The Dissemination of Music in Seventeenth-Century Europe PDF
Preview The Dissemination of Music in Seventeenth-Century Europe
UG Varia Musicologica 18.qxd 25.03.2010 13:28 Seite 1 In this volume fifteen musicologists from five countries present new 18 findings and observations concerning the production, distribution and Erik Kjellberg (ed.) use of music manuscripts and prints in seventeenth-century Europe. A special emphasis is laid on the Düben Collection, one of the largest music collections of seventeenth-century Europe, preserved at the Uppsala University Library. The papers in this volume were initially presented at an international The Dissemination of Music conference at Uppsala University in September 2006, held on the ) . d in Seventeenth-Century Europe occasion of the launching of The Düben Collection Database e ( Catalogueon the Internet. For the first time, the entire collection had g r been made acessible worldwide, covering a vast number of musical be Celebrating the Düben Collection l and philological aspects of all items in the collection. l e j K k i r E 18 ce ip s o u r Mu E f oy r nu ot in te a C n aria Musicologica mih- t en 18 se se Dint e ev he TS Erik Kjellberg is professor of Musicology at Uppsala University since n i 1985. He has published many studies on music in Sweden – notably aaarrriiiaaa from the seventeenth century – based on extensive archival research. In addition he is the author of books and articles on jazz. uussiiccoollooggiiccaa ISBN 978-3-0343-0057-5 Peter Lang This document is licensed to Vitaly Zhdanov (3-11296097|00) www.peterlang.com UG Varia Musicologica 18.qxd 25.03.2010 13:28 Seite 1 In this volume fifteen musicologists from five countries present new 18 findings and observations concerning the production, distribution and Erik Kjellberg (ed.) use of music manuscripts and prints in seventeenth-century Europe. A special emphasis is laid on the Düben Collection, one of the largest music collections of seventeenth-century Europe, preserved at the Uppsala University Library. The papers in this volume were initially presented at an international The Dissemination of Music conference at Uppsala University in September 2006, held on the ) . d in Seventeenth-Century Europe occasion of the launching of The Düben Collection Database e ( Catalogueon the Internet. For the first time, the entire collection had g r been made acessible worldwide, covering a vast number of musical be Celebrating the Düben Collection l and philological aspects of all items in the collection. l e j K k i r E 18 ce ip s o u r Mu E f oy r nu ot in te a C n aria Musicologica mih- t en 18 se se Dint e ev he TS Erik Kjellberg is professor of Musicology at Uppsala University since n i 1985. He has published many studies on music in Sweden – notably aaarrriiiaaa from the seventeenth century – based on extensive archival research. In addition he is the author of books and articles on jazz. uussiiccoollooggiiccaa Peter Lang This document is licensed to Vitaly Zhdanov (3-11296097|00) The Dissemination of Music in Seventeenth-Century Europe This document is licensed to Vitaly Zhdanov (3-11296097|00) Varia Musicologica Herausgegeben von Peter Maria Krakauer PETER LANG Bern•Berlin(cid:129)Bruxelles(cid:129)Frankfurt am Main(cid:129)New York(cid:129)Oxford(cid:129)Wien This document is licensed to Vitaly Zhdanov (3-11296097|00) Erik Kjellberg (ed.) The Dissemination of Music in Seventeenth-Century Europe Celebrating the Düben Collection Proceedings from the International Conference at Uppsala University 2006 PETER LANG Bern(cid:129)Berlin(cid:129)Bruxelles(cid:129)Frankfurt am Main(cid:129)New York(cid:129)Oxford(cid:129)Wien This document is licensed to Vitaly Zhdanov (3-11296097|00) Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available on the Internet at ‹http://dnb.ddb.de›. British Library and Library of Congress Cataloguing-in-Publication Data: A catalogue record for this book is available from The British Library, Great Britain, and from The Library of Congress, USA. Library of Congress Cataloging-in-Publication Data The dissemination of music in seventeenth-century Europe : celebrating the Düben collection : proceedings from the International Conference at Uppsala University 2006 / Erik Kjellberg (ed.). p. cm. – (Varia musicologica ; vol. 18) Includes bibliographical references and index. 1. Dissemination of music–Europe–History–17th century–Congresses. 2. Uppsala universitet. Düben collection–Congresses. 3. Music–Europe–17th century– Congresses. 4. Music–Manuscripts–Europe–17th century–Congresses. I. Kjellberg, Erik. ML240.2.D57 2010 780.26–dc22 2010010201 This volume was financed by Riksbankens Jubileumsfond (The Bank of Sweden Tercentenary Foundation) and Vetenskapsrådet (Swedish Research Council). Cover illustration: Uppsala Cathedral and Gustavianum. Photograph by Tommy Westling. 