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Juneteenth Texas: Essays in African-American Folklore (Publications of the Texas Folklore Society) PDF

703 Pages·1996·3.92 MB·English
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Juneteenth Texas : Essays in African-American title: Folklore Publications of the Texas Folklore Society ; No. 54 Abernethy, Francis Edward.; Satterwhite, author: Carolyn Fiedler.; Mullen, Patrick B.; Govenar, Alan B. publisher: University of North Texas Press isbn10 | asin: 1574410180 print isbn13: 9781574410181 ebook isbn13: 9780585269771 language: English African Americans--Texas--Folklore, Folklore-- subject Texas, African Americans--Texas--Social life and customs. publication date: 1996 lcc: GR1.T4 1996eb ddc: 390 African Americans--Texas--Folklore, Folklore-- subject: Texas, African Americans--Texas--Social life and customs. Page i Juneteenth Texas Essays in African-American Folklore Publications of the Texas Folklore Society LIV Page ii Other Publications of the Texas Folklore Society Analytical Index to Publications of the Texas Folklore Society, Volumes 136, by James Bratcher #1 Round the Levee, Thompson, ed. #2 Coffee in the Gourd, Dobie, ed. #6 Texas and Southwestern Lore, Dobie, ed. #8 Man, Bird and Beast, Dobie, ed. #9 Southwestern Lore, Dobie, ed. #10 Tone the Bell Easy, Dobie, ed. #11 Spur-of-the-Cock, Dobie, ed. #12 Puro Mexicano, Dobie, ed. #13 Straight Texas, Dobie, ed. #15 In the Shadow of History, Dobie, ed. #18 Backwoods to Border, Boatright, ed. #20 Gib Morgan, Minstrel of the Oil Fields, by Mody Boatright #22 The Sky Is My Tipi, Boatright, ed. #23 Texas Folk Songs, by William Owens #24 The Healer of Los Olmos and Other Mexican Lore, Hudson, ed. #25 Folk Travelers, Ballads, Tales, and Talk, Boatright, Hudson, Maxwell, eds. #27 Mesquite and Willow, Boatright, Hudson, Maxwell, eds. #28 Madstones and Twisters, Boatright, Hudson, Maxwell, eds. #29 and horns on the toads, Boatright, Hudson, Maxwell, eds. #30 Singers and Storytellers, Boatright, Hudson, Maxwell, eds. #31 The Golden Log, Boatright, Hudson, Maxwell, eds. #32 A Good Tale and a Bonnie Tune, Boatright, Hudson, Maxwell, eds. #33 The Sunny Slopes of Long Ago, Hudson, Maxwell, eds. #43 Legendary Ladies of Texas, Abernethy, ed. #45 Folk Art in Texas, Abernethy, ed. #46 Sonovagun Stew, Abernethy, ed. #47 Hoein' the Short Rows, Abernethy, ed. #48 Texas Toys and Games, Abernethy, ed. #49 The Bounty of Texas, Abernethy, ed. #51 The Texas Folklore Society 19091943, by F. E. Abernethy #52 Corners of Texas, Abernethy, ed. #53 The Texas Folklore Society 19431971, by F. E. Abernethy Extra Books: Singin' Texas, by F. E. Abernethy Through Time and the Valley, by John Erickson Page iii Juneteenth Texas Essays in African-American Folklore Publications of the Texas Folklore Society LIV Francis Edward Abernethy, Senior Editor Carolyn Fiedler Satterwhite, Assistant Editor COEDITORS PATRICK B. MULLEN, Director ALAN B. GOVENAR, President Center for Folklore Studies Documentary Arts, Inc. Ohio State University Dallas, Texas Columbus, Ohio Page iv © 1996 Texas Folklore Society All rights reserved. Printed in the United States of America. First Edition 1996 10 9 8 7 6 5 4 3 2 1 Requests for permission to reproduce materials from this book should be directed to: Permissions University of North Texas Press PO Box 13856 Denton TX 76203 The paper used in this book meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials, z39.48.1984. Binding materials have been chosen for durability. Library of Congress Cataloging-in-Publication Data Juneteenth Texas : essays in African-American folklore / Francis Edward Abernethy, senior editor ; Carolyn Fiedler Satterwhite, assistant editor ; coeditors, Patrick B. Mullen, Alan B. Govenar. p. cm.(Publications of the Texas Folklore Society ; 54) Includes bibliographical references. ISBN 1-57441-018-0 1. Afro-AmericansTexasFolklore. 2. FolkloreTexas. 