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The art of fugue: Bach fugues for keyboard, 1715-1750 PDF

198 Pages·2005·2.16 MB·English
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The Art of Fugue The Art of Fugue bach fugues for keyboard, 1715–1750 Joseph Kerman Includes a CD with New Recordings by Davitt Moroney and Karen Rosenak university of california press Berkeley Los Angeles London University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2005 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Kerman, Joseph, 1924– The art of fugue : Bach fugues for keyboard, 1715–1750 / Joseph Kerman. p. cm. Includes bibliographical references (p. ) and index. Includes compact disc. isbn0-520-24358-7 (cloth : alk. paper) 1. Fugue. 2. Bach, Johann Sebastian, 1685–1750. Keyboard music. I. Title. mt59.k49 2005 786'.1872'092—dc22 2005004045 Recording engineer for the CD: Robert Schumaker. Tracks 1–2 and 7–8 were recorded at International House, University of California, Berkeley, on February 8, 2004; track 3 at the same location on February 23, 2004; track 4 at Chapel of St. Joseph of Arimathea, Berkeley, on April 28, 2004; and tracks 5–6 at Hertz Hall, University of California, Berkeley, on January 24, 2004. Tracks 16 and 17 are from Die Kunst der Fuge, BWV 1080,ed. Davitt Moroney (Munich: G. Henle Verlag, 1989), reproduced by permission ofG.Henle Verlag. Manufactured in the United States of America 14 13 12 11 10 09 08 07 06 05 10 9 8 7 6 5 4 3 2 1 The paper used in this publication meets the minimum requirements of ANSI / NISO Z39.48–1992 (R 1997)(Permanence of Paper). To Ellen Rosand, thirty-year friend A song that is well and artificially made cannot be well per- ceived nor understood at the first hearing, but the oftener you shall hear it, the better cause of liking you will discover. William Byrd What I can offer has a meaning only for those who have heard, and who keep on hearing. To such I may be able to give a sug- gestion here and there for renewed hearing. Søren Kierkegaard Contents Contents of the CD xi Preface xv Acknowledgments xxi 1 Fugue in C Major:The Well-Tempered Clavier,book 1 1 2 Fugue in C Minor: The Well-Tempered Clavier,book 1 11 3 Fughetta in C Major, BWV 952 17 4 Fugue in C-sharp Minor: The Well-Tempered Clavier,book 1 23 5 Contrapunctus 1:The Art of Fugue 33 6 Contrapunctus 10: The Art of Fugue 39 7 Chromatic Fantasy and Fugue, BWV 903 51 8 Prelude and Fugue in E-flat Major: The Well-Tempered Clavier,book 1 65 9 Fugue in E Major: The Well-Tempered Clavier,book 2 75 10 Fugue on “Jesus Christus unser Heiland”: Clavierübung, book 3 85 11 Fugue in F-sharp Minor: The Well-Tempered Clavier,book 1 95 12 Gigue: English Suite no. 3 in G Minor 103 13 Fugue in A-flat Major: The Well-Tempered Clavier,book 1 109 14 Fugue in A Minor: Fantasy and Fugue in A Minor, BWV 904 115 15 Fugue in B-flat Major: The Well-Tempered Clavier,book 2 125 16 Fugue in B Major: The Well-Tempered Clavier,book 2 133

Description:
Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved work
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