Professional and continuing education

2006·7.1 MB·English

by  Massachusetts College of Art

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Credit Courses
Non-Credit Workshops
Youth Programs
Professional Development
Certificate Programs
massachusetts college of art professional & continuing education
Pim Nassart
Welcome Message from the Dean
MassArt’s Professional and Continuing Education Programs are designed
to support your development as an artist. Whether you are a professional
in the arts or a novice, whether you are learning technical tools or working
on conceptual design, all of our classes and workshops are taught with the
art in mind. We believe it is important to spark and nurture individual cre-
ativity, and at the same time we also believe that solid skills are essential to
the successful execution of one’s artistic vision.
This spring we are delighted to offer a wide range of classes in painting,
drawing, printmaking, ceramics, sculpture, animation, graphic design and
illustration, fashion design, jewelry, film/video, photography, fibers, glass-
blowing, art history and more. Our classes may be taken individually, or for
those interested in pursuing more in-depth study, we also offer certificate
programs in the areas of fashion, industrial and graphic design, as well as a
teacher preparation program. Our faculty members are recognized artists
and professionals who are committed to providing the best educational
experience for our students.
Whatever your skill level as an artist, whatever your interest, we believe
that MassArt’'s Professional and Continuing Education program has some-
thing for you.
Anne Marie Stein
Associate Dean
Professional & Continuing Education
the date Professional and Continuing Education
Open House and MassArt Annual Holiday Sale
Professional and Continuing Education invite you to join us for
Thursday December 8, 2005
an open house informational session.
5:30 - 7:30pm
Tower Building, 2nd Floor Meet faculty and staff and learn about:
¢ Continuing Education courses
¢ Certificate programs in
Fashion Design
Graphic Design
Industrial Design
¢ Youth programs
¢ International programs
¢ Art New England summer workshops
Light refreshments will be served
The Holiday Sale runs from December 5—10
MassArt is easy to get to. The Green Line E train stop at Longwood is
directly in front of the college. The # 39 bus stops here as well, and the
college is a short walk from the Ruggles Orange Line station. For those
who choose to drive we now offer Free Parking for all students enrolled
in credit courses.
RESOURCES AND INFORMATION
Calendar by DaVici sens tiivienccdse
Campus ReSOUMCES .......seseeeeene 47
Campus: Map xameadieiicdttscnagl 48
Distance Learning/
C a |e N d a l On-Line Classes .....cceccessereees 14
Intersession Classes .......scsseeres 6
PORi G gate mrattoscvinsisivaaonts 47
December 8 Continuing Education Open House POMCG S erseageiavid usashvievenssdctovasae 46
December 5-10 MassArt Holiday Sale Registration Form
peR rie A ccs che hawit inside back cover
December 24-January 2 College Closed Bepistraticn inforratlen
January 3-13 Winter INTEFSESSION - —“gawkest ereeil © Nae) en prety iran Gireentessinagsvaens inside back cover
January 18 Spring Classes Begin PROGRAMS AND COURSES
February 20 Presidents’ Day, No Classes Certificate Programs... 4
March 6-12 Spring Break, No Classes Fast HON) (OSS oresc cnyanctnranezscnentaa 5
March 17 Evacuation Day, No Classes GSLADIIG DSIG M cxcatstarencssnvesnceneens 5
April 17 Patriot's Day, No Classes industrial Design SP ORE Oe DRC ie 5
May 8 Classes End Teacher Preparation Program.... 5
CLASSES
Continuing Education Online Architecture/interior Design .. 11
; ee ; ay PE EQUCATION caves siacseccncanscvass 41
View course descriptions, schedules, faculty bios, policies and much more. "e
Register and pay for your classes online. www.massartplus.org Art History/Critical Studies ..... 13
CBE CINICS 220.c laceaaneehcsardeatanlontoaies 12
Youth Programs page 44 Computer Animation vaewevewowene 24
SATURDAY STUDIOS, GRADES 4-12 Or ee Ieee
February 25-April 29 Dra wittt antici Sietens Sctes 15
Saturday Studios Exhibition: April 25-29 Fashion DeSigh....s.sssssssssseessses 17
Closing Reception: April 30, 11:30am-12noon i
BTRM ELVACATION WERK aG RADES 7-12 jFaI)Ua lW]I -V Piedae sraWtre oiccnhceel ioem cr 1'98
April 17-21 Free Parking GlasShrecttmcaai tcoecsrnecrtiaits 19
STUDIO FOR TEENS Continuing Education isnow | Graphic Design. 20
March 3-May 5 providing free parking for Learsitt e in ceases aanweseictassesansno ns2 7
students enrolled in credit indivetriat bac! 28
classes. See the Policies page AUST! OSI GM seccorsnsseserengaary
for more AIRE rate; tt rateon sss tcenrcasaietuibaabi 28
FAM GREY conde cetarceskcaiaan enesuasiavane 29
: PROtOGB DY sas siden ae3 1
More Information _ : :
PRATINMIONG scctcisbsiarcuntancs 34
Graduate & Continuing Education Tel: [phone] or 7201 Public Art 36
Massachusetts College of Art Fax: [phone] pve akera A
Tower Building, 2nd Floor Web: www.massartplus.org GUN REA a rscsasassnecrccarreeasctt a af
621 Huntington Avenue Email: continuing [email protected] Studio FOUNAAtION ...sssssss0m 39
Boston, MA 02115 Office Hours: Mon-Thu: 9am-7pm, Fri: 9am-5pm SUMMER STUDY PROGRAMS
Art New England Workshops. 42
MassArt China Residency ....... 42
International Programs........... 43
YOUTH. PrOQIBINS cis Micssissstenseestet 44
See our web site www.massartplus.org for updates and current information.
