3rd Year English Higher Level Gavin Cowzer War Poems No part of this publication may be copied, reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from The Dublin School of Grinds. Ref: 3/eng/h/gc/ War Poems 6-HOUR CRASH COURSES MAY & JUNE 2017 TEACHERS THAT WILL INCREASE YOUR CAO POINTS The final push for CAO Crash Courses Timetable 6th Year Fees points... 1 Course €160 6th Year The Dublin School of Grinds is running 6-hour 2 Courses €290 Subject Level Date Time Crash Courses at the end of May and the 3 Courses €390 Accounting H Friday 2nd June 9am - 3pm beginning of June. These courses give students Biology H Sunday 28th May 9am - 3pm the best possible advantage as they prepare for 4 Courses €460 Biology H Saturday 3rd June 9am - 3pm the all-important State Examinations. One last 5 Courses €510 Business H Friday 2nd June 9am - 3pm ounce of effort could make all the difference. Chemistry H Friday 2nd June 9am - 3pm 3rd Year Fees Economics H Sunday 4th June 9am - 3pm How these courses will benefit you: English H Sunday 28th May 9am - 3pm 1 Course €105 » They will give you an exam strategy plan to English H Sunday 4th June 9am - 3pm help you maximise your grade on the day 2 Courses €190 French H Saturday 3rd June 9am - 3pm » They will provide you with a final boost of 3 Courses €275 Geography H Saturday 27th May 9am - 3pm confidence before exam day Irish H Saturday 3rd June 9am - 3pm 4 Courses €360 » They will offer you one last opportunity to Maths Paper 1 H Saturday 27th May 9am - 3pm avail of expert teaching before the State 5 Courses €445 Maths Paper 1 H Saturday 3rd June 9am - 3pm Examinations Maths Paper 2 H Sunday 28th May 9am - 3pm Maths Paper 2 H Sunday 4th June 9am - 3pm Note: At these courses our teachers will predict what questions are most Maths O Saturday 27th May 9am - 3pm likely to appear on your exam paper. These questions will be covered in Maths O Friday 2nd June 9am - 3pm detail and our teachers will provide you with model H1 answers. Physics H Sunday 4th June 9am - 3pm Spanish H Friday 2nd June 9am - 3pm 3rd Year Stress Buster Course Subject Level Date Time This course has been specially developed Fees: €50 Business Studies H Saturday 27th May 9am - 3pm to ease students’ worries and show them Venue: The Stillorgan Plaza English H Saturday 27th May 9am - 3pm the techniques which will help them to (next to Odeon cinema) French H Sunday 28th May 9am - 3pm stay calm both in the lead up to the State Date: Saturday 20th May Examinations and on exam day itself. This Irish H Sunday 28th May 9am - 3pm course is tutored by Enda O’ Doherty, who Time: 10:30am - 12:00pm Maths H Sunday 28th May 9am - 3pm has 25 years’ experience in the field. Science H Saturday 3rd June 9am - 3pm Spanish H Sunday 4th June 9am - 3pm H = Higher O = Ordinary To book, call us on 01 442 4442 or book online at Please note: all 6-Hour Crash Courses will take place www.dublinschoolofgrinds.ie in The Stillorgan Plaza (next door to Odeon Cinema). DSOG Crash Courses May2017 2pg A4.indd 2 05/05/2017 12:17 Contents Introduction ................................................................................................................................. 3 Prescribed Poetry Past Paper Questions ..................................................................................... 3 Structure ...................................................................................................................................... 8 Language ...................................................................................................................................... 9 Imagery ...................................................................................................................................... 10 Poems ........................................................................................................................................ 11 ‘Dulce et Decorum Est’ Wilfred Owen ..................................................................................................... 11 Wilfred Owen's First Encounter with the Reality of War ......................................................................... 12 Wilfred Owen Biography: ........................................................................................................................ 12 ‘Base Details’ -‐ Siegfried Sassoon ............................................................................................................. 16 ‘The General’ – Siegfried Sassoon ............................................................................................................ 16 Siegfried Sassoon Biography .................................................................................................................... 17 ‘An Irish Airman Forsees his Death’ W.B.Yeats ........................................................................................ 19 ©The Dublin School of Grinds 2 Gavin Cowzer Introduction -‐ Poetry accounts for 60 out of 180 marks on paper 2. -‐ The unseen poetry question is worth 30 marks in the junior certificate English paper, the same amount of marks as the studied poetry section. -‐ You should spend approximately 45 minutes on this section. Prescribed Poetry Past Paper Questions This section outlines previous exam questions for studied poetry for junior certificate English. You should practice answering these questions under exam conditions (i.e. within 45 minutes). 