Southern Enclave Issue 28 - a Star Wars Fanzine

64 Pages·1991·6 MB·English

by  Cheree Cargill (ed.)

SPRING 1991 ISSUE 28
HC)l11 TC) DC) A ZINE
by Mary Urhausen and Cheree Cargill
Mary: I'm tempted to be facetious and say: Cheree: I second Mary's ITotion about the
Just take a big roll of hundred dollar bills, hundred dollar bills. It's true. I have fond
stick them up a bodily orifice, and set than mefOOries of the first zine I ever did--a little
011 fire ... this would be cheaper and consider STAR TREK zine called TAL-SH.l\YA which ran arout
ably less stressful to y'our body than putting 50 pages (non-reduced) and wilich cost me about
out a zille! But then I realize that Fiorenza $200 to have printed. A TROOR IN THE FDRCE
is looking for d genuine answer. #5 ran al:xJut 250 pages (IOOSt of it reduced) and
Frail our credits page, you might be led to cost me nearly" $4,000 when all was said and
believe that a cast of thousands puts out THE done, including the cost for the color cover
WCDf\IEE ~DE; but basically it's just Samia and postage. I find that cost totally ridicu
d11d rile. ~e both receive sutrnissions, and we lous and pldIl to scale IT back to sanething we
ha\e to agree on thE'll! before we will accept can all afford.
thall. SarrJ a does nost at the editing and tn) Iike~ary, I've had my printer do the col
illg (she's tlJe one with the relevant degree lating and binding, simply because I hate doing
and the PC); but I usually' do several of the grunt work. However, the price I' ITl paying for
stories in each issue. I also take care of that service isn't worth it. So, I've just
IOOst of the art: contacting artists, begging purchased an Ibidco binding machine and will
and grovelim, screaming arout deadlines, etc. go back to doing the sweat equity myself.
I take care of getting the color covers done, (Well, hey, a collating party can be lots of
and getting art screened if necessary. Since fIDl !)
we have our printer do all the collating and But , to address Fiorenza's request in a
binding, neither one of us has to do that kind constructive marmer, let me go through the
of gnmt work. I do the gnmt work of handling paces on ''How To lX:l a Zine" ... and, hopeful 1y ,
all the orders and actually mailing out zines. how to keep the e.xpenses wi thin reason.
I also usually do the fliers, answer all SASEs,
and put out ads in other zines. You may have 1. Deciding to do a Zine
also noticed that 1'rll usually the one who gets
in hot water over controversial issues, like Deciding to do a zine is usually ITore a
the "clone .;ars"! I wouldn't have it any other matter of the heart than the head. In fact,
.. al'. the brain is usually in neutral when the heart
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announces, "Hey, I think I 11 do a zine! And, type of stories you are looking for, when your
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once the heart has the reins firmly in hand, projected deadline/publication date is, anl·
there's little the head can do about it. story requirements you might have (typed,
By the time the decision is made, the double spaced, etc.), and then write to people
would-be editor probably knows what sort of you would like to see published in your zine.
zine s/he is going to do-SI'AR w"ARS, general Ask them to spread the word that you are
media, sf, etc. Since A 'I'REM)R IN '!HE FORCE looking for contributions.
is a SW zine, we'll use that as an e.xample.
Many editors further narrow the category down ID. Advertising Yrur Zine
--a Luke zine, a Han zine, a Vader zine, or
just a general, all-purpose SW zine. 'I'F is the Unless your zine is to be solely for the
latter; I like all the characters (although I contributors and/or [embers of your fangroup,
admittedly lean toward the Corellian persua you will want to make sure that you sell all
sion) , and 'I'F reflects nlY enjo~lrent of reading the copies you print. If you are able to
a variety of stories. attend conventions and work a dealer's table,
Next, you'll probably want to cane up with you have a market there, but most zines are
a title, if you haven't alreadl'°. Titles can sold through the mail.
be plucked out of thin air, relate to a char Advertising is mainly a [atter of Getting
acter, show preference for one side or another, the Word CUt. Once your zine is in production
or calle frail a snatch of dialogue. My zine's or finished, you will want to advertise to
title caIre fran a phrase used l)y Darth Vader bring in as many orders as {XlSsible. One good
in ANH. Vader: "Obi-Warl is here; the Force is wal° to do that is to print up fll'°ers and mail
""ith hili!." Tartin: "Obi -Wan here? What makes them to everyone whose address you can lay
you so certain?" Vader: "A trenor in the hands on that you think might buy your zine.
