VoL. 40, No. 3 ETHNOMUSICOLOGY FALL 1996 Index to Volume 40 A Beyond Bibliography: Interpreting Hawai- African Percussion: Mamadou Ly, Mandin- ian-Language Protestant Hymn Im- ka Master Drummer (Village Pulse prints by Amy Kw uleialoha Stillman, 1001), rev. by Roderic Knight, 1:145-46 3:469-88 African Percussion: Sabar Wolof, Dance BOHLMAN, PHILIP V., Pilgrimage, Politics, Drumming of Senegal (Village Pulse and the Musical Remapping of the New 1002), rev. by Roderic Knight, 1:147 Europe, 3:375-412 African Percussion: Tabala Wolof, Sufi BOYER, HORACE CLARENCE, and CYNTHIA Drumming of Senegal (Village Pulse PACKARD, rev. of Gandy Dancers (vid- 1003), rev. by Roderic Knight, 1:146-47 €0), 2:368-70 ALYN, GLEN, J Say Me for a Parable: The BREWER, CHARLES E., rev. of The Civil War Oral Autobiography of Mance Lips- Music Collector’s Edition, 2:353-55 comb, Texas Bluesman, rev. by Rob van Bunggridj-bunggridg: Wangga Songs from der Bliek, 1:97-99 Northern Australia (Smithsonian Folk- APPADURAI, ARJUN, FRANKJ .K OROM, and ways 40430), rev. by Carol Gee Zarbock, MARGARET A. MILLS (eds.), Gender, 1:143-44 Genre, and Power in South Asian Ex- pressive Traditions, rev. by Richard K. Cc Wolf, 2:333-35 Calypso Calaloo: Early Carnival Music in ARAGON, LORRAINE V., Suppressed and Trinidad, by Donald R. Hill, rev. by Joce- Revised Performances: Raego’ Songs of lyne Guilbault, 2:336-39 Central Sulawesi, 3:413-39 Caribbean Revels: Haitian Rara and Do- ‘Are’are Music and Shaping Bamboo (vid- minican Gaga (Smithsonian Folkways eo), written and directed by Hugo Zemp, 40402), rev. by Lois E. Wilcken, 1:137- rev. by Robert Garfias, 1:171-74 38 ARMISTEAD, SAMUEL G., The Spanish Tra- Carnival in Q’eros (video), written and dition in Louisiana; I Islefio Folk Liter- filmed by John Cohen, rev. by Thomas ature, rev. by Janet L. Sturman, 1:99-101 Turino, 1:164-70 ARNOLD, ALISON E., rev. of Cassette Cul- Cassette Culture: Popular Music and Tech- ture: Popular Music and Technology in nology in North India by Peter Manuel, North India, by Peter Manuel, 1:104-7 rev. by Alison E. Arnold, 1:104-7 Asian Journal, rev. by Michael B. Bakan, [Chantes des] Inuit Igluik (Canada), rev. by 2:351-53 Beverley Diamond, 2:358-61 At the Crossroads: Rap Music and Its Afri- Chants Tziganes. Gypsy Folksongs (Quin- can Nexus, by Cheryl L. Keyes, 2:223-48 tana/Harmonia Mundi 903028), rev. by Barbara Rose Lange, 1:147-49 B CHARRY, ERIC, rev. of Jali Nyama Suso: BAKAN, MICHAEL B., rev. of Asian Journal Kora Player of The Gambia, Music of and Living Magic, 2:351-52 the Mande, Parts I & Il, Salif Keita: Des- Barrio Rhythm: Mexican American Music tiny of a Noble Outcast, Djembefola in Los Angeles by Steven Loza, rev. by (video), 1:174-78 Ted Solis, 1:102-4 Chopi Music of Mozambique (video), pro- Bayaka: The Extraordinary Music of the duced and directed by Ron Hallis with Babenzélé Pygmies, rev. by Michelle Opera Hallis, rev. by Keyan G. Tomasel- Kisliuk, 3:540-43 li, 1:163-64 551 552 Ethnomusicology, Fall 1996 CHRISTENSEN, DIETER, rev. of A Musical Frozen Brass: Africa and Latin America. Anthology of the Arabian Peninsula, Anthology of Brass Band Music, no. 2. 