L A I T N E S S E L A I T N E S S E R U T G E R S U N I V E R S I T Y U N I V E R S I T Y O F C O L O R A D O Australia ● Brazil ● Japan ● Korea ● Mexico Singapore ● Spain ● United Kingdom ● United States Essential Jazz: Th e First 100 Years, © 2009, 2005 Schirmer Cengage Learning Second Edition ALL RIGHTS RESERVED. No part of this work covered by the Henry Martin, Keith Waters copyright herein may be reproduced, transmitted, stored, or used in Publisher: Clark Baxter any form or by any means graphic, electronic, or mechanical, including but not limited to photocopying, recording, scanning, digitizing, Senior Assistant Editor: Emily Ryan taping, Web distribution, information networks, or information storage Editorial Assistant: Nell Pepper and retrieval systems, except as permitted under Section 107 or 108 of Technology Project Manager: Morgen Murphy the 1976 United States Copyright Act, without the prior written permis- Marketing Manager: Christina Shea sion of the publisher. 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Printed in the United States of America 1 2 3 4 5 6 7 13 12 11 10 09 BRIEF CONTENTS What to Listen for … CD Tracks Inside front cover Preface xvii About the Authors xxiii Introduction: Jazz Basics 1 1 Roots 17 2 Early Jazz 42 3 The Swing Era 87 4 The Bebop Era 128 5 The Fifties and New Jazz Substyles 152 6 The Sixties 184 7 Jazz-Rock, Jazz-Funk Fusion 221 8 Jazz Since the 1980s 242 Notes 274 Glossary 279 Selected Readings 288 Selected Discography 293 Index 297 Audio Primer Tracks Inside back cover v CONTENTS What to Listen for . . . CD Tracks Inside front cover Preface xvii About the Authors xxiii Introduction: Jazz Basics 1 The Three Fundamentals of Western Music 1 Rhythm 2 Melody 3 Harmony 5 Texture and Timbre 7 Dynamics and Articulation 7 Instruments of Jazz 8 Form and Organization 12 Form in Early Jazz 12 Song Forms 13 Rhythm Changes 13 Blues Changes 13 Th e Blues Scale 14 Jazz Performance Terms 14 Ways of Listening to Jazz 15 KEY TERMS 16 vi CONTENTS vii C H A PTE R 1 Roots 17 African American Music in the Nineteenth Century 18 Sources of Musical Diversity 18 Th e Preservation of African Traditions 19 What to Listen for. . . “Kasuan Kura” 21 CD 1 Track 1 European Music in the Nineteenth Century 22 Instrumentation, Form, and Harmony 22 Early African American Music 23 The Character of Early African American Music 23 Christianity, the Ring Shout, Spirituals, and Work Songs 25 What to Listen for. . . “Daniel” (excerpt) 26 CD 1 Track 2 What to Listen for. . . “Dere’s No Hidin’ Place Down Dere” 27 CD 1 Track 3 What to Listen for. . . “Field Hands’ Call” 27 CD 1 Track 4 Blue Notes and Syncopation 28 Minstrelsy 29 Ragtime 31 Scott Joplin 33 Piano Rolls 33 What to Listen for. . . “Maple Leaf Rag” (excerpt) 34 CD 1 Track 5 Ragtime’s Relationship to Jazz 35 What to Listen for. . . “Maple Leaf Rag” (excerpt) 36 CD 1 Track 6 The Blues 36 Bessie Smith 38 What to Listen for. . . “Back Water Blues” 39 CD 1 Track 7 Characteristics of Early Jazz Singing and Other Forms of the Blues 39 QUESTIONS AND TOPICS FOR DISCUSSION 41 KEY TERMS 41 viii CONTENTS C H A PTE R 2 Early Jazz 42 The Shift from Ragtime to Jazz 42 New Orleans 44 Charles “Buddy” Bolden 45 Sidney Bechet 46 The Evolution of the Jazz Band 46 Early Jazz Performance Terms 47 The Exodus from New Orleans 48 The Migration North 49 The Advent of Jazz Recording 50 The Roaring Twenties 51 Th e ODJB and the First Jazz Recordings 51 What to Listen for. . . “Tiger Rag” 53 CD 1 Track 8 King Oliver and the Creole Jazz Band 53 Jelly Roll Morton 55 What to Listen for. . . “Dippermouth Blues” 56 CD 1 Track 9 Jelly’s Last Jam 56 Creoles of Color 57 What to Listen for. . . “Grandpa’s Spells” 58 CD 1 Track 10 Louis Armstrong 58 Armstrong’s Classic Style 59 Armstrong in Chicago and His Later Career 60 What to Listen for. . . “West End Blues” 62 CD 1 Track 11 Trombone Technique 64 The Chicagoans and Bix Beiderbecke 64 What to Listen for. . . “Singin’ the Blues” 67 CD 1 Track 12 Jazz in New York 68 Tin Pan Alley 69 Th e Harlem Renaissance 70 Harlem Stride Piano 71 Eubie Blake 72 James P. Johnson 72 CONTENTS ix Fats Waller 73 Art Tatum 74 Paul Whiteman and George Gershwin 75 What to Listen for. . . “Tiger Rag” 76 CD 1 Track 13 Beginnings of the Big Bands 77 Fletcher Henderson 77 Duke Ellington’s Early Career 79 Bubber Miley and Tricky Sam Nanton 81 Jazz in Europe 81 What to Listen for. . . “East St. Louis Toodle-Oo” 82 CD 1 Track 14 What to Listen for. . . “Tiger Rag” 84 CD 1 Track 15 QUESTIONS AND TOPICS FOR DISCUSSION 86 KEY TERMS 86 C H A PTE R 3 The Swing Era 87 Overview: A Decade of Swing 87 Social Upheavals in the 1930s 90 The Big Band in the Swing Era 90 Instrumentation, Technique, and Arrangement 90 Big-Band Terms 91 What to Listen for. . . “Down South Camp Meeting” 92 CD 1 Track 16 Th e Changing Role of the Rhythm Section 93 Territory Bands 93 Kansas City 95 Mary Lou Williams and the Clouds of Joy 95 Count Basie 96 What to Listen for. . . “Mary’s Idea” 97 CD 1 Track 17 Jo Jones: Modernizing the Drums 98 Lester Young 99 What to Listen for. . . “Shoe Shine Boy” 100 CD 1 Track 18 Jazz Performance Terms 102
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