Table Of Content

Theatre Journal CONTRIBUTERS’ INDEX Mason, Jeffery. “Arthur Miller’s [Ironic Resurrec- tion.” 657-677. ARTICLES Milhous, Judith. “The Economics of Theatrical Dance in Eighteenth-Century London.” 481-508. Campbell, Constance. “The Uncompleted Theatres Ormand, Kirk. “Oedipus the Queen: Cross- of Rome.” 67-80 gendering without Drag.” 1-28 hatterjea, Ananya. “Subversive Dancing: The In Scuderi, Antonio. “Unmasking the Holy Jester Dario terventions in Jawole Willa Jo Zollar’s Batty Fo.” 275-291. Moves.” 451-466 Sieg, Katrin. “Indians: the Globalized Woman on olleran, Jeanne. “Disposable Wars, Disappearing the Community Stage.” 291-316 \cts: Theatrical Responses to the 1991 Gulf War.’ Wolff, Tamsen. “‘Eugenic O'Neill’ and the Secrets 613-63 of Strange Interlude.” 215-234. ummins, Doug. “Doctoral Projects in Progress in Ybarra, Patricia. “Re-imagining Identity and Re- Theatre Arts, 2003.” 317-322 centering History in Tlaxcalan Performance.” Mark French Scenes in Greek Tragedy.’ . ~ = 05 4 655. B. “Distant Ventriloquism: Vocal Mime- AUTO/ ARCHIVES sis, Agency and “I dentity in Ancient Greek Per- formance.” 45-66 Carlson, Marvin. 207-211 Favorini, Attilio. “History, Collective Memory, and Donis, Alex. 581-586 Huerta, Jorge. 755-760 Aeschylus’ The Persians.” 99-112 Meyer, Richard. 581-586 Fletcher, Judith Women and Oaths in Euripides.’ 29-44 Reinelt, Janelle. 385-392. Foster, Susan Leigh. Choreographies of Protest PERFORMANCE REVIEWS 395-412. Giersdorf, Jens Richard. “Border Crossings and Abrams, Joshua. Show Peop}l e Intra-National Trespasses: East German Bodies 1 the Play of Time Curated by Norman Frisch. in Sasha Waltz’s and Jo Fabian’s Choreogra- 161-164 phies.” 413-432 Arons, Wendy. Phiédre Racine 22792 Gilbert Helen ‘Black and White and Re(a)d All Aronson-Lehavi, Sharon. No Exit. Jean Paul Sartre Over Again Indigenous Minstrelsy in Contem ILc5 3-154 porary Canadian and Australian Theatre.” 679 Bateman, David. Hairsp1 09S Thomas Meehan, et al Kershaw, Baz. “Curiosity or Contempt: On Spec Beeman, William O. Tl tacle, the Human, and Activism.” 591-611 of the Childr14 e(n of Kirle Bruce. “Reconciliation, Resolution, and the Hussein. 359-362 Political Role of Oklahoma! in American Con- Boles, William Christopher sciousness Shinn. 325 5-327 Kottman, Paul A ‘Memory, Mimesis, Tragedy: The Brady, Owen. Henry VI: RD evenge in Fr rance Henry Scene Before Philosophy .” 81-98. VI: Revolt in France. Based on the three Henry VI Kraut, Anthea “Between Primitivism and Diaspora plays by William Shakespeare. 148-149 The Dance performances of Josephine Baker, Brodie, Meghan. such small hands. Tina Howe 702 Zora Neale Hurston, and Katherine Dunham.” 704. 133-450 Brown, Langdon. The Roman tor, Eastward Ho, Ley, Graham. “Modern Visions of Greek Tragic Edward III, The Malcontent. Massingeg r; Jonson, Dancing ‘467-480 Marston, Chapman; Shakespeare; Marston. 713- Marrero, Teresa. “Scripting Sexual Tourism: Fusco 716. and Bustamante’s STUFF, Prostitution and Cuba’s Bunzli, James. No Foreigners Beyond This Point. War- Special Period.” 235-250. ren Leight. 5 e Journal 55 (2003) 765-774 © 2003 by The Johns Hopkins University Press 768 / Index to Volume 55 alzadilla, Fernando. \ YocastaS. Saviana Stanescu Jacobs Huey, Lanita. Black/Urban Stand-Up Comedy: and Richard Schechner. 710-713 { Performance. Brandon Bowlin. 539-541. haudhuri, Una. Take Me Ou Richard Greenberg Kilpatrick, David. Gertrude—The Cry. Howard 544-546 Barker. 