Professional and continuing education

16 Pages·1991·6.8 MB·English

by  Massachusetts College of Art

istration
Registration Begins Classes Begin Classes End
December 3 January 22 May 13
For more information on class days
Phone-In Last Day to
and times, see course descriptions.
Register
Registration for
December 1 7—January 11]
Workshops
Walk-In February 8
Last Day to
Up until one week prior to start date of
January 7—9
Add/Drop workshop.
Late Fee
February 8
Begins January 16
Contents Mail-In Closed Courses/ How to Determine
Wait List the Cost of a
Academic Information........... 14 This is the BEST way to register. Fill
Course
Course Descriptions .......... 4-7 in the registration form at the back of
Students are registered on a first come,
Degree Programs". ta..eoe.s an 10 the catalogue (neatly and completely)
first served basis.
Faculty Biographies ............ 12 and mail it in with FULL PAYMENT To determine the cost of a 3-credit
Financial Information ........... 14 (check, money order, Master Card or Many courses fill quickly. When a course, add the tuition, lab fee and
kD CONS x. anata: satan. . ome 2 Visa). No spaces will be held without course is full, the PCE office will start registration fee (printed on the
Parking); *% £>s.ae ne eee, Gee ene 3 full payment. a wait list. Students on the wait list registration form).
Refund Schedule. =... ..5...°..2 . 2 will be contacted by the PCE office
Tuition
Registration Form ">. sake «ea 15 Phone-In when a space becomes available.
+ Lab Charge
Registration Information .......... 2 Wait Listed students may NOT attend
+ Registration Fees
Special Programs «.......... 9-10 To register by phone with Master Card or Classes until they have been contacted.
WorkShOpS: sa-a S ea:een . 8-9 Visa, call [phone] December Permission to attend classes may be = Your Total
17—January 11 (1—4pm). No regis- granted by the PCE office only. Do NOT Workshop fees are listed with each
trations will be taken by phone after contact instructors for permission. workshop. If you are only taking a
January 11. Have your course number, workshop, this is the only amount
Cancellations
course title, instructor's name, credit you pay.
level (audit, undergraduate, graduate)
Tuition
Most courses require a minimum of
and credit card number ready for the
Administration: operator. Students with tuition exemp- 10—12 students. If your class is under- Tuition for a 3-credit course is as
William O'Neil, President tions may not register by phone. enrolled, you will be notified as early follows:
Betty Buschbaum, Senior Vice-President for as possible of a cancellation. You will
Academic Affairs Drop Off Box then have the option of substituting Undergraduate $300 ($100 per credit)
Roy Brown, Dean of Undergraduate Studies another class or requesting a full refund. Graduate $375 ($125 per credit)
Patricia Doran, Dean of Graduate and
Continuing Education Located outside the PCE Office. Add/Drop Audit $270 ($90 per credit)
Jonathan Silverman, Associate Dean of
Please note that limited financial aid is now
Graduate and Continuing Education Walk-In |
available for matriculated and non-matriculated
For Professional and Continuing Education: Registration Add/Drop forms are available from the students. Please see Financial Aid information
Faith Beysolow, Records Administrator PCE office. There is no fee to add or on page 14.
Jim Cole, Business Manager drop a course. Forms may be submit-
Refund Schedule
Susan Geller, Publications & Marketing Walk-In registrations will only be ted in person or by mail. Add/Drops
Coordinator accepted from January 7—9 from will not be taken by telephone. Refunds
Cynthia Higgins, Information Systems
Coordinator 1lam—2pm and 3:30—6:30pm. for dropped courses are made accord- 100% of the Tuition and Lab Fee will be
Virginia Ilfeld, Program Coordinator Walk-In registration will take place on ing to the Refund Schedule. refunded if a class is dropped before
Virginia Kropas, Coordinator, Summer High the second floor of the Tower Building, the Ist class meeting.
School Program 621 Huntington Avenue, Boston. After I.D. Cards 80% of the Tuition ONLY will be
Peter Madden, Office Assistant January 9, use the drop off box. refunded if the ci1ss is dropped before
Nancy McCarthy, Bookkeeper
Monika Scott, Office Assistant Late Registration Student |.D. cards are issued to reg- the 2nd class meeting.
istered students by Security (office 50% of the Tuition ONLY if a class is
Massachusetts College of Art
located on 1st floor, Gym Building/ dropped before the 3rd class meeting.
Board of Trustees
Late Registration begins January 16.
Paula MeNichols, Chair Tetlow St. entrance) No |.D’s are issued There are NO refunds after the 3rd
lf you are simply adding a course after
Rob Mcintosh, Vice Chair before the first day of classes. |.D’s are Class meeting. To receive a refund
Phillip M. Sullivan this date, you will not be charged a late not required for parking during the first for a dropped or cancelled class, an
Edward W. Clark, Jr. fee. From this date on, a $20 Late Fee
week of classes. Students registered for add/drop form must be submitted.
Anne Jackson will be charged. Many classes fill
Non-Credit Workshops only, are not Withdrawals by mail will be accepted.
quickly. REGISTER EARLY!
eligible for an |.D. NO withdrawals by telephone will be
STehlomam aRsuJt .eWn obenrgg Confirmation Tuition | accepted. Read the “Refund Policy”
on page 14 for further information.
Exemptions
This brochure was prepared on the basis of the Approximately 5—7 days after your Workshops: Students must request a
~ best information available at the time of publica- registration has been processed, you refund at least one week prior fo the
tion. Therefore, specific statements, including will receive a Confirmation. This will Students with Tuition Exemptions will workshop in order to receive a refund
fees, dates, course offerings, admissions and indicate the time and location of your be registered on a space available for a workshop.
other policies may be subject to change with-
out notice. Class. It is your responsibility to know basis only. Exempt students may sub-
Room Locations
the date your class begins. Call the mit a registration form at any time, but
The College reserves the right to cancel any
Continuing Education Office if you do will not be notified of an available space
-course for which there is insufficient enrollment,
to combine Courses and to restrict the registra- not receive a confirmation or if you until the first week of classes. Proof of Room locations are posted at the main
Stion in a courise whenevera necessary. believe your confirmation is incorrect. exemptions (waivers, DD214’s, proof entrances of all college buildings, in
of age, State Employee waivers) must the PCE Office and will be included in
be submitted each semester. Read the your confirmation. Do Not Call the PCE
2 complete EXEMPTION POLICY on page office for room locations.
14 before registering.
Info mation
Supplies Safety in Cafeteria/ Policy on Non-
Studio Areas Student Center Discrimination
For the first class students should bring
drawing materials, a notebook/and or
sketchbook. The College provides a Health & Safety The Cafeteria is located on the ground The Massachusetts College of Art does
Manual when students pick up their floor of the Kennedy Building. Open not discriminate in admission, access,
Special Needs |.D. Toxic materials, toxic vapors and Monday thru Friday 7:30am—7:30pm. or treatment in programs and activities
Access gases, and dangerous machinery are The Student Center, located on the 2nd or employment policies or practices
among the potential health hazards floor of the Kennedy building, provides on the basis of race, creed, sex, color,
encountered by the studio artist. Stu- snacks and beverages and a place to nationality or the ethnic origin, marital
Our campus is partially accessible to dents and faculty are urged to (1) relax, with games, pool table, ping status, religion, age, or handicap.
wheel chair users. If you use a wheel- familiarize themselves with the pos- pong, etc. Student Center Hours: Mon- Accordingly, Massachusetts College
chair or have other special needs, sible health hazards in the areas in day, Wednesday, Friday: 2—9pm of Art complies with Title IV (34 C.F.R.
please notify the Continuing Education which they are working, and (2) utilize Tuesday & Thursday: 12—9pm Part 100) and Title VIII of the Civil
Office at the time of your registration so all available techniques and equipment Saturday & Sunday: 3—7pm. Rights Act of 1964, Title IX of the Edu-
that we can provide the best possible to minimize hazards. In some areas cation Amendments of 1972 (34
access. We are committed fo moving the use of respirators or safety goggles Office of Career C.F.R. Part 106), the Age Discrimi-
classes to accommodate mobility- is G requirement at the College. nation in Employment Act of 1963,
impaired students. Resources Section 504 of the Rehabilitation Act of
Pregnant women, persons with respi-
1973 (34 C.F.R. Part 104), and other
Campus Safety ratory problems, and persons placed
2nd Floor Kennedy Building appropriate state and federal statutes,
under physical restriction by their
Monday-Friday 9am—5pm regulations and /or guidelines as they
physicians must make their condi-
Shuttle and Escort Service Career development and counseling exist and may be amended from time
tions known to instructors as soon
Students, faculty and staff coming or are available to currently enrolled PCE to time. Inquiries regarding compli-
as courses begin. Instructors with stu-
going from the College after dark are students. The use of the Career Library ance with Title VI, Title IX, and section
dents with the above named conditions
urged to be careful. The area around for grants and graduate school infor- 504 may be directed to Susan Lane,
must discuss each case with the Col-
the college sees little pedestrian traffic mation is encouraged. Tapes and Assistant to the President, Massa-
lege Nurse-Practitioner. In some cases,
after working hours. Those leaving the printed material regarding careers, chusetts College of At, 621 Hunting-
the College may insist that a student
building should walk in groups or use law, and marketing for the artist and ton Avenue, Boston, MA02115
withdraw from a course.
the Campus Shuttle or Escort service. designer are available upon request. [phone], or to Director,
The Shuttle service operates Mon- Library Regular three hour evening workshops U.S. Department of Education, Office
day—Friday, 5:15—11:15pm. Students will be scheduled and announced in of Civil Rights, Region |, Boston,
and staff may also request a Walking the Mass Art Newsletter, and are free Massachusetts.