Force." When I heard that, a little bell went Take or send your flyers to conventions, too.
off in my head and I inmediately knew that's Most will have a flyer table for just that
what I would call my zine. pti1.1XlSe. Sare have "orpharl zine" tables for
editors who can't attend and the con ccmni ttee
II. Getting CootribJtiexlS will agent yom' zines for a srrall percentage.
The other najor way to advertise ~oour zine
Unless you are an incredibly prolific and is to utilize other fan publications, particu
wulti -talenteJ ';,Titer, artist and editor (like larly newsletters or adzines such as DATAZINE
!1ar! Jean Holnes or .1eanine Hennig, for exarrr or FYI ZINE. Prepare several versions of your
ple) I it's d prett:i good bet that you won't be ad-classified-type line ads for zines such as
able to tl1l11 out a lllmdred-plus pages of fic SOOl'HERN ENClAVE that offer an ad section,
tioll, illustrate it and then coordinate it small display tl''J)e ads for publications that
together into a zine. Sare people do, but the might be able to run those (be prepared to pal'O
results, ';,ith a few renarkable e.xceptions (see for these, though; many publications charge to
aoove) , are ... UITI ••• not very good. run display ads), full-page flyers for the big
If !oou are a neniber of a fan group, you zines, etc. Alwalos SASE the editor and request
might have access to a nlJTlber of writers and specifications for running an ad in their zine.
an equal mllilier of artists to illustrate their Offer to trade ads with other editors; most are
stories. Of course, then, the editor can get just as anxious to advertise their zines as you
into the trap of being forced to either print are and we all have slightly different [arket
really crappy stories and/or art for friend areas that we're eager to tap!
ship's sake, or into the equally painful task
of telling a friend that their stuff sucks. IV. Creating the FanziDe
Saretines the edi tor will tread a middle ground
and just tell his/her conscience to shut up Now we get down to the nittl°--gritt~o--creat­
about it. ing the fanzine! This is simultarleously the
If you do not have a circle of talented lfut fun and the nost frustrating part of doing
friends or ""ant to bring in contributions fran a zine. Ftm, because you will hdve a blast
outside SOllrces, the best bet is to create a watching all those miscellaneous pieces of
preliminary flyer for your zine, stating what paper cane together into a work of art; frus-
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trating, because you'll get so sick of late As the editor gains experience, it will be
nights typing up endless stories and having easier to judge on placement of illos within
your fingers stuck together with rubber cement the story, working with presstype and border
and tearing l'-our hair out over lost orders, tape or clipart for visual appeal, the best
that you'll wonder why in the world you ever order in which to arrange the stories, etc.
wanted to do a zine in the first place! But lX>n't be discouraged if your first zine doesn't
don't be surprised if you're already pI arming look like a 10l1<J tine zine. When I canpare my
l-our ne:\"t issue as soon as the first one canes first zine, TAL-SHAYA #1 (done in 1972) with
back f ran the printers! A TREK>R IN 'llIE FORCE #5 (done in 1990), the
TIlis is the core of ''how to do a line" and difference is obvious-the result of nearly 20
is also the rrost difficult to answer. No two years' experience.
editors do their zines e.'\actly alike. Basical
v.
l~£, it's a question of taking the te.'\t and art PrintiIIQ, Collat:inq and Bin:l:ing
and canbining than into a pleasing tonnat,
printing a nlJllber of copies, and binding the Before you begin typing up your zine, you
pages together. American zines are usually the should consider what method of reproduction and
product one or two, sanetines three, editors. binding you will use.
Rarel1- is there an editorial cannittee, with In the olden days of zine production, the
tasks assigned out and an editor-in-chief manuscripts were generally typed on mimeograph
overseeing the final product. !>1ost American or ditto stencils and cranked off on the office
editors want total (.'Ontrol over· their zines. and basement mimeo machine. During the mid-
When the edi tor has enough material (and 70's, most editors turned to offset printing
that depends on the size of zine she wants) and as the best way to produce zines. The vast
has the art in hcmd, it's tine to begin the majority of zines are still printed in this
fascinating and frustrating process of putting marmer and typing and layout are geared toward
the zine together. The biggest job is typing this type of reproduction. In the 80's, photo
up the stories and it is here that the editor (.'Opying improved to the point of ri valing
wi 11 yenerally nost readily accept help. offset printing and many editors turned to the
Long agu and far away, zines were typed up cheaper photocopying process for reproduction.