3. Afro-AmericansTexas Social life and customs. I. Abernethy, Francis Edward. II. Series: Publications of the Texas Folklore Society ; no. 54. GR1.T4 no. 54 [GR111.A47] 390 sdc20 [398'.089960764] 96-21854 CIP Design by Amy Layton Cover art: John Biggers, Shotguns, Fourth Ward, 1987 Hampton University Museum, Hampton, Virginia Page v Table of Contents Preface vii Patrick B. Mullen and Alan Govenar African-American Folklore in Texas and in the Texas 1 Folklore Society Francis Edward Abernethy Black Sacred Harp Singing Remembered in East Texas 15 Donald R. Ross Henry Truvillion of the Big Thicket: A Song Worth Singing 21 Jesse Truvillion Once Upon a Time in Houston's Fourth Ward 41 James Thomas Jackson Where the Cedars Grove 49 Clyde E. Daniels Mance Lipscomb: Fight, Flight or the Blues 69 Glen Alyn More than Just 'Possum'n Taters: Texas-African Foodways 95 in the WPA Slave Narratives T. Lindsay Baker Giving Honor to God, the Joy and Salvation in My Life: 131 The Appreciation Service in Song Jan Rosenberg From Gumbo to Grammys: The Development of Zydeco 139 Music in Houston Lorenzo Thomas From Bebop to Hard Bop and beyond: The Texas Jazz 153 Connection Dave Oliphant African-American Blacksmithing in East Texas 167 Richard Allen Burns Musical Traditions of Twentieth Century African-American 195 Cowboys Alan Govenar Page vi John BiggersArtist: Traditional Folkways of the Black 209 Community Alvia J. Wardlaw The African-American Folktale and J. Mason Brewer 223 Lorenzo Thomas Juneteenth: A Red Spot Day on the Texas Calendar 237 William H. Wiggins, Jr. Lightnin' Hopkins: Blues Bard of the Third Ward 255 John Wheat "Bongo Joe": A Traditional Street Performer 273 Pat Mullen West African Fiddles in Deep East Texas 291 John Minton "The Yellow Rose of Texas": A Different Cultural View 315 Trudier Harris The Texas Trailblazer Project 335 Patricia Smith Prather Appendices The Texas African-American Photography Collection 339 and Archive Alan Govenar The African-American Museum of Dallas 342 Alan Govenar Selected Listing of Resources 344 Compiled by the Editors Contributors 345 Index 353 Page vii Preface by Patrick B. Mullen and Alan Govenar Juneteenth Texas represents a wide variety of viewpoints on African- American folklore in Texas. The essays range from personal memoirs to scholarly treatises and are written by both white and black writers. Given the volatile nature of writing about race in the 1990s, it is important to state the obvious at the outset: European-American and African-American perspectives on black folklore will differ; any culture will be viewed differently from the outside and from the inside. Black writers will bring certain assumptions to presentations of their own cultures that white writers will not have in writing about the same subject. It is a commonplace now in the sciences, social sciences, and humanities that all viewpoints are subjective. This does not mean that all viewpoints are equally valid but that different views are constantly being negotiated. This negotiation process is going on right now in publications about African-American culture in folklore and other fields. We do not write about race and culture in a vacuum but within the context of the larger American society in which race is a controversial issue. A large group of scholars across disciplinary lines now considers race as a social invention and not a biological fact. This idea has been around long enough to be the subject of a cover story in Newsweek magazine in 1995, but there are still some scholars who do not agree with this perspective. To state the case for the "social construction" in a somewhat over-simplified way: genetic evidence indicates that all humans are the same and that physical differences are superficial and meaningless as demarcations of separate races. If race is to be a scientific classification system, then there should be some point where we can say one race ends and another begins, but if we look at the spectrum of color in human skin, it becomes clear that there is no clear dividing point as there is in such scientific categories as genus and

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Juneteenth Texas explores African-American folkways and traditions from both African-American and white perspectives. Included are descriptions and classifications of different aspects of African-American folk culture in Texas; explorations of songs and stories and specific performers such as Lightn
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