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TBG+S 2017 Artistic Programme PDF

19 Pages·2017·6.17 MB·English
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Preview TBG+S 2017 Artistic Programme

7 1 0 e 2 m m a r g o r P 7 1 0 2 n i n o s ’ t a h a W nsk mi a K a asi K by ge a m I //05 Director’s Welcome Welcome to Temple Bar Gallery + Studios 2017 Programme. In this publication we outline our five exhibitions for the year, along with information on our studio membership and opportunities for artists at Temple Bar Gallery + Studios. The 2017 exhibition programme continues to reflect on expanded forms of exhibition making and artistic practice. With a focus on solo exhibitions, two Irish and three international artists have been invited to participate. We are delighted to be working with Hilary Lloyd (UK) in collaboration with PLASTIK Festival of Artists’ Moving Image; Camille Norment (USA), whose work includes sound installation, light sculpture and performance, and, guest curator Caroline Hancock who will curate a new work by Nigerian artist, Otobong Nkanga. Dublin based Gavin Murphy’s solo exhibition presents a new film work – the culmination of his research into the now defunct Eblana Theatre, located in the basement of Michael Scott’s Busáras. Mark Swords (IRL) will create a large-scale site-specific painting installation for the gallery. Across this diverse programme there are sometimes political undercurrents present in the work and, always, an ambition for experimentation with varying media and forms of artmaking. Alongside these five exhibitions, we will feature the 7th edition of the annual Dublin Art Book Fair in November, work in partnership with artist Mark Orange on his collaborative site-specific project in September 2017 and the PLASTIK Festival of Artists’ Moving Image which takes place in March 2017. Our exhibition and studio programmes are augmented by TBG+S’ commitment to engaging audiences and connecting them to the work of contemporary artists through an extensive programme of talks, tours, events, performances and screenings. In 2017, our learning and public engagement programmes are greatly e strengthened by the Arts Council’s investment in a new pilot partnership with the RHA Gallery, Dublin, to appoint a shared Learning and Public Engagement Curator to work m across our institutions. We are delighted for the generous support of the Central Bank us of Ireland which allows us to initiate Creative Generations, an education programme oviči that will see TBG+S artists in residence in two inner city schools, led by education mal o curator, Jean Mann. Tu as TBG+S will continue to work with a literary writer to offer an alternative form of m To c writing on art. We are delighted to announce Gavin Corbett as our commissioned by age l writer for 2017. m S. I e TBG+S would like to acknowledge our current and future audiences, supporters and BG+ funders, and all the artists who we will work with in 2017. We look forward to seeing T ght 2016, W yColíuo dmhannay Stihmaeffsr tehyroughout the year and hope you will enjoy the 2017 Programme. Ni ure Director, Temple Bar Gallery + Studios ult C her g a all G n o n n a h S by ge a m ue. I g nta o M byl Si h wit n o ati nvers o n c ffrey i a h S a n h d o Clí 0088//// //09 Membership + Residencies+ Stu Studio 6 Open + Studio 27 dio G+S nd in Stu dio 6, TB a u ities 2016 TBG+S/HIAP Residency recipient Sara Bjarl10 at TBG+S. Image by Shannon Gallagher Beef or Salmon, The Show², November 2016, St n Temple Bar Gallery + Studios offers professional Graduate Residency Studio Studio 6 Open uartists the opportunity to work from large and The Recent Graduate Residency offers a Studio 6 Open invites artists and arts groups to propose a series of well-appointed artist studios through three free studio for one year to an artist who has events to take place in Studio 6. Events with a public element are open call opportunities annually. Application graduated from an undergraduate degree in encouraged, and TBG+S will offer Studio 6 free of charge. Projects that t forms and guidelines on how to apply for these the past three