\)n iillything handy. I did early issues on a $10 Color photocopies and 4-(.'0101' printing have
garage sale Rol·al electric wi th the space bar added new dimensions to zine production in the
riggeti l-itIJ a rubber band. ~llen that wore out, past few years. Of course, the oore bells and
I did an issue or two on a little Smith-Corona whistles that edi tors have added over the
nkillual. Frail there I ad\',mced to the IPM Selec years, the higher has clirllbed the cost for
tric at work, sneaking nl}· typing in between their zines.
actual work. wl1en I began working on genuine Binding adds still rrore cost--especialll'
word processing and canputer systans, my zine if you choose to have the zine perfect round
production went right along and all m~- zines (that is, with a Hap-around colier glued at the
since aOOut 1980 have been produced that way. spine). Most editors opt for GBC type binding,
Canputers have proved to be the handiest the plastic spiral binding that is so preva
things since sliced bread, as far as zine lent. If the editor can afford to buy a bind
edi tors are concerned. A story can be typed ing machine, it will pay for itself with the
long before the art canes in, proofed, (.'Or production of one good sized issue. GBC bind
rected, fonnatted, re-fonnatted, sized up or ing is one of the neatest and rrost professional
dow11--until the editor is satisfied with the types of binding a zine. If the issue is not
look and placallent of the material. Wi th the over 100 pages, however, a heavy duty stapler
advent of laser printers,· typeset-look zines will serve you quite nicely.
are beLurdng camooplace. If you have the noney to spare, your print
All this should not discourage would-be er will (.'Ollate and bind your zines for you.
editors frail the simpler fOl1lS of zine produc If you're on a limited budget, then you're
tion. All it really takes to do a zine is a stuck with the gnmt work. The noot fun solu
typewTi ter, a gluestick or bottle of rubber tion is to throw a collating party--invi te in
cement, a xerox rnachine and a stapler. Those all your friends, provide the mUllchies (but
are the basic elements. make everyone wash their hands before the (.'01-
3
lating starts!), throw on some music and get your nane anathena faster than taking people's
to work! Collaters get a freebie copy of the omey and then sending them nothing in return
zine for helping out. because you've lost any record that they sent
you nooey in the first place! If you're hope
VI. Finances and Other Matters lessly inept at this rudimentary business of
bookkeeping, then find sareone who isn't and
Ah, the big question! Where, ob, where entrust them with the job! But 00 IT!
will I get the rroney to do my zine?? If you're Not every editor takes pre--orders, but most
independently weal thy, then you can skip this do for the simple reason that they need the
portion and go straight into producing your omey the pre--orders bring in to begin printing
zine. The rest of you, read on. up the zine. This will also give you a cushion
First of all, the one big rule in zine tmtil you can figure up exact costs and a final
production that you should grave on your heart price. Q1ce the zine is ready or very nearly
in letters of gold is: PREPARE TO TAKE A finished and you knari your final price, send
FINANCIAL lOSS rn YClJR ZINE! ]X) not expect out a notice to those who pre--ordered, letting
to make any rroney on your zine. Unless you are them know their balance due. Send out ~·et an
a total crook, you will end up financing part other round of flyers, this time with the final
of the costs out of your own pocket. price.
The facts of life, boys and girls, is that You will probably not sell more than half
we're using cop:'tTighted and tradenarked charac of your print rtm at first, and that's only if
ters and we use them with the tacit approval you have a pretty large following. It's at
and/or tolerance of their creators. That ap this point that you'll find yourself dipping
proval and/or tolerance hinges on our ethical into your own finances. But, in the long rtm,
use of those characters and on our not making your zine will probably pa~. for itself and you
a profit. Anyone caught making a profit will can either reimburse your e.xpenses or put the
find the Wrath of Lucas on them like a mynock sale money towards the ne.'\t issue.
011 a IDWer cable. I mentioned copyrights earlier and you "'ill
Therefore, you must price your zine so that find that it is wise to copyright your zine.