The Library is located on the 12th and
Escort to any Mass Art parking lot or with a Mass Art ID.
nearby “T” stop. All guards have been 13th floors of the Tower building. Library Museum
instructed to provide this service on hours are posted each semester. The Cancellation
Admission
your request. Call the Security Office for library maintains a large circulating col-
Announcements
more detailed information on the Shut- lection of books (70,000 volumes) peri-
tle service schedule. odicals, slides, films, video tapes, audio Admission to the Museum of Fine Arts
tapes, records, prints, microfilm, 8mm Cancellation of classes due to inclem- is free with a valid Mass Art ID. The
Public film loops, and pictures. The profes- ent weather is announced on these AM Museum of Fine Arts is located at 465
sional library staff will provide instruc- stations: WBZ (103), WHDH (85), Huntington Avenue, Boston, recorded
‘Transportation
tion in the use of the collection if WEEI (59), WRKO (68), WHTT (103), information line 267-9377, open
assistance is needed. A Mass Art ID WBCN (104). The Division of Gradu- 10am—5pm Tuesday through Sunday,
The Tower, North, Collins, Kennedy, is required to borrow books and other ate and Continuing Education will be until 1Opm on Wednesdays, and the
Administration and Gym Buildings can materials from the library. closed when the day division closes. West Wing only until 10pm on Thurs-
be reached by “T” via the Huntington lf adverse weather conditions develop days and Fridays. Admission to the
Ave./Arborway train (Green line, “E” Media Services during the day, a decision fo cancel Institute of Contemporary Art is free
Train. Get off at the Longwood/Hospitals classes will be made prior to 2:30pm with a voucher obtained from the PCE
stop, at the corner of Longwood and Slide projectors and other A-V equip- and will be broadcast on the above Office. The ICA, 955 Boylston St.,
Huntington Avenues). The Longwood ment can be reserved in advance from mentioned radio stations. Boston, phone [phone], is open
Building can be reached via the Green the Media Services office. A valid Mass 1 1am—5pm Wednesday through
Line “D” train (get off at the Longwood Art ID is required. Students are finan- Health and Fitness Sunday and until 9pm on Fridays.
stop), by the Chestnut Hill bus (runs cially responsible for loss or damage Center
between Chestnut Hill and Kenmore Sq. ), fo equipment.
or the Brighton Center bus (runs between
Art Supplies The Nautilus Health Fitness Center is
Brighton Center and Kenmore Sq.) .
located in the basement of the Kennedy
Contact the MBTA for more information.
building. The facilities are free to the
Charrette at Mass Art
Parking Mass Art community. Open Monday-
Charrette at Mass Art is located on the
Friday, 7—9am, 12—2pm & 5—7pm,
ground floor of the Kennedy Building
Saturday & Sunday 3—7pm.
Evening parking is free for Continuing (corner of Huntington and Longwood).
Recreational Facilities: The Office of
Education students and faculty who They offer a wide variety of Art supplies
Student Activities offers a wide variety
present a valid Mass Art ID card after and photographic processing and
of recreational activities during the aca-
5pm. At the Huntington Campus, park copying services. Store hours are
” demic year. PCE students are eligible
at the Huntington Ave. lot. At the Long- Monday, Thursday & Friday,
to participate in all activities sponsored
wood Building, park to the rear of the 8:30am—5:30pm and Tuesday &
by the Student Activities office and to
building (access from Longwood Ave- Thursday, 8:30am—6:30pm. Continuing Education
nue). Students must get a Parking Telephone: [phone] use all the College’s recreational facili- Massachusetts College of Art
ties. Check the MassArt Newsletter or 2nd Floor, Tower Building
Registration Form from the Security
call the Student Activities Office at 621 Huntington Avenue
Office and purchase coupon books
232-1555 ext. 369 to find out what Boston, MA02115
from the Longwood parking area.
events are scheduled for this semester. Phone: [phone]
This catalog is published at no expense to the
Commonwealth of Massachusetts.
Catalog Editor: Susan Geller
Catalog Designer: Schafer/LaCasse Design
aTypesetting: Litheo Composition C o.
3
Ulm
(Courses
All courses are 3-Credit unless otherwise
marked. Courses numbered in the 100—299
series may be taken for undergraduate
credit. The 300—499 series may be
taken for either undergraduate or graduate
credit. The 500—599 series may be taken for
graduate credit only.
Art Foundation
Calendar AE425-C1 Introduction to Designing Curriculum
for Museums 3cr
Focuses on designing programs for art muse-
All Art Education courses begin the Education ums. First, students look at the historical and Studio/Core
week of January 14. contemporary functions of art museums within
the U.S. Second, students analyze the needs
Monday
and interests of museum audiences. Third, stu-
Classes Begin All Art Education Classes Begin the Week of dents plan and evaluate museum curricula. See also Fine Arts 2D for more Drawing Classes
January 28 January 14. Tuesdays, 3:30—6:30pm CP171 Colors 3cr
College is Closed Graduate Writing Workshop Abigail Housen, Lab Fee $10 Designed to be a beginning study of color, this
February 18 AE466-C1 Introduction to Art Therapy 3cr course introduces color systems, illusionary
March 18 AEXXX-G1 Graduate Writing Workshop 3cr Addresses the questions What is art therapy? functions, contrasts, reflective and projective
April 15 Want help with your writing projects? This new and What is therapeutic about art? Introduces theories, and subjective concepts.
course is offered as a resource for students to students to different theoretical orientations and Section C1, Wednesdays, 9am—1:30pm
Tuesday help them develop their writing skills. All course techniques of art therapy. Considerable empha- Ben Peterson, Lab Fee $35
Classes Begin work will focus on the students’ own needs— sis is on selected art-based activities. Discusses Section C2, Wednesdays, 6:30—10pm
January 22 papers for other courses, research projects, origins of the field and presents art therapy as it Paul Anderson, Lab Fee $35
Wednesday independent studies, thesis proposals, and is distinct from and/or relates to art education. CP172 Drawing Studio 3cr
thesis writing problems. The class will meet Course gives equal time to theoretical and expe- Introduces the multiple functions of drawing.
Classes Begin every other week, and individual student/ riential work. Considers drawing as a vehicle for conveying
January 23 teacher conferences will be arranged. Students Thursdays, 4—7pm ideas, and includes the illusions of space and
Thursday from all graduate-level programs are welcome Karen Frostig, Lab Fee $10 form through the figure, form analysis, and sub-
Classes Begin to attend. (Credit for this course does not apply AE501-G1 History of Goals and Methods of Art ject drawing. Consideration is given to contem-
to the MSAE sequence. ) Education 3cr porary and historic drawing practice. Emphasis
January 24
Alternate Thursdays, 4—7pm Surveys correlations between the history of is on the breadth of the drawing experience in
Friday Joyce Nevis-Olesen, Lab Fee $10 education and the education in art, presenting its usefulness across disciplines.