2015 1. Choose a poem you have studied that has a strong sense of place. (a) What thoughts and feelings about the place are expressed in the poem? Explain your answer with reference to the poem. (15) (b) How does the poet's use of either sounds or images in your chosen poem help to create a sense of the place in your mind? Explain your answer with reference to the poem. (15) OR 2. Choose a poem you have studied in which the poet has something interesting to say about the relationship between either: People and Nature or Adults and Children. (a) Describe the relationship dealt with in your chosen poem and explain why you find this relationship interesting. (15) (b) How does the poet's use of either sounds or images in your chosen poem help you to understand what the poet feels about the relationship? Explain your answer with reference to the poem. (15) 2014 1. Choose a poem you have studied where you think that the poet makes an important observation about ordinary life. (a) What important observation about ordinary life does the poet make in your chosen poem? Explain your answer with reference to the poem. (15) (b) Explain how any two aspects of the poet's style helped to make the important observation clearer for you. Support your answer with reference to the poem. (15) OR Choose two poems you have studied that explore the same theme. (a) In the case of each of your chosen poems, explain what you learn about that theme. Support your answer with reference to the poems. (15) (b) Which of the two poems creates the more vivid picture in your mind? Explain your answer with reference to the poems. (15) ©The Dublin School of Grinds 3 Gavin Cowzer 2013 1. You have been invited to contribute to a radio programme. The programme's topic is: Why young people should read poetry. Write the text of the talk you would give. Support your views with detailed reference to two of the poems that you have studied. (30) OR 2. From the poetry you have studied, choose a poem that revealed something new to you about one of the following topics: People or Relationships or The World Around Us. (a) In the poem, what did you learn about your chosen topic that was new? Explain your answer with reference to the poem. (10) (b) How did the poet's use of language help to reveal something new to you about your chosen topic? You may wish to consider some of the following: imagery; tone or mood; the structure of the poem or any other feature of language. Support your answer with reference to the poem. (20) 2012 1. From the poetry you have studied, choose one poem in which the poet uses interesting language to convey powerful thoughts and feelings. (a) What powerful thoughts and feelings are conveyed by the poet in your chosen poem? Support your answer with reference to the poem. (15) (b) Explain what you find interesting about the language used by the poet in the poem you have chosen. Support your answer with reference to the poem. (15) OR 2. From the poetry you have studied choose a poet whose work impressed you. (a) What topics or themes does the poet deal with in the poetry that you have studied? Support your answer with reference to the work of your chosen poet. (15) (b) Explain why you find the work of your chosen poet impressive. Give reasons for your answer with reference to his or her poetry. (15) ©The Dublin School of Grinds 4 Gavin Cowzer 2011 1. From the poetry you have studied, identify a poem in which you feel the poet brings a person, a place or a thing vividly to life. (i) Describe the person, the place or the thing brought vividly to life by the poet. (10) (ii) In your opinion, what words or phrases used by the poet are the most effective in bringing the person, place or thing to life? Give reasons for your answer. (20) OR 2. Imagine you have been asked by your teacher to choose a poem to read to your class as part of a poetry reading event. (i) Identify the poem you would choose and explain why you believe your class would enjoy this particular poem. (10) (ii) Suggest ways to make the reading of your chosen poem as interesting and engaging as possible for your audience. Explain why you believe your suggestions would help to make the poem interesting and engaging for your classmates. You might consider some of the following in your answer: the use of props or costumes or visuals or music, etc. (20) 2010 1. Choose a poem you have studied in which the poet deals with an important issue. (a) Explain what the poet had to say about the important issue in the poem. (15) (b) What insights into the issue did you get from studying this poem? (15) Explain your answer with reference to the poem. OR 2. Imagine you have to recommend one poem that you have studied for a new publication entitled, A Book of Favourite Poems for Young People of the 21st Century. Name the poem you would choose and explain why this particular poem would be suitable for inclusion in this collection. In your answer you may wish to consider some of the following; the poem’s theme, the way the poet uses language, the use of imagery, tone and/or mood, the structure of the poem, etc. (30) ©The Dublin School of Grinds 5 Gavin Cowzer 2009 1. Select a poem you have studied which deals with either war OR peace. (i) What does the poet say about either war or peace in the poem? Support your answer by reference to the poem. (15) (ii) What effect did this poem have on you? Explain your answer with reference to the poem. (15) OR 2. Poetry offers us a way to explore places we have never been, foreign lands and different cultures. Choose a poem you have studied which creates such a place. (i) Describe the place created in this poem. Support your answer with reference to the poem. (15) (ii) Would you like to live there? Explain your answer with reference to the poem. (15) 2008 1. Choose any poem you have studied which created vivid images of a person in your mind. (a) Describe what images of the person come to mind from your chosen poem. (10) AND (b) Write about how two of these images contribute to your understanding of the person in this poem. (20) OR 2. Choose any poem you have studied which has interesting sound effects or musical qualities. Describe these sound effects or musical qualities and explain how they enrich the poem? (30) 2007 1. Choose any poem you have studied which is “wonder-‐filled” or captures the “whoosh of the imagination”. (i) Describe