Lloyd Addison PDF
Preview Lloyd Addison
Lloyd Addison The aura & the umbra Lloyd Addison The aura & the umbra Volume eight in the Heritage series published by Paul Breman London, 1970 Carpentry Caught upon a crossbeam the hands that worked with wood the hands that worked with wood were pierced by nails and their work stopped l Son of a carpenter here is your crucifix wear it Symbol of your Father's business, too An illiterate society heard word-of-mouth The Word its meaning and lexicographer number One said all things in parables What do you mean man no one before knew the meaning of God? and his work spread far by a man named Paul a Jew so it is written and the arms spread open of the hands that worked with wood became a symbol was done remindfully The world had sense enough when it happened but wooden feeling The hands that worked with wood are not still? -verily the end is not blank- it is written in Paradise the woodwork is not curated a few choice pieces of the world may be all it reads that this is:Splrit First edition ©Lloyd Addison 1970 Library of Congress card no. 70-112503 1956 Published by Paul Breman Ltd, 7 Wedderburn Road, London NW3 3 I by you put on Far as are stars Knew you upon the one true time are stars two to times shifting are stars being too badly moved in mood far as are stars to come to see me born again to be something born of you and we are lonely much a part of heart-felt two and we are only mortal you should be in the night slightly half of me it happened in rain in part and place of you created the atmosphere of ruin I called girl though only partly placing one friend lover beloved without my really being half and rained down but having here something truly in the place of time far as were clouds night and thought having you instead loud thunder feeding one feeling-view to want crowd less wind night bathed in me night water and water and water mellow the whistle of whispers sweet nonsense no more shower and well-cool and felt fellow breathes breezes or tears is by the I put on brush the face the dress of something haunted the gloved hand of love and nakedly by the near untrue lightning reminds me all over in the Gypsy hour offortune-telling far as are stars all of a feeling incomplete blinded by starlight are stars lonely Astronomer tonight 1956-7 1956-7 5 4 All the reasons for the snows A little white privacy opposite me a body a girl is always lovelier looking in the mind's mirror of knees unemotionally fixed upon looks excitement in a dress 1. pass at the knees l there are many looks of good over which looks direct looks looks to dye naked-kneed looking never more private white comes a wash but puts something urgent over these hair burns to be in a virtuous motion are criss-accost-crossed and black dyes red and unsightly a threat! -casted radiance from off her knees In the bleached skin desisting looks of this moment peached to the heart but sits fiercely fore-showing affectless lapses of address the sun finds vanity pale at open affront of light and the windows in the day-egregious sickroom looks to die Some place the young healthy girl at twenty with particular emphasis of thighs and hips still the more light loveliness airs sentence me loves to snow windows over her snows to have to know the other social look of tonal lonely beauty and queen royalty the eye deals out by this matter only freezing praise a captive lover clown emotionally fixed upon a girl who knows but scorn full of eye presence to be free to retire and winter's window in this my mind to first prefer no one unbelovedly fantasy upon another though cult-or culture-carrier offabric looks to disillusion my emboweled icing-delight All the snows are snowbound with white blues of the eyes looks ate over these snows but all the reasons for the snows are snowing taking cold against the pane meaning less in snowblind rhythm but my heart is snow bound to fall enchanted of first snow are still intimate but lonely snows when it cannot look into my eyes alone and hills and hollows' fields moon-touched when in the pane there are two of me split middle frame insentient insideout of hot and cold design tending beyond seeming in the ice-platonic air sweet-masked goon-n-thing I see laughter distorted heckles for the jekyll but wish-thought's swift-edged kiss of permission hide truth too absurd to answer to likely likely lost to low talent death ofthe off-black hands that in the snows of time's maze-gazing man's unsolved light ware night velvet wish-sparkles in haunted thigh-cheeks partly felt-handled potpourri but by which half hallow-witched light dissolving with a girl's heart lilt in wind flutter eye-witness dissociates sight from touch negotiating epic tales looking back upon a time recalls to relate of ghosts 1956-7 6 7 Umbra My sun has gone down in drum suite penumbra The mood of this rhythm my body Is umbra erect the darkness stands goes gentle merry-go-round in the wheel And the totem line behind the three-faced light tabu decline the flesh-cup curve with a rub in the trouble hub the axle oil gives ease The postmen ask spoke What information in address envelops this female said muffled mute hot gerund to be is being is impertinence posturing behind us the night pitch the feeling pie this is not thigh ten-inch-pound distance weight focus this is the weight of death Jove is a good gentle cut full to fascination bottom riddle end but dense between thin spreads of dough Its meats one face-frontal curve the kneading spirit is gripped or straight instantline say designers offashion no rear view is beautiful to address and the handle in this feeding time but to the self equipped with potfat floodlight milk one clean brief declension to go