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Welcome to the Dreamhouse: Popular Media and Postwar Suburbs PDF

439 Pages·2001·2.439 MB·English
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Preview Welcome to the Dreamhouse: Popular Media and Postwar Suburbs

8 3 4 f o 1 t e e h s / E S U O H M A E * R D E Welcome to the H T O * Dreamhouse T E M O C L E W / l e g i p S 9 7 2 6 3 0 1 : T S D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 2 t e e h s / E S U O H M A E R D E H T O -  T E M CO TelevisionandCulturalPower L E W EditedbyLynnSpigel / l e g i p S 9 7 2 6 3 0 1 : T S D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 3 t e e h s / * E S U O H M A Welcome to the E R D * E Dreamhouse H T O T E M O C L WE * / l e g i p S 9 7 2 6 Popular Media and Postwar Suburbs * Lynn Spigel 3 0 1 : ST    * DurhamandLondon *  D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 4 t e e h s / E S U O H M A E R D E H T O T E M O C L E W / l e g i p S 9 7 2 6 ©DukeUniversityPress Allrightsreserved PrintedintheUnitedStatesof Americaonacid-freepaper& DesignedbyAmyRuthBuchanan TypesetinSabonbyTseng InformationSystems,Inc. LibraryofCongressCataloging-in- 3 0 1 PublicationDataappearonthelast : T S printedpageofthisbook. D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 5 t e e h s / E S U O H M A E R D E H T O T E M O C L E W Withlovetomymother, / l e g RoslynSpigel, i p S 9 7 – 2 6 3 0 1 : T S D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 6 t e e h s / E S U O H M A E R D E H T O T E M O C L E W / l e g i p S 9 7 2 6 3 0 1 : T S D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 7 t e e h s / E S U O H M A E R D E H T O T E M O C L E Contents W / l e g i p S 9 7 2 6 Acknowledgments ix Introduction  PartI:TVHouseholds TheSuburbanHomeCompanion:Televisionandthe NeighborhoodIdealinPostwarAmerica  PortableTV:StudiesinDomesticSpaceTravel  PartII:WhiteFlight FromDomesticSpacetoOuterSpace:ThesFantastic FamilySitcom  OuterSpaceandInnerCities:AfricanAmericanResponses toNASA  PartIII:BabyBoomKids SeducingtheInnocent:ChildhoodandTelevisioninPostwar 3 America  0 1 : T S InnocenceAbroad:TheGeopoliticsofChildhoodinPostwar D 7 KidStrips  4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 8 t e e h s / E S U O H M A E R D E H T O T E M O C L E W / l e g i p S 9 7 2 6 PartIV:LivingRoomtoGallery HighCultureinLowPlaces:TelevisionandModern Art,–  BarbieswithoutKen:Femininity,Feminism, andtheArt-CultureSystem  PartV:RewindandFastForward FromtheDarkAgestotheGoldenAge: Women’sMemoriesandTelevisionReruns  Yesterday’sFuture,Tomorrow’sHome  Index  3 0 1 : T S D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T 8 3 4 f o 9 t e e h s / E S U O H M A E R D E H T O T E M O C L E Acknowledgments W / l e g i p S 9 7 2 6 * Thank you to my friends and colleagues for their wisdom and guid- ance. Charlotte Brunsdon, Julie D’Acci, Michael Curtin, and George Lipsitz read various essays and inspired me with their own work. My dearfriendsMargieSolovayandChrisBerryalwaysdeserveveryspecial thanks.VictoriaJohnson,AnnaEverett,StevenClassen,ChrisAnderson, EllenSeiter,DavidMorley,HoraceNewcomb,MoyaLuckett,Constance Penley, Henry Jenkins, Herman Gray, Nick Browne, Jan Olsson, Mimi White,WilliamForman,andMaryBethHaralovichallofferedmuchap- preciatedsupport.I’malsogratefultofriendsandcolleaguesMarita Sturken, Dana Polan,Tania Modleski, Marsha Kinder, Barbara Corday, Michael Renov, Tara McPherson, Alison Trope, and Doug Thomas for theirideasandcollaborationovertheyears.HeatherOsborne,InnisBar- ton, and Liza Trevino provided valuable help with research. I am also gratefultothepeopleattheWisconsinCenterStateHistoricalArchives, the John Fitzgerald Kennedy Library, the USC Doheny Cinema Library, the UCLA Film and Television Archive, the Museum of Television and Radio, the Smithsonian Institution, and the Museum of Modern Art LibraryandArchive.Finally,IamespeciallythankfultoJeffreySconcefor hiskindness,intelligence,andhumorwhileIputthiscollectiontogether. 3 0 1 : T S D 7 4 : 0 1 0 2 . 2 . 1 0 0 2 g n e s T

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