2:356-57 (PAN records 2026), rev. by Brian G. Club Date Musicians: Playing the New York Pertl, 1:149-52 Party Circuit, by Bruce A. Macleod, rev. Frozen Brass: Asia. Anthology of Brass Band by Leslie C. Gay, 3:520-25 Music, no. 1 (PAN records 2020), rev. by Brian G. Pertl, 1:149-52 D Dancing with the Incas: Huayno Music of G Peru (video), written and filmed by John Gandy Dancers (video), rev. by Cynthia Cohen, rev. by Thomas Turino, 1:164-70 Packard and Horace Clarence Boyer, DE FERRANTI, HUGH, rev. of The Way of 2:368-70 the Pipa: Structure and Imagery in Chi- GARFIAS, ROBERT, rev. of ‘Are’are Music nese Lute Music by John E. Myers, 1:107- and Shaping Bamboo (video), by Hugo 11 Zemp, 1:171-74 DIAMOND, BEVERLEY, rev. of /Chants des] GAY, LESLIE C., rev. of Club Date Musi- Inuit Iglulik (Canada), 2:358-60 cians: Playing the New York Party Cir- DUDLEY, SHANNON, Judging “By the Beat”: cuit, by Bruce A. Macleod, 3:520-23 Calypso versus Soca, 2:269-98 GEE ZARBOCK, CAROL, rev. of Bunggridj- Djembefola (video), produced and directed bunggridj: Wangga Songs from Nortb- by Laurent Chevalier, rev. by Eric Char- ern Australia (Smithsonian Folkways ry, 1:174-78 40430), 1:143-44 Gender, Genre, and Power in South Asian E Expressive Traditions by Arjun Appadu- ELLIS, CATHERINE, and UDO WILL, A Re- rai, Frank J. Korom, Margaret A. Mills Analyzed Australian Western Desert (eds.), rev. by Richard K. Wolf, 2:333-36 Song: Frequency Performance and In- GOERTZEN, CHRIS, rev. of Féregangare: terval Structure, 2:187-222 Sveriges Radios Dokumentdra Folk- ELLIOT, DAVID J., Music Matters: A New musikinspelningar 1949-1967 (Musik- Philosophy of Music Education, rev. by natet Waxholm CD 240, 241, and 242), Natalie Sarrazin, 3:517-19 1:134-37 Emotion and Devotion, Lingering and GOLDSMITH, PETER, review essay of Smith- Longing in Some Nepali Songs by Dav- sonian/Folkways Reissues, 1:121-31 id Henderson, 3:440-68 A Guide to the Blues: History, Who’s Who, Research, by Austin Sonnier, rev. by Bar- F ry Lee Pearson, 2:346-48 FELDMAN, WALTER Z., rev. of Rubin & GUILBAULT, JOCELYNE, rev. of Calypso Horowitz: Bessarabian Symphony. Ear- Calaloo: Early Carnival Music in Trin- ly Jewish Instrumental Music, 3:527-29 idad by Donald R. Hill, 2:336-39 FHUARTHAIN, MEABH NI, rev. of Ireland’s Whistling Ambassador: Micho Russell of H Doolin, Co. Clare, 3:541-43 HAGEDORN, KATHERINE J., rev. of Music Féregangare: Sveriges Radios Dokumen- Traditions of St. Lucia, West Indies: tdra Folkmusikinspelningar 1949- Dances and Songs from a Carribean 1967 (Musiknatet Waxholm CD 240, Island, 3:530-31 241, and 242), rev. by Chris Goertzen, HENDERSON, DAVID, Emotion and Devo- 1:134-37 tion, Lingering and Longing in Some FORNER, MICHELLE, rev. of A Trade Like Nepali Songs, 3:440-68 Any Other: Female Singers and Dancers HILL, DONALD R., Calypso Calaloo: Early in Egypt by Karin Van Nieuuwkerk, Carnival Music in Trinidad, rev. by 3:524-26 Jocelyne Guilbault, 2:336-39 Forty Years of Steel: An Annotated Discog- Hindustani Slide: Indian Classical Guitar, raphy of Steel Band and Pan Record- Debashish Battacharva (video), rev. by ings, compiled byJ effrey Thomas, rev. by Stan Scott, 2:365-68 Jacob Wainright Love, 1:113-15 Index 553 I Band and Pan Recordings by Jeffrey I Say Me for a Parable: The Oral Autobiog- Thomas, 1:113-15 raphy of Mance Lipscomb, Texas Blues- LOZA, STEVEN, Barrio Rhythm: Mexican man by Glen Alyn, rev. by Rob van der American Music in Los Angeles, rev. by Bliek, 1:97-99 Ted Solis, 1:102-4 Interpreting Electronic Sound Technology LUBET, ALEX, rev