ZBrush 4 Sculpting for Games: Beginner's Guide

348 Pages·2011·18.12 MB·English

by  Manuel Scherer

ZBrush 4 Sculpting for Games
Beginner's Guide
Sculpt machines, environments, and creatures for your game
development projects

Manuel Scherer
BIRMINGHAM - MUMBAI
ZBrush 4 Sculpting for Games
Beginner's Guide
Copyright © 2011 Packt Publishing
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However, Packt Publishing cannot guarantee the accuracy of this information.
First published: March 2011
Production Reference: 1090311
Published by Packt Publishing Ltd.
32 Lincoln Road
Olton
Birmingham, B27 6PA, UK.
ISBN 978-1-849690-80-5
www.packtpub.com
Cover image model rendering, painting by Manuel Scherer on a starry background from
Hubble Heritage Project, NASA
Credits
Author Editorial Team Leader
Manuel Scherer Aditya Belpathak
Reviewers Project Team Leader
Ryan Bailey Priya Mukherji
Glauco Longhi
Vivek Ram Project Coordinator
Shubhanjan Chatterjee
Luke M. Steichen
Proofreader
Acquisition Editor
Linda Morris
David Barnes
Indexers
Development Editor
Rekha Nair
Susmita Panda
Monica Ajmera Mehta
Technical Editors
Paramanand Bhat Graphics
Geetanjali Sawant
Namita Sahni
Aditi Suvarna
Production Coordinator
Alwin Roy
Copy Editor

Laxmi Subramanian Cover Work
Alwin Roy
About the Author
Manuel Scherer is a German game developer who has worked in the games industry
and in the fields of visual computing. He is currently teaching real-time visualizations at the
Offenbach Academy of Art and Design.
Apart from his beloved work, he writes as a freelance journalist about the games industry
from major events such as the Game Developers Conference Europe.
First, I would like to thank my parents, especially my father who
continuously supported me on the long way of creating such a book.
Furthermore, I would like to thank my love for her unmatched amount of
support and motivation.

Also the team at Packt did an amazing job on setting everything up, thank
you. My special thanks go to my friend and author Felix Kerger who
inspired me to write this book. Last but not the least, let me thank Prof.
Rolf Schubert and Michael Margraf, Alban Voss, and Fabian Schempp for
their infinite amount of constructive feedback and their everlasting good
mood.
About the Reviewers
Ryan Bailey is a Senior-Level CG Artist working in the Animation and Video Game industry
for over six years. Having a talent for art at a young age and parents that supported this,
helped to nurture and grow his skills and talents as an illustrator and sculptor. Realizing that
the only way to progress as an artist he moved onto the 3D Animation and Visual Effects
Program at Vancouver Film School after four years of Fine Arts schooling.
Ryan's work experience includes Lead ZBrush Artist at Electronic Arts Canada, Senior
Character Artist at Rainmaker Entertainment Inc., ZBrush Instructor at the Art Institute
of Vancouver, and currently, he is working at Tecmo-Koei Canada as a CG Artist for their
upcoming title Warriors—Legends of Troy. Even with his busy workload and family life, Ryan
still finds time to do freelance work on the side.
Glauco Longhi is a sculptor, both traditional and digital, working for the cinema and
television industry, also doing some toys and collectible works.
His passion for sculpture started in 2006, when he was working with After Effects for Motion
Graphics for TV advertisement. At the studio, he met a guy who worked with something
called 3Dmax, and then he fell in love with this brand new world.
After some basic courses, he chose the modeling area. And then, realized that only 3D
wouldn't be enough for creating some nice characters, so he started sculpting in clay. After
some months, his life was changed.
In the meantime, he worked for several 3D companies and studios, mainly focused on
modeling and sculpting, but he decided to get some time and dedicate it to his own life,
starting the freelancer living.
Now, sculpting maquettes, garage kits, prosthetic appliances, busts, halloween masks, props,
and animatronics, his life is starting to make sense.
"Since I was 10 years old, my relation with arts was zero. I only wanted to be a pro
skateboarder, and that was all I cared about. But I was very interested in how everything
works—the mechanisms, the fx, the magic, and illusion. Now, working with prosthetic
fx, animatronics and so on, it's like I'm putting everything that I always loved together.
Everything is starting to make sense—that's awesome! I love this…."
Glauco Longhi is always doing workshops around Brazil. He likes to teach and talk about
sculpture and character design, creatures, monsters, and also studying hard. Almost every
day, free time is spent, sculpting, drawing, or reading some new stuff.
"My relation with skateboarding can be easily seen through my art and my passion, my study
routine. When I was trying to do right some trick, I never stopped until I could do that on
the right and style way. Since I was a child, my brain chose this path to see things, and that's
what I do with my art. I'm obsessed with human anatomy, so I'm always trying to see things
better, but with time, I can see that this is an infinite journey…That's good, so I'll be searching
for learning forever, and this will keep me on the right path, hope so."
Vivek Ram began his career 10 years ago as a freelancer dabbling in all the various
segments of 3D animation. He has worked with Rhythm and Hues as a Senior Digital Artist
for a few years before moving on to the Dreamworks Dedicated Unit as a Modeling Lead,
where he wore multiple hats and moved between many departments during his tenure.
He currently works as an independent animation consultant, again playing the role of VFX
Supervisor, Designer, or Art Director on both feature and game projects for a variety of
studios and production houses. For more information and to view his gallery of work, please
visit www.markeviv.com.
Luke M. Steichen is a character artist working in the video game industry in Seattle,
Washington. He spent four years in the United States Army, which gave him the opportunity
to pursue his dream of making video games by letting him attend the Art Institute of Seattle
to earn his Bachelors of Fine Arts in Game Art and Design. Through hard work, dedication
(and many all-nighters) he landed an internship as a character artist which marked the
beginning of a successful career in the games industry.
Luke is currently working at Sucker Punch Productions as a character rigger and assistant
technical director on inFamous 2. Previously, Luke worked at WB Games in Kirkland,
Washington as an Associate World Artist for "Lord of the Rings: War in the North" and
F.E.A.R. 3. Before that he worked as a Contract Character artist at Surreal Software on "This Is
Vegas" and "Lord of the Rings: War in the North."
Luke's interests include sculpting, tabletop wargaming, playing guitar, and general geekiness.
Luke would like to thank his amazing wife for all her love and support (and
patience).
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Table of Contents
Preface 1
Chapter 1: Getting Started 7
Who this book is for 7
What we will learn in this book 7
Why ZBrush? 8
How ZBrush is used in a game's production 9
What you'll need for this book 11
Terminology 12
Working in the field of digital art 13
The concept 13
Time for action – a short example of a concept 14
Explore ZBrush on the Web 15
Summary 16
Chapter 2: Learning the Interface 17
Interface and navigation 17
Time for action – navigating in 3D space 19
More on the interface – The Tray 22
Time for action – using the Trays 22
Palettes 24
Trays 24
The difference between 2.5D and 3D in ZBrush 26
Time for action – working in 3D with "Tools" 26
The Edit mode 28
How to enter 2D, 2.5D, or 3D mode 29
Summary 30
Chapter 3: Modeling a Spooky Tree with ZSpheres 33
ZSpheres workflow 34
The concept of the spooky tree 34