Mosaic: A Journal for the Interdisciplinary Study of Literature 2004: Vol 37 Index

2004·0.69 MB·English

Alonso, Pilar
The Conceptual Integration Network Model as a Paradigm
for Analysis of Complex Narrative Discourse
Anatol, Giselle Liza
A Feminist Reading of Soucouyants in Nalo Hopkinson’s
Brown Girl in the Ring and Skin Folk
Bal, Mieke
Light Writing: Portraiture in a Post-Traumatic Age
Billone, Amy
Hovering between Irony and Innocence: George MacDonald’s
he Light Princess” and the Gravity of Childhood
Blinder, Caroline
The Transparent Eyeball”: On Emerson and Walker Evans
Brazeau, Robert
Troubling Language: Avant-Garde Strategies
in the Poetry of Medbh McGuckian
Bryant, Marsha, and Mary Ann Eaverly
Classical Tourism in Debora Greger’s Poetry
Butler, Margot Leigh
The Hero of Heroines
Crownshaw, Richard
Reconsidering Postmemory: Photography, the Archive, and
Post-Holocaust Memory in W.G. Sebald’s Austerlitz
De Lorenzo, Catherine, and Deborah van der Plaat
More Than Meets the Eye: Photographic Records of
Humboldtian Imaginings
Dreiser, Petra
Black, not Blank: Photography’s (Invisible) Archives
in John Edgar Wideman’s Two Cities
Easterlin, Nancy
“Lov ing ¢ Yurselves Best of All
Ecocriticism and the Adapted Mind
Eiselein, Gregory
Emotion and the Jewish Historical Poems of Emma Lazarus
298 Mosaic 37/4 (December 2004)
AUTHOR/TI
Fiander, Lisa
Bucking a Trend: Oates’s “The Buck’
and Drabble’s The Witch of Exmoor
Fréjdendahl, Birgitta
Passion in Elizabeth Smart’s By Grand Central Station I Sat
Down and Wept: The Sacred and the Profane
Gana, Nouri
Remembering Forbidding Mourning
Repetition, Indifference, Melanxiety, Hamlet
Golden, Cameron
From Punishment to Possibility
Re-Imagining Hitchcockian Paradigms in The New York Trilogy
Hammack, Brenda Mann
Phantastica: The Chemically Inspired
Intellectual in Occult Fiction
Harde, Roxanne
lhe Savage Inscription”: Abolitionist Writers
and the Reinscription of Slavery
Hart, Janice
The Girl No One Knew: Photographs, Narratives,
and Secrets in Modern Fiction
Johnston, Susan
Historical Picturesque: Adapting Great Expectations
and Sense and Sensibility
Knapp, John V. 149-166
Family-Systems Psychotherapy and Psychoanalytic
Literary Criticism: A Comparative Critique
Kreil, David Farrell
Shudder Speed: The Photograph as Ecstasy and Tragedy
Leruth, Michael F.
From Aesthetics to Liminality: The Web Art of Fred Forest
Little, William
Taking It Back: Crises of Currency in
David Mamet’s American Buffalo
Lunberry, Clark
Theatre as Installation: Ann Hamilton and
the Accretions of Gesture
299
AUTHOR
Martinez, Elizabeth Coonrod
Rosa Nissan: Cultural Memory and
the Mexican Sephardic Woman
Mitchell, Peta
Constructing the Architext
Georges Perec’s Life a User’s Manual
Musgrave, Elizabeth, and Douglas Neale
Architectural Image and Idiom: Making Local
Perreault, Jeanne and Patricia Levin
The Camera Made Me Do It
Female Identity and Troubling Archives
Porter, David
Beyond the Boundso f Truth: Cultural Translation
and William Chamber’s Chinese Garden
Rak, Julie
Pain and Painting: William Kurelek and Autobiography as Mourning
Robertson, Helen
The Architecture of the Photograph
Russek, Dan
Verbal/Visual Braids: The Photographic Medium
in the Work of Julio Cortazar
Scruggs, Charles
The Depth of the Deep End: The Noir Motif in
The Reckless Moment and The Deep End
Shields, M. Kathryn
Stories These Masks Could Tell: Literary References in the
Photographs of Ralph Eugene Meatyard
Shinkle, Eugénie
Boredom, Repetition, Inertia: Contemporary
Photography and the Aesthetics of the Banal
Skaggs, Carmen Trammell
Looking through the Opera Glasses: Performance
and Artifice in The Age of Innocence
Sorensen, Sue
Something of the Eternal
A.S. Byatt and Vincent van Gogh
Stahman, Laura
Franz Kafka’s “The Burrow” as Model
of Ipseity in Levinasian Theory
300 Mosaic 37/4 (December 2004)
AUTHOR
Wah, Fred
Is A Door A Word?
Wagner, Jon, and Lynne Goodhart 109-120
Durassic Park: Evolution and Extinction
in the Work of Marguerite Duras
Westerman, Molly
Is the Butler Home? Narrative and the Split
Subject in The Remains of the Day
Wheatiey, Alison E.
Aesthetic Consolation and the Genius of
the Place in Stoppard’s Arcadia
White, Leah 107-126
Autobiography, Visual Representations,
and the Preservation of Self
Woodland, Malcolm
Pursuit of Unsayables”: Repetition in
Kristeva’s Black Sun and Strand’s “Two de Chiricos’