Sense of Place and Sense of Planet This page intentionally left blank Sense of Place and Sense of Planet The Environmental Imagination of the Global Ursula K. Heise Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2008 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York, 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Catologing-in-Publication Data Heise, Ursula K. Sense of Place and Sense of Planet : the environmental imagination of the global / by Ursula K. Heise. — 1st ed. p. cm. Includes bibliographical references and index. ISBN 978-0-19-533563-7; 978-0-19-533564-4 (pbk.) 1. Environmentalism—United States—History. 2. Globalization. I. Title. GE197H.445 2008 333.720973—dc22 2007043073 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper For Rafael This page intentionally left blank acknowledgments B ook-length works of research tend to assemble themselves gradually, like jigsaw puzzles, pieced together out of a mul- titude of readings, conference papers heard and presented, formal and in- formal conversations, and the environments provided by universities and other scholarly institutions. While footnotes and bibliographies convey some sense of the intellectual matrix out of which an analysis has devel- oped, they cannot convey an adequate sense of the many other debts ac- crued during such work. Needless to say, whatever these debts may be, remaining errors and shortfalls in this book are exclusively mine. The Departments of English at Columbia and Stanford Universities have provided vibrant intellectual environments in which to pursue the project of Sense of Place and Sense of Planet, and my colleagues at both institutions have supported, encouraged and advised me in innumerable ways both large and small. At Stanford, the Woods Institute for the Environment has been an engagingly lively and interdisciplinary place to present and discuss parts of my work, and the comments and criticisms of colleagues from around the university caused me to rethink many of my arguments. Stacy Alaimo, Hannes Bergthaller, Michael Cohen, Catherine Diamond, Greg Garrard, Catrin Gersdorf, Christa Grewe-Volpp, Robert Kern, Sylvia Mayer, Patrick D. Murphy, Heather Sullivan, Robin Chen-Hsing Tsai, Alexa Weik, Louise Westling, and Chenkuei Yang, all at other universities and some on other continents, have become trusted conversation partners and welcome crit- ics over the years. Rafael Pardo Avellaneda deserves particular thanks for introducing me to the intricacies of risk theory and patiently correct- ing many of my interdisciplinary errors and misunderstandings. Lothar Baumgarten generously granted me a conversation of several hours and a tour of his splendid New York City studio during my work on his com- plex nature documentary, Der Ursprung der Nacht (Amazonas-Kosmos). Patrick Murphy, Dana Phillips, and an anonymous third referee at Oxford University Press provided detailed feedback and criticism that caused to me to revisit and nuance many of my initial analyses. David Damrosch, Guillermina de Ferrari, Michael and Cherrymae Golston, Kristin Hanson, Winston James, Franco Moretti, Mario Ortiz-Robles, Martin Puchner, Ron Silver, and Miriam Wallace have shared not only their astonishing breadth of knowledge and acute insights in innumerable conversations on a wide range of issues but also the kind of personal warmth and friendship with- out which a project such as this one would soon run dry. Perhaps most of all, I owe a deep debt of gratitude to Cheryll Glotfelty, whose unfailing optimism and firm belief in the value of this book even at times when I my- self despaired over its ever being completed inspired me to continue. Such enthusiasm and generosity from a colleague, even when our perspectives sometimes differed, are rare indeed; I feel extraordinarily fortunate to have had her support and advice over years of research and writing. Combined research grants from the American Council of Learned Soci- eties and the National Humanities Center (NHC) enabled me to take a year off from teaching and administrative tasks during 2001–2 and to complete the analyses that later turned into chapters 5 and 6. The NHC, in addi- tion to its generous award of a fellowship for environmental studies sup- ported by the John D. and Catherine T. MacArthur Foundation, provided a stimulating cohort of fellows across disciplines and plenty of opportunities for formal and informal intellectual exchange, as well as outstanding staff support for any and all research. Chapter 2 was first written in a substantially different version for the journal ISLE: Interdisciplinary Studies in Literature and the Environment 8.1 (winter 2001) under the title “The Virtual Crowds: Overpopulation, Space and Speciesism.” A part of chapter 3 appeared in Comparative Literature Studies 41.1 (2004) under the title “Local Rock and Global Plastic: World Ecology and the Experience of Place.” Chapter 5 was first published as an article called “Toxins, Drugs and Global Systems: Risk and Narrative in the Contemporary Novel,” American Literature 74 (December 2002), and chapter 6 as an essay in the collection Nature in Literary and Cultural Stud- ies: Transatlantic Conversations on Ecocriticism, edited by Catrin Gersdorf and Sylvia Mayer (Rodopi, 2006). All of them are reprinted here with the permission of the original publishers. The John Cage Trust granted per- mission to quote from John Cage’s poem “Overpopulation and Art.” Spe- cial thanks are also due to John Klima for his extraordinary generosity in allowing me to reproduce an image from his multimedia work Earth in chapter 1 and to use another one for the book cover, and to UNKL for per- mission to include an image of their HazMaPo toy figures. viii acknowledgments contents Introduction Sense of Place and Sense of Planet 3 Part I World Wide Webs: Imagining the Planet Chapter 1. From the Blue Planet to Google Earth: Environmentalism, Ecocriticism, and the Imagination of the Global 17 Chapter 2. Among the Everywheres: Global Crowds and the Networked Planet 68 Chapter 3. Adventures in the Global Amazon 91 Part II Planet at Risk Chapter 4. Narrative in the World Risk Society 119 Chapter 5. Toxic Bodies, Corporate Poisons: Local Risks and Global Systems 160 Chapter 6. Afterglow: Chernobyl and the Everyday 178 Conclusion Some Like It Hot: Climate Change and Eco-Cosmopolitanism 205 Notes 211 Works Cited 225 Index 243
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