years. s have taken place so far under this programme include performance art ropportunities will be available from our website Deadline for applications: Monday 23 January events, experimental poetry nights, film screenings and reading groups. e approximately one month prior to 2017 at 5pm There is a rolling deadline for this opportunity so get in touch with us to o each deadline. discuss how you would use the space and make your proposal. Masterclass Series 2017 c pwww.templebargallery.com/studios/apply The Masterclass Series invites visiting Studio 27 Membership Studios international artists to participate in public a TBG+S offers the use of Studio 27 to arts collectives who are working Membership Studios offer a three year tenure talks and a series of sessions which engage towards a specific project (festival, exhibition etc.), as an office and p and are aimed at artists who are at a developed with TBG+S Studio Artists on collective, p meeting space in the run up to their public event. Studio 27 has recently stage in their careers. as well as, one-to-one basis. been used by platforms such as PLASTIK Festival of Artists’ Moving Image o ODeadline for applications: Friday, 26 May 2017 at 5pm Visit www.templebargallery.com for and Dublin Gallery Map as an office and administrative base. Studio 27 is S more details also available for short term use by any member of our alumni. Project Studios i Project Studios offer a one year tenure and are Helsinki Artist in Residency (HIAP) Exchange d Email [email protected] with your proposal for either Studio 6 The HIAP/TBG+S International Residency Open or Studio 27. Please note we do not accept proposals for exhibitions generally awarded to artists at an earlier point Exchange allows one Finnish artist to live and in their career. work in Dublin for a period of two months and u Space Hire Deadline for applications: Friday, 13 October TBG+S has a variety of space hire options for events and 2017 at 5pm supports an Irish artist to spend six weeks in student exhibitions. residency at HIAP, in a live/work studio on the t island of Suomenlinna in Helsinki. Email [email protected] for availability and bookings S Deadline: Monday, 23 January 2017 at 5pm Suomenlinna Sveaborg The HIAP residency exchange is made possible by the Kaapeli Cable Factory support of the Finnish Institute, London 10// ////1111 e Current Studio Members 2017 Wish You Were Here Wed 01.03.17 m Avril Corroon us m G+S ovici d TB o 23 at TBG+S. Image by Tomas Tumal ogra Avril Corroon, Airbnb apartment anAtrium balcony, illustration, 2016 udi Wish You Were Here, a live multimedia site-specific performance from an St r n Airbnb apartment to an audience located across the road on TBG+S atrium n i gto P balcony. Avril Corroon will present Airbnb’s transformation of the domestic n Pilki environment to the productive factory by re-purposing the apartment n further as a stage. Temple Bar, Ireland’s most popular tourist destination, o Alis will set the backdrop for Corroon to unpick the marketing deceptions of s Artist ’ Irish tourism and the sharing economy. o s r Studi Corroon was the recipient of the 2016 TBG+S Recent Graduate t Residency Award. e s Cité Internationale Des Arts b Robert Armstrong Jaki Irvine i Miranda Blennerhassett Caoimhe Kilfeather t Winners 2017 TG+S Nominated m Michael Boran Andreas Kindler von Knobloch + r TBG+S Nominated Artist Sibyl Montague Gerard Byrne Tanad Williams A e Neil Carroll Stephen Loughman TBG+S nominated artist Sibyl Montague has been awarded a residency in Paul Coleman Lucy McKenna Paris as part of Cité Internationale Des Arts. Sibyl will work from a studio oM Avril Corroon Maria McKinney o in Paris from October 2017 to January 2018. Kevin Cosgrove Joe Moran i Vanessa Daws Isabel Nolan i Atrium Space d Vanessa Donoso López Alan Phelan d Mike Duhan Alison Pilkington Atrium Space features TBG+S studio artists who are invited to exhibit their u u Stephen Dunne Margaret Tuffy work in the Atrium of the TBG+S building. The intention is to create an active space outside of the studio and the gallery to exhibit finished work t Gerry Farrell Kathy Tynan t or work