2006. ISSN1660-8666 ISBN 978-3-0351-0068-6 © Peter Lang AG, International Academic Publishers, Bern 2010 Hochfeldstrasse 32, CH-3012 Bern, Switzerland [email protected], www.peterlang.com, www.peterlang.net All rights reserved. All parts of this publication are protected by copyright. Any utilisation outside the strict limits of the copyright law, without the permission of the publisher, is forbidden and liable to prosecution. This applies in particular to reproductions, translations, microfilming, and storage and processing in electronic retrieval systems. Printed in Germany This document is licensed to Vitaly Zhdanov (3-11296097|00) (cid:2) Contents Foreword 7 ERIK KJELLBERG Uppsala University The Düben Family and the Düben Collection 11 KIA HEDELL Uppsala University The Missa super Im Mayen and the Düben Collection in relation to the German Church Collection in Stockholm 33 JULIANE PEETZ Ernst-Moritz-Arndt-Universität, Greifswald The large Tablature Books in the Düben Collection 49 BARBARA WIERMANN Hochschule für Musik und Theater, Leipzig Vokal-instrumentale Werke in der Sammlung Düben – Überlieferung und Aneignung 73 FRIEDHELM KRUMMACHER Christian-Albrechts-Universität, Kiel Vokalmusik der Dübensammlung im Repertoire der Zeit. Fragen und Beispiele im Rückblick 107 KONRAD KÜSTER Albert-Ludwigs-Universität, Freiburg/Br. Fame, Politics, and personal Relationship: Whom did Düben know in the Baltic Area? 149 PETER WOLLNY Bach-Archiv, Leipzig A Source Complex from Saxony in the Düben Collection 173 LARS BERGLUND Uppsala University The Roman Connection. The Dissemination and Reception of Roman Music in the North 193 This document is licensed to Vitaly Zhdanov (3-11296097|00) 6 Contents ALEKSANDRA PATALAS Jagiellonian University, Kraków Ut oratio sit Domina. The Dispute between Romano Micheli and Marco Scacchi 219 STEPHEN ROSE Royal Holloway, University of London The Composer as Self-Publisher in Seventeenth-Century Germany 239 WERNER BRAUN Universität des Saarlandes Zeitereignisse in Meders Oper Die beständige Argenia (1680) 261 JAN OLOF RUDÉN Stockholm Ensemble Music copied by the Swedish Student Nils Tiliander in Greifswald, Rostock and Wittenberg 1698–1699 279 KERALA J. SNYDER Eastman School of Music, University of Rochester Beyond Sources and Works. A fresh Look at Buxtehude’s Legacy 305 ERIK KJELLBERG Uppsala University The Düben Database project 325 CARL-JOHAN BERGSTEN Göteborg University The Düben Database structure 329 ANDERS EDLING Uppsala University Library The use of the Düben Collection as seen in the Correspondence of the Uppsala University Library 335 Index 345 This document is licensed to Vitaly Zhdanov (3-11296097|00) Foreword The Düben Collection preserved at the Uppsala University Li- brary in Sweden is the fons et origo of the present volume. In 2006 a long-term computer project focusing on this important music collection from the 17th century reached its final stage and was launched on the Internet. To celebrate this event an invitation was sent to a number of scholars, who assembled in Uppsala 7–9th September 2006 for a symposium bearing the same name as this volume, and the papers are herewith made available. They represent important additions to knowledge of the Düben Collection in particular and to problems of music dissemination in Europe during the 17th century in general. The references given in each article illustrate the on-going scholarly discourse over the years. Since database and computer techniques have been a pre- requisite for the project and also for the symposium, some re- flections on these tools may well be warranted. Who could have foreseen the impact of the computer on modern society some twenty years ago? Internet has become everyone’s door to near and distant worlds in time and space – a medium that has stretched our ability and curiosity almost beyond belief. How- ever, as is often the case with new inventions, different opinions have accompanied the rapid and widespread use of computer techniques in the ensuing years. Instant access to all kinds of information may encourage superficiality. And the slim-lined technology may suggest uniformities that seldom occur in ‘real life’. So the critics could argue. But the computer in itself is no enemy to man. It has proven to be an indispensable tool in our daily routines and its enormous capability invites us to think and re-think along new lines. The computer may be regarded as an untiring and humble servant, maybe even a dear friend. This document is licensed to Vitaly Zhdanov (3-11296097|00) 8 Foreword As early as the 1960s successful attempts were made to com- bine musicology and computer techniques in the field of docu- mentation and style analysis. Important pioneers were Barry S. Brook and Jan LaRue in the States. However in spite of the promises computer techniques seemed to make, it took some years before these promises were fulfilled on a larger scale. Only with more flexible and more or less standardised programmes was it possible for the computer to serve individuals in the musical community – whether scholar, composer, or performer. The journal ‘Computing in Musicology’ (from 1986) bears witness to the rapid progress in a number of musicological disciplines. Music is disseminated in many possible ways and for differ- ent reasons, depending on practical or economical resources on the one hand and ideological or political on the other. It is in- teresting and even important to ask how music is made avail- able in a particular era. The present volume is devoted to the 17th century. Fifteen scholars contribute to the main theme. Their contributions may be divided into five areas: 1) The history and general make-up of the Düben Collection at the Uppsala University Library (Kjellberg, Hedell, Peetz, Wiermann,) 2) Certain or possible links between Sweden and Europe that account for the assemblage of a large international repertoire during this period (Küster, Wollny, Berglund) 3) Questions of sociological and aesthetic nature and specific source problems (Krummacher, Snyder, Rose) 4) Examples of musical-cultural relations outside the Düben Collection (Braun, Patalas, Rudén) 5) The database project and the use of the Düben Collection in modern times (Kjellberg, Bergsten, Edling). *** This document is licensed to Vitaly Zhdanov (3-11296097|00)
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