OUTSES
Spring 2006 Classes begin January 18
Winter Intersession January 3-13
Area Monday Tuesday Wednesday
Architecture/Interior Design Conceptual Drawing Fundamentals of Architecture
Art Education Problems in Aesthetics
Art History ¥* History of Sonic Art * Roadside Billboards/Greece
Painting & Cinema Perspectives in Art History II
Ceramics Clay Studio Tableware
Computer Animation Animation with After Effects
Computer Arts Intro to Computer Design
Critical Studies * Documentary Essay Writing Poems
Writing Children’s Books * Films of the 90s
Critical Studies On-line
(See Special Schedule Courses)
Drawing Life Drawing Anatomy for Life Drawing
Drawing with Masters
Fashion Design Creative Fashion Design % Couture Design Fashion and Art in the 20th Century
Digital Tools for Fashion: U4ia
Fibers Clothing Construction II
Film/Video DV/Film
(See Special Schedule Courses)
Glass Glass Fabrication for Art Making
Graphic Design Communication and Form Interactive Communication Communication and Form
Intermediate Typography Graphic Design |
Typography
lilustration Art of the Comic Book
Industrial Design Introduction to Industrial Design
Jewelry Jewelry
Painting Abstract Painting ¥ Color Painting Explorations
Figure Collage Intro to Painting Painting: Personal & Powerful
Photography Photo |
Photo II
Introduction to Printmaking Silkscreen Printing |
Printmaking ¥ Artists’ Books VanderCook Letterpre
Public Art Public Art
Sculpture Multi-Media Installation Figurative Clay Furniture 1
Foundry Process Welding
Studio Foundation Drawing with Color Drawing Fundamentals Drawing & Painting
Drawing for the First Time
Web Design Web Design
Winter Intersession
(See Special Schedule Courses)
¥ indicates new course
2 www.massartplus.org spring 2006
Thursday Friday/Saturday Special Schedule Courses
COMPUTER ANIMATION (1.5cr)
Flash Th Jan26-Feb23
Intermediate Flash Th Mar2-Mar30
COMPUTER ARTS (1.5cr)
Photoshop Sa/Su Feb4-12
Illustrator Sa/Su Mar18-26
Advanced Photoshop & Illustrator Sa/Su Apr1-9
ActionScript Fri, Mar31 & Thu, Apr6-27
InDesign Sa/Su Apr22-30
CRITCAL STUDIES ON-LINE (3cr)
Drawing with Photoshop Drawing: Study & Practice (Sat)
% Twentieth Century Russian Art
History of Civilization Feb13-Apr24
Creative Fashion Design
Amer. Thought & Government Feb14-Apr25
CAD for Production: Gerber
CRITICAL STUDIES
%# The DaVinci Code (non-credit) Apr13-27
FILM/VIDEO
Typography % Documentary Film (1.5cr) Th Mar23-May4
Graphic Design II % DVD Authoring Workshop Th (non-credit) Feb2-23
Final Cut Pro (1.5cr) Sa/Su Apr1-9
Drawing for Communication
AVID Editing (1.5cr) Feb2-9
Graphic Design III
Aesthetics of Editing (non-credit) Mar13-23
Illustrating Children’s Books
FIBERS
* 3D Knitting, (non-credit) Alternate Sa, Jan21-Mar4
Life Painting Mixed Media: Watercolor (Fri)
Renaissance Painting Tech. GRAPHIC DESIGN
Color Photography Print Production (2cr) Sa/Su Feb25-Mar5
* Calligraphy (1.5cr) Tu Jan24-Mar14
% Gothic, Uncial Calligra(p1h.5ycr ) Tu Mar21-May2
PHOTOGRAPHY (1.5cr)
Portrait Photography Th Feb2-Mar23
Photography | Sa Feb4-Mar18
Assemblage/Drawing to Steel
Business of Photography W Mar15-Apr26
Form in Space
Visual Issues
SCULPTURE
Basic Bladesmithing (non-credit) Jan19-Mar30
Damascus, Steel & Mokume (non-credit) Th Apr6-May4
WEB DESIGN
Dreamweaver (1.5cr) Jan27-Mar3
* Indicates new course
spring 2006 [phone] 3
(arsaMre lt:
For students seeking expertise in a particular
area without pursuing a full degree, MassArt
offers a number of rigorous certificate pro-
grams. Taught by MassArt’s undergraduate
and graduate faculty, these certificates provide
students with the solid professional skills and
practice required for the workplace.