of Maéramoros: The Lost in the Contemporary Javanese Sound- Jewish Music of Transylvania-Muzsikds scape by R. Anderson Sutton, 2:249-68 (Hannibal Records 1373), 1:132-34 Ireland’s Whistling Ambassador: Micho Russell of Doolin, Co. Clare, rev. by M Méabh ni Fhuarthain, 3:541-43 MACLEOD, BRUCE A., Club Date Musicians: Playing the New York Party Circuit, rev. by Leslie C. Gay, 3:520-23 Jali Nyama Suso: Kora Player of The Gam- MAGRINI, TULLIA, rev. of Tradizione orale bia (video), produced by Roderic Knight, e canto corale: ricerca musicologica in rev. by Eric Charry, 1:174-78 Trentino, con un’ appendice di musiche Judging “By the Beat”: Calypso versus Soca della Val di Fassa trascritte da Arman- by Shannon Dudley, 2:269-98 do Franceschini, by Marcello Sorce Keller, 2:349-43 K MANUEL, PETER, Cassette Culture: Popular KELLER, MARCELLO SORCE, Tradizione Music and Technology in North India, orale e canto corale: ricerca musicolog- rev. by Alison E. Arnold, 1:104-7 ica in Trentino, con un’ appendice di Mdramoros: The Lost Jewish Music of Tran- musiche della Val di Fassa trascritte da sylvania-Muzsikdés (Hannibal Records Armando Franceschini, rev. by Tullia 1373), rev. by Alex Lubet, 1:132-34 Magrini, 2:340-43 MARKOFF, IRENE, rev. of Song Creators in KEYES, CHERYL L., At the Crossroads: Rap Eastern Turkey, Turmen Epic Singing/ Music and Its African Nexus, 2:223-48 K6éroglu Musiques des yayla, 3:532-35 KISLIUK, MICHELLE, rev. of bayaka: The MARTIN, LOUIS, rev. of Traveling the High Extraordinary Music of the Babenzélé Way Home: Ralpb Stanley and the Pygmies, 3:540-43 World of Traditional Bluegrass Music KIMBERLIN, CYNTHIA TSE, rev. of Search- by John Wright, 2:348-50 ing for a Baby’s Calabash: A Study of MCLEAN, MERVYN, rev. of Music of Man Arusha Maasai Fertility Songs as Crys- Archive: Papua New Guinea: The Coast talized Expression of Central Cultural of the Western Province (CD), 1:139- Values by Doris Wagner-Glenn, 1:116- 41 19 MENDELSOHN, EZRA (ed.), Modern Jews KNIGHT, RODERIC, rev. of African Percus- and Their Musical Agendas, rev. by Jef- sion: Mamadou Ly, Mandinka Drum frey A. Summit, 2:343-46 Master (Village Pulse 1001), African Per- Mode and Scale, Modulation and Tuning in cussion: Sabar Wolof, Dance Drum- Japanese Shamisen Music: The Case of ming of Senegal (Village Pulse 1003), Kiyomoto Narrative, by Alison Mc- and African Percussion: Tabala Wolof, Queen Tokita, 1:1-34 Sufi Drumming of Senegal (Village Puise Modern Jews and Their Musical Agendas, 1002), 1:145-47 edited by Ezra Mendelsohn, rev. by Jef- frey A. Summit, 2:343-46 L Music of Man Archive: Papua New Guinea: LANGE, BARBARA ROSE, rev. of Chants tzi- The Coast of the Western Province (CD), ganes. Gypsy folksongs (Quintana/Har- rev. by Mervyn McLean, 1:139-41 monia Mundi 903028), 1:147-49 Music of the Mande, Parts I & Il (video), Last Klezmer, rev. by Mark Slobin, 3:546-47 filmed by Roderic Knight, rev. by Eric Living Magic, rev. by Michael B. Bakan, Charry, 1:174-78 2:351-53 Music Matters: A New Philosophy of Music LOVE, JACOB, rev. of Forty Years of Steel: Education, by David J. Elliot, rev. by An Annotated Discography of Steel Natalie Sarrazin, 3:517-19 554 Ethnomusicology, Fall 1996 A Musical Anthology of the Arabian Penin- works of Middle East (CMP Records sula, rev. by Dieter Christensen, 2:356- 3006), 1:152-55 58 A Re-Analyzed