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The Literature of Labor and the Labors of Literature: Allegory in Nineteenth-Century American Fiction PDF

284 Pages·2008·6.39 MB·English
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The Literature of Labor and the Labors of Literature juxtaposes representations of labor in fictional texts with representations of labor in nonfictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth- century America. This intersection is particularly evident in the debates about symbol and allegory, and the author contends that allegory during this period was critiqued on precisely the same grounds as mechanized labor. Despite the undeni- able differences between literary characters and historical workers, the discursive possibilities for constructing the character of both fictional and nonfictional per- sons are strikingly similar. Both allegory and new forms of labor produced a version of personhood that seemed frighteningly flat, a flatness that attacked the substance of the work ethic and, indeed, the very foundations of American individualism. Using this contextualized model of allegory, Weinstein goes on to argue that texts by Hawthorne, Melville, Twain, and Henry Adams are best understood as both allegories of labor (that is, the allegorical representations of the nature and cost of being a laboring being) and labors of allegory (that is, the visibility of the author's work of representation). In the course of completing a historical investiga- tion, Weinstein revolutionizes the notion of allegorical narrative, which is exposed as a literary medium of greater complexity and consequence than has previously been implied - a working authorial vehicle for engaged and at times socially turbu- lent thought. CAMBRIDGE STUDIES IN AMERICAN LITERATURE AND CULTURE The Literature of Labor and the Labors of Literature CAMBRIDGE STUDIES IN AMERICAN LITERATURE AND CULTURE Editor: ERIC SUNDQUIST, University of California, Los Angeles Founding Editor: ALBERT GELPI, Stanford University Advisory Board: Nina Baym, University of Illinois, Champaign-Urbana Sacvan Bercovitch, Harvard University Albert Gelpi, Stanford University Myra Jehlen, University of Pennsylvania Carolyn Porter, University of California, Berkeley Robert Stepto, Yale University Tony Tanner, King's College, Cambridge University Books in the series: 88. Rafael Perez-Torres, Movements in Chicano Poetry — Against Myths, Against Margins 87. Rita Barnard, The Great Depression and the Culture of Abundance 86. Kenneth Asher, T. S. Eliot and Ideology 85. Robert Milder, Reimagining Thoreau 84. Blanche H. Gelfant, Literary Reckonings: A Cross-Cultural Triptych 83. Robert Tilton, The Pocahontas Narrative in Antebellum America 82. Joan Burbick, Healing the Republic: The Language of Health and the Culture of Nationalism in Nineteenth-Century America 81. Rena Fraden, Blueprints for a Black Federal Theatre, 1935-1939 80. Ed Folsom, Walt Whitman's Native Representations 79. Alan Filreis, Modernism from Right to Left 78. Michael E. Staub, Voices of Persuasion: The Politics of Representation in 1930s America 11. Katherine Kearns, Robert Frost and a Poetics of Appetite 76. Peter Halter, The Revolution in the Visual Arts and the Poetry of William Carlos Williams 75. Barry Ahearn, William Carlos Williams and Alterity: The Early Poetry 74. Linda A. Kinnahan, Poetics of the Feminine: Authority and Literary Tradition in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser 73. Bernard Rosenthal, Salem Story: Reading the Witch Trials of 1692 72. Jon Lance Bacon, Flannery O'Connor and Cold War Culture 71. Nathaniel Mackey, Discrepant Engagement: Dissonance, Cross-Culturality and Experimental Writing 70. David M. Robinson, Emerson and the Conduct of Life 69. Cary Wolfe, The Limits of American Literary Ideology in Pound and Emerson 68. Andrew Levy, The Culture and Commerce of the American Short Story 67. Stephen Fredman, The Grounding of American Poetry: Charles Olson and the Emersonian Tradition Continued on pages following the Index The Literature of Labor and the Labors of Literature Allegory in Nineteenth-Century American Fiction CINDY WEINSTEIN California Institute of Technology CAMBRIDGE UNIVERSITY PRESS CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521470544 © Cambridge University Press 1995 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1995 This digitally printed version 2008 A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data We in stein, Cindy. The literature of labor and the labors of literature : allegory in nineteenth-century American fiction / Cindy Weinstein. p. cm. - (Cambridge studies in American literature and culture : 89) Includes bibliographical references and index. ISBN 0-521-47054-4 (he) 1. American fiction - 19th century - History and criticism. 2. Work - Social aspects - United States - History - 19th century. 3. Aesthetics, American - 19th century. 4. Working class in literature. 5. Work in literature. 6. Allegory. - I. Title. II. Series. PS374.W64W45 1995 813'.409355 - dc20 94-12212 ISBN 978-0-521-47054-4 hardback ISBN 978-0-521-05458-4 paperback For my mother and my father, whose memory is safe in mine Do your work, and I shall know you. Do your work, and you shall reinforce yourself. Emerson, "Self-Reliance"

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This book juxtaposes representations of labor in fictional texts with representations of labor in nonfictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America. This intersection is particularly evident in the debates about symbol and a
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