what happens in this poem. (15) (ii) How does the poet fill the poem with wonder or show the imagination at work? (15) OR 2. Choose a poem that you think has an interesting title. (i) Considering the poem as a whole explain how the title is interesting. (15) (ii) Name two other features of your chosen poem which appeal to you and explain why they appeal to you. (15) ©The Dublin School of Grinds 6 Gavin Cowzer 2006 1. Take any poem you have studied which deals with wishes or thoughts. (a) What are the poet’s main wishes OR thoughts in the poem? (b) Describe how either the imagery or the language of the poem contributes to the poet’s expression of his/her thoughts or wishes. Explain your answer with reference to the poem. (30) OR 2. If you could invite a poet of your choice to your school, who would you choose? (a) Explain your choice of poet with reference to the poet’s work. (b) Choose your favourite poem by this poet and explain why you like it so much. Support your answer by reference to the poem. (30) 2005 1. From the poetry you have studied choose a poem which is set in an interesting time or place. (a) Describe this setting. (10) (b) What does this setting contribute to the effectiveness of the poem? Give reasons for your answer based on evidence from the poem. (20) OR 2. From the poetry you have studied choose a poem which deals with either Youth or Old Age. (a) What picture does this poem give of either youth or old age? (10) (b) What is your personal response to the picture of youth or old age given in the poem? Support your answer with reference to the poem. (20) ©The Dublin School of Grinds 7 Gavin Cowzer Structure Title Our first impression of the poem. This will be related to either the theme or the subject of the poem. Punctuation Full stops generally equal certainty, Question marks uncertainty, Little punctuation is for long descriptions or childish excitement. Ellipsis … poet gives up. Stanza This is considered the building block of a poem – effectively a paragraph. A new stanza is marked by a line gap in the text. It is uncommon to be a notable feature of the poem unless there is a change in tone/mood/style between stanzas. Refrain Like that heard in a song, the refrain is a regularly repeated line, or group of lines. It can often give the poem a “psalm-‐like” feel, used when the poet may be preaching a point. Rhyme Rhyming is the repetition of two similar sounding words to give a rhythm to the verse. When dealing with rhyme, we usually look at the words at the end of each line but there is also such thing as internal rhyme which is where two words sound similar in the same sentence (e.g. “the air of despair hanging there”). Rhyming Scheme The rhyming scheme refers to the way in which a poem rhymes. By now you know it is not required that a poem rhymes, and many don’t. However, when they do, they follow a set structure known as a rhyming schemes. This involves giving the word at the end of a line a letter (a). If the next line ends with a word that rhymes with the first, this line is also (a), but if it is different we say it is (b). Meter/Rhythm You don’t need to know about meter in depth, but a basic understanding of it is important for the next two definitions. Effectively you can refer to meter when talking about the natural rhythm of the lines. “Just by reading these lines aloud, the inherent rhythm is instantly noticeable. The meter, then, lends a musical quality to the poem. Meter gives the poem rhythm, without always giving it rhyme. “ Blank Verse Blank verse is the term used to describe a poem that has a definite meter (or rhythm) but does not have a rhyme. It is relatively uncommon, but it is good to be aware of it. ©The Dublin School of Grinds 8 Gavin Cowzer Language Assonance This is a technique use when a line of a poem has many of the same vowel sounds. Keep in mind that just because a vowel letter recurs through a line does not mean the sound does. It is an important tool in language as the vowel sound can help dictate the pace and mood that poem is read at. Bright, short e and I sounds make for a sharp, jumpy line e.g. “It beats…as it sweeps… as it cleans”. It can also be used to create a sombre atmosphere by using the naturally long vowel sounds of other words e.g. "Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage, against the dying of the light. . . .” Consonance Not dissimilar to assonance, this a grouping together of the ends of words, all of a similar sound. It is the backward version of the much more common alliteration (see below). Alliteration Alliteration is a technique that uses the repetition of the first letter of several words in a line. This often gives the lines pace, punch and power e.g. “Whereat, with blade, with bloody blameful blade, He bravely breach'd his boiling bloody breast.” Sibilance Like the three before, this one again relates to the group together of several words which share letters. In this case, the focus is on the letter “s”. It can occur at any point in the words, as the “s” sound doesn’t need to be accented. Once it is pronounced in the word, its effect is achieved. It is a very important tool for creating a sense of atmosphere and mood. Repetition Where the previous definitions have highlighted the importance of repeated use of a single letter/sound, repetition of words or sentences is also a powerful tool. Like the refrain, the fact that we hear it more than once lends it significance. It may relate to the key theme, or it may suit the image the poet is trying to convey. Onomatopoeia This is the word used to describe a word that sounds like the action is describing. A bee buzzes, a pebble sploshes in a lake and big explosions make big bangs. A poet may take a break from a stream of fancy language to use onomatopoeia as it is a very evocative device. ©The Dublin School of Grinds 9 Gavin Cowzer
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