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Narrative, Perception, Language, and Faith Narrative, Perception, Language, and Faith Edmond Wright © Edmond Wright 2005 Softcover reprint of the hardcover 1st edition 2005 978-1-4039-9067-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Totten ham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2005 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin's Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-54251-2 ISBN 978-0-230-50629-9 (eBook) DOI 10.1057/9780230506299 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Wright, Edmond Leo, 1927- Narrative, perception, language, and faith I Edmond Wright. p. em. Includes bibliographical references and index. 1. Narration (Rhetoric) 2. Wit and humor-Philosophy. 3. Plots (Drama, novel, etc.) I. Title. PN212.W75 2005 808-dc22 2005047612 10 9 8 7 6 5 4 3 2 1 14 13 12 11 10 09 08 07 06 OS Transferred to Digital Printing 2011 To Ella, Maya and Louis Contents List of Figures ix Preface xi Acknowledgements xii Epigraph xiii 1 Thejoke 1 1. How to analyse a joke 1 2. More than one joke in the joke 11 3. Changing boundaries 15 4. Jokes on jokes 22 5. Ranging outside a sequence of vocal sounds 26 6. Rhythm and play 36 7. Retrospect 41 2 The Story 43 1. The joke pattern in the Story 43 2. The Story in advertisements 48 3. The 'plotless' story 52 4. 'Nonsense' 56 5. The long story 59 6. Retrospect on the Story 64 7. An addendum on narratology 66 3 A Theory of Perception 70 1. The pattern of Ernst Gombrich's diagram 70 2. Proportional variation or 'structural isomorphism' 73 3. There is no direct similarity between the input and what is experienced, only a proportional one 79 4. The Ambiguous Element 82 5. The source of the Intentional Perspectives 93 6. An analogy and a summary 96 4 A Triangle with Fuzzy Comers 103 1. The Triangulation 103 2. What is at the object corner of the triangle? 105 3. Taking for granted: its place in the Statement 111 vii viii Contents 4. The projection of singularity 114 5. Ontology 116 5 Language 121 1. How do people make their differing perspectives converge on a region of the Real? 121 2. The Statement and its origin 126 3. The Question and the Command 142 4. Transparency 147 5. Rhetoric 156 6. Logic pure and applied 171 6 Faith 189 1. Singularity, idealism and realism 189 2. What philosophers of religion have been saying 199 3. Faith and superstition 207 4. Nationalism and patriotism 234 References 250 Index 266 List of Figures 1 Gombrich, 'Rubin Vase' I 4 2 Gombrich, 'Rubin Vase' II 4 3 Gombrich, 'Rubin Vase' III 5 4 Gombrich, 'Rubin Vase' IV 5 5 Three-face 'Rubin Vase' 6 6 Ambiguous Element ('Cuckoo') 7 7 Ambiguous Element with Meaning I 7 8 Clue(s) I, Ambiguous Element, and Meaning I 8 9 Clue(s) I, Ambiguous Element, and Meanings I and II 8 10 Complete diagram for 'Cuckoo' joke 9 11 Diagram for 'Gumboots' joke 10 12 Diagram for Hearer as Fool ('Cuckoo' joke) 12 13 Diagram for 'Coal-Scuttle' joke (I) 13 14 Diagram for 'Coal-Scuttle' joke (II) 14 15 Diagram for 'King Lear' joke 15 16 Diagram: 'Letsby Avenue' 17 17 Diagram: 'Saucer/Sorcerer' 18 18 Diagram: 'Michael Finnegan' 20 19 Diagram: 'Doctor Who' 23 20 Diagram: 'Big Red Rock-Eater' 24 21 Diagram: Hearer as Fool ('Big Red Rock-Eater') 25 22 Diagram: Noise from the hinge 26 23 Cat and Mouse 27 24 Eustacia Vye 28 25 Duck-Rabbit 29 26 Duck-Rabbit in confusing background 30 27 Young girl/Mother-in-law 30 28 Devinette of 'Young girl/Mother-in-law' 31 29 Girl with mirror 32 30 Old woman with crystal ball 32 31 Mirror and crystal ball both present 33 32 'La France crowned with laurels' 34 33 Profile/promontory 35 34 Hirsch's 'Five faces' 36 35 Japanese ducks 37 36 Diagram: 'Mittens/Kittens' 37 37 Wolf disguised 44 38 Diagram: 'Put out the light' 45 ix X List of Figures 39 Diagram: Young crows 47 40 NatWest advertisement 51 41 Diagram: 'The shadow on the stone' 54 42 Diagram: The persona's perception of the shadow 55 43 Diagram: Mr Elton's falling in love 61 44 Diagram: The Charade 62 45 Diagram: 'The way home' 73 46 'Mellowflow and Cricketycrack' 78 47 Abraham Lincoln picture in square-pattern pixels 86 48 Pair of Julesz squares 90 49 Diagram: Bomb-Defusers analogy for sensing 98 so Diagram: Bomb-Defusers analogy for perceiving 99 51 Dennett's 'Baldwin Effect' diagram 109 52 Viewpoints on the Real 117 53 Diagram: 'Bureau' 133 54 Diagram: 'Come now' 146 55 Diagram: 'Scarlet' 148 56 Diagram: 'To look on the bright side' 150 57 Diagram: 'ceiling' 151 58 Diagram: 'given his cards' 151 59 Diagram: 'Oedipus and Jocasta' 225 60 Cross diagram 230 Preface For philosophical stimulation in conversations and editorial and other encouragement relevant to my work my thanks are due to Roy Bhaskar, Rainer Born, Harold Brown, the late Richard Brown, Mark Crooks, James Giles, Ernst von Glasersfeld, Peter Hare, Jonathan Harrison, Kazimierz Jodkowski, Michael Levine, Jonathan Lowe, Graham Dunstan Martin, Barry Maund, Matjaz Potrc, Kenneth Reinhard, Shlomith Rimmon-Kenan, Bede Rundle, Barry Smith, Philip Smith, John Smythies, Leslie Steffe, Patrick Thompson, Richard Woodfield, and Slavoj Zizek; also to Bjorn Wittrock for arranging visits to the Swedish Collegium for the Advanced Study of the Social Sciences and to Professors Teruhiko Nagao and Takafusa Tanaka at the University of Hokkaido. For setting me on my way long ago, the late Fredric Coplestone, Brian Loar, the late Gareth Evans, the late Harold Osborne, and the late J. 0. Urmson. I owe a debt to my children, Anna and Oliver, for their just being who they are, and a particular one to my late wife Elizabeth, whose (continuing) support has helped me write this book. xi

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