704-706. heng, Meiling. Big Head Denise Uyehara. With Kimbrough, Andrew. Death Of A Salesman. Arthur additional vords by Masamori Kojima, Edina Miller. 156-158 Shady Hakim, Lulu Emery famadhur Klett, Elizabeth Sarah Kane. 337 \l-Ageel, Lillian Nakano. 518-519 2323 9 James M. Kiki and H Coup de T Kritzer, Amelia Howe. A Number. Caryl Churchill. Justin Bond and Kenny Mellman. 716-717 >< 495 ioffi, Kathleen. Princess | Witold Gombrowicz Kruger, Loren. Das Kunstseidene Madchen, Stella, Trauer uss Electra Tragen (Mourning Becomes f Loudon. Matt Mitler, based on Electra). (Griffenhagen, Goethe, O'Neill). 339 Aldous Huxley. 708-710 341 Jean Kuharski, Allen. Philadelphia Fringe Festival Kurahashi, Yuko. South Pacific. Richard Rodgers id Diane Oscar Hammerstein I, and Joshua Logan. 536 538 liamonc a 1e le Ramayana. The Tenth An Lee, Rachel. Psycho Karaoke. 18 Mighty Mountain nual Performing Arts Competition. 525 6-5R 97 Warriors. 699-700. Jiamond, Elin. Medea. Euripides. 135-136. Liston, William. Coriolanus, The Merry Wives of Junkleberg, Kermit. Children of Herakles. Euripides Windsor. William Shakespeare. 725-726. 538 Medoff, Richard Brad. The Goat Or Who Is Sylvia? IL eslil e Atkins. Hasiilry igak. i. Conception Edward Albee. 164-166. and direction by Heiner Goebbels. 516 Montez, Ricardo. Burn This August Wilson. 358 359 Bonnie Jean. Electra. Tadashi Suzuki, based Montgomery, lizabeth J. L’Orfeo. Claudio Hugo von Hofmannsthal. 138-140 Monteverdi. 5 ~4 c7-e53 6. isier, Garrett. | Jean Genet. 329-331 O’Connor, Jacqueline. Nickel and Dimed. Joan Erickson, Michael. Oedipus Rex Sophoc les. 706 Holden, based on the book by Barbara Ehrenreich. O8 342-343 isher, James Amy Freed. 528 Papa, Lee. Relentless. Stacy Klein. 160-161. 53x Parker-Myers, Lars. The Last Supper. Ed Schmidt. Fleetwood, Nicole Dael Orlandersmith 541-542 25913 1-323229 Phelan, Peggy. Homebody/Kab |. Tony Kushner. 166 leischer, Mary Mac Wellman. 513 168 oster, John. M \ugust Strindberg Preston, Carrie J. Isadora No Apologies. Con- 334 ceived by Lori Belilove. Written by Andrew rebedm an, Sara. AMA Soph1i e Treadwell Frank. 511-513. 533 Puga, Ana Elena. El Loco Y La Triste. Juan Radrigan. sardner, Bonnie Milne. Souther? Writers P 717-719 iF est il of N ip ] | 722-724 Roessler, Norman. Maria Stuart. Friedrich Schiller Gibson, Melissa Danza. Continental Divide. David 150-151 Edgar. 543-544 Roost, Alicia C. Constant Star. Tazewell Thompson Glushakoff Griselda 158-159. Gambaro Rouse, John. 2002 Theatertreffen. 168-173 Gustafson, Kevin. Jerry Spring pera. Richard Rudolph, Sara. Resurrection Blues/Good Boys. Arthur Thomas and Stewart Lee Miller/Jane Martin. 546-549 Hanson, Laura. The Sondheim Celebration. The John Rufolo-Hérhager, Dana. Theban Cycle Euripides. F. Kennedy Center for the Performing Arts. 334- 141-144 ° d/ Salamensky, S.1. 1 Am My Own Wife. Doug Wright Harvie, Jen. Casa/Metopolis Project 972. Choreogra- 701-702. phy by Deborah Colker, Frédéric Flamand. 509 Scharffenberger, Elizabeth. Helen. Ellen McLaughlin, 511 146-148. Hester, Jessica. Fresh Terrain: A Performance Art Schlund-Vials, Cathy. Blood Cherries. Dawn Akemi rheatre Festival and Symposium. 519-522 730-731 Isser, Edward. Edg5a rdo Mine. Alfred Uhry. 531-532 INDEX TO VOLUME 55 / 769 / Shandell, Jonathan. Harlem Song. George Wolfe. Euripides, Euripides. Ruby Blondell, Mary-Kay Apollo Theatre, New York City. 343-345. Gamel, Nancy Sorkin Rabinowitz, and Bella Sofer, Andrew. Lysistrata. Aristophanes. 137-138 Zweig, eds. and trans. 178-179 Sponberg, Arvid. The Bacchai. Euripides. 