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Overdressed: The Shockingly High Cost of Cheap Fashion PDF

186 Pages·2012·0.79 MB·English
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Overdressed Overdressed The Shockingly High Cost of Cheap Fashion ELIZABETH L. CLINE PORTFOLIO / PENGUIN PORTFOLIO / PENGUIN Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi – 110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England First published in 2012 by Portfolio / Penguin, a member of Penguin Group (USA) Inc. 1 3 5 7 9 10 8 6 4 2 Copyright © Elizabeth L. Cline, 2012 All rights reserved LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA Cline, Elizabeth L. Overdressed : the shockingly high cost of cheap fashion / Elizabeth L. Cline. p. cm. Includes bibliographical references and index. ISBN: 978-1-101-56058-7 1. Clothing trade—Social aspects. 2. Clothing trade—Environmental aspects. 3. Fashion—Social aspects. 4. Fashion—Environmental aspects. 5. Shopping— Environmental aspects. 6. Consumption (Economics)—Social aspects. I. Title. HD9940.A2C54 2012 338.4’774692—dc23 2012004525 Printed in the United States of America Set in Stempel Garamond LT Std Designed by Alissa Amell No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. ALWAYS LEARNING PEARSON To my grandmothers, Routh and Margarett Contents Introduction Seven Pairs of $7 Shoes 1 “I Have Enough Clothing to Open a Store” 2 How America Lost Its Shirts 3 High and Low Fashion Make Friends 4 Fast Fashion 5 The Afterlife of Cheap Clothes 6 Sewing Is a Good Job, a Great Job 7 China and the End of Cheap Fashion 8 Make, Alter, and Mend 9 The Future of Fashion Acknowledgments Notes Index Introduction Seven Pairs of $7 Shoes In the summer of 2009, I found myself standing in front of a rack of shoes at Kmart in Astor Place in Manhattan. This particular location is inside the former annex to Wanamaker’s, one of those regal midcentury department stores that sold fine goods of all varieties, including high-end fashions direct from Paris. Today, Wanamaker’s is gone. Today, Wanamaker’s is a Kmart. The rack itself stretched up above my head, and the shoes—canvas slip-ons made of nothing more than a rubber sole glued to a sheath of cotton—hung down like fruit from a tree. In my mind, these shoes might as well have grown there on that metal tree. They had no origins, no story. They just magically appeared. And to my unbelievable fortune, they had been marked down from $15 to $7 a pair. My synapses starting firing, my pulse quickened, and before my thinking brain could kick in, I was standing at the cash register with my bright red plastic shopping basket brimming with seven pairs of plucked slip-ons. I cleared the store out of my size. My arms ached as I carried my haul in two parachute-size bags back to the subway. Those shoes looked like a cross-section of the earth’s crust within a few weeks—the thin rubber soles cleaving and separating from the flimsy canvas tops. Before I could wear them all out, I got tired of them and the style changed, so I’ve got two pairs left taking up space in my closet. The average price of clothing has plummeted in recent decades. And cheap clothes have undergone a total image overhaul, where they no longer imply some inherent compromise in style and quality. Budget fashion is seen as chic, practical, and democratic, and our conversations are dotted with wow-inducing stories of clothing “steals.” At a birthday party last year, a college friend thrust a ruffled, canary yellow pleather bag in my face. “Five dollars!” she boasted. Another friend messaged me online recently to exclaim: “I just paid $10 for a $50 dress! $30 for a $60 one!” Fashion magazines, tabloids, and morning talk shows now routinely run stories on how to land fashion deals. For a decade, I only bought cheap fashion, and the vast majority of it was from just four budget-fashion retailers that seemed to appear out of nowhere about ten years ago: H&M, Old Navy, Forever 21, and Target. I owned a few items from off-price stores Ross and T.J. Maxx, as well as from the buzzy basics chain

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Until recently, Elizabeth Cline was a typical American consumer. She’d grown accustomed to shopping at outlet malls, discount stores like T.J. Maxx, and cheap but trendy retailers like Forever 21, Target, and H&M. She was buying a new item of clothing almost every week (the national average is six
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