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Appropriating the West in Late Qing and Early Republican China PDF

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4 8 3 f o 1 t e e h s / E M O H D L R O W E H T G N I G N I R B / s Bringing theWorld Home r e t u H 5 1 2 7 5 5 : 7 0 7 1 . 1 . 5 0 0 2 g n e s T 4 8 3 f o 2 t e e h s / E M O H D L R O W E H T G N I G N I R B / s r e t u H 5 1 2 7 5 5 : 7 0 7 1 . 1 . 5 0 0 2 g n e s T 4 8 3 f o 3 t e e h s / E M O H D L R O W E H T G N I G N I R B / Bringing the World Home s r te Õ Õ u H 5 Appropriating theWest in Late Qing 1 2 7 and Early Republican China TheodoreHuters UniversityofHawai‘iPress Honolulu 5 5 : 7 0 7 1 . 1 . 5 0 0 2 g n e s T © 2005 University of Hawai‘i Press All rights reserved Printed in the United States of Amer i ca Library of Congress Cataloging- in- Publication Data Huters, Theodore. Bringing the world home : appropriating the West in late Qing and early Republican China / Theodore Huters. p. cm. Includes bibliographical references and index. ISBN 0-8248-2838-0 (hardcover : alk. paper) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—20th century—Western influences. I. Title. PL2302.H88 2005 895.1’09005—dc22 2004023334 University of Hawai‘i Press books are printed on acid- free paper and meet the guidelines for permanence and durability of the Council on Library Resources. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book is 978-0-8248-7401-8. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY- NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. Cover art: Detail from “Ten New Scenes from the Foreign Zone, #2” (Xinchu yichang shijing [hou]), a color woodblock print from about 1893, published in New Year Pictures from the Late Qing, (Qingmo nianhua), v. 2, edited by Zhu Junzhou, Shanghai Library (Beijing: People’s Art Press [Renmin meishu chu- banshe], 2000.) Designed by University of Hawai‘i Press production staff 4 8 3 f o 5 t e e h s / E M O H D L R O W E H T G N Contents I G N I R B / s r e t u H 5 1 2 7 Preface vii Introduction 1 Part I. Late Qing Ideas Chapter1.ChinaasOrigin 23 Chapter2.Appropriations:AnotherLookatYanFu andWesternIdeas 43 Chapter3.NewWaysofWriting 74 Chapter4.NewTheoriesoftheNovel 100 Part II. Late Qing Novels Chapter5.WuJianren:EngagingtheWorld 123 Chapter6.MeldingEastandWest:WuJianren’s NewStoryoftheStone 151 Chapter7.ImpossibleRepresentations:VisionsofChina andtheWestinFlowerinaSeaofRetribution 173 5 5 : 7 0 7 1 v . 1 . 5 0 0 2 g n e s T 4 8 3 f o 6 t e e h s vi Contents / E M O H Part III.The New Republic D L R O W Chapter8.TheContestoverUniversalValues 203 E H T G Chapter9.SwimmingagainsttheTide:TheShanghai N I G ofZhuShouju 229 N I R B Chapter10.LuXunandtheCrisisofFiguration 252 / s r te Afterword 275 u H 5 1 2 7 Notes 279 GlossaryofChineseandJapaneseTerms 325 WorksCited 335 Index 363 5 5 : 7 0 7 1 . 1 . 5 0 0 2 g n e s T 4 8 3 f o 7 t e e h s / E M O H D L R O W E H T G N Preface I G N I R B / s r e t u H 5 1 2 7 T his study had its genesis in a sudden realization in the early 1990s thatmodernChineseliterarycritics,incastigatingwhattheytookas themanifoldflawsoftheChineseliterarytradition,wereinvariablymore likely to place unique blame on that tradition for what turn out to be, afterallissaidanddone,theuniversalproblemsofallliterature.Thatthis hypercritical disposition dovetailed with the general post-1919 intellec- tualdenunciationoftheChinesepastdidnotsomuchsupplyananswer tothequestionitraisedastodeepenthemystery:whatmadetheChinese intellectualsofthetwentiethcenturysodeterminedtoheapobloquy— farinexcessofwhatanyobjectivemeasurewoulddemand—ontheirown socialandintellectualtraditions? AsItracedthisproblem,itquicklybecameevidentthatthisnega- tiveperspectivedidnotspringfull-grownfromthedemonstratorsinBei- jingonMay4,1919,butratherhadbegunmorethantwentyyearsearlier, intheperiodofintrospectionandcrisisthatfollowedChina’sdevastating defeatbyanupstartJapanin1894–1895.Lookingintotheyearsbetween thatfatefulwarandthelate1910s,Idiscoveredatrueworldofdifference, wherethenewandtheoldintertwinedandjostledeachotherinwaysthat thelaternarrativesofanexclusivemodernityortheearlierdiscourseof aself-consistenttraditiondidnotseemtoallowfor.Intheinterestsofun- coveringavisionoftheintellectuallifeofafascinatingbutindeterminate age,Iexploredthispeculiarcrossingofliteratureandhistory.Thepath Ipursuedwasquirkyandidiosyncratictobesure,butnomoresothan werethetimesthemselves. The study also entailed looking back at the foundational Western workinmodernChineseintellectualhistory,oncesuchadominantpres- ence in the sinological world but now generally seen as remote to the Americanscholarlycommunity,bothintimeandhistoricalsignificance. Partlybecauseofthisdistance,itisnothardthesedaystofindfaultwith 5 5 : 7 0 7 1 vii . 