Classes Begin AE4XX-C1 Nature Drawing: Plants, Animals, and alfernative views of the meaning, procedures, Section C1, Tuesdays, 9am—1pm & Tuesdays,
January 25 Landscapes 3cr and social utility that education in art was, and 1—3pm
This course is designed for both those stu- is believed fo have, in particular moments Tom Dempsey, Lab Fee $35
Saturday
dents in art and art education who wish to gain within a culture. Section C2, Tuesdays, 6—10pm & Saturdays,
Classes Begin knowledge in drawing nature as well as in the Mondays, 3:30—6:30pm 9:30—11:30am
January 26 subject of wildlife art. Students will learn ways Diana Korzenik, Lab Fee $20 Janet Monafo, Lab Fee $35
Student Exhibition to draw plants, animals and landscapes with AE510-G1 Research Methods and Section C3, Thursdays, 6—10pm & Saturdays,
particular emphasis on New England species. Techniques 3cr 9:30—11:30am
Techniques for handling varieties of pencil, Introduces students to the process of raising Paul Anderson, Lab Fee $35
pen and ink, colored pencil and watercolowirl l questions about the learning and teaching of Students who register for Drawing Studio for
be taught. Several sessions will be devoted to art. Students are expected to identify questions, credit will be required to attend an additional
Paintings, photographs, books, and esxkpeltcohriinngg, scniaetnutriefi cj oiulrlnuastlrsa tiaosn ,w eollu tdaos orh ofwi eltdo saenadr cthh enfo rf os oduersciegsn , ofe xreecluetvea,n t anpdub lmiosdhiefdy smtiundii-e s, fsocrh eaudduilteidn g2 -shtouduern tsse sissi oonp tipoenra lw.e ek. Atlendance
designs from the 1990 Summer Inter- incorporate the teaching of nature drawing into studies. This course prepares students for
national Studio programs. the classroom. Basic drawing skills helpful, but designing their own Directed Study proposals, CP174-C1 Elements of Design 3cr ‘
November 28—December 19, 1990 not necessary. Wednesdays, 4—7pm Develop an understanding of and basic profi-
Thursdays, 4:30—7:30pm Anthony Paolitto, Lab Fee $10 ciency with principles of design. Students learn
11th Floor Gallery Clare Walker Leslie, Lab Fee $10 to develop ideas based on inner resources,
Massachusetts College of Art AE4X2-C1 Museum Education Internship/ APrEe5p6a0r-eGs1 grCaodlulaetgee sTteuadcehnitnsg fIorn tteerancshhiipn g 3cart croeusresaerc hw ilaln di nvloolovkei nsgt uadnednt sr ewsiptohn dvianrgi.o usT hiasr t
Tower Building Teaching Effectively in Art Museum Galleries 3cr the college level. Assigns student to appropri- materials and their applications.
621] Huntington Avenue An intensive lab course held at the Museum ate studio faculty member as an apprentice/ Thursdays, 6:30—10pm
Boston, MA 02115 of Fine Arts, Boston provides opportunities assistant teacher. Concurrently, a student Ed McCluney, Lab Fee $35
to develop and experiment with methods and attends a seminar concerning teaching issues
materials for introducing original works of art to for all participants in this internship program.
young people. The course is designed to build Wednesdays, 4—7pm
confidence in teaching in agm useum setting and Christy Park, Lab Fee, $10
in helping children enjoy and become discern-
AE601-G1 Graduate Seminar 1.5cr
ing about works of art within their cultural con-
Explores topics of in-process research finishing
texts. Collections worked in will be Egyptian,
the qualifying phase of the M.S.A.E. program.
Greek, Etruscan, Roman, European, and Ameri-
Student presentations and critiques alfernate with
can. Previous experience in art history or teach-
visiting speakers and roundtable discussions.
ing with original works of art recommended.
Alternate Mondays, 4—7pm,
Open to teachers, museum staff, students, par-
Abigail Housen, Lab Fee $10
ents, artists, and others. Activity-based, all-day
workshops, Saturdays, January 26—March 2.
Between these weekends there will be readings
and assignments to mail in. Textbook to be
used: Jansen’s History of Western Art.
Saturdays, }]0am—5pm
January 26—March 2
Nancy Howard, Lab Fee $10
Call 617-556-2555 to register by phone with MasterCard or Visa, December 17—January 11, 1~4pm
REGISTER
EARLY
MANY CLASSES
FILL QUICKLY
ote CSC4X1-C1 The End of the Twentieth Century Design Graphic Design
I lt l (Or Moments Between Art/Analysis and
Everyday Life) 3cr GD220 Introduction to Graphic Design 3cr
Studi This course traces connections between, and Communications An applied approach to basic design principles
bears witness to, the cultural diversity which and skills for students entering the graphic
Design
shapes the closing moments of the Twentieth design major. The issue of design responsibility
Century. The core concern of this course is to begins with the development of professional
CSA101-C1 Foundations of Western Art: understand how popular culture and the arts attitudes and approaches to problem solving
Origins 3cr have shaped each other. Readings will include Design while continuing fo focus on the formal ele-
An introduction to the vocabulary of visual Walter Benjamin’s Charles Baudelaire: A Lyric ments of typography, color, and idea generation.
analysis and fo the historical succession of Poet in the Era of High Capitalism and Griel DE2XX-C1 Studio Photography for Designers 3cr Section C1, Mondays, 6:30—9:30pm
styles in Western Art. Marcus's Lipstick Traces, A Secret History of the This course is structured to help designers Judith Ziegler, Lab Fee $20
Wednesdays, 6:30—9:30pm Twentieth Century, among others. The course understand the process of studio photography Section C2, Wednesdays, 6:30—9:30
Birgit Shell, Lab Fee, $10 will explore TV dramas (The Prisoner, Star Trek, and to enable them to communicate their ideas Felice Regan, Lab Fee $20
more effectively using the photographic medium.
CSA3X1-C1 Painting and the Cinematic Twin Peaks), cultural forms and spaces (shop- It will consist of lectures, demonstrations, GD311-C1 Graphic Design Il 3cr
Image 3cr ping malls, Disneyland, car culture and speed); hands-on studio experience and critiques. Applied graphic design with emphasis on
The course will focus on the visual language the avant-garde and sub-cultures (Sex Pistols, Students will be required to produce a series the role of typography and the development
of painting and film and examine what they rock music, punk culture); as well as focusing of slides and should have access to a of strong visual concepts that communicate
have in common. The topics of discussion will on the works of several artists, including Joseph 35mm camera. clearly to a targeted audience. A synthesis of
include composition, light, perspective, color, Beuys, John Cage, Marcel Broodthaers, Jeff Mondays, 6:30—9:30pm image and typography is stressed. Pre-requi-
different genres and artistic movements Koons, General Idea and others. Pre-requisite: a Gabrielle Keller & George Peet, Lab Fee $20 site: GD220 or permission of instructor
(expressionism, surrealism, neorealism) course in art history or permission of instructor. Thursdays, 6:30—9:30pm
in painting and film. Tuesdays, 6:30—9:30pm DE212 Two-dimensional Design 3cr Tom Briggs, No Lab Fee
Mondays, 6:30—9:30pm Tim Norris, Lab Fee $10 Interdisciplinary assignments in basic design
Inga Karetnikova, Lab Fee $15 involving typography, color, idea generation, GD321-C1 Graphic Design Ill 3cr
CSC401-C1 Writing Children’s Literature 3cr and problem solving as it is applied fo basic More advanced study of the art of graphic
CSA302-C1 Art Since 1945 3cr An exploration of the world of children’s liter- two-dimensional design. The course focuses communication, typography, design and the
Advanced study of the artists and issues of the ature, combining both the theoretical and on the tools, vocabulary, resources and basic relationship of its effect on the reflection of
visual arts since 1945, with emphasis on the practical aspects of the genre. skills of the designer. socioeconomic forces in society. Attempts
arts of the 70’s and 80's. Pre-requisite: CSA101 Mondays, 6:30—9:30pm Section C1, Tuesdays, 6:30—9:30pm made to define the role of the designer in this
or CSA102 or permission of instructor. Leon Steinmetz, No Lab Fee Frances Hamilton, Lab Fee $20 area now and in the future. Emphasis is on the
Tuesdays, 6:30—9:30pm Section C2, Wednesdays, 6:30—9:30pm design and thinking processes. Study of direct
Francine Koslow, Lab Fee $15 Italian
Heidi Larson, Lab Fee $20 applications of media forms of communication
CSB359-C1 Technology and Change 3cr in the area of print. Emphasis is placed upon the
A study of the relationship between technologi- CSC4X3-C1 Italian 3cr DE224 Conceptual Drawing 3cr role of the designer-communicator in a rapidly
cal advance and social, economic, political, In this ltalian class students have the opportu- Considers how to mentally and physically visu- changing technological-electronic society.
intellectual, and artistic change. Historical in nity fo learn one of the world’s most melodic alize concepts. Stresses drawing and keeping a Pre-requisite: GD311.
method, the period of concentration is the last languages and become familiar with Italian sketchpad. Complex visual ideas are evolved Tuesdays, 6:30—9:30pm
two hundred years. culture, life and history. Through practical exer- through creative rendering, blending, and com- Fred Nathans, Lab Fee $20
cises and assignments, students develop skills posing of familiar objects.
