1 • 1 1 • t 1 1 i 1 Titles allai/able in this series Aristotle's 'Politics': A Reader's Guide, Judith A. Swanson Badiou's 'Being and Event': A Reader's Guide, Christopher Norris Berkeley's 'Princip les of Human l<nowledge': A Reader's Guide, Alasdair Richmond Deleuze's 'Difference and Repetition': A Reader's Guide, Joe Hughes Deleuze and Guattari's 'A Thousand Plateaus': A Reader's Guide, Eugene W. Holland Descartes' 'Meditations': A Reader's Guide, Richard Francks Hegel's 'Phenomenology of Spirit': A Reader's Guide, Stephen Houlgate Heidegger's 'Being and Time': A Reader's Guide, William Blattner Hobbes's 'Leviathan': A Reader's Guide, Laurie M. Johnson Bagby Kant's 'Critique of Aesthetic Iudgement': A Reader's Guide, Fiona Hughes Kier/œgaard's 'Feal' and Trembling': A Reader's Guide, Clare Carlisle Levinas' 'Totality and Infinity': A Reader's Guide, William Large Loche's 'Second Treatise of Government': A Reader's Guide, Paul Kelly IVlarx and Engels' 'Communist Manifesto': A Reader's Guide, Peter Lamb Nietzsche's 'Beyond Good and Evil': A Reader's Guide, Christa Davis Acampora and Keith Ansell Pearson Nietzsche's 'Thus Spo/?e Zarathustra'; A Reader's Guide, Clancy Martin Rousseau's 'The Social Contract': A Reader's Guide, Christopher Wraight Spinoza's 'Ethics': A Reader's Guide, J. Thomas Cook Wittgenstein's 'Philosophical Investigations': A Reader's Guide, Arif Ahmed Wittgenstein's 'Tractatus Logico-Philosophicus': A Reader's Guide, Roger M. White Bloomsbury Kant's 'Critique of Practical Reason': A Reader's Guide, Courtney D. Fugate Marx's 'Grundrisse': A Reader's Guide, Simon Choat 1 ., 1 • 1 1 , i 1 lC An imprint 0 blishing Pk B L 0 URY LONDON" NEW DELHI" NEW YORK" SYDNEY BM0696938 Bloomsbury Academic An imprint of Bloomsbury Publishing Pic 50 Bedford Square 1385 Broadway London New York WC1 B 3DP NY 10018 UK USA www.bloomsbury.com BlOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Pic First published 2016 © Rex Butler, 2016 Rex Butler has asserted his right under the Copyright. Designs and Patents Act, 1988, to be identified as Author of this work. Ali rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. British library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-84706-586-5 PB: 978-1-84706-587-2 ePDF: 978-1-44111-217-0 ePub: 978-1-44119-063-5 library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN Printed and bound in India Abbreviations vii 1 Context 1 2 Overview of Themes 15 3 Art 33 4 Philosophy 69 5 Science and Logic 107 6 The Brain and Geophilosophy 153 7 Reception 171 Notes 189 Index of Names 207 Index of Concepts 211 The following abbreviations are used in this boole B Bergsonism, Zone Books: New York, 1988 'D' 'The Method of Dramatization', in Desert Islands and Other Texts, 1953-74 DI Desert Islands and Other Texts, 1953-74, Semiotext(e): New York, 2004 DR Difference and Repetition, Columbia University Press: New York, 1994 EP Expressionism in Philosophy: Spinoza, Zone Books: New York, 1990 F The Fold: Leibniz and the Baroque, University of Minnesota Press: Minneapolis, 1993 FB Francis Bacon: The Logic of Sensation, University of Minnesota Press: Minneapolis, 2003 'G' 'The Idea of Genesis in Kant's Philosophy', Angelaki 5 (3) (2000): 57-70 H Empiricism and Subjectivity: An Essay on Hume's The01'y of Human Nature, Columbia University Press: New York, 1991 KCP Kant's Critical Philosophy: The Doctrine of the Faculties, Athlone Press: London, 1984 viii LS The Logic ol Sense, Columbia University Press: New York, 1990 MI Cinema I: The MOllement-Image, Athlone Press: London, 1986 NP Nietzsche and Philosophy, Athlone Press: London, 1983 PS Proust and Signs, BrazilIer: New York, 1972 TI Cinema 2: The Time-Image, University of Minnesota Press: Minneapolis, 1989 AO Anti-Oedipus: Capitalism and Schizophrenia, Viking Press: New York, 1977 TP A Thousand Plateaus: Capitalism and Schizophrenia, University of Minnesota Press: Minneapolis, 1987 WP? What is Philosophy?, Verso: London, 1994 text In some ways, the conditions for philosophy have never been better. Walk into any relatively serious books hop and there are philosophy