antony cummins

164 Pages·2010·4.65 MB·English

B
Y

A C
NTONY UMMINS

EDITED BY ROSS DOWNING
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Wordclay
1663 Liberty Drive, Suite 200
Bloomington, IN 47403
www.wordclay.com

© Copyright 2009 Antony Cummins. All rights
reserved.

No part of this book may be reproduced, stored in a
retrieval system, or transmitted by any means without
the written permission of the author.

First published by Wordclay on 11/30/2009.
ISBN: 978-1-6048-1674-7 (sc)

Printed in the United States of America.

This book is printed on acid-free paper.
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NOW THAT THE NINJA HAVE PASSED INTO
THE PAGES OF
HISTORY, ALL THAT REMAINS ARE THE
ECHOES OF THEIR VOICES

PEERING INTO A WORLD OF SECRETS AND
THE HIDDEN, WE CAN HAVE NO CERTAINTIES
AND MAY ONLY INVESTIGATE.

THIS BOOK IS ONE SUCH INVESTIGATION.
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BOOKS

The Shoninki
A 17th century Ninjutsu Manual (2011)

Shinobi Sagas
True Ninja Accounts

T.S Royalist
Voyage Manual

Burzum
Black Speech

To Stand on a Stone
50 Fundamental Principles for the Martial Arts

Conversations with an Assassin
Reflections on Modern Society

True English
A Dictionary of English Swearing
(In Japanese)

DVDS

To Stand on a Stone
50 Fundamental Principles for the Martial Arts

The Medieval Combat Series
Natural Body Dynamics
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AUTHOR’S NOTES CHAPTER 6
INFILTRATION METHODS
CHAPTER 1 WAR & PEACE
THE REALITY- WHAT IS A NINJA IN-NIN
COMMON MISCONCEPTIONS YO-NIN
HOW THEY WROTE ‘NINJA’ ASSASSINATION
IS NINJUTSU A MARTIAL ART?
CHINESE NINJAS? CHAPTER 7
WHAT IS A NINJA’S JOB? THE SPELLS AND ESOTERIC
THE KOKA NINJA VERSUS THE IGA BELIEFS OF THE NINJA
NINJA KUJI KIRI
KUJI-IN
CHAPTER 2 RITUAL MAGIC
HISTORICAL WEAPONS OF THE
NINJA CHAPTER 8
WHAT ARE NINJA WEAPONS? NINJUTSU AND ZEN
THE NINJA SWORD TO DO OR DIE!
THE SHURIKEN
CHAPTER 9
CHAPTER 3 INTERVIEW WITH LEADING
THE TOOLS OF THE NINJA NINJUTSU AUTHORITIES
FIRE & GRENADES DEFENCE AGAINST A NINJA’
CLIMBING & SCALING AN INTERVIEW WITH OTAKE
BREAKING & ENTERING TOOLS SENSEI
POISON
NINJA QUESTIONS!
CHAPTER 4 AN INTERVIEW WITH NAKASHIMA
THE TRUTH BEHIND THE NINJA SENSEI
SUIT PART I
THE NINJA SUIT
WHAT COLOUR IS A NINJA SUIT? DID THE ARCHETYPE NINJA EXIST
– AND OTHER STATEMENTS
CHAPTER 5 AN INTERVIEW WITH NAKASHIMA
ESCAPE METHODS SENSEI
ESCAPOLOGY PART II

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This book is based on magazine articles published in
Combat Magazine and originally wrote with an aim
of dismantling the considerable misconceptions that
seem to surround our common understanding of these
Ninja men and women of history. This book attempts
to find a pathway through the mythology and to look
beyond the modern creation that is the media version
of the Ninja. Through logical investigation I will take
you on a journey that will reinforce the element of the
elite that the Ninja once stood for. My hope is that I
can open your mind to the possibilities that you
thought not possible.

What It will not do and that which is common to
‘Ninjutsu students’ is to spout and dribble hundreds
of Japanese words and Ninjutsu terminology, in the
hope that you will get confused and feel that the
author is superior in knowledge. This principle is set
with you now to display that the concept of a
Ninjutsu expert does not exist. By definition the word
expert is someone who is well versed and familiar
with all elements of a given subject, and on this
subject there are no experts. There are people who
have a deep interest, there are people in love with the
Ninja and there are those who try to discover what
happened in that black and dark past but there are no
experts in the true sense of the word. That, in mind I
want you to join me in an ‘investigation’ into the
world of the Ninja or Shinobi.
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The first misconception you must put out of your
mind is the word assassin in connection with the
Ninja. This does not mean that Ninja sometimes did
not assassinate people as a secondary activity but it
was simply not a primary role. The concept of
assassin is a commonly accepted one in most parts of
the world, so why did the historical Ninja gain
worldwide renown as the ultimate assassin figure?
Moreover the question arises, what is a Ninja? When
looking at the name Ninja and the surrounding
terminology we hit on the word Shinobi or Shinobi no
mono. Both reflect a person who uses Ninjutsu or is
in fact a Ninja. If you analyse the ideogram for Ninja
we find two main sections. The first is Heart and the
second is Blade and as with all Japanese we can read
this in a phonetic or symbolic way. Therefore, Ninja
can be viewed as ‘perseverance’ or ‘adept of stealth’.
As you can see the fundamental message lacks any
hint or reference to assassination. We can read from
the Japanese ideograms that a Shinobi no mono was a
person who undertook a stealthy art and or had
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perseverance under duress. Now, if you wipe clean
your ‘slate’ and remove what you thought you knew
about the Ninja and start to form an image of a person
who is trained in all elements of stealth and can
endure untold levels of hardships we can start to
identify with what would be the base of the Shinobi.

Continuing along the theme of names for the Ninja,
we know that such epithets as: Ninpei (Shinobi
Soldiers), Suppa (thief), Rappa (Ruffian), Kusa
(grass) were employed to describe their arts. This
tends to trap most people investigating Ninja history.
We perceive a word and give it an identifying label, a
label with connotations often misdirected. Take the
term ‘knight’. Consider knights at the end of the first
millennium, then their counterparts in the Middle
Ages, then a Victorian knight and finally the
accolades given out each year by the Queen. All are
knights, all are under the same banner, yet all differ
immensely. As with the Ninja of all over Japan and
from chronological diversities we will find that they
are also dissimilar in some respects. A Ninja is not a
product of ‘machine manufacture’ but an artist of
skill with personal traits that resemble the needs of
the world around them.

A fundamental misconception is that of the Ninja as a
person and an identity as apposed to a skill. There is
debate as to whether the Ninja existed at all or if
‘Ninja’ was simply a set of skills used by those who
trained in the art. I argue however, that this is
redundant, for even if the art of the Ninja is just a set
of skills taught to different people it stands to reason
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