roaring to the royal pitch pond is to write to inform and to clothe to invite is to the self-darkness square root the set formula to be feeling figure-field This is the interval of a question addressing the male The fall from the shoulders The umbra! body is in penumbral field careening down the umbra! back a two-way cup curving female the act of line arcs a handful of image an armsful storm moving to divide hill a mouthy world waiting And the black thumb of Its beauty And the lips that kiss you in penumbra have arms is an index figure written in sand A body molds the darkness is thigh-pressed cradle-abdomen met and five fanthomables of a handful in a swim and breasts the umbra! breasts have softness is a catch And the silence neuter feminine night a watery whim which sets and vanishes addressed is sighing verb-breaths to Jove laughing out of darkness flatulent with light And handsome she has fingers to caress herself down and lonely circular the darkness is erect speeding round in plus-diamond closure feverish at its back the stars perspire breaking refraction naked pressed to her back the hands of the arms that engulf her little jewels of blackbrown white darkness hold her en rapt cutting colors ofweightlight to pair to explode cool lips press against her throat compound the inner spectrum under surface-limited line erect the darkness is spinning in an arc PM space a perpendicular in its equator a right angle in its tropics I ights 8 9 Her head modelled to eclipse the infinite form resource This body's conjunctive curcuit is be with the nakedness behind the ears on somnambulant current continuance of attraction over the unplumed rhythm ofthe head and behind the ears the breeze titillates Into the flow of this river tittering ruthlessly to close upon me the face of having being going broken rhythm at middle emotion flood swelling at the lips a gurgle in the whirlpool erring eye at thigh lsi hips' concourse lips first cleanses a touch of kinesthesia lips thirst to lip-peal wet-lock the flesh waterdrops handful of the hollow space-solid stomach break beneath the tongue a time envelope distended fretfully lolling to tension waters to drink well sweet tunnel to lips that hands move over leaving the mouth deliciously weak this is the pool to swallow hands move to clutch that having being to drink darkness watt to handle mouth's pout from distant touch to discover collage of penumbra feeling vitamin colored thigh raised to handsome cup eyes closed spreading two lips peak In violable twilight feeling put to give she wins watching the gaited dance bite breakfast Her hair is lacklustre black justnight arc offends speech parabolic a vapor porous posy potted in relief sculptured to a mating cloud growing wild This defenseless need to be feminine is princessly receptive her forehead is arched in appositive poise Bone sculpturously bathed in hands of love prominent in majestic sweep restrained in creating fury conceding to her lips that she 0 is quivering to invent avid rhythm kiss is love a celebration of sensuousness her eyes seed lightdrunk aura light's winter moons airily nodding as the night woods are aura and aura cool light afire Her neck is an umbral stem mooring nude euphoria her face is a slope swelling at the lips touched with a pink ofsunset evenly fading dark The shadows step I ithely out of her shoulders nourished warm of watt to love ethos off her breast her chest famous of carriage turning out well thirst to will thirst where love drinks love looks full-lipped fat handsome water pinks Umbral she walks in an umbral sun to give a full smooth smiling peal in an anarchy oftime • naked is the heart naked to the head II 10 And she is a river body Down river the canyon muscles grow bolder a long night dream that reaches the sea and the bedrock's limbs bake in sunport grand suite and the grace and rhythm of the sea the womb hands swell of calling wind desire carriages rocking in mocking girl gait 1 and the river moves in softness en rapt flowering in flow witherward to step as naked she moves in address darkness en rapt in brown darkness baked to a wish in white darkness tall timbre is admission supine eternal to let prone veins of fire repent of presumption The wind collapses of a lull goodbye in potent sleep spickets the climbing to comma says against inconstant palette occasioning supplication to pause the chewing frostburn of the aura light against non-applauding self-fulfilment on the garbage rim of the gift-wrapped river the movement of wishes attempting quick breath give behind the tongue a tickle of lust's toothless hunger the eye-part inspiring ineluctably intrusive a howl of gaunt gummed fasting the knowledge maddening ignorance and disbelieftouch says yes and figure's apposite touch in the velvet good is aura oral is aura defenseless salivates of no wedge to see enter arrest instant self to seed so rippling a bubbled flower of beauty's oneness just as yes is thigh flesh moral beautiful to a swallowing love of her naked neck this address is a carriage itself to horizons' hills She climbs the closed light of the hills to swoon this wind impaled upon death is flesh is-Great Growth- flesh graceful rhythm of legs in address singing gayly the having time lost form and her fall is precipitous a bubbled sigh and a blues song the resolved black light mystery of cutout doll motion and a nightsong's lips' salt the hill in love space a voided space-time and a legend set with wings that passes over the world enchanted of higher entrance She moves penumbral limbs long-lettering the garrulous day and drawn across the night thigh pencilled unsharp ends erase And yes Is tabu the line dorsal white darkness letters written in overwrought