e:-.-penses are c:overed (bearing in mind that The far, far majorit~{ of zine editors use a
there is a limit to what the traffic will bear) carroon law copyright, which is perfectly legal,
but that there is darned little, if anything, but which is not listed with the Library of
left over. 99% of the time, you will find Congress. This simpl~· consists of running a
yourself dipping into your own pocket. copyright in your zine, generally with
notic~
In order to calculate what you should a disclaimer that it is an amateur publication,
charge for your zine, estimate the final pru not for profit and not intended to infringe on
duction costs (this generally includes only any other legally existing copyrights. I don't
the printing c:osts--not paper, rubber cerrent, know of any instance in which a zine editor has
labor, etc.), add on postage (check the post been taken to court or in which the CCJTITOI1 law
office on this), divide bj· the nllnber of copies copyright has been forced to stand up in li ti
you are printing, and you will have a rough gation. In the unlikely event you ever find
estimate on what to charge. I would suggest yourself in this situation, get yourself a gcx:xi
adding a little bit more on per issue, because lawyer! But don't lose any sleep over it. As
you are bound to cane out short and the closer I said, I've never heard of a zine editor get
you can cane to covering your costs, the ting sued by the copyright holder.
better. I hope all this has not intimidated any
When you are near to printing, you can would-be editor out there fran tackling the
begin to solicit pre-publication deposits. wonderflu chore of doing a zine. It's really
Send out another round of flyers, this time not all that hard and we all really play it by
annOlmcing your intention to accept orders, and ear. As I said elsewhere in this issue, if you
a!:ik for $5.00 or $10.00 and a SASE for notifi can tj-pe, xerox and staple, you can do a zine!
cation. Keep careful rec.'ords!!! If there is Now--let 's get those typewriters hlllfning and
a second rule to grave on your heart, this is best of luck to you all!
it! makes people madder or will make
~othing
4
THi
6 .
I I
AN ALL STAR THE TIME
WARS~ALL
9 VV
V9FANZINE9
ARt, ShORT
STORiES, POETRY,
SERiAls) Ewok Rec i
PES} LUNACY. ••
His
~~
-AI S
BRAin
YOUR
•
WITH
J-(;h~nS~DDD
ANY
QUESTiONS?
[ONTA CT:
Edi tor- Lisa Thomas
7606 Lady street.
Production Charleston Hgts,S.C.
Lorrie Cherry 29420 Productipn
4137Ames Blvd. Melanie Guttierrez
Lot' 83 6017 west End Blvd.
Marerro, LA. New Orleans, LA.
70124-1933
70072-9998
The Fanzine Library it trying to locate T. R. de Tina Bentrup 51
Maitfe, editor of CHILDREN OF 1HE SITII. Can Tim Blaes 48
anyone help? Also, need to get in touch with the Catherine Churko 54
z.
edi tors of ERMINE VIOLIN. Contact Ming Watlme, P. Florian .. 22
437 Via Roma, Santa Barbara, CA 93110. Gian Paolo Gasperi 42
Chris Graham . . 25
Debbie Kittle . . 23
Maggie Nowakowska 34
Pat Nussman 58
Cheryl Pryor .. 47
Marti Schuller . 30
Jacqueline Taero 27
Mary Urhausen . 45
Ming Wathne .. 45
Matthew Whitney 39
Judith Yuenger 33
Judjth Low · .... Mastheads
Catherine Churko · . . . . . . 6
z.
P. Florian · 30, 33, 39, 42, 44
Carol Peters . . · . . . . .. 59
Edi tor dllr1 r~ll ,] jc;her: SOl~ ENCLA\t is a non-profit amateur publica
tion, is pubU shed quarterly by Falcon Press and
Cher8 € T. Qlrgill is (c) 1991 by Cheree T. Cargill. This copyright
457 \1eadowhill Drive is in no way intended to infringe on any legally
Garland, TX 75043 existing copyrights held by any person or corpo
rate entity. All rights revert to the originator
Subscription Price: $5.00 single issue, $15.00 upon publication. Opinions expressed herein are
for 3 issues or $20.00 for a year. Please specify those of the speaker and not necessarily those of
issue starting number. Back issues 16-27 a\~il­ SE. SE takes no responsibility for any product or
able for $2.00 each. SE #1-15 are sold out. service advertised in the Mes Eisley Marketplace
or in any insert or flyer presented herein.
Deadline for 129 - June 15, 1991
6
Cd's Desk
Abject ap:>lC1:}ies are due for the lateness a very virulent respiratory ailment going
of this issue. Real life has been playing a around the office and I caught it three times! !
major factor in my life this whole first The last time, in mid-Feb. caused rre to miss
quarter of the year. I have been so swamped work for a whole week. My doctor diagnosed it
at work that I've barely had a chance to look as asttInatic bronchitis, lx>rdering on pneu
up (I've been working at a medilill sized law nooia. He put Ire on an antibiotic, a deconges
rut
tim since June of 1990). Since aoout 'Ibanks tant and an inhaler, it just wouJdn' t clear
giving, I had been debating whether I wanted up. I finally went to a diagnostician and
to go back to free lancing or stay on here, and internal medicine specialist at Baylor Univer
I finally decided to quit full-time work so sit:y" Medical Center in Dallas who added an
that I c:ould have !lore time for myself and the astlllla inhaler which seaned to do the trick.