in progress. To view the current featured studio artist’s work, visit S Sean Fingleton Marcel Vidal S the gallery between Tuesday and Saturday from 11am to 6pm and ask the Joe Hanly invigilator for access to view the work on show. For more details on Studio Artists’ talks and events programmes please see page 25 s n o i t i b s i t h n x e E v E ffarelli + u Tr a uc by L age m Barry (2016). I ks a Orl ws, o b ain l R g akin a Bre of w T n vie o ati nstall I 14// //15 Hilary Lloyd Mark Swords oles C op, London, urtesy Sadie ho 4.17 Robot, Sadie Coles HQHilary Lloyd, , The S9–24 October 2015. Copyright the artist, cHQ, London 6.17 Mark Swords, Studio wall, 2016 0 0 TBG+S presents the work of Hilary Lloyd, in collaboration with PLASTIK Mark Swords’ artistic output to date includes painting, installation, . Festival of Artists’ Moving Image. Though not describing herself as a . textiles and collage. His work uses both abstract and representational 1 filmmaker, Hilary Lloyd uses unedited footage of singular moments in 7 imagery. For this exhibition Swords will show paintings from 2015 to her installations. This filmed material is usually displayed on flat screen the present. Some of this work will be incorporated onto a painted 0 7 TVs or using projectors, amateurs and stands, the sculptural nature of 7 backdrop, while more still will be collaged together to form a tapestry 1 which are important to the overall aesthetic of the work. This use of film of disparate painted imagery. The exhibition as a whole will represent 1 and equipment as medium is intended to obstruct or direct the viewer’s 1 the artist’s lived experience and his locality, his world, both small t experience of the work. Lloyd’s films do not document anything but are t and infinite. . made intuitively, and in interaction with objects she films. . a a Mark Swords 2 Hilary Lloyd 4 b. 1978, Dublin, Ireland b. 1965, UK Mark Swords studied at the National College of Art and Design, Dublin. S S 0 Hilary Lloyd lives and works in London. 0 His recent exhibitions include; Hinterlands, Kevin Kavanagh Gallery, Dublin She has exhibited internationally, with solo exhibitions including Blaffer Art (2014); I won’t say I will see you tomorrow (2013), a group project and multi-venue Museum, Houston, USA (2016); Robot, Sadie Coles HQ, London (2015); Balfour, exhibition curated by Aoife Tunney, and Mosaic, Wexford Arts Centre, . Sadie Coles HQ, London (2015) and Museum für Gegenwartskunst, Basel (2012). . Wexford (2012). – – 0 Lloyd was nominated for the 2011 Turner Prize for her exhibition of 2010 at Raven 4 Row, London. 1 1 i i r r F F 16// //17 Camille Norment Gavin Murphy Double Movement 9.17 RaptureCamille Norment,, 2015. Commissioned Solo Project for Venice Biennial of Art: Solo exhibition Nordic Pavilion. Installation: Mixed Media, including 12 voice chorus, glass armonica tones, audio devices .17 Double Movementn Murphy, Still from 0 1 Gavi 1 Camille Norment’s practice includes sound, installation, light sculptures, Gavin Murphy’s exhibition of film, sculpture, text and photography is . drawing, performance and video and draws upon her experience in . the culmination of a period of research into the now defunct Eblana 2 music, dance and the arts. Her research crosses disciplines, exploring 8 Theatre, which explores absences or voids in our cultural memory. 7 the interconnections between sound, myth, taboo and science within Situated in the basement of Dublin’s central bus station Busáras – a 0 the framework of art and history. Her work is largely concerned with 7 visionary and contested scheme designed by Michael Scott and Partners, 1 creating experience through the relationship between object/space and influenced by international modernist movement – the building 1 and the body of the viewer, and with the way the body is inscribed with 1 was envisaged as a kind of civic Gesamtkunstwerk for the benefit of the .t meaning through its negotiation with its surroundings. Moreover it seeks t practical, social and cultural needs of the public. 