TChhruirss dSatyrsi,b ak6o:s,3 0L—a9b: 3Fe0ep m$ 10 in spoken as well as written Italian. Section C1, Mondays, 6:30—9:30pm GD351 Production & Layout 3cr
Mondays, 6:30—9:30pm Linda Bourke, Lab Fee $20 Preparation of mechanicals and the devel-
CSC3XX-C1 Dramatic Screenwriting 3cr Paola Servino, Lab Fee $10 Section C2, Thursdays, 6:30—9:30pm opment of layout concepts emphasizing the
This is an advanced course in the basics of Carol O’Malia, Lab Fee $20 integration of typography and visual imagery
cinematic story-telling. The course concentrates Through class problems, lectures, demonstra-
DE260 Typography 3cr ~
on the development and completion of an origi- tions, and field trips, students consider alter-
A study of the design and use of basic letter-
nal screeen play for a 15—20 minute film. natives in the preparation of camera-ready art,
forms, typographic contrast, hierarchy of
Tuesdays, 6:30—9:30pm typography, use of illustrations and photog-
information, major type families and their char-
Inga Karetnikova, Lab Fee $10 raphy, copyfitting, and printing processes.
acteristics and specifications, typographic grids
Section C1, Mondays, 6:45—9:45pm
CSC3X2-C1 The Allegorical Tradition in Western and legibility. Robert Monize, Lab Fee $20
Art and Literature 3cr Section C1, Thursdays, 6:30—9:30pm
Section C2, Thursdays, 6:30—9:30pm
This course looks at the different works which Chris Danemayer, Lab Fee $20 Paul Montie, Lab Fee $20
have been created over the centuries in which Section C2, Wednesdays, 6:30—9:30pm
the psychological world, the world of dream and of Tom Briggs, Lab Fee $20 GD420-C1 Graphic Design Portfolio 3cr
the subconscious, are explored by means of Preparation of an entry-level portfolio demon-
DE3X1-C1 Book Design 3cr
symbolic characters and images enacting a strating professional competence in design,
A study of book design from simple trade books
symbolic drama. We will examine the major concept, and craft with an emphasis on the
to the more complex problems of text books and
works of visual art and literature which contrib- special projects. Writing of specifications, study student's particular area of interest. The student
ute to their tradition including: The Romance of must pass a review panel, produce a resume
of the publishing and printing business and
the Rose, Dante's /nferno, folktale collections, and go on interviews in the professional design
a brief look at the history of book design are
Blade Runner, Bosch, Botticelli, and Dali. community. Pre-requisite: Permission of
also covered.
Tuesdays, 6:30—9:30pm Instructor. For Graphic Design Certificate
Tuesdays, 6:30—9:30pm
Warwick McLeod, Lab Fee $10 Students. (Spring Semester Only)
Voiney Croswell, Lab Fee $20
Thursdays, 6:30—9:30pm
DE459-C1 Marketing 3cr David Comberg, Lab Fee $20
Introduces basic principles of marketing and
all its related activities. The nature of marketing, Illustration
the cause and effect of human behavior on the
1L220-C1 Introduction fo Illustration 3cr
market, product development and policies,
Introduction to professional illustration with
management, decision making, legal aspects,
emphasis on basic ideas, technique, media,
pricing distribution, and research are discussed.
and skill development. The initial look af the
The case study method is used as part of the
methods used fo convert ideas and convey
analysis process in examining complex sys-
them using precise visual tools
tems of marketing, including government, big
Tuesdays, 6:30—9:30pm
business, and the individual consumer.
Linda Bourke, Lab Fee $20
Tuesdays, 6:30—9:30pm
Tom Burke, Jr., No Lab Fee
CONTINUED
ON PAGE 6
Indicates New Course Offering
More
Media & Fine Arts 2D
IL310-C1, Intermediate Illustration 3cr DE329-C1 Freehand Drawing for Designers 3cr
Further exploration of the profession of illustra- A study of freehand objective drawing with lec-
tion with emphasis on basic ideas, technique, tures and demonstrations on freehand perspec-
media, and skill development. The elements of tive methods, line tone drawings, composition, ~ Performing
visual communication and expression are ana- negative space, and subject and view selection See also Core Foundation Studio Program for.
lyzed and explored individually. Mondays, 6:30—10pm more Drawing classes. %
Thursdays, 6:30—9:30pm Susan Schwalb, Lab Fee $20 Arts *PLEASE NOTE: All asterisked courses will meet
Bill Commerford, Lab Fee $20 DE355-C1 Exhibition Design 3cr on one additional Saturday from 9am—3pmt o
be arranged at the beginning of the Semester
{L412-C1 Illustrating Children’s Books 3cr An introduction to the multi-discplinary field of with the instructor and the class.
Deals with all aspects of illustrating children’s exhibit design and construction for museums,
*PLEASE NOTE: All asterisked courses will meet
books. Students gain practical experience in the trade shows, and other learning or recreation Drawing & Painting
on one additional Saturday from 9am—3pm to
various stages of book design, from initial con- environments. Slide presentations, guest
be arranged at the beginning of the Semester
ceptualization to the finished book. Explores a lecturers, and on-site visits augment tech- FAXXX-C1 Drawing from the Museum 3cr
with the instructor and the class.
variety of media and techniques. nical instructions on topics such as exhibit An opportunity to learn fundamental issues in
Tuesdays, 6:30—9:30pm techniques, construction, transport methods, Filmmaking modernism by drawing specific paintingis n the
Leon Steinmetz, No Lab Fee programming, and evaluation of designs. Museum of Fine Arts. Slide talks and discussion
Presentation techniques such as renderings, FM180-C1 Introduction to Filmmaking 3cr* from a painter's view provide in-depth prepara-
Environmental
models, and storyboards are learned through A beginning survey of the many uses of motion tion. Students also create related works on their
Design exhibit design projects assigned to individuals pictures from art to commerce, which includes own, which are thoroughly reviewed in class.
or teams of students. Pre-requisite: DE212 and hands-on production experience with basic Themes covered: Impressionism, Chiarascuro,
DE213 or permission of instructor. equipment and an opportunity to analyze many Post-Modernism, Cezanne and his legacy.
DE309 Introduction to Computer Design 3cr Thursdays, 6;30—9:30pm different types of films from the production point Thursdays, 10am—1pm
Introduction to the use of computers in design. - Stephen Brown, Lab Fee $20 of view. The use of film as a fine-art medium Jeremy Foss, No Lab Fee
Topics include: computer design history, 2D Fashion Design and its relationship to the avant-garde of paint- FA100 Introduction to Painting 3cr*
image making, animation, 3D uses, electronic ing, poetry, and music is emphasized. An introduction to painting using oils and
publishing, computer aided design, and video FDIOOX-C1 Introduction to Fashion Design 3cr Mondays, 6:30—10pm acrylics as basic media with an emphasis
output. Hands-on experience using Amiga com- Communication of original ideas using geo- Janet Callahan, Lab Fee $100 on traditional methods and familiarization with
puters and a variety of 2D design and imaging metric principles in design as well as master FM3X1-C1 Animation: Creating an Animated materials through lectures and demonstration.
software packages. block pattern structure. Fundamental draping Film 3cr* Occasional use of the model included.
Section C1, Tuesdays 6:30—9:30pm and development of couture techniques. Basic The course begins with a brief, introductory Section C1, Wednesdays, 6:30—10pm
Jim Weiner, Lab Fee $100 garment construction gives experience in trans- review of a variety of animation techniques. Stu- Ed Stitt, Lab Fee $35
Section C2, Wednesdays, 6:30—9:30pm lating creative designs into three-dimensional dents will then be guided, step by step, from the Section C2, Fridays, 9am—1:30pm
Cary Wasserman, Lab Fee $100 form. Work in fabric and non-textiles. initial generating of ideas and detailed planning Neill Fearnley, Lab Fee $35
DE310 Computer Design Applications 3cr Wednesdays, 6:30—9:30pm to the final editing of a complete animated film FA102-C1 Life Drawing 3cr*
Visual projects are developed on professional John DiStefano, Lab Fee $20 piece. A wide range of approaches is acceptable, A study of fundamentals as applied to the figure.
IBM and Macintosh computer design systems FD256-C1 Basic Pattern Drafting 3cr from experimental fo more conventional ones. Section C1, Mondays, 6:30—10pm
and a variety of 2D imaging peripherals. Fundamental understanding of principles and Thursdays, 6:30—10pm Mohsen Saberi, Lab Fee $35
Section C1, Tuesdays, 6:30—9:30pm procedures in the development and use of the John Casey, Lab Fee $100 FA103-C1 Watercolor 3cr*
Toni Noah, Lab Fee $100 flat pattern. Introduces basic master block con- Photography Beginning technical and conceptual knowledge
Section C2, Wednesdays, 6:30—9:30pm struction from which design changes are made.
Toni Noah, Lab Fee $100 of watercolor developed through involvement
Mondays, 6:30—9:30pm PH100-C1 Photography | 3cr* with traditional and contemporary art concerns.
DE3XX-C1 Advanced Projects on the Amiga 3cr Sondra Grace, Lab Fee $20 A beginning course for students with an interest Wednesdays, 6:30—10pm
A continuation of hands-on training with the in creative work and study in black and white Kofi Kayiga, Lab Fee $35
Industrial Design
Commodore Amiga as a 2D graphics design photography. Exposure controls, camera opera-
FA200-C1 Intermediate Painting 3cr*
tool. Instruction will encompass a variety of tion, and rudimentary film development and
1D100X-C1 Fundamentals of Industrial Advanced study of painting in oils and acrylics
upgraded and newly-introduced Paint/ printing are explored.
Design 3cr with an emphasis on composition and concept
Animation and image-processing software Section C1, Mondays, 6:30—10pm
This course will explore the phases of typical development. Pre-requisite: FA100 or permis- —
within project-defined formats. Pre-requisite: Linda Forslund, Lab Fee $95
design projects from problem definition and sion of instructor.