fanLih. So, I tUl1led in my resignation January It cleared up pretty fast after I started using
11. However, five other people quit the same that. But I was sick and weak and coughing my
~"eek, including the secretarl to the two big lungs up for a long time and have only just now
rosses. (Word had it around the office that begun to really get my strength back. Whew!
ever::one \lias p. (). 'ed arout the sillall raises and TIlen, just as I was well over that, my spring
Christma.s bonuses.) Sinc'e I had been working ha~' fever hit, so I've been battling congestion
uverflo" and hdd filled in at this desk before, and sneezing and sinus headaches. I'm tired
I \lias nmed ill as interiIl! secretary for the of being sick! Yuck! Where can I trade this
[1I<1na'Jing partner and the head of the litigation OOdy in on a new one?
dept. 'Iy last day was SUPP:lSed to be clan. 31, The weekelld of March 15-17, Laura Virg 11
bllr they couldn't find anyone they liked to and I w"ent down to Houston for Revelcoll. It
fill this positioll. I volunteered to stay 011 •. -as l"eally a nlC(-> littlp. COll, sort of like a
a bit longer (since 'Ialer knows I could 1.llie baby \ersion of ~iaWest, "i tit tmder 200
another paycheck or two!), leaving it open peo}.>le in attendance. I had a dealer's tabJe
ended. 111ell, the first w"eek in February, they and sold sare zines, got to n.eet sane folks I d
I
carne to the cOllcluslon that they liked [lie only c:orresJX)nded with, visited "'ith sane old
better thall dIlyune they'd inter..-iewed, so the chums I hadn't seen in a wilile and generally
I
managing partner asked [lie if I would c:onsider had a pleasant weekend. Revelc:on was an adults
staying on as their secretary. I gave it sane only c:on and there was a variety of fandaTLs
thought and agreed to give it a try. represented in the dealer's roon---ST in its
The desk I inherited was a canplete rress. various ~rnlutations (original, [KNies, Ne..xt
My predec.'essor had lef t alx>ut two years' worth Gen, and slash), B7, Beauty & the Beast, War
of filing (don't ask rre how she got any work of the Worlds, mixed media, cop shows, Man fran
done; no one in the office has figured it out, UNClE, Professionals, Phantall of the ~ra,
either!) . So, I ',e been playing catch-up and Robin Hood, and of course S\'i. There was also
I
have !lanaged to at least get the filing down fantasy (dragons and tmic:orns) and a very nice
IOOStly to a dail!" basis. I ve also decided gentleman with all fm'ptian itans.
I
that I'm not cut out to be- a secreta!)"; I'm a The art show was very well done with many,
word processor and transcriptionist by nature many nice pieces of art. Some of the artists
and that's what I enjoy the !lost. 1'm still represented includoo Karen River, Frank and
hoping to be able to go back freelance very Barbara Fister-Liltz, leah Rosenthal, and wany
soon and right no"" I'm just going fran paycheck people I didn' t ~ but who e.xhibi ted a great
t a paycheck, so [llaybe by next issue there' 11 deal of t dlent! It rivaled the ~ediah"est art
be salle ne •. -s to pass along. show in quality, if not in quantity.
During all this turrroil at work, there was I didn't get to at teud any" of the pane Is
7
since I was working my table, but one parti see if we can't get this fandan out of its
cularly well-attended and appreciated panel was doldruns! Watch for signs at MediaWest an
''Media Sluts--Waren with No Standards". Judg IlOID1cing the final location and tirre!
ing frail the loud laughter and applause caning By the way, if you haven't ordered your SE
fran the rron, it was indeed livel)"! I under t-shirt, do so right away! I rrust have all the
stand that the unofficial mascot of Revelcon orders in by April 15 in order to assure that
was passed around--a PLAYGIRL spread of a they'11 be printed up in time to bring to the
gentleman known as "Horst the Horse". AhaIr con! Plan on wearing yours to the part):'! A
sorry I missed that! Other panels included flyer is located elsewhere in this issue.
