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Durham E-Theses Textural and semantic studies in classical yoga Feuerstein, G. A. How to cite: Feuerstein, G. A. (1975) Textural and semantic studies in classical yoga, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9765/ Use policy Thefull-textmaybeusedand/orreproduced,andgiventothirdpartiesinanyformatormedium,withoutpriorpermissionor charge,forpersonalresearchorstudy,educational,ornot-for-pro(cid:28)tpurposesprovidedthat: • afullbibliographicreferenceismadetotheoriginalsource • alinkismadetothemetadatarecordinDurhamE-Theses • thefull-textisnotchangedinanyway Thefull-textmustnotbesoldinanyformatormediumwithouttheformalpermissionofthecopyrightholders. PleaseconsultthefullDurhamE-Thesespolicyforfurtherdetails. AcademicSupportO(cid:30)ce,DurhamUniversity,UniversityO(cid:30)ce,OldElvet,DurhamDH13HP e-mail: [email protected]: +4401913346107 http://etheses.dur.ac.uk ABSTRACT OF THE THESIS ENTITLED "TEXTUAL AND SEMANTIC STUDIES IN CLASSICAL YOGA" by G-.A. Peuerstein Notwithstanding that the Yoga-Sutra of Batanjali has received more scholar3y attention than any other yogic scripture* with the notable exception of the Bhagavad-G-Ita, the existing translations and accounts of the Yoga-Sutra are marred by serious misinterpretations. It is argued that these misapprehensions are due to (a) an almost naive reliance on the Sanskrit exegetists and (b) the want of a critical, in-depth analysis of both the textual structure of Ratafijali's work and his conceptual and doctrinal edifice* The present thesis represents an attempt to meet these desiderata by way of a strictly system-immanent interpretation of the teachings of Patanjali, founded on textual oriticism. The data are arranged into two major parts. The first part (chapters 2-4) consists in a stringent examination of the textual structure of the Yoga-Sutra on the basis of an explicit methodology postulating, in conscious contrast to the a priori assumptions of previous researchers, the intrinsic homogeneity of the text This approach proved generative of significant new perspectives. Above*all it established that the Yoga-Sutra is a composite of two sets of tradition viz. Kriyayoga and Astangayoga, the latter being represented by a series of aphorisms which appear to be 'quoted* in the main text rather than arbitrarily interpolated. This crucial finding furnished the starting-?point for the critical analysis, attempted in the second part of the thesis (chapters 5-7 )> of the conceptual framework of Classical Yoga as embodied in the Yoga-Sutra itself. It was possible to cast new light on several key concepts - philosophical, psychological and practical - of PataHjali system of thought. These analyses clearly evinced the full autonomy of Bataffjalayoga as a distinct darsana, thus correcting the popular misconception that Classical Yoga is merely Classical Samkhya transmogrified along theistic lines*. T E X T U AL AND S E M A N T IC S T U D I ES IN C L A S S I C AL Y O &A Dissertation presented to the University of Durham for the degree of Master of Letters by G - e o rg F e u e r s t e in October 1975 The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. A C K N O W L E D G E M E N TS In the course of this study I have become indebted to a number of people. First of a l l, I must record my gratitude to Dr. K. Werner, of the School of Oriental Studies, for providing the initial impetus to undertake this piece of research under his supervision at the University of Durham and for granting me the greatest latitude possible both as regards the contents and the form of this thesis* Next, I wish to express my deep obligation to Professor Corrado Pensa (Rome) and Professor Algis Mickunas (Ohio), whose friendly encouragement and abiding interest in my work have proven of inestimable value* This is the kind of rich nutriment which is so essential to any maverick researcher. The past two years in Durham have been in many ways rewarding, largely thanks to the courteous welcome of several members of staff of the local Department of Anthropology. I particularly