DE309. Section, C2, Thursdays, 6:30—10pm
analysis through conceptual sketching and Mondays, 6:30—10pm
Thursdays, 6:30—9:30pm Henry Cataldo, Lab Fee $95
rendering to preliminary layout drawings, David Tandy, Lab Fee $35
James Weiner, Lab Fee $100
fabrication possibilities and presentation. PH268-C1 Photography Ii 3cr*
FA201-C1 Drawing 3cr*
DE218-C1 Product Rendering 3cr Problems will be directed to product design A more advanced course in the fundamentals of
Advanced studies in visual perception and un
An in-depth study of several product illustration and interiors. creative photography. Introduces principles of
drawing as a means of personal expression.
and presentation styles. Many different drawing Wednesdays, 6:30—9:30pm optics, cameras, films, photographic chemistry
Wednesdays, 6:30—10pm
and rendering media are used to develop skills Jaskiel & Maurer, Lab Fee $20 and materials. Continuous work and advance-
Larry Collins, Lab Fee $35
in product design presentation. ment through creative assignments in photo-
Mondays, 6:30—9:30pm graphing, processing, printing, and criticism. FA202 Life Drawing 3cr* .
Duane Loose, Lab Fee $20 Thursdays, 6:30—10pm Advanced study of figure drawing, the figure in /
Ron Morris, Lab Fee $95 space, and relational drawing of the figure.
Section C1, Tuesdays, 6:30—10pm
PH269-C1 Photography III 3cr*
Paul Rahilly, Lab Fee $35
Acontinuation of PH268: For students who
Section C2, Fridays, 9:15am—1:45pm
desire to continue studying the basics of cre-
Donna Keegan, Lab Fee $35
ative photography.
Mondays, 6:30—10pm FA204-C1 Color Theory 3cr* f
Steve Tourlentes, Lab Fee $95 Advanced study of color composition theories
and their applications to painting processeasn d
9 Studio for Interrelated Media content.
Tuesdays, 6:30—10pm
MP3X4-C1 Art in Boxes/Installations 3cr* Wendy Seller, Lab Fee $35
This course explores the use of interior space
FA205/305/405 Painting 6cr
as a major consideration in the creation of art
This course fills major studio requirements for
works ranging in scale from hand-held boxes to
students admitted to the B.F.A. program. It is
room-size installations. Through an investiga-
also available to Continuing Education students
tion of the conceptual as well as the structural
who have completed FA100 Introduction to
aspects of the work, emphasis is placed on
Painting. Students in FA205/305/405 will meet
integrating the artist's personal vision with the
for painting, discussion, lectures and critiques.
chosen vehicle of presentation. Elements such
Students will have access to painting studio
as text, lighting, sound, moving parts and per-
outside of regularly scheduled class hours.
formance, as well as the use of slides, film and
Saturdays, 9am—6pm
video imagery, may be incorporated in the pres-
Tom Dempsey, Lab Fee $35
entation of work.
Fridays, 9am—1:30pm
Maureen Cosgrove Metzger, Lab Fee $30
ae. ee Call 617-556-2555 to register by phone with MasterCard or Visa, December 17—January 11, 1~4pm
6
(Courses
Fine Arts 3D
FA211-C1 Abstract Painting 3cr* Metals
An exploration of techniques and formal issues
in abstract image-making with an emphasis on MTL210-C1 Beginning Metals 3cr*
locating sources for abstract imagery. Covers basic metalworking techniques focus-
*PLEASE NOTE: All asterisked courses will meet
Mondays, 6:30—10pm ing on design and function. Assignments cover
on one additional Saturday from 9am—3pm to
Rick Harlow, Lab Fee $35 problems that are both aesthetic and technical.
be arranged at the beginning of the Semester
Metal fabrication, inlay, forging, sinking, and
FA221-C1 Renaissance Painting with the instructor and the class.
stone setting are introduced.
Techniques 3cr*
A study of the process of making luminous Ceramics TChuaersldeasy s,C ro6w:le3y0,— 1L0abp mF ee $70
painting in the style of the Flemish masters.
Students learn underpainting on a gesso ground CER203-C1 Ceramic Wheelworking 3cr* MTL220-C1 Intermediate Metals 3cr*
and Renaissance methods of applying layers of Introduces students to ceramic media with Focuses on the development of a personal
egg tempera and oil glazes. primary focus on using the potter's wheel. style through a series of projects based on one
Thursdays, 6:30—10pm Functional and non-functional formats are source. Technical and aesthetic experimenta-
David Small, No Lab Fee explored, as are glazing and kiln-firing. tion is based on casting, raising (bow! making),
Wednesdays, 6:30—10pm etching, and chasing and repousse. Pre-
FA260-C1 Portrait Drawing 3cr* Ben Ryterband, Lab $70 requisite: MTL210 or permission of instructor.
The study of drawing from the head and figure
Thursdays, 6:30-10pm
in a variety of both modern and traditional Fibers Joe Wood, Lab Fee $70
techniques.
Wednesdays, 6:30—10pm FIB/PM2XX-C1 The Handmade Book 3cr* Sculpture
Ed McCluney, Lab Fee $35 Introduces students to a variety of bookbinding
techniques, with an emphasis on the book as $C200-C1 Sculpture Studio 3cr*
FA359-C1 Life Drawing/Anatomy 3cr*
art form. The course explores traditional and Comprehensive studio of sculptural problems
A study of anatomy incorporating analysis of the
experimental processes in bookbinding, paper- and applications including structural, technical,
skeletal and muscular systems using skeleton,
making, printmaking and marbling. and environmental considerations. Materials
casts, slides, and models.
Mondays, 6—9:30pm include plaster, wire, wood, and clay.
Tuesdays, 6:30—10pm
Meg Black, Lab Fee $70 Wednesdays, 6:30—10pm
Larry Collins, Lab Fee $35
Anna Poor, Lab Fee $70
FIB223-C1 Surface Design on Fabric &
FA369-C1 Life Painting 3cr*
Fibers 3cr* $C201-C1 Foundry Process in Sculpture 3cr*
A study of painting from the model with empha-
An introduction to the principles, processes, Bronze and aluminum castings are made using
sis on light, color, and organization of pictorial
and historical development of surface design processes of greensand and lost-wax invest-
elements.
on fabric and fibers. Techniques explored ment casting. Course covers moldmaking,
Thursdays, 6:30—10pm
include dyeing yarns and fabrics with natural casting, and chasting.
Arnold Trachtman, Lab Fee $35
and synthetic dyes, resist processes (batik, Tuesdays, 6:30—10pm
Collage plangi, ikat), and positive methods (screen John Wolfrum, Lab Fee $70
printing, block printing, and direct printing with
$C251-C1 Figurative Clay 3cr*
FA264-C1 Collage/Assemblage 3cr* dyes). Emphasis is on development of personal
A study of the construction of portrait and figure
This course offers a thorough exploration of expression as well as technical proficiency.
executed from life in clay. The course introduces
both two-dimensional and three-dimensional Workshops, slide presentations, guest artists,
the use of plaster as a casting medium.
collage through the creation of individual and and a field trip are included in this course.
Thursdays, 6:30—10pm
group projects. Emphasis is on the use of a Tuesdays, 6:30—10pm
Nahid Saliani, Lab Fee $70
wide range of materials, structural techniques Erica Licea-Kane, Lab Fee $70
and concepts. $C253-C1 Welding 3cr*
Thursdays, 6:30—10pm Glass A beginning course in the construction of steel
Maureen Cosgrove Metzger, Lab Fee $35 sculpture produced through oxy-gas and arc
GL2XX-C1 Stained Glass 3cr* welding. The course introduces forging and
Printmaking This course is open to beginning and continuing machine shop practices.
students. The techniques of making a leaded Mondays, 6:30—10pm
FIB/PM2XX-C1 The Handmade Book 3cr* glass panel and the approach to stained glass Mike Couch, Lab Fee $70
See “Fibers” under 3D for description. as a fine art, rather than a craft, will be empha-
sized. Affer learning the basic skills involved in Three-Dimensional Art
PM340X-C1 Relief Printing 3cr*
executing a glass panel, the imaginative use of
This course will focus on the relief printing pro-
the materials will be encouraged and the under- TDA205-C1 Wood Structures 3cr*
cesses of woodcut and linoleum cut. Students
will learn printing methods both on and off the standing of glass as a medium of light will be The proper use and application of basic wood-
pursued. Consideration will be given fo design- working equipment, materials, and concepts.
press as well as explore various printmaking
ing for an architectural setting as well as for - Wednesdays, 6:30—10pm
concepts and applications. The reproductive
“autonomous” panels. Techniques such as Richard Brown, Lab Fee $70
nature of the graphic medium will be employed
painting, silver-staining and acid-etching will
to develop an image in various “states” or stages
be introduced. Slides and discussions will
of development. Techniques will include cutting,
be included.
printing, proofing, editioning, multi-color print-
Tuesdays, 6:30—10pm
ing and large scale printing with emphasis on
Linda Lichtman, Lab Fee $70
the aesthetics and content of the printed image.
