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Keats and Shelley: Winds of Light PDF

251 Pages·2022·1.37 MB·English
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OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi Keats and Shelley OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi Keats and Shelley Winds of Light KELVIN EVEREST 1 OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi 3 GreatClarendonStreet,Oxford,OX26DP, UnitedKingdom OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwide.Oxfordisaregisteredtrademarkof OxfordUniversityPressintheUKandincertainothercountries ©KelvinEverest2021 Themoralrightsoftheauthorhavebeenasserted FirstEditionpublishedin2021 Impression:1 Allrightsreserved.Nopartofthispublicationmaybereproduced,storedin aretrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthe priorpermissioninwritingofOxfordUniversityPress,orasexpresslypermitted bylaw,bylicenceorundertermsagreedwiththeappropriatereprographics rightsorganization.Enquiriesconcerningreproductionoutsidethescopeofthe aboveshouldbesenttotheRightsDepartment,OxfordUniversityPress,atthe addressabove Youmustnotcirculatethisworkinanyotherform andyoumustimposethissameconditiononanyacquirer PublishedintheUnitedStatesofAmericabyOxfordUniversityPress 198MadisonAvenue,NewYork,NY10016,UnitedStatesofAmerica BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressControlNumber:2021943212 ISBN978–0–19–284950–2 DOI:10.1093/oso/9780192849502.001.0001 PrintedandboundintheUKby TJBooksLimited LinkstothirdpartywebsitesareprovidedbyOxfordingoodfaithand forinformationonly.Oxforddisclaimsanyresponsibilityforthematerials containedinanythirdpartywebsitereferencedinthiswork. OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi Inmemoryof GeoffreyMatthews(1920–1984) OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi Acknowledgements Iowethankstothemanyfriendsandcolleagueswhohavehelpedmetoappreciate andunderstandEnglishpoetry.Myenthusiasmforthestudyofliteraturewasfirst kindled by an inspirational English teacher at East Barnet Grammar School, MrE.J.Ward.AsastudentatReadingUniversityIbenefittedenormouslyfrom theshapingguidanceofIanFletcher,JohnGoode,DonaldGordon,LionelKelly, andChristopherSalvesen.Aboveall,myundergraduatetutoranddoctoralsuper- visor,GeoffreyMatthews,becamemymentor,myfriend,and,forme,theexemplar ofwhataliteraryscholarandcriticshouldbe.Thisvolumeofessaysisdedicated to the memory of Geoffrey. IthasbeenaprivilegetolearnfrommystudentsinteachingtheRomanticpoets in the English departments at St David’s University College Lampeter, Leicester University, and Liverpool University. I am especially indebted to my research students: Laura Barlow, Rachael Ben-Itzhak, John Bleasdale, Laura Blunsden, Chulmin Chung, William Drennan, Elaine Hawkins, Lisa Leslie, Anna Mercer, SharonRuston,HamidShojameehir,JonStone,JonThorpe,andSallyWest. A great many teachers, academic friends, colleagues, and collaborators have helped me with their advice, knowledge, and skill, and through the stimulus of theirconversation.Attheriskofinadvertentomission,IwouldliketothankJane Aaron, Carlene Adamson, Paul Baines, Bruce Barker-Benfield, John Barnard, Simone Batin, Bernard Beatty, Shobhana Bhattacharji, Drummond Bone, Will Bowers, Marilyn Butler, Peter Butter, Marco Canani, Deborah Cartmell, Judith Chernaik, Gillian Clark, Duncan Cloud, Stefan Collini, Lilla Maria Crisafulli, Richard Cronin, Nora and Keith Crook, Sandy Cunningham, Stuart Curran, Paul Dawson, Simon Dentith, Gavin Edwards, Michael