover’s Life List Mimi Sheraton with Kelly Alexander WORKMAN PUBLISHING, NEW YORK Copyright © 2014 by Mimi Sheraton All rights reserved. No portion of this book may be reproduced— mechanically, electronically, or by any other means, including photocopying—without written permission of the publisher. Published simultaneously in Canada by Thomas Allen & Son Limited. 1,000 . . . BEFORE YOU DIE is a registered trademark of Workman Publishing Co., Inc. 1,000 FOODS TO EAT BEFORE YOU DIE is a trademark of Workman Publishing Co., Inc. Library of Congress Cataloging-in-Publication Data is available. ISBNs: 978-0-7611-4168-6 (pb); 978-0-7611-8554-3 (hc) Design by Janet Vicario and Orlando Adiao Photo research by Bobby Walsh, Melissa Lucier, and Jenna Bascom Photo credits appear on pages 987–990. Workman books are available at special discounts when purchased in bulk for premiums and sales promotions as well as or fund-raising or educational use. Special editions or book excerpts can also be created to specification. For details, contact the Special Sales Director at the address below, or send an email to [email protected]. Workman Publishing Company, Inc. 225 Varick Street New York, NY 10014-4381 workman.com WORKMAN is a registered trademark of Workman Publishing Co., Inc. Printed in the United States of America First printing December 2014 10 9 8 7 6 5 4 3 2 1 “The joys of the table belong equally to all ages, conditions, countries, and times; they mix with all other pleasures, and remain the last to console us for their loss.” –jean anthelme brillat-savarin Dedication To my sonR, Marc Falcone, my daughter-in-law, Caitlin Halligan, and my granddaughter, Anna Falcone, with love and gratitude for their support, companionship, and affection, and for the joys they always bring. And to the memory of our adored Richard Falcone, the husband, father, father-in-law, and grandfather whom we shall always love and miss. Acknowledgments In a work of this size that took so many years to complete, it should be no surprise R that there is a very long of list of wonderful people to whom I am indebted for their insights, expertise, willingness to help, and, perhaps most of all, friendship. During my sixty years as a food writer, I I know I was spared much embarrassment have worked with many fine publishers, but by the work of Caitlin McEwan and Kelly never with one so patient, dedicated, coopera- Rummel, who did diligence as fact checkers, and tive, and helpful as Workman Publishing. Savannah Ashour, who line-edited the book. Primary credit for that goes to the company’s I am grateful also to Workman’s art depart- founder, Peter Workman, who agreed to do this ment. That so many divergent entries appear so book and who believed in it enough to never attractively and functionally is due to the efforts even hint at pulling the plug after one deadline of many, beginning with the combined talents gave way to another. His commitment to quality of Janet Vicario, the art director, and Orlando books and the integrity he brought to publishing Adiao, the book’s designer. Bringing it all to a permeates the company he left behind. I shall coherent pass was the meticulous work of the always regret that he did not live to see this production editor, Kate Karol, assisted by Jessica come to fruition and I hope he would have Rozler, as well as the production manager, Doug thought it all worth the wait. Wolff, not to forget the intricacies of the typeset- My first entry into Workman came via its ting process overseen by Barbara Peragine. affable executive editor, Suzanne Rafer, who Entries would not appear so clear and continued to guide, cajole, and encourage as intriguing without the photographs ingeniously work progressed. Similarly, Suzie Bolotin, edito- unearthed by Anne Kerman’s expert photo rial director, also never nagged or threatened research team, including Bobby Walsh, Melissa me but always kept an overall eye as material Lucier, and Jenna Bascom. I thank Rachael Mt. went through, making valuable suggestions that Pleasant and Caitlin McEwan for their help with I sometimes even took. Above all, the most the captions. noble work was done by Margot Herrera, the Also, for getting the word out by publicizing saintly editor in charge of this project. With her the book, I offer my deepest appreciation to unerring eye for detail and her insistence on Workman’s director of publicity, Selina Meere, accuracy, she bore the brunt of outbursts and and Noreen Herits, executive publicist. exasperations from one who loathes details and That this work ever was completed at all is the nitty-gritty. Margot never once lost her tem- due to the dedicated, invaluable help of two per, even as I so often lost mine. friends and colleagues: Kelly Alexander and I am also forever indebted to Heather Megan Peck. Schwedel, who was always at the other end of an Kelly Alexander of Chapel Hill, NC, is her- email to straighten out my confusions in schedul- self an accomplished food writer who, with ing, organization, and to guide me safely when- Cynthia Harris, coauthored Hometown Appetites: ever I was lost in cyberspace, which was often. The Story of Clementine Paddleford, the Forgotten