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Poetic and Legal Fiction in the Aristotelian Tradition PDF

210 Pages·1986·6.65 MB·English
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POETIC AND LEGAL FICTION IN THE ARISTOTELIAN TRADITION KATHY EDEN Poetic and Legal Fiction in the Aristotelian Tradition PRINCETON UNIVERSITY PRESS Copyright ' 1986 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, NewJersey 08540 In the United Kingdom: Princeton University Press, Guildford, Surrey All Rights Reserved Library of Congress Cataloging in Publication Data will be found on the last printed page of this book ISBN 0-691-06697-3 Publication of this book has been aided by The Andrew W. Mellon Foundation This book has been composed in Linotron Sabon Clothbound editions of Princeton University Press books are printed on acid-free paper, and binding materials are chosen for strength and durability. Paperbacks, although satisfactory for personal collections, are not usually suitable for library rebinding Printed in the United States of America by Princeton University Press Princeton, NewJersey For Wesley Trimpi CONTENTS ACKNOWLEDGMENTS ix INTRODUCTION 3 ONE. Legal Proof and Tragic Recognition: The Aristotelian Grounds of Discovery 7 Two. Poetry and Equity: Aristotle’s Defense of Fiction 25 1. The Case for Poetry before Aristotle: Gorgias vs. Plato 25 2. TheLogicofFiction 32 3. The Psychology of Fiction 54 THREE. Rhetoric and Psychology: The Aristotelian Foundations of the Poetic Image 62 1. ImageandlmitationinPlato 64 2. Image and Imitation in Aristotle’s Poetics and Rhetoric 69 3. The Psychological Image of the De Anima 7 5 4. The Image in the Later Rhetorical Tradition 8 5 5. The Image in Stoic Psychology and Literary Theory 96 FOUR. Image and Imitation: Aristotle’s Contribution to a Christian Literary Theory 112 1. Contra Academicos and Soliloquia: Image and Imitation in Augustine’s Early Works 113 2. Imago Dei and Imitatio Christi: Augustine’s Later Works 124 3. From Scholastic Psychology to Neoclassical Literary Theory 141 4. The Logic and Psychology of Renaissance Fiction: Sidney’s An Apology for Poetry 157 APPENDIX: Hamlet and the Reaches of Aristotelian Tragedy 176 INDEX 185 Names and Titles 185 Topics 192 ACKNOWLEDGMENTS IN APPRECIATION for the leisure and resources to write this book I thank The Center for Hellenic Studies, where I was a junior fellow during the academic year 1982-1983; the Co› lumbia University Council for Research in the Humanities, for its support during the summers of 1982 and 1984; and the Lawrence Chamberlain Fellowship of Columbia University for its support during the fall of 1984. For their generosity in reading and commenting on either all or part of this study, I am grateful to Helen Bacon, James Coul› ter, Phillip Damon, David Damrosch, Helene Foley, David Gorman, Richard Janko, Bernard Knox, Robert Lamberton, James Lesher, William Race, Carey Ramos, Charles Reed, and Ann Van Sant. For his encouragement at the earlier stages of my research, I recall in gratitude the memory of Gerald Else. And, finally, by way of dedicating this book to him, I wish to thank Wesley Trimpi for his willingness over the past ten years to share with me his own efforts to understand better what he himself has called "the literary analysis of experience and its continuity."

Description:
When Philip Sidney defends poetry by defending the methods used by poets and lawyers alike, he relies on the traditional association between fiction and legal procedure--an association that begins with Aristotle. In this study Kathy Eden offers a new understanding of this tradition, from its origins
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