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England and its Aesthetes: Biography and Taste PDF

143 Pages·1998·11.41 MB·English
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john ruskin walter pater adrian stokes essays england and -------:-------:=------ its aest ,etes biography commentary david carrier CRITICAL VOICES IN ART, THEORY AND CULTURE england and its aesthetes biography and taste Critical Voices in Art, Theory and Culture A series edited by Saul Ostrow Now Available Seams: Art as a Philosophical Context Essays by Stephen Melville. Edited and Introduced by jeremy Gilbert-Rolfe Capacity: History, the World, and the Self in Contemporary Art and Criticism Essays by Thomas McEvilley. Commentary by G. Roger Denson Media Research: Technology, Art, Communication Essays by Marshall Mcluhan. Edited and with a Commentary by Michel A. Moos Literature, Media, Information Systems Essays by Friedrich A. Kittler. Edited and Introduced by john johnston England and Its Aesthetes: Biography and Taste Essays by john Ruskin, Walter Pater and Adrian Stokes. Commentary by David Carrier Forthcoming Titles The Wake of Art: Criticism, Philosophy, and the Ends of Taste Essays by Arthur C. Danto. Commentary by Gregg Horowitz and Tom Huhn Beauty Is Nowhere: Ethical Issues in Art and Design Edited and Introduced by Richard Roth and Susan King Roth Musicndeology: Resisting the Aesthetic Edited and with an Introduction by Adam Krims. Commentary by Henry Klumpenhouwer The Myths of Postmodem Theory Essays by Nicholas Zurbrugg. Commentary by Warren Burt Difference/Indifference: Musings on Postmodernism, Marcel Duchamp and john Cage 1973-1997 Introduction, Essays, Interviews and Performances by Moira Roth Commentary by jonathan D. Katz Parallel Stance: Six Choreographers Write Edited and with a Commentary by Elena Alexander. Introduction by Jill johnson When Down Is Up: The Desublimating Impulse Essays by john Miller. Edited and with a Commentary by Ulf Wuggenig Practice: Architecture, Technique and Representation Essays by Stan Allen. Commentary by Diana Agrest john ruskin walter pater adrian stokes essays england and its aesthetes biography and taste ~ ~~o~~~~n~~~up LONDON AND NEW YORK Copyright© 1997 OPA (Overseas Publishers Association) Amsterdam B.V. Published in The Netherlands under license by G + B Arts International. Selection from Praeterita by John Ruskin was taken from The Works ofJ ohn Ruskin, M.A. (New York: Thomas Crowell, 1886-1900). "The Child in the House" by Walter Pater is reprinted from Walter Pater, Miscellaneous Studies. A Series ofE ssays (London: Macmillan, 190 1) . Inside Out by Adrian Stokes is reprinted from The Critical Writings ofA drian Stokes. Vol. II. 1937-1958 (London: Thames and Hudson, 1978) by permission of the Adrian Stokes Estate, copyright © 1978 the Adrian Stokes Estate. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any informa tion storage or retrieval system, without permission in writing from the publisher. First published in 1997 by Gordon and Breach Arts International. This edition published 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OXI4 4RN 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business British Library Cataloguing in Publication Data Ruskin,John,1819-1900 England and its aesthetes : biography and taste. (Critical voices in art, theory and culture) l. Ruskin,John,1819-1900 2. Pater, Walter, 1839-1894 3. Stokes, Adrian, 1902-1972 4. Aestheticians-England-Biography I. Title II. Pater, Walter, 1839-1894 III. Stokes, Adrian, 1902-1972 IV. Carrier, David, 1944- 701.1 '7'0922'42 ISBN 90-5701-211-1 For Paul Barolsky, Bill Berkson and William O'Reilly Ah qual poter, oh Dei! donaste alia belta -Mozart, La c/emenza di Titto N T E N T S Introduction to the Series IX Foreword Xl Acknowledg;ments XV Introduction England and Its Aesthetes David Carrier Essays by John Ruskin, Walter Pater and Adrian Stokes 25 Selection from Praeterita 26 John Ruskin The Child in the House 55 Walter Pater Inside Out 69 Adrian Stokes Notes 119 Bibliography 125 vii Page Intentionally Left Blank IITRDDUCTIDI TD THE SERIES cv.t 0 Voiw in An, Thw-y und Cultun ffi a '"ponse to the :~~~ging perspectives that have resulted from the continu ing application of structural and poststructural methodologies and interpretations to the cultural sphere. From the ongoing processes of deconstruction and reorganization of the traditional canon, new forms of speculative, intellectual inquiry and academic practices have emerged which are premised on the realization that insights into differing aspects of the disciplines that make up this realm are best provided by an interdisciplinary approach that follows a discur sive rather than a dialectic model. In recognition of these changes, and of the view that the histo ries and practices that form our present circumstances are in tum transformed by the social, economic, and political requirements of our lives, this series will publish not only those authors who already are prominent in their field, or those who are now emerging-but also those writers who had previously been acknowledged, then passed over, only now to become relevant once more. This multi generational approach will give many writers an opportunity to ana lyze and reevaluate the position of those thinkers who have influenced their own practices, or to present responses to the themes and writings that are significant to their own research. In emphasizing dialogue, self-reflective critiques, and exegesis, the Critical Voices series not only acknowledges the deterritorialized nature of our present intellectual environment, but also extends the challenge to the traditional supremacy of the authorial voice by lit erally relocating it within a discursive network. This approach to texts breaks with the current practice of speaking of multiplicity, while continuing to construct a singularly linear vision of discourse IX

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