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Lisa Duggan PROLOGUE We are living in a terrifying time of crisis for progressive politics of all varieties. At the national level, we are watching as conservative Republicans shred the already tattered and inadequate welfare state, replacing health and education with prisons and police. Globally, these efforts tie in with the international retailing of low-wage economies and low-service states (for most of the world's populations). In corollary cultural terms, public spaces for political expression are shrinking dramatically. In the U.S., public funding for the arts, the commitment to public broadcasting, and the so far relatively unpoliced Internet are all at risk. Meanwhile, corporate media, the most conglomerated undemocratic vehicles for culture and politics, are expanding. What's a queer activist to do? Familiar brands of political action, whether liberal reformist (calls for inclusion of gays in the military) or radical performative (kiss-ins at the mall), seem woefully inadequate. Identity-based calls for group rights not only appear paltry in the current climate, but continually fail to produce the alliances that seem crucial to any effective politics. Radical alternatives to identity politics, whether left-economist or anarcho-culturalist, have so far also failed to create any kind of effective collective presence that might be called a "left." Since the early 1980s, sexuality has circulated through this crisis of progressive politics in a protean, insinuating way. As a wider and wider range of political contests has been staged on the ground of sex, progressive political forces have found themselves divided and stymied, unable to mobilize coherent responses. Three examples may serve to ix X POIICING PUBLIC SEX illustrate this point: the "sex wars" that divided feminist politics in the 1980s, the Clarence Thomas-Anita Hill Senate hearings that seriously challenged African-American and civil rights politics in the early 1990s, and the emerging sexual politics of HIV prevention that have now shattered the once (relatively) united front of gay community AIDS activism. In all three sensational political conflicts focused on the arena of sexuality, the identity categories underpinning liberal and progressive organizing have exploded. During the 1980s, anti-pornography feminists' insistence that "women" are uniformly subordinated by "pornography" met with the furious rejoinder that these founding terms are funda- mentally incoherent—^neither all "women" nor all "pxamography" are alike enough to support the argument for state censorship. Opponents of anti- pornography feminism also pointed out that the alliances constructed on the ground of these terms—among moral conservatives, local economic interests, and some feminists, all of whom seemed ready to agree that "porn degrades women"—ultimately operated against the interests of feminists, in an all-too-familiar melodramatic protectionist mode. If the spectacle of conflict over the fate of pornography coincided with and signalled feminist political stall and stagnation, then the sensational portrayal of the Thomas-Hill hearings laid bare the impasses of the civil rights politics of race before a politically prurient national audience. Who could speak for African Americans? How could support for the full participation of African Americans at every level of national life be separated from support for this conservative Supreme Court nominee? How could outrage at the trafficking in voyeuristic displays of black sexual stereotypes be separated from support for Anita Hill, or opposition to Clarence Thomas? These political brushfires exposed the fractured categories of "women" and "blacks," so that no one, no organization could now speak easily on behalf of the groups designated in this way. Who, then, could speak on the national stage on behalf of progressive politics of any kind? Given that "labor" had been similarly fractured and disabled since the 1970s, what actors would remain to speak for any "left" public collectivity at all? Now, in the mid-1990s, as "lesbian and gay" people and interests have appeared openly on the national political stage for the first time. lisa Duggan xi we see another fracturing begin. In the debates over the policing of public sex that are chronicled in this volume, we see "gay" spokesmen (and they are all men), located primarily within the mainstream commercial press, claim to represent the authentic interests of gay people. These self-appointed representatives argue that state regulation of public sexuality is the best protection for "our" health. The opponents of this moralizing new gay politics, speaking eloquently in these pages, make many of the same moves that the opponents of anti-porn politics made a decade ago. They refuse to allow self-appointed protectors to represent "gay" people, and they point out the dangerous alliances constructed among real estate interests, reactionary politicians, and the new proponents of respectable gay domesticity. This focuses our attention on a crisis of representation, both discursive and political. What do "gay" people want, and who can represent us? If we fracaire into the multiplicity of identities and interests invoked by the term "queer," what are the implications of this fracturing for unified or coherent political action? The editors of this volume address this central problem imagina- tively, productively—not by trying to "save" identity politics, or by imposing their own version of what's best for "gay" people, but by struggling to rework the terms of representation, and thus of alliance and intervention. Looking at the swirling debates in New York City and elsewhere around questions of public sex, the editors have collected provocative essays that ask us, whose interests are at stake here? They offer us a look at the Times Square zoning controversy and its relation to Disney's hostile takeover of 42nd Street, They ask us to consider the situation of sex workers. They point our attention to the construction