Table Of Content

AUTHOR INDEX Tibbetts, John C. Mary Pickford and the Films. Estella Tincknell and Deborah Asman, Kevin G. The “Politics and Poet- American Growing Girl. Summer 50. Chambers. Winter 146. ics” of Embodiment in Mike Leigh’s Tincknell, Estella, and Deborah Cham- Playing at Being Indian: Spectatorship Television Film Hard Labour. Spring bers. Performing the Crisis: Fathering, and the Early Western. Alison Griffiths. 14. Gender, and Representation in Two Fall 100. Beck, Jay. Citing the Sound: The Conver- 1990s Films. Winter 146. The “Politics and Poetics” of Embodi- sation, Blow Out, and the Mythological Trencansky, Sarah. Final Girls and Terri- ment in Mike Leigh’s Television Film Ontology of the Soundtrack in *70s ble Youth: Transgression in 1980s Hard Labour. Kevin G. Asman. Spring Films. Winter 156. Slasher Horror. Summer 63. 14. Butsch, Richard. Class and Audience Wakefield, Sarah R. “Your Sister in St. Public Reception of Real Disability: The Effects: A History of Research on Scully”: An Electronic Community of Case of Freaks. Robin Larsen and Beth Movies, Radio, and Television. Fall Female Fans of The X-Files. Fall 130. A. Haller. Winter 164. 112. Womack, Kenneth. See Davis, Todd F. Resolving a Paradox through Liminality: Chambers, Deborah. See Tincknell, Estel- Stand Up and Cheer (1934) (Retro- la. spectives). Michael Dunne. Winter 182. TITLE INDEX Davis, Todd F., and Kenneth Womack. Spectatorship in Popular Film and Televi- Narrating the Ship of Dreams: The Citing the Sound: The Conversation, Blow sion (Introduction). Kathy Fuller-See- Ethics of Sentimentality in James Out, and the Mythological Ontology of ley. Fall 98. Cameron’s Titanic (Perspectives). the Soundtrack in *70s Films. Jay Beck. “Your Sister in St. Scully”: An Electronic Spring 42. Winter 156. Community of Female Fans of The X- Dunne, Michael. Resolving a Paradox Class and Audience Effects: A History of Files. Sarah R. Wakefield. Fall 130. through Liminality: Stand Up and Research on Movies, Radio, and Tele- BOOK REVIEWS Cheer (1934) (Retrospectives). Winter vision. Richard Butsch. Fall 112. (by book author) 182. The Cold Wa Horror Film: Taboo and Fuller-Seeley, Kathy. Spectatorship in Transgression in The Bad Seed, The Altman, Rick. Film/Genre. Reviewed by Popular Film and Television (Introduc- Fly, and Psycho. Cyndy Hendershot. Ronald W. Wilson. Summer 92. tion). Fall 98. Spring 20. Bourdieu, Pierre. Trans. Priscilla Parkhurst Gomery, Douglas. Finding TV’s Pioneer- The Evolution of Gendercasting: the Life- Ferguson. On Television. Reviewed by ing Audiences. Fall 121. time Television Network— “Television Roberta Morris. Summer 96. Griffiths, Alison. Playing at Being Indian: for Women.” Heather Hundley. Winter Bruzzi, Stella. Undressing Cinema: Cloth- Spectatorship and the Early Western. 174. ing and Identity in the Movies Fall 100. Final Girls and Terrible Youth: Transgres- Reviewed by Allison Carey. Summer 93. Haller, Beth A. See Larsen, Robin. sion in 1980s Slasher Horror. Sarah Fernandes, David, and Dale Robinson. A Hendershot, Cyndy. The Cold Wa Horror Trencansky. Summer 63. Guide to Television's Mayberry Film: Taboo and Transgression in The Finding TV’s Pioneering Audiences. Dou- R.F-D. Reviewed by Ronald Bishop Bad Seed, The Fly, and Psycho. Spring glas Gomery. Fall 121. Summer 93. 20. Hollywood and the Beats: MGM Does Fetrow, Alan G. Feature Films, 1950 Hundley, Heather. The Evolution of Gen- Kerouac’s The Subterraneans (Retro- 1959: A United States Filmography. dercasting: the Lifetime Television Net- spectives). Patrick Mullins. Spring 32. Reviewed by Cynthia Lee Stokes. Sum- work— “Television for Women.” Win- Is There an Audience in the House? New mer 94. ter 174. Research Perspectives on (European) Holmes, Diana, and Robert Ingram. Larsen, Robin, and Beth A. Haller. Public Film Audiences. Philippe Meers. Fall Francois Truffaut. Reviewed by Mark Reception of Real Disability: The Case 138. Shiel. Summer 94. of Freaks. Winter 164. Margaret Thatcher, Alan Bleasdale, and Jarvis, Robert M., and Paul R. Joseph. Lehman, Christopher P. The New Black the Struggle for Working-Class Identi- Prime Time Law. Reviewed by Shane Animated Images of 1946: Black Char- ty. David Monaghan. Spring 2. Miller. Summer 95. acters and Social Commentary in Ani- Mary Pickford and the American Growing Martindale, David. Pufnstuf & Other Suff mated Cartoons. Summer 74. Girl. John C. Tibbetts. Summer 50. The Weird and Wonderful World of Sid Meers, Philippe. Is There an Audience in Moving On Up: Education in Black and Marty Krofft. Reviewed by Ronald the House? New Research Perspectives American Youth Films. Lesley Bishop. Winter 190. on (European) Film Audiences. Fall Speed. Summer 82. Muller, Eddie. Dark City: The Lost World 138. Narrating the Ship of Dreams: The Ethics of Film Noir. Reviewed by Christine M Monaghan, David. Margaret Thatcher, of Sentimentality in James Cameron's Okon. Winter 190. Alan Bleasdale, and the Struggle for Titanic (Perspectives). Todd F. Davis Nochimson, Martha P. The Passion of Working-Class Identity. Spring 2. and Kenneth Womack. Spring 42. David Lynch: Wild at Heart in Holly- Mullins, Patrick. Hollywood and the The New Black Animated Images of wood. Reviewed by Vance Bell. Winter Beats: MGM Does Kerouac’s The Sub- 1946: Black Characters and Social 193. terraneans (Retrospectives). Spring 32. Commentary in Animated Cartoons. Sarris, Andrew. “You Ain't Heard Nothin’ Speed, Lesley. Moving On Up: Education Christopher P. Lehman. Summer 74. Yet": The American Talking Film, Histo in Black American Youth Films. Sum- Performing the Crisis: Fathering, Gender, ry and Memory, 1927-1949. Reviewed mer 82. and Representation in Two 1990s by Mark Shaiman. Winter 191