Australian Western Desert Musical Narrative, Ideology and the Life of Song: Frequency Performance and In- Abing, by Jonathan P. J. Stock, 1:49-73 terval Structure by Catherine Ellis and Music Traditions of St. Lucia, West Indies: Udo Will, 2:182-222 Dances and Songs from a Carribean Rubin & Horowitz: Bessarabian Sympho- Island, rev. by Katherine J. Hagedorn, ny. Early Jewish Instrumental Music, 3:530-31 rev. by Walter Z. Feldman, 3:527-29 MYERS, JOHN E., The Way of the Pipa: Structure and Imagery in Chinese Lute S Music, rev. by Hugh de Ferranti, 1:107- Salif Keita: Destiny of a Noble Outcast (vid- 11 eo), directed by Chris Austin, rev. by Eric Charry, 1:174-78 N SARRAZIN, NATALIE, rev. of Music Matters: NEELEY, PAUL, rev of. Yoruba Dudun Mu- A New Philosophy of Music Education sic: A New Notation with Basic Exercis- by David J. Elliott, 3:517-19 es & Five Yoruba Drum Repetoires and SAVAGLIO, PAULA, Polka Bands and Cho- Yoruba Bata Music: A New Notation ral Groups: The Musical Self-Represen- with Basic Exercises and Ensemble Piec- tation of Polish-Americans in Detroit, es by Muraina Oyelami, 1:111-13 1:35-47 SCOTT, STAN, rev. of Hindustani Slide: In- Oo dian Classical Guitar, Debashish Batta- Old Believers: Songs of the Nekrasov Cos- charya (video), 2:365-67 sacks, rev. by Izaly Zemtovsky, 3: Searching for a Baby’s Calabash: A Study OYELAMI, MURAINA, Yoruba Dudun Mu- of Arusha Maasai Fertility Songs as sic: A New Notation with Basic Exercis- Crystalized Expression of Central Cul- es & Five Yoruba Drum Repetoires and tural Values by Doris Wagner-Glenn, Yoruba Bata Music: A New Notation rev. by Cynthia Tse Kimberlin, 1:116-19 with Basic Exercises and Ensemble Piec- Sharki: Love Songs of Istambul (CMP CD es, rev. by Paul Neeley, 1:111-13 3009), rev. by Feza Tansug, 1:141-43 SLOBIN, MARK, rev. of The Last Klezmer, P 3:546-47 PACKARD, CYNTHIA, and HORACE CLAR- SOLIS, TED, rev. of Barrio Rhythm: Mexican ENCE BOYER, rev. of Gandy Dancers American Music in Los Angeles by (video), 2:368-70 Steven Loza, 1:102-4 PEARSON, BARRY LEE, rev. of A Guide to Song Creators in Eastern Turkey Turmen the Blues: History, Who’s Who, Research Epic Singing/ K6roglu Musiques de yay- Sources by Austin Sonnier, 2:346-48 la, rev. by Irene Markoff, 3:532-35 PERTL, BRIAN G., rev. of Frozen Brass: Asia. SONNIER, AUSTIN, A Guide to the Blues: Anthology of Brass Band Music, no. 1 History, Who’s Who, Research Sources, (PAN Records 2020) and Frozen Brass: rev. by Barry Lee Pearson, 2:346-48 Africa and Latin America. Anthology of A Spirit Here Today (video), produced and Brass Band Music, no. 2 (PAN Records directed by Gei Zantzinger and Andrew 2026), 1:149-52 Tracy, rev. by John van Zyl, 1:178-79 Pilgrimage, Politics, and the Musical STILLMAN, AMY KU’ULEIALOHA, rev. of Remapping of the New Europe by Phil- The Tahitian Choir and The Tahitian ip V. Bohlman, 3:375-412 Choir, Vol.2, 2:361-64 Polka Bands and Choral Groups: The Mu- STOCK, JONATHAN P,J., Musical Narrative, sical Self-Representation of Polish-Amer- Ideology, and the Life of Abing, 1:49-73 icans in Detroit by Paula Savaglio, Stravinsky: Les Noces and Russian Village 1:35-47 Wedding Music, rev. by Izaly Zemt- tovsky, 3:536-40 R STURMAN, JANET L., rev. of The Spanish RASMUSSEN, ANNE K.., rev. of Turath (Heri- Tradition in Louisiana; I Islefio Folk Lit- tage). Simon Shaheen Performs