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Recording on a Budget: How to Make Great Audio Recordings Without Breaking the Bank PDF

265 Pages·2010·5.73 MB·English
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Recording on a Budget This page intentionally left blank Recording on a Budget How to Make Great Audio Recordings Without Breaking the Bank Brent Edstrom 1 2011 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Th ailand Turkey Ukraine Vietnam Copyright © 2011 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Edstrom, Brent. Recording on a budget: how to make great audio recordings without breaking the bank / Brent Edstrom. p. cm. Includes bibliographical references and index. ISBN 978-0-19-539041-4; 978-0-19-539042-1 (pbk.) 1. Sound—Recording and reproducing—Digital techniques—Amateurs’ manuals. 2. Sound studios—Amateurs’ manuals. I. Title. TK7881.4.E28 2010 621.389′3—dc22 2010000169 Recorded audio examples (marked in text with ) are available online at www.oup.com/us/recordingonabudget Access with username Music4 and password Book2497 For more information on Oxford Web Music, visit www.oxfordwebmusic.com 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper This book is dedicated to my son, Evan. This page intentionally left blank Acknowledgments Iam grateful to Norm Hirschy, Editor, Music Books, Oxford University Press, for his support of this project. I also appreciate the assistance of Dr. Bruce Frazier, Carol Grotnes Belk Endowed Chair at Western Carolina University, and his students in testing a variety of microphones and preamps in the Center for Applied Technology studio. Th e many audio excerpts that resulted from that research are an invaluable addition to the book. Many students and profes- sionals participated in recording sessions at my home studio and to these indi- viduals I express my sincere appreciation. I am grateful to Carole Berglie, copy- editor, and Liz Smith, Production Editor, for their excellent work in preparing the manuscript for publication. Finally, I am indebted to my wife for her work in photographing many of the illustrations and her assistance and support in the preparation of this manuscript. This page intentionally left blank Contents About the Companion Web Site • xi Introduction • xiii 1 Setting Up a Project Studio • 3 2 Computers and Software for Audio Recording • 30 3 Introduction to Acoustics • 48 4 Using Microphones • 68 5 Podcasting • 92 6 Using a Mixer • 105 7 Using Digital Audio Workstation Software • 121 8 Active Listening • 141 9 Recording Tracks • 153 10 Processing Signals • 166 11 Mixing and Mastering • 180 12 Do-It-Yourself Projects • 202 Conclusion • 227 Appendix 1 ORTF Template • 229 Appendix 2 Audio Evaluation Template • 230 Appendix 3 List of Online Recordings by Callout • 231 Appendix 4 List of Online Recordings by Category • 233 Notes • 239 Bibliography • 243 Index • 245

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