Table Of Content

Index to Volume 56, 2013 ARTICLES ASTON, ELAINE. Caryl Churchill’s Political Shape-Shifting at the Turn of the Millennium 145 BEGGS, ANNE, Revisiting Marat/Sade: Philosophy in the Asylum, Asylum inthe Theatre 60 BIERS, KATHERINE. Stages of Thought: Emerson, Maeterlinck, Glaspell 457 BROWN, JEFFREY M. Enacting the Obituary: The “Successful Failure” of T.S. Eliot’s The Elder Statesman 165 CHIASSON, BASIL, Harold Pinter’s “More Precisely Political” Dramas, or a Post-1983 Economy of Affect 80 CULL, LAURA. Philosophy as Drama: Deleuze and Dramatization in the Context of Performance Philosophy 498 CURRELL, SUSAN. “Wall Street Lays an Egg”: Financial Drama and the 1933 Banking Collapse in Archibald MacLeish’s Panic: A Drama of Industrial Crisis (1935) 327 DIEDRICH, ANTJE. “Last in a Long Line of Literary Kleptomaniacs”: Inter- textuality in Sarah Kane’s 4.48 Psychosis 374 HARRIS, SUSAN CANNON, Mobilizing Maurya: J.M. Synge, Bertolt Brecht, and the Revolutionary Mother 38 KORNHABER, DAVID. Introduction: Drama and Philosophy 2.0 419 KORNHABER, DAVID. The Genealogy of Major Barbara: Nietzschean Phi- losophy and the Shavian Play of Ideas 269 KRASNER, DAVID. Harold Pinter’s The Homecoming and Postmodern Jew- ish Philosophy 478 LIPSHITZ, YAIR. The Clown’s Lost Twin: Messianic Moments in Hanoch Levin’s Drama 232 MALEY, PATRICK. What Is and What Aint: Topdog/Underdog and the American Hustle 186 MOI, TORIL. Hedda’s Silences: Beauty and Despair in Hedda Gabler 434 MORRA, IRENE. The Habit of Art: In the Beginning Was the Word 352 PUCHNER, MARTIN. Afterword: Please Mind the Gap between Theatre and Philosophy 540 ROKEM, FREDDIE. The Logic of/in Tragedy: Hanoch Levin’s Drama The Torments of Job 521 REVIEWS BRATER, ENOCH, 10 Ways of Thinking about Samuel Beckett: The Falsetto of Reason by S.E. Gontarski 126 Modern Drama, 56:4 (Winter 2013) doi:10.3138/md.56.4.575 INDEX BRATTON, JACKY, The Making of the West End Stage: Marriage, Manage- ment and the Mapping of Gender in London, 1830-1870 by Rosemary Barrow 128 CLIFF, BRIAN and NICHOLAS GRENE, eds., Synge and Edwardian Ireland by Sarah L. Townsend 130 CLUM, JOHN M., The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present by Jason Fitzgerald 132 HIBBERD, SARAH, ed., Melodramatic Voices: Understanding Music Drama by Sherry Lee 135 MITCHELL, KORITHA, Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 by Harvey Young 137 RUSSELL, RICHARD RANKIN. Home, Exile, and Unease in Brian Friel’s Glo- balized Drama since 1990: Molly Sweeney, The Home Place, and Hedda Gabler (after Ibsen) 206 SOLOSKI, ALEXIS. “The Great Imitator”: Staging Syphilis in A Doll House and Ghosts 287 VORK, ROBERT. Things That No One Can Say: The Unspeakable Actin Ar- taud’s Les Cenci 306 WAKE, CAROLINE, To Witness Mimesis: The Politics, Ethics, and Aes- thetics of Testimonial Theatre in Through the Wire 102 WIXSON, CHRISTOPHER, “These Noxious Microbes”: Pathological Drama- turgy in George Bernard Shaw’s Too True to Be Good 1 YDE, MATTHEW, Bernard Shaw’s Stalinist Allegory: The Simpleton of the Unexpected Isles 19 SMITH, WILLIAM JAY, My Friend Tom: The Poet-Playwright Tennessee Wil- liams by Philip C. Kolin 140 STANLAKE, CHRISTY, Native American Drama: A Critical Perspective by S. E.Wilmer 142 ESSIN, CHRISTIN. Stage Designers in Early Twentieth-Century America: Ar- tists, Activists, Cultural Critics by Christopher Baugh 556 SCHANKE, ROBERT A. Queer Theatre and the Legacy of Cal Yeomans by Darren Patrick Blaney 569 WITT, MARY ANN FRESE. Metatheatre and Modernity: Baroque and Neo- baroque by Patricia Gaborik 559 RICHTARIK, MARILYNN. Stewart Parker: A Life by Charlotte J. Headrick 566 HUGHES, JENNY. Performance in a Time of Terror: Critical Mimesis and the Age of Uncertainty by Wendy S. Hesford 562 KUPPERS, PETRA. Disability Culture and Community Performance: Find a Strange and Twisted Shape by Patrick McKelvey 564 SCUDERI, ANTONIO. Dario Fo: Framing, Festival, and the Folkloric Imagi- nation by Francesca Spedalieri 571 HOLMGREN, BETH. Starring Madame Modjeska: On Tour in Poland and America by Kazimierz Braun 250 Modern Drama, 56:4 (Winter 2013) INDEX SMITH, CHERISE. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith by Jennifer De- Vere Brody 252 SPENCER, JENNY, ed. Political and Protest Theatre after 9/11: Patriotic Dis- sent by Lindsay B. Cummings 254 LEASK, MARGARET. Lena Ashwell: Actress, Patriot, Pioneer by Nicholas Dekker 256 TANAKA, MARIKO HORI, YOSHIKI TAJIRI, and MICHIKO TSUSHIMA, eds. Sa- muel Beckett and Pain by Eric P. Levy 258 GHARAVI, LANCE, ed. Religion, Theatre, and Performance: Acts of Faith by David Mason 261 SINGLETON, BRIAN. Masculinities and the Contemporary Irish Theatre by Charlotte McIvor 263 SHORT, C. ALAN, PETER BARRETT, and ALISTAIR FAIR, With MONTY SUTRISNA and GIORGIOS ARTOPOULOS. Geometry and Atmosphere: Theatre Build- ings from Vision to Reality by Cathy Turner 266 HERNANDO-REAL, NOELIA. Self and Space in the Theater of Susan Glaspell by Judith E. Barlow 399 CATANESE, BRANDI WILKINS. The Problem of the Color[blind] by Soyica Colbert 401 PHELAN, PEGGY, ed. Live Art in LA: Performance in Southern California, 1970-1983 by Anna Watkins Fisher 403 BATISTE, STEPHANIE. Darkening Mirrors: Imperial Representation in Depres- sion-Era African American Performance by Uri McMillan 406 PRESTON, CARRIE J. Modernism’s Mythic Pose: Gender, Genre, and Solo Performance by Megan Quigley 408 PERUCCI, TONY. Paul Robeson and the Cold War Performance Complex: Race, Madness, Activism by Michelle Stephens 411 REBHORN, MATTHEW. Pioneer Performances: Staging the Frontier by Jason Shaffer 413 MERKIN, ROS, ed. Liverpool Playhouse: A Theatre and Its City by Joanne Tompkins 416 Modern Drama, 56:4 (Winter 2013)