Assignments are designed to explore the tech- GL233-C1 Sculptural Glass 3cr*
niques and develop imagery through the use of Emphasizes individual expression using
color, drawing and composition. glass as a medium, encouraging experimental
Tuesdays, 6:30—10pm approaches to glass fabricating, joining, com-
Alvin Ouellet, Lab Fee $45 bining with other materials, and some work with REGISTER
glass studio machinery. Individual assignments EARLY
and instruction are combined with occasional
MANY CLASSES
group critiques. Lectures on historic and con-
FILL QUICKLY
temporary glass art are included.
Mondays, 6:30—10pm
Bernie D’Onofrio, Lab Fee $70
Workshe
Biographies of Workshop Faculty are on pages
12 & 13.
Please note: Any withdrawal from a non-credit
workshop must be received by the Continuing
Education office one full week prior to the first
class meeting in order to receive a refund.
Printing/ Drawing
NC046 Advanced Desktop Publishing Workshop A professional atmosphere will be maintained
This “hands-on” workshop will cover advanced Workshops while the model is posing, with conversation
Plant Tour
techniques of electronic publishing, such as and discussion reserved for the times when the
style sheets, bleeds, image processing and model is on break, or finished posing. At such
printing options. The workshop will be taught Drawing Games times, the instructor will answer questions and
NC003 An On-Site Tour from Estimating to
on the Macintosh computer, using PageMaker Col nduct class and individual critiques. Students
Finished Product
software and a laser printer. Basic knowledge NCO14 Drawing Conclusions: A Seri jeceive a list of sUppes and.
This four-hour tour of a medium size printing of PageMaker and Macintosh environment Drawing Games Z the commenceme
plant will give designers, editors, art directors is essential. An exciting and stimulating rkP Gs
and anyone involved or interested in the pro- Instructor: Dianne Roman
levels), that explores the pote!
duction of commercial printing or publishing Schedule: Saturday, March 9, 9am—5pm
ealing with the V
material, a step-by-step first hand look at the Costs: $125 ($100 Workshop Fee &
various operations involved in the offset print- $25 Lab Fee)
ing process.
CADD Workshops
All aspects of computerized estimating, camera
work, negative assembly, platemaking, print-
ing, scoring, diecutting, laminating and binding
NC030 CADD: Up and Running
will be covered. ( sonal to the pub! ic. Youu of the Brain
Students will meet at Henry N. Sawyer Co., Ain otrnoed-udcatiyo nw otrok CsAhDoDp. dTehsei gsnoefdt wtaor es eruvteil iazsed afno r drawing ir you never imagii ned po Drawing on the
Printers, 586 Rutherford Avenue, Charlestown Through iS \ orkshop, you will becom shop investi-
(Five minutes from Sullivan Square T Station). this workshop is Datacad. Students will begin aware of yourt hinking, behavioarn d de easing untapped
with basic commands for 2D drafting: drawing — ~m aking, and make some exciting draw
Instructor: Gene Walsh ue functions
and erasing lines, move, copy, cleanup, scale, 7 ‘the process.
Schedule: Saturday, March 16, layers, etc. Basic commands for 3D drafting: Instructor: Robert Gosc a ;4 ables us
8:30am—12:30pm 3-D views, 3-D line, edit and 3D design will be 5 * Schedule: 4T nursacesroniag March 72-8 , gical
Cost: $50 Through
covered. The workshop will provid 10 ebook, | -6:30—10pm
Color two diskettes, handouts for the ay of
additional home study projects 0 be OA D x 1 draw-
z
. Representational Drawigig-.:
by the student using thbea si
NC005 Color for Designers: foradvanced work. = NCO17 Representational Drawing Stu
Color and Printing Processes Instructor: Robert Coppola
Tmhaixsi moinzee- dayyo urw ourskes hoof pc olwoilrl isnh doews iygon u ahndo w int oi ts S9cahemd—u5lep:m Section }C , lla turdayF, 7 | : Thpiecsi ftihcraelely- daadyd wreosrsk shmoapn y (foofr tahlle liemvpeolrst awnitl,l but
application to offset printing. Special attention Section C2, Saturday, February en intimidating, fundamentals of representa-
will be given to the use of process and PMS Section C3, Saturday, Mal al drawing. Perspective, light and shade,
inks, overprinting, trapping, screen combina- Costs: $150 ( 25 W gure drawing, artistic anatomy and other tra-
tions, duotones, paper selection, use of 3M $25 Lab Fee).& ay lona l disciplines will be introduced. Using
color keys, additive/subtractive color effects, $ course as a springboard, the student
and terminology. Case histories and slides will quire enough knowledge of basics,
eak skills, and gain enough confi-
be used to demonstrate these possibilities.
Instructor: Bernard LaCasse NCO11 Chinese Br ture forth to more in-depth studies. 1 be
wSicthhe dau loen:e -Shaotuurr dalyu,n chF ebbrreuaakr.y 2, 9am—5pm Carhtisn eosfe t heB rwuosrhl dP aiinn ttihnagt iifcs un ce headrgceo,a lr,o ugkhn enaedwesdp rienrta senr,o es ; pOuork-
Costs: $95 ($85 Workshop Fee, $10 Lab Fee)
a cultural tradition dating
Paste-Up which is artistic, poetic and philoso ands-
harmonious nature. In this workshop, We ill be
start with basic strokes common to Chit ials to
NCO06 Camera-Ready Art: painting and calligraphy and continue with
Mechanicals/Paste-Up studies of bamboo, orchids, ch nthemums“ 3 fuscum ‘Drawing “ya ym—4pm, February
Everything You Need to Know landscapes and birds. ~&
Instructor: S.E. Sun Lee » “ea
This one-day hands-on workshop will famil- 8 Museum Drawing Workshop 20 ($12 0 Workshop Fee)
Schedule: Thursdays, 9:30—11am, anwar:
iarize participants with the tools and techniques
24—March 7 ve long used the art of the past as a | Paper Workshops
necessary to produce professional mechan- Costs: $130 ($120 Workshop Fee & Sot f inspit ationa nd ideas. This three-day
icals. Special attention will be given to photo
$10 Lab Fee). workshop (for els) will take een
preparation (cropping, scaling, special screens, museum fo draw fonta ncient sculptures, early
manipulation), overlays, color breaks, use of Altered Images NCO020 Bookbinding Workshe p
and contemporary paintings, as well as from
materials, and printing jargon. A materials list In this two-day hands-on workshop, we will
decorative arts of furniture, silver, porcelain and
will be provided prior to the workshop. create several one-of-a-kind books in stylest hat
jewelry. We will begin a sketchbook that may be
Instructor: Sandy Schafer NCO13 Altered Images used as material for future artwork and discuss are being used by leading book artists. Students. -< j
Schedule: Saturday, February 2, 9am—5pm will create “skeleton” each style where
The concept that the photograph is an objec- various drawing issues including light and
with a one-hour lunch break. tive document of reality has radically shifted shade, composition, proportion, alignment, and instructions to recreate the process will be
Costs: $97 ($85 Workshop Fee, $12 Lab Fee) recorded. Vocabulary, proper tools and sup-
as artists have begun fo use photographs as spacial illusion. Materials: small drawing
Desktop a starting point in their work. Darkroom and sketchbook (11x14), drawing pencils (4B, 2B, plies will be discussed.
Instructor: Meg Black
computer techniques as well as direct hand HB), sharpener, eraser.
Schedule: Saturday, January 26, 10am—5pm
Publishing alteration are being used by artists. Instructor: Larry Collins
& Sunday, January 27, 10am—5pm.
Schedule: 3 Saturdays, 9am—5pm, April 13,
This workshop will deal with direct (non- Costs: $95 ($85 Workshop Fee & $10 Lab Fee)
20 & 27
darkroom, non-technical) alteration of pre-
NCO09 Desktop Publishing Workshop existing black and white photographs. Taking Costs: $160 ($150 Workshop Fee NCO021 Papermarbling
This “hands-on” workshop is designed to Off from the early tradition of hand tinted photo- & $10 Lab Fee) In this two-day workshop, students will be intro-
introduce the student to desktop publishing on graphs, and using drawing, painting, collage, duced to the classical method of papermar-
the Macintosh. Text and graphic software and written text and other techniques, students will Drawing & Painting bling. On day one, students will discover the
paste-up programs will be covered. Students directly change images and their meanings. simple, yet beautiful craft of papermarbling. The
will learn how to position text and graphics and Students will work first on photo selection, using NCO31 Figure/Portrait Drawing and Painting Class will be technique—oriented so students
edit on an electronic paste-up page. Enhance- photos they have taken, found or collected. A Workshop may fully understand the classical approach to
ments such as headlines, or wraparound, series of exercises will then be used fo help the This course will be devoted to drawing and/or papermarbling. An overview of materials will be
boxes and ornamentation will also be covered. student become more aware of what drawing painting from a model. The four-hour poses will discussed to ensure that this technique can be
Prior experience with a computer, although and painting materials can best be used on allow time for a complete work to be executed duplicated at home or in the studio. On day two,
helpful, is not required. photographs. Students will then attempt to every session. Each Saturday the Instructor will students will learn to marble on a variety of sur-
Instructor: Dianne Roman change the meaning of certain images by visual demonstrate a different medium in a represen- faces including wood, fabric, and clay, as well
Schedule: Section C1, Saturday, February 2, alteration. The final part of the workshop will be tational style, including: |. Graphite on paper as mix and measure the necessary ingredients
9am—5pm, Q personal exploration of altered images, using (pencil, stick, powder, used with and without to ensure success in future marbling endeavors.