6 to engage the viewer as a physical and psychological participant in the . a a Through producer Phyllis Ryan, the Eblana premièred the work of many work, and as such, is interested in creating experiences that are both 9 Irish playwrights, and staged plays ranging from populist revues to somatic and cognitive. 0S S experimental works, covering taboo subjects in Ireland of the time such Camille Norment 0 as homosexuality, homelessness and criticism of the Catholic Church. b. 1970, Silver Spring, Maryland, USA However its artistic fortunes gradually declined, and the theatre was . Camille Norment lives and works in Oslo, Norway. 0– She has exhibited and performed extensively in cultural events and institutions, .– eventually closed in 1995. including MoMA (Museum of Modern Art), New York (2013); The Kitchen, New 5 The exhibition has been developed with the support of the Irish York (2013); Transformer Station (The Cleveland Museum of Art), Cleveland, OH, Architecture Foundation, and through funding from the Arts 3 USA (2013) and The Museum of Contemporary Art (The National Museum of Art, Architecture and Design), Oslo (2012). In 2015, she represented Norway at the 1 Council(Project Award), and The Arup Trust. Venice Biennale Gavin Murphy b. 1973, Dublin i i Gavin Murphy is a Dublin-based artist and curator. Exhibitions include: In Art r r We Are Poor Citizens, Dublin City Gallery The Hugh Lane (2014); On Seeing Only Totally New Things, Royal Hibernian Academy (2012), and Moving Deaths, F F Conical, Melbourne (2009). 18// //19 Dublin Art Book Fair Otobong Nkanga 7th edition 11.17 blin Art Book Fair 2015 02.18 The Weight of ScarsOtobong Nkanga , 2015, 4 tapestries, woven textile and photography, viscose bast, mohair, polyester, bio-cotton, linen, acrylic, and inkjet print on 10 laser-cut Forex plates, each 253 x 153 cm. Courtesy the artist, Lumen Travo, Amsterdamn and Galerie in situ-Fabienne Leclerc, Paris. 7. Du Otobong Nkanga’s multifaceted work was first introduced to Ireland 6 . with a large tapestry titled The Weight of Scars, presented in Still 1 4 (the) Barbarians, EVA International 2016, in Limerick. In a constantly evolving shared conversation, Nkanga observes authoritative systems .2 72 and fragmented histories in relation to organic connectedness and 1 Dublin Art Book Fair is a TBG+S initiative, now in its 7th year. It platforms the environment. Through drawings, installations, photographs, 1n artists’ publications, catalogues, design, photography and related books 1 performances and sculptures, she carefully considers grave societal t issues to do with land, natural and human resources and their by over 60 Irish and international publishers. It features artists’ books . . exploitation. Based on her own experiences, memories, in-depth u which are gathered through an open call, including one-off and limited a 3 edition works. 2 research and artistic processes, Nkanga explores the use and cultural values embedded in materials, constructions, networks, and received S S 2 The Fair has become an important touch point between Irish audiences 1 ideas. Her engaged and engaging poetic forms of narration voice and international book makers and publishers. important questions about our world. Working with guest curator . Caroline Hancock, Otobong Nkanga is creating new work for Temple An artist is commissioned to create a site-specific artwork for the Fair. s– 8– Bar Gallery + Studios. And, a curated series of talks and events, organised by the curator, form a key element of the programme. r 0 Otobong Nkanga b. 1974, Kano, Nigeria; lives and works in Antwerp, Belgium u Otobong Nkanga trained at Obafemi Awolowo University, Nigeria, Ecole Nationale Supérieure des Beaux-Arts, Paris, Rijksakademie van beeldende kunsten, Amsterdam and DasArts, Advanced Studies in the Performing Arts, Amsterdam. h i Recent solo exhibitions: Nottingham Contemporary and Kunsthal Aarhus (2016/7); r Beirut Art Center (2016); MHKA, Antwerp, Kadist Foundation, Paris; Portikus, T Frankfurt; Stedelijk Museum Schiedam, Schiedam (2015). Her work was included in F Gwangu and Sydney Biennales (2016), Lyon Biennale (2015), Berlin and São Paulo Biennales (2014).

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