wish to thank Professor Eric Sunderland and Dr. Norman Long, not least for seconding my nomination as a Fellow of the Royal Anthropological Institute. I am, finally, much obliged to Mr. Philip Rawson for allowing me to peruse an Indian PhD thesis which was in his custody at the time* ii C O N T E N TS PART ONE : INTRODUCTION Chapter 1 : A Preliminary Definition of 'Yoga' 2 PART TWO : TEXTUAL PROBLEMS Chapter 2 : The Yoga-Sutra in the Light of the Classical Exegetists 9 Chapter 3 : A Structural Analysis of the Yoga-Sutra 24 Chapter 4 : Kriya-Yoga and Asta-Anga-Yoga : A Comparison 80 PART THREE : SEMANTIC INVESTIGATIONS Chapter 5 : Philosophical Abstracta 1. TsVara 97 2. Purusa 116 3. Prakrti 133 4. Kaivalya 174 Chapter 6 : Psychological Concepts 1• Citta 184 2. Vrtti 189 3. Klesa, Klista-Aklis^a 191 i ii 4* Samskara, Vasaim, Asaya 196 5. Nirodha 203 6. Pratyaya 207 Chapter 7 : Practice Concepts 1. Abhyasa, Vairagya 211 2. Pratyahara, Dharana, Dhyana 215 3. Samadhi 221 PART POUR : CONCLUSION Chapter 8 : Patanjala-Yoga and Classical Samkhya 246 List of Publications Cited 264 1 F A RT ONE I N T R O D U C T I ON 2 CHAPTER ONE A PRELIMINARY DEFINITION OF 'TOGA* It seems apposite to offer, at the very outset of this study, a preliminary definition of the subject-matter, viz* Toga. In the past several tentative definitions or, more accurately, descriptions have been proposed. These were either far too specific or else too imprecise* What does it mean to speak of Toga as a 'way of life*, •philosophy1, •Indian psychotherapy', 'religious union' or 'mysticism'? These concepts are themselves extremely vague, if not loaded, and hence quite inadequate as definitional tools* The rationale of a formal definition is the formulation of a set of propositions which are unconditionally valid* This means that only those components of the concept which are constant are to be singled out and logically related to each, other within the specifio semantic domain of that concept* The definition is expected to be both consistent and as complete as possible without at the same time violating the law of parsimony. Keeping these factors in mind I would suggest the following definition. Toga is a specifically Indian tradition consisting ] of sets of varyingly; codified and/or systematized ideas, methods and techniques primarily intended to induce a transformation of consciousness in the 3 practitioner (yogin) and transmitted from one / teacher to one or more disciples in a more or less \ formal setting. By 'specifically Indian* I mean that Yoga is a part of the. socio-cultural field of so-called Hinduism and its margins.' This includes some of the neighbouring countries, especially Tibet and Kashmir, but excludes all other regions which cannot be said to have had more than a negligible cultural contact with Hinduism and its two great socio-cultural cousin configurations Buddhism and Jainism. Thus it would be misleading to talk of an •Akkadian Toga' or 'Hebrew Yoga* as did W.J.FLAGG (1898), but the designations'Buddhist Yoga', 'Jaina Toga* or 'Tibetan Yoga' are fully justified. In view of the fact that Yoga is by no means a uniform tradition it is necessary to qualify the definition by speaking of 'sets' which, again, may be more or less complex according to the degree of codification and systematisation. By 'ideas' I mean simple concepts, fundamental suppositions, doctrines and even full-fledged' ideological superstructures. It is assumed that the goal of all forms and schools of Yoga is the breakthrough onto a different level of cognition. This automatically excludes magic with its central concern for the acquisition and mani pulation of 'power'• Yoga proper can be said to be primarily orientated towards gnosis, although it cannot be denied that some of the variants of Yoga display a more or less pronounced interest

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A Structural Analysis of the Yoga-Sutra. 24. Chapter 4 : Kriya-Yoga and Asta- Anga-Yoga : •Akkadian Toga' or 'Hebrew Yoga* as did W.J.FLAGG (1898), but.
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