144-146. Diamond, Elin. The Haunted Stage: The Theatre as Stoller, Terry. The Exonerated. Jessica Blank, Erik Memory Machine, Marvin Car}son. 192-194 Jensen. 345-347 Dolan, Jill. Actors and Activists: Politics, Performance Strand, Ginger. Ricky Jay: On The Stem. Ricky Jay. and Exchange Among Social Worlds, David Schloss- 352-353. man. 723-734. Templeton, Joan. The Ibsen Festival. 355-358 Dorsey, Zachary A. Dancing Desires: Choreographing Thompson, MJ. Jennie Richee (Or, Eating Jalooka Sexualities On and Off the Stage, Jane C. Desmond. Fruit Before It’s Ripe). Mac Wellman. 514-516. 552-553. Weidman, Mark. Dionysus. After The Bacchae by Frick, John. Dan Rice: The Most Famous Man You've Euripides. 140-141 Never Heard Of, David Carlyon. 377-378. Weinstein, John B. The Silver River. Bright Sheng Gibson, Melissa. Alan Ayckbourn: Grinning at the and Henry David Hwang. 347-348 Edge, Paul Allen. 367-368 Wilson, Melina D. Gem Of The Ocean. August Wil- Goldberg, Sander M. The Boastful Chef: The Dis son. 728-729 course of Food in Ancient Greek Comedy, John Wintersteen, David. South Africa: The National Arts Wilkins. 185-186. Festival. Grahamstown, South Africa. 363-364. Hamill, Kyna. Druids, Dudes and Beauty Queens: The Wohl, David. The Coast of Utopia. Tom Stoppard. Changing Face of Irish Theatre, Dermot Bolger. 753-754. Hammerbeck, David. Orientalism in French Classical BOOK REVIEWS Drama, Michéle Longino. 565-567. Ball, John Agee. My Double Life: The Memoirs Harding, James. American Avant-Garde Sarah Bernhardt, Sarah Bernhardt. 375-377 History, Arnold Aronson. 191 . | Will be Cleopatra, Zoe Caldwell. 3 Harwood, Sian. Paul Scofield The Dramatic Art of Athol Fugard: From South Seasons, Garry O’Connor. 372- (frica to the World, Albert Wertheim. 188-190. Hein, Nina. Leading Creators of t Century Barnes-Mclain, Noreen. Reflecting the Audience: Lon Czech Theatre, Jarka M. Burian. 754 don Theatregoing, 1840-1880, Jim Davis and Vic- Hill, Mary Louise. Dance for Export: Cultural Diplo tor Emeljanow. 195-196. macy and the Cold War, Naima Prevots. 555-556. Bennett, Beate Hein. Theatre, History, and National Ignatieva, Maria. A History of Russian Theatre, Rob- Identities, Helka Makinen, S.E. Wilmer, and W.B. ert Leach and Victor Borovsky, eds. 197-199. Worthen, eds. 199-200 Jackson, Naomi. Moving History/ Dancing Culture: A Berkowitz, Joel. A Life on the Stage: A Memoir, Jacob Dance History Reader, Ann Dils and Ann Cooper Adler. 374-375. Albright, eds. 551-552. Bert, Norman A. Theatre as Holy Script, Shimon Johnston, Alexandra F. Signifying God: Social Rela Levy. 184-185. tion and Symbolic Act in the York Corpus Christi The Bible as Theatre, Shimon Levy. 740-742. Plays, Sarah Beckwith. 187-188. Oberammergau: The Troubling Story of the Jones, Richard. A History of Irish Theatre, 1601—2000, World's Most Famous Passion Play, James S. Christopher Morash. 194-195. Shapiro. 740-742. Jortner, David. The Man Who Saved Kabuki: Faubion Bogar, Thomas. Joseph Jefferson: Dean of the American Bowers and the Theatre Censorship in Occupied Theatre, Arthur Bloom. 368-369 Japan, Okamoto Shiro. 382-383. Bunch, Carol. Southern Women Playwrights: New Kidder, J. Lucinda. Hamlet and the Baker's Son: My Essays in Literary History and Criticism, Robert n Theatre and Politics, Augusto Boal. 366-367. McDonald and Linda Rohrer Paige, eds. 742 Converging Movements: Modern Dance and 743. Culture at the 92nd Street Y, Naomi M. Chambers, Jonathan. A Beckett Canon, Ruby Cohn. Jackson. 