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SOPHOCLES: AN INTERPRETATION SOPHOCLES AN INTERPRETATION R. P. WINNINGTON-INGRAM Formerly Professor of Greek Language and Literature in the University of London (King's College) | CAMBRIDGE UNIVERSITY PRESS Published by the Press Syndicate of the University of Cambridge The Pitt Building,Trumpington Street, Cambridge CB2 1RP 40 West 20th Street, New York, NY 10011-4211, USA 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 1980 First published 1980 Reprinted 1985,1990,1994,1998 Printed in the United Kingdom at the University Press, Cambridge Library of Congress Cataloguing in Publication data Winnington-Ingram, Reginald Pepys, 1904- Sophocles: an interpretation. Bibliography: p. ix 1. Sophocles - Criticism and interpretation I.Title PA4417.W55 882'.01 79-50511 ISBN 0 521 29684 6 paperback CONTENTS Preface vii Bibliography of short titles ix 1 Introductory I 2 The mind of Ajax n 3 The burial of Ajax 57 4 Trachiniae 73 5 Sophocles and the irrational: three odes in Antigone 91 6 Creon and Antigone 117 7 Fate in Sophocles 150 8 The fall of Oedipus 179 9 Furies in Sophocles 205 10 Electra 217 11 Oedipus at Colonus 248 12 Philoctetes 280 13 Heroes and gods 304 Appendices A The Parodos of Trachiniae 330 B Trachiniae 248ft. 332 C Prometheus Vinctus 511-20 334 D The Parodos of Electra 335 E Locality in Oedipus Coloneus 339 F Philoctetes 419ff. 3 40 G The chronology of the plays 341 Select index 345 PREFACE The main function of criticism is the interpretation of individual works of art; and it is a primary concern of this book, by detailed study, to interpret the seven extant tragedies of Sophocles, each in its own unique form, quality and theme. Amid their variety, however, resides an elusive unity. Sophocles being a dramatist whose mind and vision are characteristic and, throughout a long career, remarkably consistent. 'Sophoclean' is not an empty term, hard as it may be to define, controversial as the tragic vision of this tragedian may be. It is, therefore, my further aim to inject some (more or less) new ideas or emphases into the general criticism of the author. This double aim has determined the form, in some ways unusual, of the book. It is addressed, primarily, to those who are already familiar with the plays, but this does not mean classical scholars only. Except for footnotes, virtually all Greek is translated or paraphrased or, in the case of some words having thematic importance, transliterated. The classical scholar will demand, rightly, that the problems of a difficult text be faced: they are generally discussed in the footnotes which proliferate, and which the non-specialist will, rightly, disregard. The detailed arguments in the main body of the work will need no apology for those who agree that interpretation must be closely based upon the actual words of the poet. I have read fairly widely in the modern critical literature of this author, but cannot claim to have covered its vast range. I cite liberally in footnotes works where some point of view receives cogent ex- pression, but there may be many unacknowledged debts. One debt is obvious and outstanding, which is to Jebb's great series of editions. I pay tribute also to the careful scholarship of Bowra, to the zest of Perrotta, to the sharp insights of Reinhardt, to the lucid analyses of vii Preface Vlll Linforth. Among living scholars, I owe more to Kitto and Knox than may always appear: to Kitto for that sense of form which is as essential to the critic of Greek poetry as it is to the musician, to both for the dispersal of much cant and cliche. On all seven plays I lectured at one or other of the three London colleges in which I have taught: Birkbeck, Westfield, and King's. This book is a direct product of those lectures. If I indulged myself by exploring the plays in greater detail than the circumstances demanded, the patience of my undergraduate audiences was exem- plary. A graduate seminar in the University of Texas at Austin caused me to rewrite an earlier draft on Ajax; and this I did in the congenial environment of the Institute for Advanced Study at Princeton, to which I offer my warmest thanks. I am grateful to friends for criticism and encouragement: to Professor Thomas Gould and Professor A. A. Long who, respectively, read and commented upon earlier drafts of Chapters 10 and 7; above all, to Mrs P. E. Easterling who saw every chapter in draft and had the great kindness to read the proofs. Along with my gratitude, I absolve them from all responsibility. To my wife, who has endured some tedium, I owe, as so much else, my title. Finally, it is no formality if I thank the staff of the Press for their skill and consideration. London, July 1979 R. P. WINNINGTON-INCRAM BIBLIOGRAPHY OF SHORT TITLES Adams: S. M. Adams, Sophocles the playwright (Toronto 1957) Adkins, MR: A. W. H. Adkins, Merit and responsibility (Oxford