Section C2, Saturday, February 23, 9am—5pm, autobiographical photos, and information. This solvents, etc.); 2. Charcoal on paper (classical Instructor: Meg Black
Costs: $125 ($100 Workshop Fee & workshop is for all levels. No darkroom work techniques); 3. Colored sticks/colored pencils Schedule: Saturday, February 2, 10am—5pm
$25 Lab Fee) is required. A materials list will be provided. on paper (a pastel-like technique without toxic and Sunday, February 3.
Instructor: Robert Goss dust); 4. Watercolor on paper (classical, trans- Costs: $95 ($85 Workshop Fee & $10 Lab Fee)
Schedule: 4 Monday evenings, March 4—25, parent use of the medium); 5. Acrylic painting
6:30—-10pm on canvas. There will be a thorough discus-
Costs: $100 ($95 Workshop Fee & $5 Lab Fee) sion of painting with acrylics, from choosing
stretcherbars to varnishing the final painting.
Each of the five media presented will be dis-
cussed in depth.
os & Special
Business Strategies Summer Study Mexico: Yucatan
NC022 Papermaking Workshop
This two-day workshop introduces students to Abroad 1991
the craft of papermaking. Students learn the NC303 Business Strategies Workshops Sculpture
basic skills for forming sheets of handmade
Being a fine artist is not easy, and we are no
paper. A variety of materials suitable for pulp longer in a world where artists can afford to be Treat yourself! Whether it is for a 10-day inten- In the summer of 1991 there will be a studio
are discussed; dyeing methods and beating uneducated. Training yourself about the busi- sive seminar or a four and a half week expedition to the Yucatan peninsula where stu-
techniques are demonstrated. Emphasis is ness of being a professional artist can be fun studio/cultural program, plan to join us for an dents will visit many well-preserved Mayan
placed on recreating these methods at home as and profitable. Three one-day workshops have extraordinary summer of creativity, exploration, sites such as Chichen Itza, Uxmal, Labna,
well as in the studio. Papercasting, mold mak- been designed from the course “Business Strat- and fun. Develop your skills as an artist while Palenque, Yaxhilan and Tulum, The earthworks,
ing and paper forming for special purposes may egies and Life Planning for the Artist’ and are living in a culturally rich and visually inspiring architecture, and landscape left by this great
be demonstrated according to student interest. being offered this Spring. Students may register environment. civilization will be the inspiration for students
SIncshterduuctloer:: SMaetgur dBalya,c kJ anuary 19, 10am—5pm for one workshop or the entire series. Greek Islands: tpoh ofitrostg rraepchosrd, oabnsde rjvoauirtnoanlss tahnrdo utghhe n drlaatweirn gpsr,o-
aConsdt s:S un$d9a5y , ($J8a5nu aWroyr k2s0h,o p1 0Faeme —&5 p$m10. Lab Fee) SNeCt3ti0n3g USepc tai oSny sCt1e mD atyha tO nWeo rks Skopelos duce their own site specific sculptures and
installations. In addition, students will have an
To set up a system that works, you need to be
Handpainting on opportunity to explore socioeconomic, historic,
BSAROT at organized and prepared so that when an oppor- Painting_ and cultural aspects of the region.
tunity arises, you can present a package of June 21—July 6, 1991, 3 credits
informaiton in minutes. We will discuss the Instructor: Richard Brown
basics of getting started-preparing the resume, The legendary Mediterranean ighta nd color
cover letter, artist statement, business cards, come to life on the beautiful Aegean island of Caribbean Winter
NC024 Handpainting on Fabric brochure. We will also cover setting up a book- Skopelos. built on hills around a harbor and
This workshop will be an intensive class in keeping system, preparing for your faxes, comprised of old stone houses, Byzantine Studios:
painting on fabric. Students will learn to mix acquiring a tax exempt number for resale, and churches, and narrow winding streets, the
dyes and pigments for painting on silk, cotton the basics of copyright. Time management is village of Skopelos provides varied visual Costa Rica and
and rayon. Resists, dye shading, washes and essential to getting things done in the least stimulation as well as a look at life in a Greek
steam-setting dyes will be taught. We will amount of time. Life planning enables you to set community. Outside the village, the wild beauty Jamaica
explore various uses for painted fabrics such as up a system that works for you and grows with of mountains, alpine forests, and the ever pre-
home furnishings, fashion and fine art pieces. each year as you progress. Students should sent sea make Skopelos an ideal location
Instructor: Margaret Ryding bring in their current resume and any other infor- for painting. In the winter of 1991, the Massachusetts
Schedule: Saturday, March 9, 10am—5Spm and mation they use to promote their work. May 24—June 22, 1991, 6 credits College of Art is offering an exciting studio pro-
Sunday, March 10, 1—5pm. NC303 Section C2 Day Two June 29—July 9, 1991, 3 credits. gram in photography to COSTA RICA. Costa
C$o1s5t sL:a b$ 1F0e5e )( $90 Special Program Fee & fesenting Your Work Instructor: Tom Dempsey Rica, with its rain forests, volcanic formations,
ing your work involves being knowl- Italy: and spectacular coast lines will provide stu-
Foundry mee dle about galleries and museums, dents with an opportunity to not only explore
alternative spaces available to you Projetto Perugia and develop skills as artists, but fo become
aware of the ecological and cultural significance
4 landing what fo present. We will dis-
NC028 Foundry, Ancient Processe of this area. In the winter 1991/92, the College
ail slides or hand-deliver work,
@ focus of this workshop w nities, and art consultants. Photography will offer a winter painting session to the beau-
tiful and festive island of JAMAICA as well.
as Closely as possible, the IcC esources that provide current
used byartisans over 20¢ dealers who are looking for art- Projetto Perugia will take place in a 14th int For information on Massachusetts College
pants will build and us oming competitions. We will villa in Ramazzano, a small hill town outside of Art's off-campus programs, please contact
furnace. Molds.and epare for a show when a iei the city of Perugia. This country villa will provide Jonathan Silverman, Associate Dean of Gradu-
_tures used in histor git all whee and le accommodations, darkroom facili- ate & Continuing Education and Academic
zlnstructor: John: Wo n hospitality, and easy access for Advising, Massachusetts College of Art, 621
_S chedule: 4 Saturdays, rsions. Surrounded by gardens and Huntington Avenue, Boston, MA 02115.
_ April 20—May 11 e villa complex includes a building [phone], ext. 447 or 482.
_ Costs rea alg —4 enlargers and film and paper The Summer
Sx g capabilities.
2
une 22, 6 credits High School
Forging Workshop a3
July 9, 3 credits
wonder how iron is wrou
s: Steve Tourlentes & Jo Ann Brennan Art Program
ton in the village smit
now is the time to find out. This y: Tuscany
| teach you basic steel forging tec
The Summer High School Art Program, 1991
ich have been used for hundreds
dreds of years. The main focus will ang The Summer High School Art Program at Mas-
fabrication off ireplace tongs, a sachusetts College of Art offers an intensive
shovel. Nails and h aa 6 summer home is a small hilltop Tuscan four-week studio session for high school stu-
Instructor: JohnW aa lage in the heart of the rural Chianti area dents and will be taught by Massachusetts
~~ Schedule: 4 Sohadhys,T oam ear Florence and Siena. The surrounding olive College of Art faculty and other talented artist/
January 26—February16 groves, hidden villages, vineyards, castles, and teachers. Classes and activities are scheduled
~ Costs: $120 ($100 Workshop | will also beB ava sae? markets become the subject and source for Monday through Friday from 9am—4:30pm.
ay. $20p icbreey ise Instructor: Wendy Seller a yas er painters’ discoveries. The first session includes
Morning classes focus on two-dimensional and
Schedule: Section C1, Saturday, A eth falian language and culture seminar where
three-dimensional foundations studies. After-
9:30am—— 4pm, lents will receive practical language skills
noons offer a group of electives typical of the
ection C2, Saturday ,A pril 27, 9:30am—4p learn about Italian culture, history and art.
Mass Art curriculum, such as Oil Painting and
tion C3, Saturday, May4 , 9:30am—4pm ay 24—June 22, 1991, 6 credits
Computer Design.