563-564 743-745 —. Europe Dancing: Perspectives on Theatre Dance —. Empty Figure on an Empty Stage: The Theatre and Cultural Identity, Andrée Grau and Stephanie of Samuel Beckett and His Generation, Les Essif. Jordan. 559-560. 743-745. Kopans, Matthew J. Lighting the Shakespearean Stage Curry, J.K. Edward Albee 1 Singular Journey, Mel 1567-1642, R.B. Graves. 745-747. Gussow. 369-370 Architect of Dreams—The Theatrical Vision of Cyrino, Monica. Women on the Four Plays by Joseph Urban, Arnold Aronson, ed. 745-747. 770 / Index to Volume 55 Kovacevic, Natasa. East of West: Cross-Cultural Per- Weingust, Don. Secrets of Acting Shakespeare: The formance and the Staging of Difference, Claire Original Approach, Patrick Tucker. 568-569. Sponsler and Xiaomei Chen, eds. 750-751. Wiley, Eric. Rites of Passage in Ancient Greece: Litera Krasner, David. Stage Fright: Modernism Anti-Theat- ture, Religion, and Society, Mark Padilla, ed. 179- ricality & Drama, Martin Puchner. 573-574 180. Kruger, Loren. African Theatre in Development, Martin Williamson, Margaret. The A thenian Sun in an Afri- Banham, James Gibbs, and Femi Osofisan, eds. can Sky, Kevin Wetmore. I 81-182. 738-740 Worthen, W.B. The Dubious Spectacle: Extremities of African Theatre Women, Jane Plastow, ed. rheater, 1976-2000, Herbert Blau. 572-573. 738-740 Young, Harvey. A Beautiful Pageant: African Ameri Latham, Angela. Prurient Interests: Gender, Democ can Theatre, Drama, and Performance in the Harlem racy, and Obscenity in New York City, 1909-1945, Renaissance, 1910-1927, David Krasner. 7 aIrI 71 90Si . Andrea Friedman. 196-197 Mackey, Barbara. The Death of Comedy, Erich Segal 751-752. McCoskey, Denise Eileen. The Gift of the Nile: Helle PERFORMANCE REVIEW INDEX nizing Egypt from Aeschylus to Alexander, Phiroze Vasunia. 182-183 PERFORMANCES REVIEWED McNamara, Brooks. American Theatre: A Chronicle of Comedy and Drama, 1969-2000, ThomasS . Hischak Akemi, Dawn. Blood Cherries. 730-731. 569-570 Albee, Edward. The Goat Or Who Is Sylvia? 164-166. Merrill, Lisa. Geographic arning: Theory and Anonymous. The Ta’ziyeh of Hor, The Ta’ziyeh of the Practice, A lance, jill Dolan. 186 The Ta’ziyeh of Imam Hussein. Miller, Tice L. Da Hart, Steven Bach. 380 Aristophanes. Lysist Moeschen, Shelia ¢ Sid Barker, Howard. Gertri The Cry. 704-706 (merican Cult Rachel Adams Belilove, Lori (conceived /choreographed) and An- 1S >) drew Frank (written) I[sador No ApologVi1e¢ Most Andrea Mullenix, Elizabeth Re Burlesqi Kurt Gan Ill, The Malcontent. Massinger, Jonson, Nakas, Kestt Marston, Shakespeare. 713-716 Bond, Justin and Kenny Mellman. Kiki and Coup de TI Bowlin, Brandon \sa INO! mance. 539-541 Rokem, Freddie. Specta ir Suff 1g Theatre 1 Churchill, Caryl. A Number. 354-355 is ind the Holocaust, Vivian M. Patraka. 737 Colker, Deborah and Frédéric Flamand (choreogra- 72 8 phers). Casa/Metopolis Project 972. 509-511. Schafer, Carol. Greek The An Intro Edgar, David. Continental Divide. 543-544 duction, David Wiles. 177- 18 Mighty Mountain Warriors. Psycho Karaoke. 699- Schildcrout, Jordan. Tom rd: A Life, lra Nadel. 700 381-382 Euripides. The Bacchai. 144-146 Smith, Gretchen Elizabeth. Moliére: A Theatrical Life, Children of Herakles. 538-539. Virginia Scott. 373-3—7 4 Dionysus (after The Bacchae). 140-141. Smith, Tom. The Theater of Tony Kushner Medea. 135-136. Hope, James Fisher Theban Cycle. 141-144 Troy, Shari. Shakespeare } {merican Frank, Andrew (written) and Lori Belilove (con- Joel Berkowitz. 