Neoliberalism and Global Cinema: Capital, Culture, and Marxist Critique (Routledge Advances in Film Studies) PDF
Preview Neoliberalism and Global Cinema: Capital, Culture, and Marxist Critique (Routledge Advances in Film Studies)
Neoliberalism and Global Cinema Routledge Advances in Film Studies 1. Nation and Identity in the 9. Neoliberalism and Global Cinema New German Cinema Capital, Culture, and Marxist Critique Homeless at Home Edited by Jyotsna Kapur Inga Scharf and Keith B. Wagner 2. Lesbianism, Cinema, Space The Sexual Life of Apartments Lee Wallace 3. Post-War Italian Cinema American Intervention, Vatican Interests Daniela Treveri Gennari 4. Latsploitation, Exploitation Cinemas, and Latin America Edited by Victoria Ruétalo and Dolores Tierney 5. Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear Julian Hanich 6. Cinema, Memory, Modernity The Representation of Memory from the Art Film to Transnational Cinema Russell J.A. Kilbourn 7. Distributing Silent Film Serials Local Practices, Changing Forms, Cultural Transformation Rudmer Canjels 8. The Politics of Loss and Trauma in Contemporary Israeli Cinema Raz Yosef Neoliberalism and Global Cinema Capital, Culture, and Marxist Critique Edited by Jyotsna Kapur and Keith B. Wagner New York London First published 2011 by Routledge 711 Third Avenue, New York, NY 10017 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2011. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. © 2011 Taylor & Francis The right of Jyostna Kapur and Keith B. Wagner to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereaf- ter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trade- marks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Neoliberalism and global cinema : capital, culture, and Marxist critique / edited by Jyotsna Kapur and Keith B. Wagner. p. cm. — (Routledge advances in film studies ; 9) Includes bibliographical references and index. 1. Motion pictures—Political aspects. 2. Motion pictures—Social aspects. 3. Motion pictures—Economic aspects. 4. Motion pictures and globalization. 5. Culture in motion pictures. I. Kapur, Jyotsna. II. Wagner, Keith B., 1978– PN1995.9.P6N48 2011 791.43'6581—dc22 2010051415 ISBN 0-203-81363-4 Master e-book ISBN ISBN13: 978-0-415-88905-6 (hbk) ISBN13: 978-0-203-81363-8 (ebk) For: My teachers, Chuck Kleinhans and Randhir Singh Jyotsna Kapur Katy Chieh Yin Lee and my family Keith B. Wagner Contents List of Figures xi Acknowledgments xiii Introduction: Neoliberalism and Global Cinema: Subjectivities, Publics, and New Forms of Resistance 1 JYOTSNA KAPUR AND KEITH B. WAGNER PART I Hollywood and Global Dominance 1 “For a Better Deal, Harass Your Governor!”: Neoliberalism and Hollywood 19 TOBY MILLER AND RICHARD MAXWELL 2 A Legacy of Neoliberalism: Patterns in Media Conglomeration 38 EILEEN R. MEEHAN 3 Twenty-fi rst Century Neoliberal Man 59 DEBORAH TUDOR PART II Latin America 4 Cuban Cinema: A Case of Accelerated Underdevelopment 79 MICHAEL CHANAN viii Contents 5 Politics and Privatization in Peruvian Cinema: Grupo Chaski’s Aesthetics of Survival 95 SOPHIA A. MCCLENNEN 6 Form, Politics, and Culture: A Case Study of The Take, The Revolution Will Not Be Televised, and Listen to Venezuela 113 MIKE WAYNE AND DEIRDRE O’NEILL PART III Asia 7 Market Socialism and Its Discontent: Jia Zhangke’s Cinematic Narrative of China’s Transition in the Age of Global Capital 135 XUDONG ZHANG 8 “Leitmotif”: State, Market, and Postsocialist Film Industry under Neoliberal Globalization 157 YING XIAO 9 From Exploitation to Playful Exploits: The Rise of Collectives and the Redefi nition of Labor, Life, and Representation in Neoliberal Japan 180 SHARON HAYASHI 10 The Underdevelopment of Development: Neoliberalism and the Crisis of Bourgeois Individualism 197 JYOTSNA KAPUR 11 Fragments of Labor: Neoliberal Attitudes and Architectures in Contemporary South Korean Cinema 217 KEITH B. WAGNER 12 Mainlandization and Neoliberalism with Post-colonial and Chinese Characteristics: Challenges for the Hong Kong Film Industry 239 MIRANA M. SZETO AND YUN-CHUNG CHEN Contents ix 13 Neoliberalism and Authoritarianism in Singaporean Cinema: A Case Study of Perth 261 JENNA NG 14 Gambling on Life and Death: Neoliberal Rationality and the Films of Jeffrey Jeturian 279 BLISS CUA LIM PART IV Africa and Europe 15 Nollywood in Lagos, Lagos in Nollywood Films 309 JONATHAN HAYNES 16 French Cinema: Counter-Model, Cultural Exception, Resistances 328 MARTIN O’SHAUGHNESSY Notes on Contributors 347 Index 351
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