The Life and Death of LEON TROTSKY The Life and Death of LEON TROTSKY VICTOR SERGE AND NATALIA SEDOVA TROTSKY Translated by ARNOLD J. POMERANS Haymarket Books Chicago, Illinois © 1973 Arnold]. Pomerans First published in 1973 by Basic Books This edition published in 2015 by Haymarket Books P.O. Box 180165 Chicago, IL 60618 773-583-7884 www.haymarketbooks.org [email protected] ISBN: 978-1-60846-469-2 Trade distribution: In the US, Consortium Book Sales and Distribution, www.cbsd.com In Canada, Publishers Group Canada, www.pgcbooks.ca In the UK, Turnaround Publisher Services, www.turnaround-uk.com All other countries, Publishers Group Worldwide, www.pgw.com This book was published with the generous support of Lannan Foundation and Wallace Action Fund. Cover design by Samantha Farbman. Printed in Canada by union labor. Library of Congress Cataloging-in-Publication data is available. 10 9 8 7 6 5 4 3 2 1 6,YJ, RECYCLED Paper made from recycled material ~~s FSC" C103567 Contents FOREWORD by Richard Greeman vu INTRODUCTION TO THE 1973 EDITION by Vladimir Kibalchich 1 THE OLD MAN by Victor Serge 3 PREFACE by Victor Serge 7 ONE Youth 9 TWO Revolution 33 THREE Power 71 FOUR Opposition 111 FIVE Persecution 153 SIX Nightmare 195 SEVEN The Assassins 245 Further Details of Trotsky's Death 271 AFTERWORD by Richard Greeman 281 APPENDIX A In Memory of Leon Trotsky by Victor Serge 291 APPENDIX B Unpublished Manuscript on Trotsky's Their Morals and Ours by Victor Serge 295 INDEX 307 Foreword This book is an authentic historical document. It is the fruit of a col laboration between two close political associates and eyewitnesses to Trotsky's life: Victor Serge, the revolutionary novelist, and Trotsky's widow, Natalia Sedova. It thus speaks with authority, in the literal sense of the word. Written in Mexico in 1946-47 in the Coyoad.n house-for tress where Trotsky was assassinated, its pages are haunted by the names and memories of a constellation of dead comrades. Serge and Sedova, in their precarious Mexican exile, were among the last surviving witnesses to the triumph and then the tragedy of Russian Revolution. The authors bear witness not just for Trotsky but for a whole generation of heroic Russian revolutionaries exterminated by Stalin. This biography, although clearly written from a Marxist perspective by intimates of the subject, attempts to be rigorously objective. It pre sents its protagonist integrated with the history of his times. Its three hundred-odd pages sum up the greatness and decadence of the Russian Revolution in which Trotsky' played one of the leading roles and of which he was one of the main theoreticians and historical interpreters. Narrated with remarkable concision and intellectual rigor, it expounds Trotsky's theories and writings in the context of the unfolding of history and his role in making it. To be sure, later biographies - Isaac Deutscher's classic 'prophet tril ogy' (1,500 pages) and Pierre Brom~'s magisterial tome (1,100 pages) - have contributed greatly to our knowledge of the subject. Yet Serge and Sedova's 300 pages, written in a rapid, lucid style, packed with facts, with portraits taken from life, with documents and critical analyses, remain the best initiation, not only to the life and thought of Trotsky, but also to the revolutionary history of the twentieth century. One wonders why this authentic, authoritative, accessible revolutionary classic has remained so long in obscurity. Part of the answer lies in the story of the writing and vu V111 FOREWORD afterlife of The Life and Death of Leon Trotsky, which is also the story of the relations 1) between Serge and Trotsky, 2) between Serge and Sedova and 3) between Serge, Sedova, and Trotsky's disciples. Readers interested in this fascinating story should turn to my afterword at the end of this volume. Whatever the reasons for its long neglect, thanks to Haymarket of Books, The Life and Death Leon Trotsky has at last resurfaced, bringing back to life the hopes and deeds of the heroic, doomed generation of Russian revolutionaries for the benefit of a new generation that also hopes that 'another world is possible.' According to French novelist Frans:ois Maspero, who published Serge in Paris in the '60s and '70s, 'Serge's work is indispensable to anyone who doesn't want to die an idiot from an overdose of the "politically correct" rev.isions of history with which we have been constantly bombarded in recent times.' Indispensable as well for anyone eager to move history forward in the direction of greater justice and humanity. As for Leon Trotsky - whatever his faults, which were those of his times - he remains one of the outstanding revolutionary figures of the twentieth century. Unlike Stalin and later Mao, who held power and built totalitarian empires on the ruins of genuine popular revolutions, Trotsky remained true to his revolutionary socialist principles. His role in the Russian Revolution, his struggle against Stalin's bureaucratic takeover of the Soviets, his courage in exile, and the perspicacity of his analysis of the rise of Fascism and of Stalinism rank him among history's greatest revolutionary thinkers and actors. His words and deeds remain an indispensable reference for those who wish to understand the struggle to overcome capitalism's inevitable wars, depressions, and massacres as well as for those seeking to build a new, more just, egalitarian, cooperative society-an ideal thatTrotsky's generation equated with "communism." of The Life and Death Leon Trotsky is the best introduction to the tragic history of this struggle. RICHARD GREEMAN Introduction to the 1973 Edition It was originally intended to publish this book as the Memoirs ofN atalia Ivanovna Sedova. My father, Victor Serge, compiled it from notes taken during conversations and corrected each chapter as it was completed. The manuscript was revised by Leon Davidovich Trotsky's widow, as may be seen from her many annotations as well as the notes appended to the manuscript. Victor Serge wanted the book to appear under Natalia Ivanovna's name, but when the manuscript was completed, a few days before his death, she insisted that it be published under his name, 'since the text makes it perfectly clear which are my own words'. Their attitudes were dictated by both modesty and delicacy. Victor Serge felt that the book would carry more prestige and be more widely read under the signature of Trotsky's widow; Natalia Ivanovna, for her part, did not want to detract from Victor Serge's literary renown. Years later, Natalia expressed her regret to me and to those close to her that she had not put her name to the book. The work was finished in 1946. At that time, the real identity ofTrotsky's assassin was not known, although the authors were not unfamiliar with the name of Ramon Mercader, as the first edition of Victor Serge's Carnets, published by Julliard, shows. They preferred to keep silent until his identity was fully established. I understood from my father that had the book been entirely his own, he would have laid more stress on his own opinions, many of which did not entirely coincide with Natalia Ivanovna Sedova's. As an example of Victor Serge's own style, I have, by way of a preface, included some lines he wrote shortly after his first visit to the house in Coyoacan in 1942. VLADIMIR KIBALTCHICH Mexico 1971