190-191 ceived /choreographed). Isadora... No Apologies. Hy, Theodore Bikel 511-513 Freed, Amy. The Beard of Avon. 528-530. Turner, Jeff. Stag : Queer Readings of Ameri Frisch, Norman (curator). Show People: Downtown can Theater History, Kim Marra and Robert A Directors and the Play of Time. 161-164 Schanke, eds. 567-568 Gambaro, Griselda. La Malasangre. 154-156. INDEX TO VOLUME 55 / 771 Genet, Jean. Elle. 329-331. . Henry VI: Revenge in France, Henry VI: Glancy, Diane. Jump Kiss: An Indian Legend. 327- Revolt in France. 148-149. 329. . The Roman Actor, Eastward Ho, Edward III, Goebbels, Heiner (conception, music and direc- The Malcontent. Massinger, Jonson, Marston, tion). Hashirigaki. 516-518. Chapman, Marston. 713-716. Goethe, Johann Wolfgang von. Das Kunstseidene Sheng, Bright and Henry David Hwang. The Silver Madchen, Stella, Trauer Muss Electra Tragen [Mourn- River. 347-348. ing Becomes Electra]. Griffenhagen, Goethe, Shinn, Christopher. Where Do We Live? 325-327. O'Neill. 339-341. Sondheim, Stephen. The Sondheim Celebration. 334- Gombrowicz, Witold. Princess Ivona. 151-153. 337. Greenberg , Richard. Take Me Out. 544-546. Sophocles. Oedipus Rex. 706-708. Griffenhagen, Gottfried. Das Kunstseidene Madchen, Stanescu, Saviana and Richard Schechner. YocastaS. Stella, Trauer Muss Electra Tragen [Mourning Be- 710-713. comes Electra]. Griffenhagen, Goethe, O’Neill. 339- Stoppard, Tom. The Coast of Utopia. 348-352. 341. Strindberg, August. Miss Julie. 332-334. von Hofmannsthal, Hugo. Electra. 138-140. Suzuki, Tadashi, adaptor. Electra. 138-140. Holden, Joan, based on the book by Barbara Thomas, Richard and Stewart Lee. Jerry Springer Ehrenreich. Nickel and Dimed. 342-343. The Opera. 726-728. Howe, Tina. such small hands. 702-704. Thompson, Tazewell. Constant Star. 158-159. Ibsen, Henryk. The Ibsen Festival. 355-358. Treadwell, Sophie. Machinal. 532-533. Kane, Sarah. Phaedra’s Love. 337-339. Uhry, Alfred. Edgardo Mine. 531-532. Klein, Stacy. Relentless. 160-161. Uyehara, Denise. Big Head. With additional words Kushner, Tony. Homebody/Kabul. 166-168. by Masamori Kojima, Edina Lekovic, Shady Jay, Ricky. Ricky Jay: On The Stem. 352-353 Hakim, Lulu Emery, Tamadhur Al-Ageel, Lillian Leight, Warren. No Foreigners Beyond This Point. Nakano. 518-519. 533-535. Wellman, Mac. Antigone. 513-514. Marston, John. The Roman Actor, Eastward Ho, Ed- - . Jennie Richee (Or, Eating Jalooka Fruit Before ward III, The Malcontent. Massinger, Jonson, It’s Ripe). 514-516. Marston, Chapman, Shakespeare. 713-716. Wilson, August. Gem Of The Ocean. 728-729. Martin, Jane. Resurrection Blues/Good Boys. Arthur Wilson, Lanford. Burn This. 358-359. Miller. 546-549. Wolfe, George. Harlem Song. 343-345. Massinger, Philip. The Roman Actor, Eastward Ho, Wright, Doug. | Am My Own Wife. 701-702. Edward III, The Malcontent. Massinger, Jonson, Marston, Chapman, Shakespeare. 713-716. Companies, U.S. McLaughlin, Ellen. Helen. 146-148. Alabama Shakespeare Festival, Montgomery, AL. Miller, Arthur. Death Of A Salesman. 156-158. 7l9a9n7l9 . Resurrection Blues/Good Boys. Miller, Mar- American Repertory Theatre, Cambridge. 137-138, tin. 546-549. 538-539. Mitler, Matt, based on the book by Aldous Huxley Apollo Theatre, New York City. 343-345. The Devils of Loudon. 708-710. Arena Stage, Washington, DC. 537-538. Monteverdi, Claudio. L’Orfeo. 535-536. Brooklyn Academy of Music, Brooklyn, New York O'Donnell, Mark and Thomas Meehan, et al. City. 135-136, 150-151. Hairspray. 