Pay $57 per workshop ($55 Worksh June 29—July 9, 1991, 3 credits
NC3OI Gemstones and Basie jiner | | pe - ?. 2 Jestei ctors: Henry Issacs and Nicoletta Massachusetts College of Art has outstanding
fer fora ll three
facilities, and is located near major museums
_ forJ ewelryM ak gewe y Lover ( and cultural attractions. This is a wonderful
d: London opportunity for students to experience a profes-
sional art college and enhance their portfolio.
Limited dormitory space is available.
ications Design
For more information, contact the Office of Con-
tinuing Education, Massachusetts College of Art,
value of common minerals, decorative and : the Eyes of Designers and Illustrators’
[phone].
semi-precious gemstones for buying, making, NC305 Visual Approaches to Writing students will research and investigate contem-
or selling jewelry. With the stones themselves, Many artists are intimidated by writing. Yet, porary British communication design and then
we will cover basic tenets: hardness, color, being an artist in today’s world requires a flu- apply these observations to assigned projects.
clarity, cut, brilliance, luster, and geography; ency with written words that artists may feel they Living in the heart of London, students will also
and discuss synthetics, alterations, and “fakes” lack. Come and learn non-linear, visual strate- have an opportunity to meet well known British
Bring a strong magnifying glass or Jeweler’s gies for generating ideas and fopics for writing designers and illustrators and participate in an
Loupe to class. art history seminar reviewing the development
that are very different from when you went to
Instructor: Jill Carni school. “Process” approaches to writing which of representation, abstraction and design in CONTINUED ON
Schedule: Mondays, March 4—May 6, emphasize content before formal considerations British art. PAGES 10 & 11
2—4:30pm, includes one field trip outside of the such as spelling and grammar. Participants will June 28—July 27, 1991, 6 credits
Classroom. begin to work on the statement or art-related Instructors: Elizabeth Resnick and Teresa Flavin
Costs: $185 ($155 Workshop Fee writing task that has been put off, and be well on
& $30 Lab Fee) the way to its completion when the workshop ‘alana
ends. Please bring a notebook, writing utensils,
and a few slides or examples of your artwork fo
the first session.
9
Instructor: Annie Silverman
Schedule: 3 Saturday mornings, 9:30am—12
noon, March 9, 16 & 23
Cost: $82 ($80 Workshop Fee and $2 Lab Fee)
Degree and Cooperating
Saturday Studios
GES
Institutions
Saturday Studios for High School, Junior High The Figure
School & Elementary School Students Representation of the human figure with a Programs
variety of materials. Traditional and innova- Through special arrangements, a number of
The Art Education Department of the Massa-
chusetts College of Art offers special art studio tive approaches fo life drawing are included. Admissions to these programs is based on port- courses are offered at arts institutions in the
classes for High School, Junior High School Parental concent is mandatory for this class. folio review and academic background. Greater Boston area for credit from Mass Art.
and Elementary School students. These non- (High School) Questions concerning application procedures rReegsipsetcrtaitvieo ni nsftoirt tuthieosnes . coFuorrs emso rei s hienlfdo ramta ttihoen
credit courses are open fo all interested students Elementary Exploration should be directed fo the Admissions Office,
contact:
regardless of their level of experience in art; we Creative problem solving and the fun aspect of open 9am—5pm, Monday though Friday,
do not require prerequisites or portfolio review. making art. Grades 4, 5, & 6 232-1555, ext. 375. Boston Film/Video Foundation
The Saturday Studios can serve to introduce stu- 1126 Boylston Street
dents to the process of exploring the visual arts, Printmaking Graphic Design Certificate, part-time, evening Boston, MA02215
and they do also assist students with extensive Designed for students interested in the pro- Teacher Licensing Program, full-time, daytime Ms. Ann Marie Stein, Director
studio backgrounds fo refine their visual con- cess of creating prints without the use of large [phone]
Master of Fine Arts, full-time, daytime
cepts and skills. presses. Silk screen, monoprint and other fech-
Brockton Art Museum
niques will be explored. (Junior High & Master of Science in Art Education, full-time and
Saturday Studios focus on the formulation 455 Oak Street
of ideas, handling of materials, and defining High School) part-time, daytime and evening Brockton, MA02401
and achieving one’s intentions. Students use a Junior Studio Bachelor of Fine Arts, full-time, daytime Ms. Penny Redfield, Museum
variety of materials and techniques, including Designed fo broaden the studio experience and Schoo! Coordinator
drawing, painting and sculpture. Emphasis is portfolio work of high school juniors planning Graphic Desi [phone]
placed on developing observation and imagina- on applying to art school. Genificae Berra Brookline Arts Center
tion. Students are also encouraged to deal with
their individual responses and interpretations. Parent's Group 86 Monmouth Street
Brookline, MA 02146
Instructors take into consideration each stu- Saturday morning seminars focusing upon art
The Certificate Program in Graphic Design is a Beth Gerstein, Director
dent's level of experience in art, and the context career opportunities, related topics, and other
cluster of professional courses leading toward a [phone]
of each studio may vary depending upon the activities of interest fo parents of Saturday Stu-
career in the graphic design field. The program
needs of individual students. dio students. (No Fee) Cape Cod Conservatory
consists of 12 courses (36 credited) which
RT 132, W. Barnstable, MA 02668
Saturday Studios Offered Fee may be taken over a period of no more than
Mr. Richard Casper, Director of Conservatory
three years. No more than 6 credits may be
Drawing $45 covers instruction and materials. Schol- [phone]
transferred at the time of acceptance into the
Observational and imaginative studio work with arships are available, please contact Deborah
Certificate Program with the approval of the Castle Hill/Truro Center for the Arts
a variety of two-dimensional materials. Sub- Simmerman in the Art Education Department
Program Director. Castle Road
jects will include people, places, objects and [phone] for scholarship
Semester 1 Truro, MA 02666
creatures. (Junior High & High School) information.
DE212 2D Design Ms. Mary Stackhouse, Director
Illustration Saturday Studio Dates DE224 Conceptual Design [phone]
Uses visual sequences in a variety of media Hours: 9:30am—12 noon Semester 2 DeCordova Museum School
to develop stories. Subject matter includes March 2 DE260 Typography Sandy Pond Road
cartooning, fantasy of science fiction as well March 9 GD220 Introduction to Graphic Design Lincoln, MA 01773
as narrative illustration. (J unior High & High March 16 Semester 3 Ms. Eleanor Lazarus, Schoo! Director
School) March 23 No Class. MassArt Semester Break GD351 Production and Layout [phone]
March 30 GD370 Intermediate Graphic Design Portfolio
Painting April 6 (Fall Only) Kaji Aso Studio Institute for the Arts
Studio work with a variety of painting mediums April 27 Semester 4 4O St. Stephen Street
and integration of relevant historical styles. April 13 & 20 No Class. Schools Spring Recess GD311 Graphic Design Boston, MA02115
(Junior High & High School) May 4 *Elective Kaji Aso, Executive Director
Sculpture May 11 Semester 5 [phone]
Studio work in various materials including clay. GD321 Graphic Design Nantucket Island School of Design and the Arts
(Junior High & High School) Deadline for Registration: February 22, 1990 *Elective P.O. Box 1848
Semester 6 Nantucket, MA 02554
GD420 Graphic Design Portfolio (Spring Only) Ms. Kathy Kelm, Director
Saturday Studios ‘91 (Return this form to the Department of Art Education by Friday, February 22) DE459 Marketing (Spring Only) [phone]
“Electives:
Newton Arts Center
DE309 Introduction to Computer Design
IF 61 Washington Park
L220 Introduction fo Illustration
Newtonville, MA 02160
Student's Name Grade Age DE335 Publishing and Periodical Design
Ms. Kay Matthew, Executive Director
GD414 Advertising Design
2. [phone]
Address Phone No. Art Education South Shore Art Center
119 Ripley Road
3.
Cohasset, MA 02025
Name & Town of Student's School Teacher Licensing Program Ms. Lanci Valentine, Executive Director
[phone]
4. The Teacher Licensing Program is a post-bac-
Stone Carving Studio
calaureate program which leads fo single level
Name of Student's Art Teacher or School Principal 495 Marble Street
certification as an art teacher, either kinder-
West Rutland, Vermont 05777
5; garten through grade 9 or grades 5 through
Ms. Bernadette D‘Amore, Director
12 in Massachusetts and 32 other states.
Signature of Student's Parent or Guardian indicating the student has permission to attend the Studios Program, [phone]
participate in off-site field trips, and authorizing, in the event of an emergency, medical treatment of the student at Worcester Center for Crafts
either Beth Israel Hospital or Children’s Hospital. 25 Sagamore Road
6. Worcester, MA01605
Mr. Cyrus Lipsitt, Executive Director
Parent's signature for Life Drawing. Since Life Drawing involves the use of nude figures, parental consent is
[phone]
mandatory for enrollment in the class.
a
First Studio Choice Second Studio Choice
If your first studio choice is full, you will be enrolled in your second choice.
apr Sof OL Oe | Call 617-556-2555 tor egister by phone with MasterCard or Visa, December 17—January 11, 1—4pm
10