We Call Upon Versax Rev 2022

2022·0.25 MB·

by  david lopez luna

The piece includes an audio track, downloadable from this link:
https://drive.google.com/file/d/13Mhu4Va2kMUnklxBduEHEKk8RJr_640b/view?usp=sharing
If it is not available, please get in contact at this e-mail: [email protected]
The audio track is in stereo format. It can be spatialized or manipulated according to the available audio system.
Any electronic processes are accepted, this is decided by the performer.

Guides to performance.
Boxed texts in the score are related to the audio track. They are suggestions for studying the piece in their first
readings, however, it is intended for the performer to build their own relationships with the track.
Empty parentheses indicate to play short bursts of fast pitches (relating them with the parentheses with written
pitches).
The piece ends with an improvisation. Performer should decide to outline some aspects, generalities or
particularities, or play a free improvisation. The proposal in the score is a guide for performers that are not familiar
with improvisation. It is suggested, however, to work in your own proposal.

The sections starting as in the image (bars 1, 7, 21) consist of a tremolo between the written
pitches written inside brackets. Pitches between parentheses are played as fast as possible,
creating an illusion of continuity of the tremolo. Breath briefly wherever you need.

With the fingering position of the written pitch, you mumble (or speak) indistinctly into the
mouthpiece. It is intended that short bursts of pitches appear.

In the same way that the last indication but playing randomly with the keys.

Note: As this piece includes improvisation, credits to the performer as co-creator should always be given.
We call upon our sisters
for solo tenor saxophone and fixed media (audio)
para Alma Rodríguez
Senza misura David López Luna
Let the track
play
for around 30 c. 40 seg
seconds, you
can play very sim. cresc.
subtle sou∑nds /œpj0 /œj0 /œbœ0 /œbœ0 /œbœœ 0 /œbœœ œ0 /œbœœ œbœ0 /œbœœ œbœbœ0 /œbœœœbœbœ0 / 0 4
& 4
w bw
pp cresc.
Adagio
2  œ œbœbœ œ bœœ œ b˙ frull. œ™ œ œ œbœ ˙bœbœbœ œœœbœ b˙ >œ œnœœ œ U
&44œbœ n˙æææ J æææ æææ æææ ™ ‰ œ œ œœæææ™ n˙
bœ
f pp f pp f o
Senza misura
It is because the ground is fertile...
c. 40 seg
> >
/œj0 /œœ0 /œœbœ0 /œbœœ0 /bœœnœœ0 / 0 /œœbœœ0 / 0 /œbœœœœ0 4
& w bw 4
pp (mf) sim. cresc.
Adagio
I am a feminist...
(We want to help)
8&44bœœbœ œ œnœ œ œ œ æææœ bœnœbœ œ œ ≈bœ œ œnœbœ œbœbœ nœ œbœ œ œ œbœ3 œ œ œæææ Œ bœnœ œnœbœ œbœ
bœ
f 3 > p
11 b>œbœœbœœb>œ bœ. . œ. .n>œœbœœnœ>œ œ.bœ.bœ.nœ. bœbœœbœœœœ.œ.œ.œ.n>œbœ œ >nœ bœnœ nœ5 bœ œ 5 nœ5
& p cr5esc. 5bœ nœ 5 5 cres5c. 5 5bœ nœbœ 5nœ >nœ bœ n>œ.nœ.nœ.œœb>œ nœnœ
14 5 5
& œ™5 œ fœ œ5bœ >œnœ. œ.bœ. œ œ 5 œr fœnœ œ œnœ œ5™nœ œbœ5œ™#œ 5œ œ œ ≈5 œ ‰ œ5œ ‰™ bœ ≈5≈ œnœbœ ≈5≈ ≈bœ
17 œ bœ œbœ œ
bœ œ œ bœ nœ œbœ bœ continue displacing the
& ≈ ‰ ≈ ≈ ≈ ‰™ ≈ ‰™ ≈ ‰ ≈ ‰ ≈ ‰™ ‰ ≈ sengsarotiuopns o of∑ fb feivaet wanitdh the
random pitches for a few
5 5 5 5 5 5 5 5 seconds
ff dim.
2
Debo olvidar... debo...
or
para que nos dejen de violar.
c. 30 seg
Senza misura
f sim
b˙˙ /nœœœbœœbœ0 /œœ0 /œœbœbœ œ œbœ0 /œœ œ0 /œbœ œ œbœ œ œ0 œbœ /œbœ œbœ œbœnœ œ0 /œœbœbœ œ œbœ œbœ0 5
& ™™ ™™ bww / 0 8
pp p o
(repeat for
at least
10 seconds)
Andante growl slap
œ #œnœ œ™ œ œ #œ œ œ #œ œ mumbling growl
&58 Œ™ ™ œ œ#œ#œ#œ#œ > ‰ ÍÍÍÍÍÍÍÍÍÍÍ Œ #œ œ œ Œ
n œ œ™
-
p mf f p mf
29 growl growl frull. mumbling mumbling
& Œ™ œ œ ‰ ‰ œ. œ œJ ‰ Œ #œj œ œ. œ œ Œ Œ œ ‰ ‰ #æææœ #œæææ œÍÍÍÍœÍÍ™ÍÍÍÍ œæææ ‰ Œ œÍÍÍÍœÍÍ™ÍÍÍÍ
mp
p f f mf mf
mumbling mumbling
playing with playing with
the keys the keys
38 growl frull. sim.
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&#>œ #œ œ œ œ œ#œ œ™ æææœ ¿¿¿æææ ¿¿¿æææ™™™ œæææ™ ‰ bœæææj œæææ œæææ™ ¿¿¿æææ ¿¿¿æææ™™™ ¿¿¿æææ ¿¿¿æææ™™™
p f p p p mf
frull. Æ
45 ÍÍÍÍÍÍ j ÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍ #œÆ bœ œ œ
& ¿¿¿æææ™™ ‰ œæææ œæææ #œæææ nœæææ œæææ #œæææ ¿¿¿æææ ¿¿¿æææ™™ bœ œ œ œ œ œæææ ¿¿¿æææ ¿¿¿æææ™™ ¿¿¿æææ ¿¿¿æææ™™ ‰ Œ
™ ™ ™ ™
>
p f
Senza misura
frull.
5&2 Œ pœ #œ œ œ œ œ™ n(>œfæææ) œæææbœæææ œæææ œæææ œæææbœæææ æææœ næææœ bæææœ næææœ ¿¿¿æææÍ™™™ÍÍÍ æææpœ™ Uœ ™™ (rbep˙eat for ˙ o ™™
at least
10 seconds)
Improvisation*:
57
Begin with chaotic sounds You can end the piece repeating
& and pl∑ay towards a texture of∑ ∑ ∑ ∑ ∑ ∑ a high and long∑ pitch
static sounds. until before the track stops playing.
* If you are used to improvise, you can ignore the recomendation and improvise freely.