719-722. Cal Performances, Zellerbach Playhouse, Berkeley. O'Neill, Eugene. Das Kunstseidene Madchen, Stella, 140-141. Trauer Muss Electra Tragen [Mourning Becomes Cherry Lane Theatre, New York City. 716-717. Electra]. Griffenhagen, Goethe, O'Neill. 339-341. Church of the Holy Transformation, Brooklyn. 541— Orlandersmith, Dael. Yellowman. 331-332. 542. Racine, Jean. Phédre. 323-325. City Theatre, Pittsburgh, PA. 158-159. ———. To You, The Birdie! (Phédre). 173-175. Court Theatre, Chicago, 323-325. Radrigan, Juan. El Loco Y La Triste. 717-719 The Culture Project, 45 Bleeker Theatre, New York Rodgers, Richard, Oscar Hammerstein II, and City. 345-347. Joshua Logan. South Pacific. 536-538. Dance Theatre Workshop, New York City. 513- Sartre, Jean Paul. No Exit. 153-154. 514, 730-731. Schiller, Fredrich. Maria Stuart. 150-151. David Henry Hwang Theater, Los Angeles, CA. Schmidt, Ed. The Last Supper. 541-543. 699-700. Shakespeare, William. Coriolanus, The Merry Wives Double Edge Theatre, Ashfield, MA. 160-161. of Windsor. 725-726. Exit Art, New York City. 161-164. Index to Volume 55 GALA Teatro Hispano, Takoma Theater, Washing Companies, Foreign ton, DC. 717-719 Companhia de Dancga Deborah Colker. 509-511 Golden Theatre, New York City. 164-166. Deutsches Theater, Berlin. 339-341 Goodman Theatre, Chicago, Illinois. 528-530, 728 Gielgud Theatre, London. 713-716 79 Myanmar National Theatre, Yangon. 526-528 Guthrie Theatre, Minneapolis. 546-549. National Theatre, London. 726-728. Ha Ha Café, N. Hollywood, California. 539-541 National Theatre, Oslo. 355-358. Hartford Stage, Hartford. 531-532. The National Arts Festival, Grahamstown, South Highways Performance Space, Santa Monica. 518 Africa. 363-364. 519 Room Theatre, Tel Aviv. 153-154 Hypocrites at Chicago Dramatists. 532-533 Royal Court Theatre, Jerwood Theatre Downstairs, Infernal Bridedgroom Productions, The Axiom, London. 354-355 Houston. 337-339 Royal Court Theatre Upstairs, London. 325-327. Intiman Theatre, Seattle. 342—343 Royal Dramatic Theatre of Sweden. 150-151. Isadora Duncan Dance Foundation, New York City Royal National Theatre, Olivier Theatre, London. 144-146. Japan Society, New York City. 138-140 Royal Shakespeare Company at the University of John F Michigan, Ann Arbor. 725-726. Eisenhower Theatre, Washington D.C. Schauspielhaus, Dusseldorf. 141-144. John Jay College Theatre, Lincoln Center, New Shizuoka Performing Arts Center, Japan Society, York City. 347-348 New York City. 138-140. La MaMa E.T.C., New York City. 708-710, 7 Stuttgart Opera. 535-536 Manhattan Theatre Club, New York City Che Wrestling School, Riverside Studios, London. Neil Simon Theater, New York City 719-722 704-706 New York Theatre Workshop. 166-168 The Oedipus Project & Prison Performing Arts, Boat Missouri Eastern Correctional Center, Pacific, \labama Shakespeare Festival, Montgomery, AL. Missouri. 706—708 722-724 Pearlstone Theatre, Baltimore. 533-535 Berkshire Theatre Festival, Stockbridge, MA. 332 Playwrights Horizons, New York. 700-702 334 P.S. 122. and University of Texas at Austin’s De- Lincoln Center Festival 2002. 359-362. partment of Theatre and Dance. 519-522 Oregon Shakespeare Festival, Ashland. 543-544 The Public Theatre, New York City. 146-148, 166 Philadelphia Fringe Festival 2002. 522-525 168 South Africa National Arts Festival, Grahamstown Reilly Theatre, Baton Rouge, LA. 156-158 362-364 Repertorio Espanol, New York City. 154-156 Theatertreffen 2002, Berlin. 168-172 St. Ann’s Warehouse, Brooklyn. 