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Archive style : photographs & illustrations for U.S. surveys, 1850-1890 PDF

289 Pages·2007·9.16 MB·English
by  Kelsey
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Kelsey, Archive Style 4/11/07 10:50 AM Page a A H M A N S O N • M U R P H Y F I N E A R T S I M P R I N T THE AHMANSON FOUNDATION has endowed this imprint to honor the memory of FRANKLIN D. MURPHY who for half a century served arts and letters, beauty and learning, in equalmeasurebyshaping with a brilliant devotion those institutions upon which they rely. Kelsey, Archive Style 4/11/07 10:50 AM Page b PUBLICATION OF THIS BOOK HAS BEEN AIDED BY A GRANT FROM THE MILLARD MM MEISS PUBLICATION FUND OF THE COLLEGE ART ASSOCIATION OF AMERICA. Kelsey, Archive Style 4/11/07 10:50 AM Page i ARCHIVE STYLE Kelsey, Archive Style 4/11/07 10:50 AM Page ii PUBLISHED WITH THE ASSISTANCE OF THE GETTY FOUNDATION. Kelsey, Archive Style 4/11/07 10:50 AM Page iii A R C H I V E S T Y L E PHOTOGRAPHS & ILLUSTRATIONS FOR U.S. SURVEYS, 1850–1890 ROBIN KELSEY UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON Kelsey, Archive Style 4/11/07 10:50 AM Page iv University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Kelsey, Robin Earle. Archive style : photographs and illustrations for U.S. surveys, 1850–1890 / Robin Kelsey. p. cm. Includes bibliographical references and index. isbn: 978-0-520-24935-6 (cloth : alk. paper) 1. Photographic surveying—History—19th century. 2. Geological surveys—United States—History—19th century. I. Title. ta592.6.u6k45 2007 526.90973—dc22 2006037609 Manufactured in the United States of America 15 14 13 12 11 10 09 08 07 10 9 8 7 6 5 4 3 2 1 The paper used in this publication meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). Kelsey, Archive Style 4/11/07 10:50 AM Page v CONTENTS ACKNOWLEDGMENTS VII ILLUSTRATIONS IX INTRODUCTION RIDDLES AND PREMISES 1 ONE ARTHUR SCHOTT:MARKING THE MEXICAN BOUNDARY 21 TWO TIMOTHY H. O’SULLIVAN:SURVEYS OF THE AMERICAN WEST 75 THREE C.C. JONES:THE USGS INVESTIGATION OF THE CHARLESTON EARTHQUAKE 143 CONCLUSION ARCHIVE STYLE 191 NOTES 195 WORKS CITED 245 INDEX 263 Kelsey, Archive Style 4/11/07 10:50 AM Page vi Kelsey, Archive Style 4/11/07 10:50 AM Page vii ACKNOWLEDGMENTS A lthough the name of one author may grace the cover, overlapping communities produce a book. This book emerged out of a dissertation written under the guid- ance of Henri Zerner, and his magnanimous and wise care deserves much credit for whatever merit it possesses. Another member of my dissertation committee, Eric Rosenberg, has been a splendid interlocutor for the past decade, and to him special thanks are also due. Of my brilliant Harvard colleagues, Yve-Alain Bois, Peter Gal- ison, Joseph Koerner, Jennifer Roberts, and Henri Zerner deserve singling out for their essential suggestions. Professor Roberts read reams of drafts and generously proffered in- sights that enriched the book throughout. Every scholar should have such a colleague but probably few do. Among the many students at Harvard who contributed to the book, Makeda Best, Mattias Frey, and Jason Puskar come immediately to mind. Mr. Frey pro- vided important research assistance and help with translations from German. Despite all of this support, my progress on the book would have been slow indeed if not for the benev- olence of Professor Bois and Tom Cummins, who, as department chairs, vigorously pro- tected my time. Colleagues far from the Charles River equally deserve thanks. From the early stages of my thinking on survey pictures, Alan Wallach has offered invaluable encouragement and criticism. More recently, conversations with François Brunet have become vital. His trenchant and painstaking comments on a complete draft improved the book in ways both large and small. Anne McCauley, Doug Nickel, Miles Orvell, Marni Sandweiss, Allan Sekula, Joel Snyder, Sally Stein, John Tagg, Alan Trachtenberg, and Nancy Troy have all prodded me in one productive direction or another, and I can only hope that they will con- VII

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This imaginative study of American visual culture reveals how the political predicaments of a few small bureaucracies once fostered pictures of an extraordinary style. U.S. geographical and geological surveys of the late nineteenth century produced photographs and drawings of topography, American In
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