Many students pursue admission to certificate
programs by first enrolling in individual Con-
tinuing Education courses. These provide an
opportunity to build and strengthen a portto-
lio for later review and admission to either a
certificate or degree program.
Shikora Hill, Fashion
4& www.massartplus.org
Graphic Design Certificate Program Fashion Certificate Program Industrial Design Certificate
Program
The Graphic Design Certificate Program is a series MassArt’s well-known Fashion Design Depart-
of professional courses leading to a career in the ment launched a NEW Fashion Certificate in
The Industrial Design Certificate Program is a
graphic design field. The program consists of 12 Fall 2005. Students may transfer up to 6 credits streamlined program for students who hold a
courses (37 credits) usually taken over a period of into the program at the time of acceptance. The prior degree in another discipline and now wish
three years. Upon review, you may transfer up to Fashion Certificate is designed for those who to enter the industrial design profession. The
6 credits at the time of acceptance. To be eligible, wish to advance their skills or careers in Fashion program consists of 17 3- credit courses (51 cred-
applicants must have completed a minimum of Design. The certificate consists of ten courses
its). Several courses, primarily the competency
60 undergraduate credits, must demonstrate including fundamentals and Master classes. Classes electives, may be transferred or waived upon
drawing ability and basic skills in visual language, are offered on a rotating schedule, allowing
review. Study is part-time and most courses meet
and must demonstrate working knowledge of courses to be taken in two years or students may during the day. Students with no portfolio may
a page layout program (Quark Express or InDe- choose only courses that suit their needs. Four
take ID223 Introduction to Industrial Design, a
sign), Photoshop, and Adobe Illustrator. Detailed foundation courses in fashion fundamentals course that may be transferred into the program
information about the program including skills include Intro to Creative Fashion Design, Pattern if accepted.
needed to begin the program and application Drafting, Fashion Illustration, and Fashion as Art.
requirements can be found at www.massart- One or two foundation classes are offered each
plus.org/certs semester to prepare students for the program's Teacher Preparation Program (TPP)
Master Classes. Each Master Class has a “fashion
specialty” focus and will be taught by an expert The Teacher Preparation Program is a 24-credit
in their field. Master Classes include Draping, post-baccalaureate program leading towards
Costume Design, Millinery, Fashion Forecasting, Initial License as an art teacher in Massachusetts
Tailoring, and Cad for Design (Gerber Lab) pat- and partially fulfilling licensure requirements for
tern making software. Participants will develop 32 other states. This program requires 88 hours
individual projects and learn from professionals of pre-practicum work and 300 hours of student
in Haute Couture, Ready-to-Wear, Bespoke teaching practicum. (In order to student teach,
Tailoring and Theatre Costume and Introduc- students must first pass the Massachusetts Tests
tion to Costume Design. Complete information for Educator Licensure (MTEL) required by the
at www.massartplus.org/certs. Massachusetts Department of Education.) For
more information call MassArt’s Art Education
office at 617-879-7550.
These provide an opportunity to build and
strengthen a portfolio for later review and
admission to both certificate and degree
programs. Information about admission to
MassArt's Undergraduate and Graduate pro-
grams can be viewed at www.massart.edu.