of HIV identity categories and the emerging perceived opposition between the interests of positives and negatives. And, most importantly, they ask us to consider all these things together, in order to grasp our local situation in as broad a frame as possible. What emerges from this intellectual practice is the possibility of a reinvigorated politics—a politics that can intervene without always already fracturing every interest into the tiniest fragments, but that can still approach its task without invoking bogus, homogenizing universals or monolithic, exclusive categories. These are the imaginative yet concrete politics we now need. Without them, we cannot proceed. ACKNOWLEDGMENTS Dangerous Bedfellows would like to thank several people for their support in putting this book together. This anthology would not have been possible without their help. First, we thank our friends at South End Press. Loie Hayes was wholeheartedly behind this project from its inception, and Lynn Lu provided constant and constaictive feedback throughout the book's production. Of course, this collection would not have been possible without the hard work of our contributors. They brought a world of new ideas, unique perspectives, and expertise to this book. Special thanks also to Loring McAlpin and John Lindell for their artistic insight and design expertise, and for tirelessly scanning porn videos frame by frame. This collective began to take shape at the Socialist Scholars Confer- ence at Manhattan Borough College in April 1995. The panel we presented brought the Dangerous Bedfellows together as a igroup, and we thank Lynn Chancer and the Social Text Collective for their help in organizing that appearance. In May 1995, we organized a conference at New York University called "Policing Queers in the Public Sphere," This conference ultimately served as the impetus for creating this book, and we are grateful for all those who contributed their time and energy: Jose Munoz, Mark Schoofs, Kendall Thomas, Carole S, Vance, and Michael Warner. Several people assisted the Dangerous Bedfellows in a number of capacities, going beyond the call of duty by giving their time and advice generously: Allan Bembe, Gina Diaz, Bill Dobbs, Marc Elovitz, Robert Fitch, Phillip Brian Harper, Alyssa Hepburn, Nan D, Hunter, Iain Machell, Joe Neel, David Nimmons, Cindy Patton, Amy Randall, vii viii POLICING PUBLIC SEX Eric Rofes, Tricia Rose, Norman Siegel, Chris Straayer, and Alan Wald, as well as the AIDS Prevention Action League and Community AIDS Prevention Activists. We are also grateful to Jeffrey Miller, Jonathan Parsil, and all the folks at the fabulous Jefferson House in Miami Beach, whose tropical hospitality kept us from having a collective nervous breakdown. In addition, we would like to thank our friends and family members who helped us formulate our ideas and get our work done: Paul Amar, Vincent Baine, Robert Bingham, Frank Browning, Jeffrey Buchsbaum, Felicity Callard, Debbie Cohler, Robyn Dutra, Martin and Susan Hoff- man, Shannon Holman, Janis Holzapfel, Bill Hood, Jeanette Hsu, Ishmael Houston-Jones, Adrian C. Lawrence, D. Magrini, Gitanjali Maharaj, Henry Montes, Russ Nordmeyer, Juok Pae, Christine Patterson, George Patterson, James Pendleton, Cynthia Redick, Alexandra Ringe, Dan Selcer, Amy Shore, Jennifer Silverman, Adair Smith, Mark Sullivan, Rebecca Sumner-Burgos, Bill Wanderski, Bram Wessel, Sean Wiebersch, Karen Williams, Steve Wolf, and Jonathan Wurtzel, as well as our colleagues in the American Studies Program at New York University. Finally, two people deserve special thanks: Lisa Duggan and Andrew Ross. More than supportive mentors, these two have been integral to this anthology from the outset. We couldn't have dreamed of putting together this volume without their patience, wisdom, and valuable input. In addition, Andrew's dry wit and Lisa's generosity at cocktail hour helped to grease the wheels of our collective creative process. Sex was not something one simply judged; it was something to be administered. It was in the nature of a public potential; it called for management procedures; it had to be taken charge of by analytical discourse. In the eighteenth century, sex became a "police" matter: not the repression of disorder, but an ordered maximization of collective and individual forces. '— Michel Foucault, The History of Sexuality, Volume I SOUTH END PRESS SOUTH END PRESS is a nonprofit, collectively mn book publisher with over 180 titles in print. Since our founding in 1977, we have tried to meet the needs of readers who are exploring, or are already committed to, the politics of radical social change. Our goal is to publish books that encourage critical thinking and constructive action on the key political, cultural, social, economic, and ecological issues shaping life in the United States and in the world. In this way, we hope to give expression to a wide diversity of democratic social movements and to provide an alternative to the products of corporate publishing. Through the Institute for Social and Cultural Change, South End Press works with other political media projects—Z Magazine; Speak Out!, a speakers' bureau; Alternative Radio; and the Publishers' Support Project—to expand access to information and critical analysis. For a free catalog or information about our membership program, which offers two free books and a 40 percent discount on all titles, please write to South End Press, 116 Saint Botolph Street, Boston, MA 02115; call 1-800-533-8478; or visit our website at hnp://www.lbbs.org. Other Titles ef Interest Sex and Germs: The Politics of AIDS by Cindy Patton Women, AIDS, and Activism by the ACT UP/NY Women and AIDS Book Group Culture Clash: The Making of Gay Sensibility by Michael Bronski "Policing Public Sex is a new map through unexplored territory. With wit, scholarship, and sheer intellectual bravery, these writers take us through a world in which old definitions are useless, standard references are pointless. Engaging, enlightening, and engrossing, this collection makes us