1 . 5 0 0 2 g n e s T 4 8 3 f o 8 t e e h s viii Preface / E M O H thepioneeringformulationsofJosephLevensonandBenjaminSchwartz D L R fortheirgenerallypessimisticassessmentofthepossibilityofaChinese O W traditionthatmaystillhavesignifiedevenafterChina’srealizationofthe E H need for fundamental reform. But their engagement with what I think T G arestillessentialquestionsofcross-culturalinquirycontinuestocompel N GI attention,ifonlytoattempttocometogripswiththefaultsthatalater N I generation finds in their arguments, many of which have become basic R B postulatesinourfield.Myinquiryherewasalsoinspiredbyalargenum- / s berofworksofintellectualhistoryproducedafter1990inChina,where r e theacademicworldcontinuestobevitallyinterestedinquestionsofhow t Hu theaccommodationbetweenChinaandtheWesthasworkeditselfout. 5 Itremainstotalkabitabouttheroleofliteratureinthisstudy.When 1 2 7 Iusetheword‘‘literature,’’Iamreferringtoasmallersubsetofthataugust body consisting largely of xiaoshuo, or fictional narrative, and the prose essay.AsBonnieMcDougallhasrecentlyargued,awell-justifieddebate continuesaboutthequalityandeventhenatureofmodernChineselit- erature.Ifeventheevaluationofthepost-1918‘‘NewLiterature’’isstillto bedetermined,thenhowisonetodealwiththeliteratureofthisperiod in between, traditionally spurned by both students of the modern and studentsofthepremodern?Inotherwords,thenovelsIexaminedhave neverbeensecureintheirrelationshipwiththecanon.Thisuncertainty hasposedaninterestingproblem,butIhavebegunfromthepremiseof discussingonlyworkthatIenjoyedreading.Comingupwithstandardsof evaluationtojustifymytastes,however,hasbeenbyfarthemoredifficult task. Rather than trying to force these narratives into standard critical categories,Ihavetakenthisstudyasachallengetothecategoriesthem- selves,inthehopethatworksfromradicallydifferentcontextsandtimes can add to, rather than merely reify, our ordinary touchstones of judg- ment. During the course of research and writing, I have incurred substantial intellectual debts, and I wish here to offer thanks to some of the many people who engaged in critical discussion of my ideas and/or gave me thechancetopresentearlierversionsoftheideassetouthere.Alookat thelistwillgosomeway,Iwouldhope,towardconvincingreadersthat aninternationalcommunityofscholarshasbeenforgedoverthelastde- cade,adevelopmentthathasrenderedintellectualinquiryallthemore worthwhile. I thank all of these people sincerely for their help and cri- tiquesbutabsolvethemofallblameforwhateverflawsthereadermayde- tectinwhatIhavewritten.IherebyexpressmygratitudetoCynthiaBro- kaw,ChenJianhua,ChenPingyuan,ChenSihe,Kai-wingChow,Milena Doleželová-Velingerová,PrasenjitDuara,BenElman,JoshFogel,FuPo- shek, Ge Zhaoguang, Denise Gimpel, Bryna Goodman, Jonathan Hay, 5 5 : 7 0 7 1 . 1 . 5 0 0 2 g n e s T 4 8 3 f o 9 t e e h s Preface ix / E M O H GailHershatter,MichelHockx,HuYing,AndrewJones,JoanJudge,Lan D L R Dizhi,WendyLarson,LiTuo,LydiaLiu,MengYue,LisaRofel,William O W Rowe,HaunSaussy,WilliamSchaeffer,ShangWei,XiaobingTang,Rudolf E H Wagner,FredWakeman,DavidWang,WangHui,WangXiaoming,Wang T G Yuanhua,BinWong,LawrenceWong,XiaXiaohong,XiongYuezhi,Xu N GI Baogeng,YanJiayan,CathyYeh,MichelleYeh,YehWen-hsin,YuanJin, N I ZhangXudong,ZhouWu,andJohnZou. R B I owe a separate debt of gratitude to the many graduate students / s whohaveparticipatedinmyseminarsandespeciallytheweeklyFriday- r e afternoondiscussionsovertheyears.Theyhavemadetheissuesrelevant t Hu andhavelentbothwisdomandintensitytotheconversationaboutideas. 5 This group includes Eileen Cheng, Chi Ta-wei, Cong Xiaoping, Steven 1 2 7 Day,GaoJin,RogerHart,FeliciaHo,HuMing-hui,HuangYibing,Euge- nia Lean, Li Li, Jeff Loree, Meng Yue, Makiko Mori,Wendy Schwartz, Vivian Shen, Andrew Stuckey, Mirana Szeto, Wang Chaohua, and Wu Shengqing. IreserveparticularthankstoMingFeng-yingforbothputtingup withandencouragingthefinalstagesoffinishingthislonglabor. 5 5 : 7 0 7 1 . 1 . 5 0 0 2 g n e s T

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The open-access ISBN for this book is 978-0-8248-7401-8 Can), introduces a telling parable of the Chinese empire as a foundering ship that has
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