ebook img

The Epic (Bloom's Literary Criticism 20th Anniversary Collection) PDF

281 Pages·2005·1.52 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview The Epic (Bloom's Literary Criticism 20th Anniversary Collection)

B L O O M ’ S L THE I T E R EPIC A R Y C R I T I C I S M 2 0 T H A N N I V E R S A R Y C O L L E C T I O N BLOOM’S LITERARY 20THANNIVERSARY COLLECTION CRITICISM Dramatists and Dramas The Epic Essayists and Prophets Novelists and Novels Poets and Poems Short Story Writers and Short Stories B L O O M ’ S L THE I T E R A R EPIC Y C R I T I C I S M 2 0 T H A N N I V E R S A R Y C O L L E C T I O N Harold Bloom Sterling Professor of the Humanities Yale University ® ©2005 by Chelsea House Publishers, a subsidiary of Haights Cross Communications. ® www.chelseahouse.com Introduction © 2005 by Harold Bloom. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without the written permission of the publisher. Printed and bound in the United States of America. 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Bloom, Harold. The epic / Harold Bloom. p. cm. -- (Bloom's 20th anniversary collection) ISBN 0-7910-8229-6 HC ISBN 0-7910-8368-3 PB 1. Epic literature--History and criticism. I. Title. PN56.E65B66 2005 809'.93358--dc22 2005005379 Cover designed by Takeshi Takahashi Cover illustration by David Levine Layout by EJB Publishing Services Table of Contents • T H PREFACE Harold Bloom E ix INTRODUCTION E Harold Bloom xii P I Genesis and Exodus 1 C • Homer (c. 8th cen. B.C.E) The Iliad / The Odyssey 18 Virgil (c. 84–54 B.C.E) Aeneid 29 Anonymous (written c. 700–750) Beowulf 39 Lady Murasaki (978–1014) The Tale of Genji 43 Dante Alighieri (1265–1321) The Divine Comedy 49 Geoffrey Chaucer (1343–1400) The Canterbury Tales 69 Edmund Spenser (c. 1552–1599) The Faerie Queene 83 John Milton (1608–1674) Paradise Lost 99 William Wordsworth (1770–1850) The Prelude 110 Samuel Taylor Coleridge (1772–1834) The Rime of the Ancient Mariner 140 Herman Melville (1819–1891) Moby-Dick 162 Walt Whitman (1819–1892) Song of Myself 168 Leo Tolstoy (1828–1910) War and Peace 182 Marcel Proust (1871–1922) In Search of Lost Time 187 Thomas Mann (1875–1955) The Magic Mountain 203 James Joyce (1882–1941) Ulysses 217 T.S. Eliot (1888–1965) The Waste Land 224 Hart Crane (1899–1932) The Bridge 238 FURTHERREADING 254 INDEX 257 ABOUTTHEAUTHOR 266 • T H E Preface E P Harold Bloom I C • I BEGAN EDITING ANTHOLOGIES OF LITERARY CRITICISM FOR CHELSEA House in early 1984, but the first volume, Edgar Allan Poe: Modern Critical Views, was published in January, 1985, so this is the twentieth anniversary of a somewhat Quixotic venture. If asked how many separate books have been issued in this project, I no longer have a precise answer, since in so long a span many volumes go out of print, and even whole series have been dis- continued. A rough guess would be more than a thousand individual anthologies, a perhaps insane panoply to have been collected and introduced by a single critic. Some of these books have surfaced in unlikely places: hotel rooms in Bologna and Valencia, Coimbra and Oslo; used-book stalls in Frankfurt and Nice; on the shelves of writers wherever I have gone. A batch were sent by me in answer to a request from a university library in Macedonia, and I have donated some of them, also by request, to a number of prisoners serv- ing life sentences in American jails. A thousand books across a score of years can touch many shores and many lives, and at seventy-four I am a lit- tle bewildered at the strangeness of the endeavor, particularly now that it has leaped between centuries. It cannot be said that I have endorsed every critical essay reprinted, as my editor’s notes have made clear. Yet the books have to be reasonably reflective of current critical modes and educational fashions, not all of them provoking my own enthusiasm. But then I am a dinosaur, cheerfully nam- ing myself as “Bloom Brontosaurus Bardolator.” I accept only three crite- ria for greatness in imaginative literature: aesthetic splendor, cognitive power, wisdom. What is now called “relevance” will be in the dustbins in ix

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.