HAKESPEARE UARTERLY Published for the Folger Shakespeare Library in association with The George Washington University by The Johns Hopkins University Press VOLUME 57 NUMBERS 1-4 ARTICLES Historica Passio: Early Modern Medicine, King Lear, and Editorial Practice KAARA L. PETERSON “What is thy body but a swallowing grave . . . ?”: Desire Underground in Titus Andronicus TINA MOHLER “Read it in me”: The Author's Will in Lucrece AMY GREENSTADT English Epicures and Scottish Witches MARY FLOYD-WILSON The Tragedians of the City? Q1 Hamlet and the Settlements of the 1590s PAUL MENZER Shakespeare and the Quarrel Scene in Arden of Faversham MACDONALD P. JACKSON Editor’s Note SCOTT L. NEWSTOK Why A Midsummer Night's Dream? KENNETH BURKE The Body of the Actor in Coriolanus EVE RACHELE SANDERS The Problem of the More-than-One: Friendship, Calculation, and Political Association in The Merchant of Venice HENRY S. TURNER Notes Two “New” Seventeenth-Century Portraits of Shakespeare JACKSON C. BOSWELL The Winchester Crux in the First Folio’s 1 Henry VI KARL P. WENTERSDORF SHAKESPEARE PERFORMED Facing History, Facing Now: Deborah Warner's Julius Caesar at the Barbican Theatre CAROL CHILLINGTON RUTTER 500 SHAKESPEARE QUARTERLY “Tell thy story’: Mary Zimmerman’s Pericles SUZANNE GOSSETT “Who is it that can tell me who I am?’ / ‘Lear's shadow’: A Taiwanese Actor's Personal Response to King Lear RURU LI Shakespeare Onstage in England: March to December 2005 PATRICIA TATSPAUGH Political Tyrants: The 2005 Jacobean Season at the Swan LOIS POTTER Book REviews Dympna Callaghan, ed. Romeo and Juliet: Texts and Contexts. IAN FREDERICK MOULTON Willy Maley and Andrew Murphy, eds. Shakespeare and Scotland RONALD J. BOLING Ton Hoenselaars, ed. Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad. MANFRED PFISTER Hugh Macrae Richmond. Shakespeare's Theatre: A Dictionary of His Stage Context. TIFFANY STERN Michele Marrapodi, ed. Shakespeare, Italy, and Intertexuality. SONIA MASSAI Ton Hoenselaars, ed. Shakespeare and the Language of Translation. JERZY LIMON Kim C. Sturgess. Shakespeare and the American Nation. RICHARD BURT Gabriel Egan. Shakespeare and Marx. DOUGLAS BRUSTER Arthur Freeman and Janet Ing Freeman. John Payne Collier: Scholarship and Forgery in the Nineteenth Century. BERNICE W. KLIMAN VOLUME 57 CONTENTS Yves Bonnefoy. Shakespeare & the French Poet. John Naughton, ed. RUTH MORSE Irena R. Makaryk. Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics. GORAN V. STANIVUKOVIC Paul Cefalu. Revisionist Shakespeare: Transitional Ideologies in Texts and Contexts. WILLIAM N. WEST Sarah Hatchuel and Narhalie Vienne-Guerrin, eds. Shakespeare on Screen: “A Midsummer Night's Dream.” Michael Anderegg. Cinematic Shakespeare. LAURIE E. OSBORNE Virginia Mason Vaughan. Performing Blackness on English Stages, 1500-1800. IAN SMITH Christopher Warley. Sonnet Sequences and Social Distinction in Renaissance England. DAVID HAWKES Phyllis Rackin. Shakespeare and Women. REBECCA LAROCHE John Michael Archer. Citizen Shakespeare: Freemen and Aliens in the Language of the Plays. ALEXANDER LEGGATT Julia Reinhard Lupton. Citizen-Saints: Shakespeare and Political Theology. KRISTEN POOLE Ros King. “Cymbeline”: Constructions ofB ritain. DAVID J. BAKER Ewan Fernie, ed. Spiritual Shakespeares. GRAHAM HAMMILL Bridget Escolme. Talking to the Audience: Shakespeare, Performance, Self. PASCALE AEBISCHER Lynette Hunter and Peter Lichtenfels, eds. Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeafrreo m Criticism, Performance and Theatre Studies. RIC KNOWLES John Pemble. Shakespeare Goes to Paris: How the Bard Conquered France. RICHARD SCHOCH 502 SHAKESPEARE QUARTERLY Cynthia Marshall, ed. Shakespeare in Production: “As You Like It.” JULIET DUSINBERRE John Wilders, ed. Shakespeare in Production: “Macbeth.” KATHERINE ROWE Frances A. Shirley, ed. Shakespeare in Production: “Troilus and Cressida.” DANIEL JUAN GIL Neil Rhodes. Shakespeare and the Origins of English. RUSS MCDONALD Garrett A. Sullivan Jr. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. ZACKARIAH C. LONG Gail Kern Paster. Humoring the Body: Emotions and the Shakespearean Stage. TANYA POLLARD Maurice Hunt. Shakespeare's Religious Allusiveness: Its Play and Tolerance. ANTHONY LOW Celia R. Daileader. Racism, Misogyny, and the “Othello” Myth: Inter-Racial Couples from Shakespeare to Spike Lee. AYANNA THOMPSON Martin Orkin. Local Shakespeares: Proximations and Power. SOPHIE TOMLINSON Paul Nelsen and June Schlueter, eds. Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries. Essays in Honor of James P. Lusardi. Barbara Hodgdon and W. B. Worthen, eds. A Companion to Shakespeare and Performance. JEREMY LOPEZ Randall Martin, ed. The Oxford Shakespeare Henry VI, Part Three. LAWRENCE MANLEY Claire McEachern, ed. The Arden Shakespeare Much Ado About Nothing. PAMELA ALLEN BROWN Jonathan Hope. Shakespeare's Grammar. LYNNE MAGNUSSON VOLUME 57 CONTENTS Henry S. Turner. The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630. ANDREW HADFIELD David Lindley. Shakespeare and Music. R. W. Maslen. Shakespeare and Comedy. SKILES HOWARD Pamela Allen Brown and Peter Parolin, eds. Women Players in England, 1500-1660: Beyond the All-Male Stage. THEODORA A. JANKOWSKI Arthur F. Kinney. Shakespeare by Stages: An Historical Introduction. CHARLES WHITNEY B. J. Sokol and Mary Sokol. Shakespeare, Law, and Marriage. LUKE WILSON Thomas P. Anderson. Performing Early Modern Trauma from Shakespeare to Milton. HEATHER HIRSCHFELD José Manuel Gonzalez, ed. Spanish Studies in Shakespeare and His Contemporaries. Bernice W. Kliman and RickJ . Santos, eds. Latin American Shakespeares. EDMUND VALENTINE CAMPOS Christa Jansohn, ed. In the Footsteps of William Shakespeare. PAUL MENZER Li Ruru. Shashibiya: Staging Shakespeare in China. TIMOTHY BILLINGS CONTRIBUTORS ERRATUM Illustrations accompanying John Ripley's “Sociology and Soundscape: Herbert Beerbohm Tree's 1908 Merchant of Venice” (56 [2005]: 385-410).