Full descriptions of certificate programs and
admissions requirements can be found at
www.massartplus.org/certs
spring 2006 [phone] 9
wa
January 3-13
France Scully Osterman, “Mushrooms,” wet plate collodion process
WINTER INTERSESSION CALENDAR
Concepts & Processes in the Classroom (3cr) M-Th Jan3-12
Glassblowing (3cr) T-Sa & M-F Jan3-13
Wet: Surface/Form in Handmade Paper (3cr) Sa-Fri Jan7-13
Graphic Design Freelancer’s Workshop (Non-credit) Jan4 & 11
Script Development Workshop (Non-credit) T/Th Jan3-12
Wet-Plate Collodium Process (Non-credit) M-F Jan9-13
Improvisational Woodcut (Non-credit) M-F Jan9-13
Monotype Workshop (Non-credit) W-F Jan4-6
Intensive Artists’ Books Wkshp (Non-credit) M-F Jan9-13
6 Www.massartplus.org spring 2006
Courses for Credit
Glass fragments. Topics include pulp preparation, 2-D Steve Locke is a Painter who received a BS from
sheet forming and controlled drying, 3-D con- Boston University and a BFA and MFA from Mas-
GLASSBLOWING struction methods of vacuum forming, casting, sArt. He is the recipient of an Artist’s Fellowship
Students are introduced to basic glassblow- and spraying, surface imaging through painting at Skowhegan School of Painting and Sculpture.
ing techniques used to make both vessels with overbeaten pulps, laminations, embossings He currently teaches at the College of the Holy
and sculptural forms. Throughout the course, and watermarking. This class is open to students Cross in Worcester, MA and Emmanuel College
progressively more difficult assignments teach from all backgrounds and levels; this course in Boston. His recent exhibitions include: “Apo-
new concepts and develop students’ skills. In is also suited for those experienced students tropaion - New Paintings” at Mazamian Gallery,
addition, group glassblowing clinics encourage wishing a more in depth studio work to pursue Framingham State College and “When you're a
teamwork. Historical and contemporary glass independent paper projects with technical and boy...”, Artists Foundation Gallery. He has also
techniques, designs, and applications are dis- conceptual support exhibited at Aramona Studio, New York City;
cussed and incorporated into student work. No FIB/PM210X 3er Boston Center for the Arts, Rose Art Museum,
previous experience in glassblowing required. Section C1: Sat-Fri, 9Iam-5pm, Jan7-13 Danforth Museum and Bernard Toale Gallery.
GL231 3er Deborah Klotz Paris
Section C1: Tue-Sat & Mon-Fri, 9am-6pm, Undergraduate Course Fee: $760 Workshops and Master Classes
Jan3-13
Deborah Klotz Paris is a sculptor who holds a
Bernie D'Onofrio Photography
Undergraduate Course Fee: $860 BA from Brandeis University and a BFA and MFA
from MassArt. She teaches both undergraduate
WET-PLATE COLLODION PROCESS
Bernard D‘Onofrio holds a BFA from the Uni- and graduate courses in fibers and sculpture at Making collodion images without a camera is a
versity of Massachusetts, Amherst, and an MFA MassArt and Maine College of Art in Portland. particularly fun way to learn the wet-plate collo-
from Kent State University. He has exhibited
She has exhibited at the DeCordova Museum, dion process. Participants will make ambrotypes
extensively both regionally and internationally
the Fuller Museum, Maine Coast Artists and in the enlarger using transparencies, magic lan-
and has received a Massachusetts Arts Council recently at the Kiznick Gallery, Brandeis Univer- tern slides, X-Rays, and collodion photograms
Finalist Award, and National Endowment for the sity. Her silkscreen work is published in several with botanicals. Students also will have the op-
Arts Visual Artist Fellowship. recent editions of Hausfrau magazine. She is portunity to make opalotypes from negatives.
currently Artist in Residence at Southern Maine The class will leave room for experimentation
Community College working with science and and play. Included will be instructions on mixing
Papermaking Intensive technology departments. chemicals and troubleshooting and a manual,
“The Wet-Plate Process, A Working Guide,” by
WET: SURFACE AND FORM IN Mark Osterman.