Erkelenz, Tony Fitton- Brown,PaulFoot,NeilFraistat,HilaryFraser,JohnFreeman,SarahGartside,Sara Haslam, Ian Hilson, Boyd Hilton, William Keach, Desmond King-Hele, Peter Kitson,GregKucich,EdwardLarrissy,BethLau,AngelaLeighton,PhilipMartin, Jerome J. McGann, Andrew Motion, Bill Myers, Mathelinda Nabugodi, Vince Newey,LucyNewlyn,LawrenceNormand,MichaelO’Neill,SharonOuditt,Tom Paulin, Seamus Perry, Ken Phillipps, David Pirie, Adrian Poole, Cathy Rees, Donald H. Reiman, Gareth Roberts, Charles Robinson, Nicholas Roe, Francesco Rognoni, Michael Rossington, Rick Rylance, Malabika Sarkar, Carol Smith, Jane Stabler, Fiona Stafford, Martin Stannard, Nicola Trott, Christopher Tuplin, Valentina Varinelli, and Timothy Webb. I am grateful to the opportunities for sustained research provided by the Master and Fellows of Trinity College, Cambridge, for electing me as a Visiting Fellow Commoner, and to the OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi viii  President and Fellows of St John’s College, Oxford, for electing me to a Visiting Scholarship. Generous research grants have been awarded by the British Academy, the Leverhulme Trust, and by the Universities of Leicester and Liverpool. My work would have been impossible without the assistance of the staffofmanylibraries,butinparticulartheBodleianLibraryOxford, theBritish Library, Cambridge University Library, the English Faculty Libraries at Cambridge and Oxford, the Huntington Library, the John Rylands Library Manchester, Leicester University Library, Liverpool City Library, and Liverpool University Library. Jacqueline Norton and her colleagues at Oxford University Presshavebeenunfailinglysupportiveandprofessional,andIgreatlyappreciated thehelpfulconstructivecommentsoftheanonymousreadersforthePress.Ihave also,forallsortsofreasons,tothankLucy,Michael,Sophie,Nick,Grace,James, Ella,Arthur,Ivy,Sylvie,andRhoda;and,mostofall,Faith. Forpermission to reprint published materialin thisbook Iamgratefulto the followingrelevanteditorsandpublishers:CambridgeUniversityPressformaterial inKeats andHistory (1995)ed.NicholasRoe;D.S.Brewerfor materialinPercy ByssheShelley:BicentenaryEssays(EnglishAssociation,1992)ed.KelvinEverest; Leicester University Press for material in Shelley Revalued: Essays from the Gregynog Conference (1983) ed. Kelvin Everest; Liverpool University Press for materialinKelvinEverest,JohnKeats(NorthcoteHousefortheBritishCouncil, 2002);andOxfordUniversityPressformaterialinTheOxfordHandbookofPercy ByssheShelley(2013)ed.MichaelO’NeillandAnthonyHowe,withtheassistance ofMadeleineO’Callaghan. Materialisalsoreprintedbypermissionfromthefollowingjournals:Essaysin Criticism lvii (2007); Durham University Journal lxxxv (1993); Keats–Shelley Reviewxxxiii(2019),andAnalisiLinguisticaeLetteraria(3/2019). OUPCORRECTEDAUTOPAGEPROOFS–FINAL,14/9/2021,SPi Contents ListofAbbreviations xi 1. Introduction:OnShelleyandKeats 1 2. WhyReadKeats? 15 3. KeatsAmidtheAlienCorn 25 4. IsabellaintheMarketplace:KeatsandFeminism 40 5. Keats’sFormalLegacyandtheVictorians 58 6. KeatsMeetsColeridge 72 7. Shelley’sAdonaisandJohnKeats 91 8. ShelleyandtheHeart’sEchoes 111 9. ShelleyandhisContemporaries 128 10. Shelley’sDoubles:AnApproachtoJulianandMaddalo 146 11. ‘Mechanismofakindyetunattempted’:theDramaticAction ofPrometheusUnbound 172 12. ‘Ozymandias’:TheTextinTime 185 13. ‘Newlyunfrozensensesandimagination’:Shelley’sTranslation oftheSymposiumandhisDevelopmentasaWriterinItaly 201 Bibliography 219 Index 229

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