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Beethoven's Ninth Symphony: A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature as Well PDF

352 Pages·1992·69.78 MB·English
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Beethoven's Ninth Symphony This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms (fbeetf,o\'ett S {Nintf, ~tJmpf?o»tJ A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature As Well Heinrich Schenker Translated and edited by John Rothgeb Yale University Press New Haven and London This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms yn ~72- . ,,. ' 1 '" :i., '{ f\ Lt. 53f Published with assistance from the Library of Congress Cataloging-in American Musicological Society. Publication Data Schenker, Heinrich, 1868-1935. Copyright© 1992 by Yale University. [Beethovens neunte Sinfonie. All rights reserved. English] This book may not be reproduced, Beethoven's ninth symphony : in whole or in part, including a portrayal of its musical content, illustrations, in any form (beyond with running commentary on that copying permitted by Sections performance and literature as 107 and 108 of the U.S. Copyright well I Heinrich Schenker ; Law and except by reviewers for translated and edited by John the public press), without written Rothgeb. permission from the publishers. p. cm. Translation of: Beethovens Designed by James J. Johnson. neunte Sinfonie. Set in Walbaum Roman type by ISBN 0-300-05459-9 Keystone Typesetting, Inc. Printed in the United States of i. Beethoven, Ludwig van, America by Edwards Brothers, Inc., i no-1827. Symphonies, no. 9, Ann Arbor, Michigan. op. i 25, D minor. I. Rothgeb, John. II. Title. MT130.B43S313 1992 The paper in this book meets the 784. 2 It 84-dc20 91-36684 guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 10 9 8 7 6 5 4 3 2 l This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms To the memory of the last master of German composition JOHANNES BRAHMS This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms Contents Translator's Preface XI Preface 3 First Movement 29 Formal Plan 30 First Part 31 First Theme 31 Introduction 31 Antecedent Section 34 Consequent Section 37 Modulation 39 PERFORMANCE 40 LITERATURE 45 Second Theme 53 Part a 53 Partb 54 Part c 54 PERFORMANCE 61 LITERATURE 65 Third (Closing) Theme 73 Bo PERFORMANCE LITERATURE 83 Second Part (Development) 89 Transition 90 First Subdivision 91 Second Subdivision 93 Third Subdivision 93 Fourth Subdivision 97 PERFORMANCE 97 LITERATURE 100 This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms viii I Table of Contents Third Part 105 Recapitulation i 05 PERFORMANCE 115 LITERATURE 115 Coda 120 PERFORMANCE 129 LITERATURE 132 Second Movement 137 Formal Plan 38 i Main Division 139 First Part of the Main Division 139 First Theme 139 Antecedent Section 139 Consequent Section 140 Modulation 141 Second Theme 141 Third (Closing) Theme 145 Returning Modulation 146 PERFORMANCE 147 LITERATURE 150 Second Part (Development) 160 Continuation of the Modulation 160 First Bar-Group 161 Second Bar-Group 161 Third Bar-Group 161 Fourth Bar-Group 161 Fifth Bar-Group 161 Sixth Bar-Group 161 PERFORMANCE 165 LITERATURE 166 Third Part 167 Recapitulation 167 Transition to the Repeat of the Development i69 Coda i69 PERFORMANCE 170 LITERATURE 171 This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms Table of Contents I ix Trio 177 178 178 a2 178 Coda 179 PERFORMANCE 181 LITERATURE 181 Third Movement 183 Formal Plan 184 Introduction 185 Theme 185 Intermediate Theme 196 First Variation 196 Repetition of the Intermediate Theme 198 Free Transition to the Second Variation 199 Second Variation 202 Coda 203 PERFORMANCE 210 LITERATURE 214 Fourth Movement 223 Formal Plan 224 General Considerations 225 First Division 227 Part I 227 Recitative 227 Theme 235 First Variation 236 Second Variation 236 Third Variation 237 Coda 237 Modulation 238 Part II Recitative First ( = Fourth) Variation This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms x I Table of Contents Second ( = Fifth) Variation 251 Third ( = Sixth) Variation 251 Transition 252 Fourth ( = Seventh) Variation 252 Retransition 255 Fifth ( = Eighth) Variation 261 PERFORMANCE 261 LITERATURE 268 Second Division 285 First Bar-Group 286 Second Bar-Group 288 Third Bar-Group 290 PERFORMANCE 293 LITERATURE 294 Third Division 294 Double Fugue 295 Recitative and Transition 300 PERFORMANCE 3o3 LITERATURE 3°5 Fourth Division 309 First Bar-Group 309 Second Bar-Group 310 Third Bar-Group 314 PERFORMANCE 314 LITERATURE 315 Fifth Division 319 First Bar-Group 320 Second Bar-Group 321 Third Bar-Group 323 PERFORMANCE 325 LITERATURE 326 Appendix: Works by Heinrich Schenker 331 This content downloaded from (cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)132.174.254.12 on Thu, 21 May 2020 03:03:12 UTC(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0)(cid:0) All use subject to https://about.jstor.org/terms

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