HANDMADE PAPER Art Education Workshop Code: NC418
in this weeklong course, students will learn tra- Section C1: Mon-Fri, 9am-5pm, Jan9-13
ditional techniques and contemporary methods CONCEPTS AND PROCESSES France Scully Osterman
of working with handmade paper. The course IN THE CLASSROOM Cost: $600
addresses topics of particular interest to print- This class is an intensive condensed examination
makers: producing custom stock for an edition, of different media, with traditional and new. France Scully Osterman is recognized for her
shaped deckles, watermarking, stenciled “blow- Emphasis is also placed on discovering relation- extensive knowledge of the wet collodion and
outs”, casting with printed papers, as well as ships between and among media, content, salt print methods. Her writings have been in-
developing a personal and structural vocabulary image and idea. The course includes looking at cluded in a large number of publications, and
of paper choices for printing (controlling size, the substance and organization of lesson; what her work has been highlighted in a number of
shape, thickness, absorbency, and texture of is appropriate for particular learners; and the solo exhibits. She has received glowing reviews
papers used for a variety of printing techniques). creation of efficient routines. Each student will of her “Sleep” exhibit in Art in America, Paris
We will work with both Western and Eastern be required to conduct in-depth exploration/re- Photo Magazine and the Village Voice. She is
fibers including cotton, abaca, flax, gampi, search of one concept/process. represented by Howard Greenberg Gallery, NYC.
kozo, and sabai. We will also produce recycled AE406X 3cr
pulp from a variety of sources including print Section C1: Mon-Thu, 9am-4pm, Jan3-12
Steve Locke
Undergraduate Course Fee: $685 aejaidiaierae
Graduate Course Fee: $1330
[phone] 7
spring 2006
Visit miaias ciecelamarkiscm Continued
Printmaking Artists’ Books Woodcut
INTENSIVE COLOR MONOTYPE INTENSIVE ARTISTS’ BOOKS IMPROVISATIONAL WOODCUT
WORKSHOP WORKSHOP Experiment with non-traditional woodcut
Monotype is an increasingly validated form of A book, held in the hand, is a perfect showcase techniques that yield contemporary, expressive
artistic expression among artists, dealers, cura- to enhance the tactile quality of handmade prints. Using hand and electric tools and ply-
tors and the general public. Monotypes have paper. Students learn the skills to create dif- wood blocks, participants will create a vocabu-
also been called the most painterly, as well as ferent styles of books. Using simple and direct lary of mark making on wood. Several blocks
the most malleable, fun and often the most techniques of cutting, folding, sewing, pasting will be created, which can be used in conjunc-
frustrating print medium in existence. This and pressing, students create a new book each tion with one another. A dialogue will ensue
workshop provides tips to minimize the frustra- day. While learning different book structures, between the carving and printing processes,
tion and guides you through some of the vast students also investigate the conceptual compo- where shapes, textures, overprinting, ghost im-
techniques available. Participants experiment nents of a book. ages, off-set rolls, and reduction printmaking
with various types of paper, and using oil-based Workshop Code: NC818 techniques call out, and respond to successive
etching inks, explore inking techniques such as Section C1: Mon-Fri, 9am-1pm, Jan9-13 layers of colored inks. Participants will also learn
additive, subtractive, viscosity, trace, rainbow Stephanie Stigliano the uses of various ink modifiers for building up
and stencils. Particular attention is paid to Workshop Fee: $295 transparent layers of color.
color, composition, texture, and line. Because Workshop Code: NC911
Stephanie Stigliano is a Book Artist who holds
monotype techniques are adaptable to other art Section C1: Mon-Fri, 9am-1pm, Jan9-13
a BFA from Philadelphia College of Art and an
forms, this workshop is assured to expand your Annie Silverman
MFA from MassArt. Exhibitions include “Art
own imagery and vision. With monotypes, the Workshop Fee: $295
for Artists”, MassArt; Barbara Gillman Gallery,
possibilities are endless. All you need is imagina-
Miami; and Houghton Library, Cambridge. Her Annie Silverman is a writer and visual artist who
tion and energy.
work is in the collections of: Fogg Art Museum, holds a BA from Clark University, a BFA from
Workshop Code: NC206
Harvard University and the Houghton Library. MassArt and an EdM from Tufts University. She
Section C1: Wed-Fri, 9am-3:30pm, Jan4-6
has exhibited at Tisch Gallery, Tufts University,
Irene Valincius
and her collage and monoprints have been ex-
Workshop Fee: $295
hibited nationally and internationally. Her work
Irene Valincius has been a painter and printmak- is in the collection of the Boston Public Library
er in the New England area for over twenty-five and private collections in Denmark.
years and has given numerous monotype work-
shops at MassArt and elsewhere. She is affili-
ated with Gallery NAGA in Boston. Her work is
included in numerous museums, corporate and
private collections.
8 www.massartplus.org spring 2006