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Taxing Heaven's Storehouse: Horses, Bureaucrats, and the Destruction of the Sichuan Tea Industry, 1074-1224 PDF

503 Pages·1991·17.078 MB·English
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. I yrmKKVCF..- 获逢i年r f 惰 lic麵: 11T x HA > 展 砰 >趑# 文 t 子 4 i L ; 於 灸 > ^ m 六 S t A i A 爲 ? 上 无 着 夹 人 幸 A I l 景 按 年 夹 耒 逢 优 努 J 闳 駁 惠 f 烏 I m t 费 糸 萍 ll } X L R 1 V, .p實 ; . f f 翁馨 k ' ^ f,4:. r; 管 ' i Taxing Heaven's Storehouse HARVARD-YENCHING INSTITUTE MONOGRAPH SERIES 32 TAXING HEAVEN’S STOREHOUSE Horses Bureaucrats, and the Destruction , of the Sichuan Tea Industry, 1074-1224 PAUL J. SMITH Published by the COUNCIL ON EAST ASIAN STUDIES, HARVARD UNIVERSITY, and distributed by the HARVARD UNIVERSITY PRESS, Cambridge (Massachusetts) and London 1991 Copyright 1991 by the President and Fellows of Harvard College Printed in the United States of America The Harvard-Yenching Institute, founded in 1928 and headquartered at Harvard Univer­ sity, is a foundation dedicated to the advancement of higher education in the humanities and social sciences in East and Southeast Asia. The Institute supports advanced research at Harvard by feculty members of certain Asian universities, and doctoral studies at Har­ vard and other universities by junior faculty at the same universities. It also supports East Asian studies at Harvard through contributions to the Harvard-Yenching Library and publication of the Harvard Journal of Asiatic Studies and books on premodern East Asian history and literature. Library of Congress Cataloging-in-Publication ^)aca Smith, Paul J., 1947- Taxing heaven's storehouse : horses, bureaucrats, and the destruction of the Sichuan tea industry, 1074—1224 / Paul J. Smith, p. cm.~(Harvard-Yenching Institute monograph series ; 32) Includes bibliographical references and index. ISBN 0-674-40641-9 1. Tea trade~China~Szechwan Province~History. 2. Horse industry~China~Szechwan Province~History. 3. Tea~Taxation~ China—History. 4. Cavalry horses—China—History. 5. China~ HistorySung dynasty, 960—1279. I- Title. II. Series. HD9198.C5S64 1991 354.5 r3800826l372—dc20 91-7539 CIP The author wishes to thank Pat McDowell for drawing the maps and John Gates for indexing the text. Endpaper illustration: Groom leading the horse Fine-Head Red (nine sut in age; 13 hands, 3 inches, in height), brought in through the Qinzhou market in 1087. From ‘ Portrait of Five Horses” (Wuma tu) by Li Gonglin (1049—1106). To my father, Barnet Norman Smith, and the people he watched over and loved Acknowledgments In the ten long years it has taken to see this project to completion, I have incurred many debts, but more importantly made many friends. Many sponsors generously supported Taxing Heaven’s Storehouse in its first phase as a dissertation project at the University of Pennsyl­ vania. The Social Science Research Council funded the basic re­ search for my dissertation at one of the world’s great Sinological institutes, the Research Institute for Humanistic Studies of Kyoto University. During my two-year stay in Kyoto I received kind help and advice from Professors Umehara Kaoru and Shiba Yoshinobu, as well as the unstinting friendship and assistance of Sugiyama Ma- saaki. I remain deeply grateful to them and to the scholars and staff of the Institute and Kyoto University. On returning to the United States,I received continuing support from the University of Penn­ sylvania, which encouraged me to complete the project as soon as possible by providing a Mellon Dissertation Fellowship. That year taxed more than Heaven’s Storehouse, as my manuscript grew in­ creasingly fat and my mentors increasingly nervous. Sue Naquin peppered my margins with impatient queries about why I was tell­ ing her so much about so seemingly little, and there is no question she was right; the dissertation did contain a welter of undigested detail. But my chief task at that time was simply to finish, for a post-doctoral fellowship awaited me at the Center for Chinese Stud­ ies of the University of Michigan, and so I had no choice but to Vlll Acknowledgments follow the advice of my advisor, Robert M. Hartwell: There s no fixing the thing now, so just finish it. You’re only going to have to rewrite it completely for publication anyway. And of course he was right as well. It turns out that dissertations are no less easy to unwrite than they are to write. Over time, as other projects and my job at Hav- erford came between me and the dissertation, I think I became a better historian; thus when I finally got down to the task of cutting a 750-page thesis in half, I was shocked and dismayed at what in my youth I had wrought. But again many friends and institutions came to my assistance. Haverford got the job rolling by transferring the manuscript—perhaps one of the last ever written on a type­ writer~to disk. A1 Feuerwerker, Bob Hymes, Peter Bol, Valerie Hansen, Hugh Clark, and Bill Rowe looked at all or parts of the manuscript in various stages of revision, as did anonymous peer reviewers at three stages in my career; and all offered comments that were both helpful and encouraging. I especially value a com- ment by John Chaffee, who, having read both the fat dissertation and the thin book manuscript, expressed regret for the details that had unavoidably been cut. But three people in particular have helped bring this project to a close. Vasiliki Limberis entered my life as the process of rewriting was under way, and she not only agreed to honeymoon with me in Chengdu, but also to read my revisions as we fought off Sichuan’s winter chill. I took it as an expression of affirmation that an histo­ rian of early Christianity could read a manuscript on Chinese fiscal sociology without showing too many signs of impatience. Richard von Glahn has been my friend and colleague since our first seminar together under Bob Hartwell, and it has been a special pleasure to work on northern Sichuan during the Song at the same time that he worked on the south. Richard has read and commented on the entire manuscript, and helped me solve innumerable prob­ lems of scholarship, strategy, and morale. Not least, he has helped me formulate responses to the third key player in this publishing process, our mutual editor Katherine Keenum. Katherine has had perhaps the most difficult job of all, for it is she who has had to

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