Master- erature by Samuel G. Armistead, 1:99-101 Index 555 SUMMIT, JEFFREY A., rev. of Modern Jews TURINO, THOMAS, rev. of Carnival in Q’eros and Their Musical Agendas edited by and Dancing with the Incas: Huayno Mendlesohn, 2:343-45 Music of Peru, 1:164-71 Suppressed and Revised Performances: Tzigane: The Gypsy Music of Hungary (CMP Raego’ Songs of Central Sulawesi by Records CD 3010), rev. by Feza Tansug, Lorraine V. Aragon, 3:413-39 1:141-43 SUTTON, R. ANDERSON, Interpreting Elec- tronic Sound Technology in the Contem- Vv porary Javanese Soundscape, 2:249-67 VAN DER BLIEK, ROB, rev. of J Say Me for a Parable: The Oral Autobiography of T Mance Lipscomb, Texas Bluesman by TANSUG, FEZA, rev. of Sharki: Love Songs Glen Alyn, 1:97-99 of Istanbul (CMP Records CD 3009) and VAN NIEUWKERK, KARIN, A Trade Like Tzigane: The Gypsy Music of Hungary Any Other: Female Singers and Dancers (CMP Records CD 3010), 1:141-43 in Egypt, rev. by Michelle Forner, 3:524- The Civil War Music Collector’s Edition, rev. 26 by Charles E. Brewer, 2:353-56 VAN ZYL, JOHN, rev. of A Spirit Here To- The Spanish Tradition in Louisiana: I day (video), produced and directed by Islenio Folk Literature by Samuel G. Gei Zantzinger and Andrew Tracy, Armistead, rev. by Janet L. Sturman, 1:178-79 1:99-101 The Way of the Pipa: Structure and imag- Ww ery in Chinese Lute Music by John E. WAGNER-GLENN, DORIS, Searching for a Myers, rev. by Hugh de Ferranti, 1:107- Baby’s Calabash: A Study of Arusha 11 Maasai Fertility Songs as Crystalized THOMAS, JEFFREY, Forty Years of Steel: An Expression of Central Cultural Values, Annotated Discography of Steel Band rev. by Cynthia Tse Kimberlin, 1:116- and Pan Recordings, rev. by Jacob Wain- 18 right Love, 1:113-15 WILCKEN, LOIS E., rev. of Caribbean Rev- THOMPSON, GORDON, Briefly Noted: In- els: Haitian Rara and Dominican Gaga dia, 1:156-62 (Smithsonian/Folkways CD 40402), TOKITA, ALISON MCQUEEN, Mode and 1:137-38 Scale, Modulation and Tuning in Japa- WILL, UDO, and CATHERINE ELLIS, A Re- nese Shamisen Music: The Case of Kiy- Analyzed Australian Western Desert omoto Narrative, 1:1-33 Song: Frequency Performance and In- TOMASELLI, KEYAN G., rev. of Chopi Mu- terval Structure, 2:187-220 sic of Mozambique (video), 1:163-64 WRIGHT, JOHN, Traveling the High Way A Trade Like Any Other: Female Singers and Home: Ralph Stanley and the World of Dancers in Egypt by Karin Van Nieu- Traditional Bluegrass Music, rev. by wkerk, rev. by Michelle Forner, 3:524-26 Louis Martin, 2:348-50 Tradizione orale e canto corale: ricerca musicologica in Trentino, con un’ ap- Y pendice di musiche della Val di Fassa Yoruba Bata Music: A New Notation with trascritte da Armando Franceschini by Basic Exercises and Ensemble Pieces Marcello Sorce Keller, rev. by Tullia Ma- and Yoruna Dundun Music: A New grini, 2:340-42 Notation with Basic Exercises & Five Traveling the High Way Home: Ralpb Stan- Yoruba Drum Repetoires by Muraina ley and the World of Traditional Biue- Oyelami, rev. by Paul Neeley, 1:111-13 grass Music by John Wright, rev. by Louis Martin, 2:348-50 Z Turath (Heritage). Simon Shabeen Per- ZEMTSOVSKY, IZALY, rev. of Old Believers: forms Masterworks of the Middle East Songs of the Nekrasov Cossacks and (CMP Records 3006), rev. by Anne K. Stravinsky, Les noces and Russian Vil- Rasmussen, 1:152-55 lage Wedding Music, 3:540-42