space devolved from gainly flowing sight offall naked outfaces the eyes of letters redressed by cleansing kinesthesia divisible by knowledge of points equations the understudied dress ex-plain in legging out thousandths narcissus touched the undermost matters show life genius clay this is the layer cake kinetic naked is a play offaces and eliding lips this is the fattened fast of flesh the walking cane-knot feastfield Close there undergrowth underbrushes underclothes naked undulation looks to the end of open upbackdown female address memo eyes seeking to unreel combinations undercurrent time see over understanding ll 13 By line abdomen cradle aura womb in field the svelt proportions rolling Thigh clay oh thigh clay is genius in figure the felt emotion beholding thigh oh a mettle truth clean thigh line thigh lithe aura skin flesh Address thigh velvet hand some face some cheek is clay clean is to out-figure reversions to emote eye-wonder sigh aura cup full black grape.suited kin naked is a darkness is aura grape smoother flesh sweet an infinitive to be in space- time is sky wide.away filling hands with wind.oh kiss the love-space infinitive brimmed cup is pure as.is.iffruit ripe. end pods side out on the tangent world wish is Delores is here touch.black avow.wild The sixth cup moments rest aura come definitively being Dark thigh lines out.fill.outmelds avid lining touch width dense. in event be.come.fort hands some kisses having to have had to be dark space. in place aura thigh is par.a.phrase.ink light as distinct deep intuits black kink axis in.field.in to the inverse letters written in the dark figure out black out in pink.ink acts in.t wo fill. in up width light extreme knowledge at exit tension nods in.suit.in.distinct pitch tinctured in.formation white the cup at knowledge tilt dense.ink dense stereo ink.suite.drum mum.blot What is it light to have to have umbral.link chord in love naked a body darkness the pale dry day put out calling to oh mellow wish this adjunct feeling and all the lights of the world at a tilt as per source offer be-wed as will.link be.come.ink forms this body of the hairless beast as per affirm. ink to feel legend so compulsively naked it shaves emerging from twi-nighted line light as to think.ink inside out.f its grape.suited thigh line abdomen And where are you instead ofsense-imaginings good night saying where you are love Converging suns meet II inner-night rose's girl to address me close-in eyesight blurs close nose.sight scents having to have had to be light close-in II closing field over the woman through the words to sleep presence fits II absence out.closed .out goodnight loneliness respite break fords break bridge.f ast up. ends knit closing to.f rom inert state some flow in the umbral field naked a body darkness is to.nightsea.flower waking by line abdomen cradle aura Mute.suited opaque is in.feellng place.is /laced face.in.ter rhythm dense in.kiss.in.fold'd in hips'moon-curve lines in 1961-2 14 IS I touch thigh fork moon-shimmer.in deep avow.wild depth its call towards consumption utterly cannot be awareness avow. wilderness deep finds incline inter-being between thought and touch yeses in.de.clined re: fit black in touch forecloses in motion upon pitch densing width deep rhythmic thigh abdomen close before pose is propt I N.motion is thigh spirits' smoked shoulders saying rhythms is pi tan.general circles in blackness-figure circles left right disclosure is pitch.in I is in close.dense rock.in line abdomen stockinged-ore or more stockingless seams origin is tim bred ardor Concentrated some thigh modesty in sleepiness is love-stock I in naked dignity undenuded looks is Delores is equal right to be.comma-splice touch-sight refraction on pitch I is shock. insular Is cradle abdomen met by cause as love mates space to my self-dispossession to be.having love-ink I N.form densing orchardly pan. plum symphonies enter hands/some love.being having to I being defined re: dense unlocked feeling fingers along thigh fortissimo holding against beholding freely linked in knot.light flood turn my beloved pianissimo into fluid tones intoned a.butt.tress.passing butter.touch genius Delores' is butter.touch alii N.formation densing to dense pitch densing is blocked.out.sight.out I sea. view comes call.ink sense.w aves hello Love Is as thigh world wick is I wick lit is aura right here this light that burns though down covers it is beauty I is thigh clay rhythms Presence of hairpinned time fast.sets kinking heat And night-winking stars dance on the lacquered bosom has heat kinks this fever in disguise lick is aura twinkling upon night field figure sheer rich coolness turning in tide which space is asking knot looks in field lying is Delores Delores is thigh right space to touch is to become oven figure.field in. two air.pairings width rollying rhythms ofsea as heavy sleep is by line abdomen to awaken in. two-thigh power to a tent afix-seiz:ed open unclothed motion Teasing my palette poses light against possession-motion in hello deep dense house darkness to the eye the yeast fruit is light I is pie.f ruit beauty mid.li'l shy seam her fuse is dark middle amaz:e scent perfume form aligning butter the black breadfruit of my life by line abdomen be.side.lines and interval dense is done bun calling node to let seiz:e here hollow is fig raisin hi-rise brown. in possession aura being beware •v• lick.s.hips thigh see/saucy moves Is unconsummated for eye oven.flora.scented bake. rich but aura wheat. meat aura ohs spirit split-infinitive being dense plum in figure to yeast on a field of love in the dark.fruited dance by cause of thigh clay genius is Delores is 17 16
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