'""ben You care Enough to Torture the Very Best, In other news, I decided to bite the bul
or If We love Them So Much, Why (k) We (k) What let and buy an Ibidco binding machine. Over
We (k) To {)rr Guys"; "What Did You Think of My the nex1: few nonths, I plan to start reprint
Story"--how to give constructive criticism when ing my old, out~f-print zines in limited runs.
receiving zine subnissions; and "Dueling cap Watch for flyers annotmcing which ones are
tains"-the differences between Kirk and available.
Picard. Thanks to Melanie Guttierrez for calling
Other con activities included a Friday with the news that the first of the ne\<,' SW
night birthday part!, a perfonnance by the cat books will be available in late March or April.
&Jxe Thleater (an itenerant acting troup who To be called HEIR 1D THE EMPIRE by rurothy
otten perfol1lls at Renaissance fairs), a costtme Zahn, it will be in hardback and probably
contest, ct chari t1- auction benefiting the AIDS priced at $19.95. It's a b:ig book (350 pp.)
Fmmdatioll of Houston, and a sUnday noming and is apparently an official, Lucasfilm
breakfast buffet and art auction. It lI'as a sanctioned Third Trilo;ry story! fues this rrean
very ~njoyable weekend and I look forward to Lucas isn't doing the last three oovies after
attendillg agail! next year. If you've inter all? Did he ever really plan to? I don't knOll'
ested, send a SASE to Candace Pulleine, P. O. since I haven't seen the book l'et, but we
fux 9807-1,1, HOllston, Texas 77098-0744. shoul d all know soon!
,:l,ny. .- ay, those are the main reasons you are Speaking of books, don't miss Melanie
gettjng this issue of SE so late. Rawn ' s newest book, ~GHOLD, out in harclliad
Hlis js a great issue! I'm ven- hapPl'- that fran DAW Books. It's the first in a new tri
my editorial in the last issue generated so lo;ry that continues the ston' begun in her
OIuch (~'('mlle}] t ary! ll1ere are 38 pages of LaCs first three books and it is a gut-wrencher!
in t his issue. Everyone had lots to say aOOut Also available is 'mE TEN'rn ClASS, Karen
the subject. I foreseP a real upsurge in SW Ripley's sequel to her first book, PRISONER OF
fandml this spring and I hope it sparks sane DREA,\1S. It's a fast rroving story that's hard
\]el<.' stories and zines. In fact, there already to put do\<,n. It's available frau Del Rey Books
are three lIe"- zines on the horizon--Ming in paperback.
~athrp' ~ BRIGfIT CTh'TER OFTIIE UNIVERSE, 'felanie Finally, here are sare pictures of various
Gutterriez' A.~ SI\Y, and Susan Deborah BE' ers and my latest portrait of Katy. She
Smith's CHRONICLES OF THE IUlSE OF Al1lER.!\AJ'-;. will be four years old on April 30 and is
See ads for all three zines in the Marketplace. growing up so fast that I feel dizzy nost of
I 'fn really looking forward to MWC, as al the time (I know, I know--I'm dizzy nost of the
"ia~'s. O!lP of the highlights this year is going time, anyway). Can you believe that this is
to be the SCl1"J'HER~ ENClAVE/STAR WARS get-toge the little baby whose picture appeared in Sf
ther. It's probably going to be on Sunday such a short time ago? She's turning into a
night frarl about 8 to 12, opJX)Site the art proper Second Generation Fan, too. Her favo
auct i on. I 'rn making arrangements wi th Lori rites are ST:1NG, Ghostbusters, and "l'1ariana
Chapek-('..arleton to get a panel rcx:In. Sinre Jones" (that's what she calls Indy), as ""ell
we'll be relatively near the auction, saneone as a number of old novies--the original ~G
can keep an ear cocked for numbers, etc., and 1\'00<; and TIIE w1ZARD OF az are two she likes a
people can nm back and forth easily. I'm not lot. Of course, she has seen the ~- triJogy
limi tj nlj t he party to only SE readers, but to and she likes lllke and his green lightsaber the
any ~' fan who lI'ants to attend. I lI'ant to roost!
encourrtglO all the SW fans to care join us and See you all in lansing!!
8
(above) Katy at 3-1/2;
February 1991
{below and ri~ht) Z. P. Florian's
dolls
9
and her
Dian~e S~ith
pon" C'3.rt.
Marv Urhausen's "babies"
Rosie (almost), Gypsy
and Sadie
and
Ca~olyn Golled~e
Ken Keisel from the
hurt/comfort panel at
MediaWest 19QO (Ken is
portraying all the in~uries
Carolyn has done fo Han
in her sLories)
1 0