re-examine not only what we have learned with our hearts and heads, but how we have ordered our desires as well." —Michael Bronski, author. Culture Clash: The Making of Gay Sensibility "Not only does this volume represent a crucial intervention in the current debate on how best to prevent the spread of HIV infection in queer commu- nities, it also constitutes a necessary challenge to the reliance on the putative protections of 'privacy' that has long characterized the official lesbian and gay rights movement in the United States. A vital and compelling instance of cultural analysis and critical activism." —Phillip Brian Harper, author. Are We Not Men?Masculine Anxiety and the Problem of African-American Identity "Policing Public Sex is one of the most important books about sexual politics to appear this year It's too bad we can't make this book required reading for all the television news anchors who so gleefully whip up negative public opinion about fraternal and open queer sex." —Pat Califia, author. Public Sex: The Culture of Radical Sex "Sex at the end of the millenium is extraordinarily complex. Addressing the debates about safe sex education, sex in bathhouses and parks, prostitution, and media publicity of sex. Policing Public Sex provides a vital historical and global context for today's sexual liberationists." —Cindy Patton, author. Sex and Germs: The Politics of AIDS "During a time when anti-sex gay conservatism increasingly dominates the queer public sphere, the authors in Policing Public Sex speak boldly and brilliantly for sexual liberation.... and point in a hopeful (even Utopian) and pragmatic direction towards a future where sexual freedom, political activism, and disease prevention can work together in the same moment." —Eric Rofes, author. Reviving the Tribe: Regenerating Gay Men's Sexuality and Culture in the Ongoing Epidemic Dangerous Bedfellows INTRODUCTION wolicing Public Sex is a somewhat misleading title. Some readers might assume a clear boundary between public and private sex, but the writers here do not. In this day and age, you can't avoid public sex even if you stay at home. From accidentally catching your neighbors naked or fucking, to casually flipping channels at two in the morning and catching a porn star sucking some voluptuous young woman's tits or fondling some beefy young man's dick, you live in a world filled with voyeurs, peeping toms, and sophisticated visual consumers. In many of the places Americans call home, sex is neither here nor there. It's always on the line. In calling this book Policing Public Sex, we have intended to be provocative. We want to expose the narrow-mindedness of critics on the right, who dismiss public sex as sexvial libertarianism, but we also want to reveal the presumptions of enthusiasts on the left, who may consider public sex merely an entitlement or legacy of the "sexual revolution," Thus we feel a need to warn the reader that we often use terms like "public," "private," "sex," "safer sex," and "community" in an improper sense, as flags of convenience. But it is the very definition of these terms that provides both our point of departure and the question to which we return: what is the future of AIDS activism? This discussion is historically grounded in the early 1980s, Many HIV prevention movements have since come into existence. As Cindy Patton and Douglas Crimp have observed, it was a critical moment in which gay identity became queer activist. While queer politics turned the country's health care system into a battleground, AIDS cultural 13 14 POLICING PUBLIC SEX criticism turned fertile new ground in gay and lesbian studies. As Michael Warner, Walt Odets, and Eric Rofes have noted, the 1980s were a crucial period in queer politics due to the development of AIDS prevention activism. Yet the current debates have emerged as witness to a rise in anxiety around AIDS. This book was conceived as an introduction to the patterns and strategies structuring current debates around public sex. Arguments over sex and sexually transmitted disease have typically been con- ducted in terms of debates between AIDS cultural criticism and American identity politics. Since not all gays and lesbians define their sexuality as political, the lives of most queers are probably informed less by the agendas of gay organizations than by the social lives and worlds they create for themselves. The essays in this anthology are not simply a group of thematically related writings—they work together to theorize historical movements and social change. Because we are concerned with presenting arguments that depart from the usual interpretations of public sex as counterintuitive to HIV prevention, we have tried to present new working definitions of public sex, AIDS activism, and queer politics. By bringing together essays that consider public sex as homo-sex and public sex as paid sex, for example, we are focusing on acts rather than identities; this approach seems essential in order to make a meaningful intervention in the policing of non-normative sexual behaviors. Many other queer political projects traffic in well-worn identities that are useful in some instances, but we feel that this approach would draw boundaries in the very places where sexual practices break them down. We want to play with the dividing line between public and private, screw with the notion of a totalizing queer leadership class or gay "community," and fuck with the false binary between regulation and education. Our approach is to make connections among all of these issues and reveal their competing interests. In New York City, for example, public sexual culture includes peep shows, porn theaters, backrooms, bathhouses, adult bookstores, topless bars, strip clubs, lap dance clubs, sex clubs, and sex parties. Public sexual culture also includes smiling marchers in the Gay Pride Parade and sassy drag queens at Wigstock. If you count sex workers on street corners, then you also have to account for the high-fashion models on

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