books everywhere. There are works by philosophers, such as Hegel's Logic. There are selections of works by philoso phers, such as Five Dialogues by Plato. There are academic monographs on philosophers, such as Wittgenstein's Priva te Language. There are introductory guides on philosophers, such as How to Read Heidegger. There is a whole variety of books introducing philosophy altogether, such as Classics of Western Philosophy. There are practical manuals, teaching philosophy as a technique like any other, such as 50 Philosophical Ideas You Need to Know. There are books that treat philosophy in terms of popular cultural objects, such as The Matrix and Philosophy: Welcome to the Desert of the Real. There are books that apply philosophy to everyday situations or seek to show how philosophy might help us function better, such as What's It Ail About?: Philosophy and the Meaning of Life. FinaIly, there are aIl those books that fuse philosophy with religion, often of a New Age kind, and that read like a combination of Eastern mysticism, self-help and the Harvard Business School, such as This l Believe: The Personal Philosophies of Remarkable Men and Women. Then there are aU those activities that daim to do what philosophy does. We have marketers and br and designers in the advertising industry who seek to create 'awareness'. We have artists and writers who daim - or are daimed by others - to be challenging the norms of society. (And for them there are lots of 2 books with titles like Nietzsche for Artists or Leibniz for Authors.) There are theologians who maintain they are doing what philoso phers should be doing by proposing higher values by which to live. In blogs and on the internet, there are millions of people who hold themselves up as opinion-makers, forcing people - if this is what philosophy does - to think again. There is a general coming together of creativity and critical thinking in the so-called 'creative industries'. Indeed, philosophy is found everywhere today, in television shows, newspaper columns, radio programmes, public forums and ideas festivals, with a plethora of issues discussed from a philosophical perspective. There are public debates from a philo sophical point of view on aIl kinds of subjects - from the ethics of daily life to the justification of war, from the existence of God to medical euthanasia - with the opposing sides challenging each other in order to produce a final consensus. And yet, in other ways, things have never been worse for philosophy. In those serious bookshops, the shelf-space devoted to philosophy shrinks every year, or actual philosophy books are increasingly mixed in with books that pass themselves off as philosophy: guides, introductions, applications, self-help, spiritu ality. Indeed, those bookshops that once stocked philosophy are themselves now disappearing to online retailing. Philosophy, if it still exists at aIl, does so more and more only as a marketing niche, a brand, a product, a lifestyle option, a sign of status or social distinction. And this applies to the discipline of philosophy itself, which has lost its cri tic al edge, its ability to propose alter native values or to tell us how to live. Now philosophy is not truly negative or challenging to the status quo, but rather contents itself with teaching us how to live better within the existing order, in fact, how to succeed within it. It is reduced to a kind of therapy. And it is surrounded by pretenders, aIl of those other disciplines that daim to be doing philosophy. Philosophy is reduced to carrying out innumerable surveys or summaries of itself. Or to endless debates of the relevant issues, which do not change anything or think anything different, and whose only aim is to keep the debate going endlessly in order to justify itself. It is precisely in these 'new' conditions for philosophy that philosopher Gilles Deleuze and psychoanalyst and political activist Félix Guattari wrote their What is Philosophy?, which was published in French in 1991 and translated into English in 1994.
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