514-516. Second Stage Theatre, New York City. 352-353 Signature Theatre Company, New York City. 358 359 BOOK REVIEW INDEX Syracuse Stage, Syracuse, New York. 702-704 Teatro Hispano, Washington, DC. 7 717-719 BOOKS REVIEWED Theatre Exile, Philadelphia, PA. 151-153 Tom Patterson Theatre, Stratford, Canada. 1| 48 Adams, Rachel id mw Freaks and _ the 149 American Cultural rinati Rev Sheila C University of California, Berkeley. 140-141 Moeschen. 748-750 University of Texas at Austin’s Department of Adler, Jacob. A Life on the 1 Memoir. Rev. Joel Theatre and Dance and New York’s P.S. 122 Berkowitz. 374-375 519-522 Allen, Paul. Alan Ayckbourn: Grinn Wells Fargo Theatre, Autry Museum of Western Rev. Melissa Gibson. 367-368. Heritage, Los Angeles. 327-330 Aronson, Arnold. American Avant-Garde The Wooster Group, St. Ann’s Warehouse, Brook- History. Rev. James Harding. 191-192 lyn. 173-17 , ed. Architect of Dreams—The Theatrical Vi The Zipper Theatre, New York City. 329-331. sion of Joseph Urban. Rev. Matthew J. Kopans. 745-747 INDEX TO VOLUME55 / 773 Bach, Steven. Dazzler: The Life and Times of Moss Fisher, James. The Theater of Tony Kushner: Living Hart. Rev. Tice L. Miller. 380-381. Past Hope. Rev. Tom Smith. 383-384. Banham, Martin, James Gibbs, and Femi Osofisan, Friedman, Andrea. Prurient Interests: Gender, De eds. African Theatre in Development. Rev. Loren mocracy, and Obscenity in New York City, 1909 Kruger. 738-740. 1945. Rev. Angela Latham. 196-197 Beckwith, Sarah. Signifying God: Social Relation and Gainor, J. Ellen. Susan Glaspell in Context: American Symbolic Act in the York Corpus Christi Plays. Rev. Theater, Culture and Politics 1915-1948. Rev. Marcia Alexandra F. Johnston. 187-188 Noe. 570-571 Berkowitz, Joel. Shakespeare on the American Yiddish Ganzl, Kurt. Lydia Thompson: Queen of Burlesque. Stage. Rev. Shari Troy. 190-191 Rev. Elizabeth Reitz Mullenix. 378-380. Bernhardt, Sarah. My Double Life: The Memoirs of Grau, Andrée and Stephanie Jordan, eds. Europe Sarah Bernhardt. Rev. John Agee Ball. 375-377 Dancing: Perspectives on Theatre Dance and Cul- Bikel, Theodore. Theo: An Autobiography. Rev. Shari tural Identity. Rev. J. Lucinda Kidder. 559-560. Troy. 370-371 Graves, R.B. Lighting the Shakespearean Stage, 1567 Blau, Herbert. The Dubious Spectacle: Extremities of 1642. Rev. Matthew J. Kopans. 7 747. Theater, 1976-2000. Rev. W.B. Worthen. 572-573. Gussow, Mel. Edward Albee: { Singular Journey Bloom, Arthur. Joseph Jefferson: Dean of the American Rev. J.K. Curry. 369-370. Theatre. Rev. Thomas Bogar. 368-369 Hischak, ThomasS . American Theatre: A Chronicle of Boal, Augusto. Hamlet and the Baker's Son: My Life in Comedy and Drama 1969-2000. Rev. Brooks Theatre and Politics. Rev. J. Lucinda Kidder. 366 McNamara. 569-570. 367 Krasner, David. A Beautiful Pageant: African Ameri Bolger, Dermot. Druids, Dudes and Beauty Queens: can Theatre, Drama, and Performance in the Harlem The Changing Face of Irish Theatre. Rev. Kyna 1910-1927. Rev. Harvey Young. 735 Hamill. 753-754. Burian, Jarka M. Leading Creators of Twentieth Cen Leach, Robert and Victor Borovsky, eds. A History tury Czech Theatre. Rev. Nina Hein. 754-755. of Russian Theatre. Rev. Maria Ignatieva. 197-199 Caldwell, Zoe. | Will be Cleopatra. Rev. John Agee Levy, Shimon. Theatre as Holy Script. Rev. Norman Ball. 375-377. \. Bert. 184-185 Carlson, Marvin. The Haunted Stage: The Theatre as The Bible as Theatre. Rev. Norman A. Bert. Memory Machine. Rev. Elin Diamond. 192-194. 740-742. Carlyon, David. Dan Rice: The Most Famous Man Longino, Michele. Orientalism in French Classical You've Never Heard Of. Rev. John Frick. 