i960) Adkins, MV: A. W. H. Adkins, Moral values and political behaviour in ancient Greece (London 1972) Alt:K. Alt, 'Schicksal und <f>vois im Philoktet des Sophokles', Hermes 89 (1961) 141-74 Anderson: M. J. Anderson (ed.), Classical drama and its influence (London 1965) Avery: H. C. A very, 'Heracles, Philoctetes, Neoptolemus', Hermes 93 (1965) 279-97 Beck: A. Beck, 4Der Empfang Ioles', Hermes Hi (1953) 10-21 Biggs: Penelope Biggs, 'The disease theme in Sophocles' Ajax, Philoctetes and Trachiniae\ CP61 (1966) 223-35 Bowra: C. M. Bowra, Sophoclean tragedy (Oxford 1944) Burian: P. Burian, 'Suppliant and saviour: Oedipus at Colonus', Phoenix 28 (1974) 408-29 Cameron: Alister Cameron, The identity of Oedipus the King (New York and London 1968) Campbell, Paral.: L. Campbell, Paralipomena Sophoclea (London 1907, reprint Hildesheim 1969) Coleman: R. Coleman, The role of the chorus in Sophocles' Antigone\ PCPS 18 (1972)4-27 Dain-Mazon: A. Dain& P. Mazon, Sophocle, 3 vols. (Paris 1955-60) Davidson: J. P. Davidson, 'The parodos of Sophocles' Ajax', BICS22 (1975) 163-77 Da we: R. D. Da we (ed.), Sophoclis tragoediae 1 (Aj., El. ,O.T.) (Teubner, Leipzig 1975) Dawe, STS: R. D. Dawe, Studies on the text of Sophocles 1 (Leiden 1973) Dirlmeier: F. Dirlmeier, *Der Aias des Sophokles', NJ 1 (1938) 297-319 = Ausgewahlte Schriften (Heidelberg 1970) 13-30 Dodds, GI: E. R. Dodds, The Greeks and the irrational (Berkeley & Los Angeles 1951) Dover, GPM: K. J. Dover, Greek popular morality in the time of Plato and Aristotle (Oxford 1974) Easterling, Ant.: P. E. Easterling, 'The second stasimon of Antigone', Dionysiaca (ed. R. D. Daweef al.) (Cambridge 1978) Easterling, BICS: P. E. Easterling, 'Sophocles, Trachiniae\ BICS 15 (1968) 58H59 Easterling, ICS: P. E. Easterling,'Philoctetes and modern criticism', Illinois Class. Stud. 3 (1978) 27-39 ix x Bibliography of short titles Easterling, PCPS: P. E. Easterling, 'Oedipus and Polynices', PCPS 13 (1967) 1-13 Ehrenberg: V. L. Ehrenberg, Sophocles and Pericles (Oxford 1954) Erbsc: H. Erbse, 'Neoptolemus und Philoktetes bei Sophokles', Hermes 94 (1966) 177-201 Errandonea, SO: I. Errandonea, 'Das 4. Stasimonder 'Antigone' von Sophokles', SO 30(1953) 16-26 Fraenkel, Sent.: Due seminari romani di Eduard Fraenkel (Sussidi eruditi 28 - Rome 1977) Fraenkel, MH: E. Fraenkel, 'Zwei Aias-szenen hinter der Biihne', MH 24 (1967) 79-86 von Fritz: K. von Fritz, 'Zur Interpretation des Aias\ RhM 83 (1934) 113-28 = Antike undmoderne Tragodie (Berlin 1962) 2411-55 Garvie: A. F. Garvie, 'Deceit, violence, and persuasion in the Philoctetes' in Studi classici in onore di Quintino Cataudella 1 (Catania 1972) 213-26 Gellie: G. H. Gellie, Sophocles: a reading (Melbourne 1972) Goheen: R. F. Goheen, The imagery of Sophocles' Antigone (Princeton 1951) Gould (1) and (2): Thomas Gould, 'The innocence of Oedipus: the philosophers on Oedipus the King', (1) Arion 4 (1965) 363-86, 582-611; (2) Arion 5 (1966) 478-525 Hinds: A. E. Hinds, 'The prophecy of Helenus in Sophocles' Philoctetes\ CQ 17 (1967) 169-80 Jebb: R. C.Jebb, editions of all seven plays (Cambridge 1883-96) Johansen: H. Friisjohansen, 'Sophocles, 1939-1959', Lustrum 7 (1962) 94-342 Johansen, C&M: H. Friisjohansen, 'Die Elektra des Sophokles', C&M 2$ (1964) 8-32 J.Jones: John Jones, On Aristotle and Greek tragedy (London 1962) Kaibel: G. Kaibel (ed.), Sophocles Elektra (Leipzig 1896) Kamerbeek: J. C. Kamerbeek, editions of Aj. (1953). Trach. (1959), O.T. (1967), El. (1974) (Leiden) Kells: (ed.)J. H. Kells, Sophocles Electra (Cambridge 1973) Kells, BICS: J. H. Kells, 'Problems of interpretation in the Antigone', BICS 10 (1963) 47^64 Kirkwood, HSA: G. M. Kirkwood, 'Homer and Sophocles' Ajax\ in Anderson (ed.) 51-70 Kirkwood, SSD: G. M. Kirkwood, A study ofSophoclean drama (Ithaca, N.Y. 1958) Kitto: FMD: H. D. F. Kitto, Form and meaning in drama (London 1956) Kitto, GT: H. D. F. Kitto, Greek tragedy (London 1939,3rd ed. 1961) Kitto, Poiesis: H. D. F. Kitto, Poiesis: structure and thought (Berkeley & Los Angeles 1966) Kitto, SDP: H. D. F. Kitto, Sophocles, dramatist and philosopher (London 1958) Knapp: C. Knapp, 'A point of interpretation of the Antigone of Sophocles', AJP}j (1916)300-16 Knox, HS: B. M. W. Knox, The Ajax of Sophocles', HSCP6$ (1961) 1-37 Knox, HT: B. M. W. Knox, The heroic temper: studies in Sophoclean tragedy (Berkeley & Los Angeles 1964) Knox, OTh: B. M. W. Knox, Oedipus at Thebes (New Haven 1957) Lattimore, PGT: R. Lattimore, The poetry of Greek tragedy (Baltimore 1958) Lattimore, SPGT: R. Lattimore, Story patterns in Greek tragedy (London 1964) Lesky, TD: A. Lesky, Die tragische Dichtung der Hellenen (Gottingen 1956,3rd ed. 1972)

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6 Creon and Antigone. 117. 7 Fate in Sophocles. 150. 8 The fall of Oedipus. 179. 9 Furies in Sophocles. 205. 10 Electra. 217. 11 Oedipus at Colonus.
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