377-378. Drama. Rev. David Hammerbeck. 565-567. Cheng, Meiling. In Other Los Angeleses. Rev. Kestutis Makinen, Helka, S.E. Wilmer, and W.B. Worthen, Nakas. 747-748. eds. Theatre, History, and National Identities. Rev. Cohn, Ruby. A Beckett Canon. Rev. Jonathan Cham- Beate Hein Bennett. 199-200. bers. 743-745. Marra, Kim and Robert A. Schanke, eds. Staging Davis, Jim and Victor Emeljanow. Reflect: Desire: Queer Readings of American Theater History. Audience London Theatregoing, 1840-1880 Rev. Jeff Turner. 567-568. Noreen Barnes-Mclain. 195-196 McDonald, Robert and Linda Rohrer Paige, eds Desmond, Jane C., ed. Dancing Southern Wom 1 Playwrights: New Essays in Lite g rraapphhiinnge Sexualities On and Off ary History and Criticism. Rev. Carol Bunch. 742 Zachary A. Dorsey. 552-553. 45 Dils, Ann and Ann Cooper Albright, eds. Mo Morash, Christopher. A History of Irish Theat ¢ History/Dancing Culture: 4 Dance History Re 1601-2000. Rev. Richard Jones. 194-195. Rev. Naomi Jackson. 551-55 Nadel, Ira. Tom Stoppard: A Life. Rev Jordan Dolan, Jill. Geographies of Learning: Theory and Prac Schildcrout. 381-382. tice, Activism and Performance. Rev. Lisa Merrill O’Connor, Garry. Paul Scofieli 186-187 Seasons. Rev. Sian Harwood Essif, Les. Empty Figure on an Empty Stage: The Padilla, Mark, ed. Rites of Passage in Ancient Greece: Theatre of Samuel Beckett and His Generation. Rev. re, RRpell]ii gion, and Society. Rev. Eric Wiley. Jonathan Chambers. 743-745 179-180 Euripides. Ruby Blondell, Mary-Kay Gamel, Nancy Patraka, Vivian M. Spectacular Suffering: Theatre Sorkin Rabinowitz, and Bella Zweig, eds. and Fascism, and the Holocaust. Rev. Freddie Rokem. trans. Women on the Edge: Four Plays by Euripides. — 37-738 Rev. Monica Cyrino. 178-179 774 / Index to Volume 55 Plastow, Jane, ed. African Theatre Women. Rev. Loren West: Cross-Cultural Performance and the Staging of Kruger. 738-740. Difference. Rev. Natasa Kovacevic. 750-751. Prevots, Naima. Dance for Export: Cultural Diplo Tucker, Patrick. Secrets of Acting Shakespeare: The macy and the Cold War. Rev. Mary Louise Hill. Original Approach. Rev. Don Weingust. 568-569. Puchner, Martin. Stage Fright: Modernism Anti- Vasunia, Phiroze. The Gift of the Nile: Hellenizing Theatricality & Drama. Rev. David Krasner. 573- Egypt from Aeschylus to Alexander. Rev. Denise 574 Eileen McCoskey. 182-183. Schlossman, David. Actors and Activists: Politics, Wertheim, Albert. The Dramatic Art of Athol Fugard: Performance, and Exchange Among Social Worlds. From South Africa to the World. Rev. John Agee Rev. Jill S. Dolan. 733-734. Ball. 188-190. Scott, Virginia. Moliére: A Theatrical Life. Rev. Wetmore, Kevin. The Athenian Sun in an African Gretchen Elizabeth Smith. 373-374. Sky. Rev. Margaret Williamson. 181-182. Segal, Erich. The Death of Comedy. Rev Barbara Wiles, David. Greek Theatre Performance: An Intro- Mackey. 751-752. duction. Rev. Carol Schafer. 177-178. Shapiro, James S. Oberammergau: The Troubling Story Wilkins, John. The Boastful Chef: The Discourse of of the World's Most Famous Passion Play. Rev. Food in Ancient Greek Comedy. Rev. Sander M. Norman A. Bert. 740-742. Goldberg. 185-186. Shiro, Okamoto. The Man Who Saved Kabuki: Faubion Wolf, Stacy. A Problem Like Maria: Gender and Sexu- Bowers and the Theatre Censorship in Occupied ality in the American Musical. Rev. Andrea Most. Japan. Rev. David Jortner. 382-383. 734-735. Sponsler, Claire and Xiaomei Chen, eds. East of