Anonymous - The Lunar Rite

58 Pages·2016·0.16 MB·English

THE LUNAR RITE
Commentary

This Lunar Rite is an invocation of one’s personal
eroticism and sexual charisma. Although it is not designed
to attract a specific partner it allows practice with the
Moon Glance, a technique for communicating sexual desire
and invitation through the eyes and lips. Virtually all
sexual liaisons are initiated through eye contact and by
smiling. Participants should prepare themselves as
attractively as possible for the ritual; even the birds and
beasts of the wildwood are not without their mating
displays and plumage. The Enochian Invocation necessarily
incorporates some ribald phraseology. The true function of
most taboos surrounding sexuality and clothing is to
stimulate eroticism at times when they are deliberately
relaxed or broken.

Our hypertrophied sexuality which exceeds that of all
other species, arises in direct proportion to the apparent
cultural obstacles to it’s expression, thus revealing the
cultural obstacles to it’s expression, thus revealing the
actual function of such apparent obstacles. Intelligent
beings require, amongst other things, elements of surprise,
excitement, and taboo violation to exploit their sexuality
to the limit of what it has to offer.

The Moon Glance begins with an eyes closed
visualization of a crescent moon embedded in the head
behind the eyes, with the horns of the moon projecting like
ears, viz:

The eyes are then opened and lunar radiance is
visualized projected from them. This is usually
accompanied by an involuntary smile. During the rite it is
customary to practice projecting the glance into empty
space. During seduction it is of course used with full eye
contact.

THE LUNAR RITE

1. Preparation:
Participants may decorate themselves with silver
jewelry and if desired any clothing they consider
erotic. Mild doses of disinhibitory agents may be
employed.

2. Statement of Intent:

“It is our will to invoke sex force and attraction.”

3. The “U” mantra is delivered for nine complete
exhalations whilst visualizing power building up in the
groin area.

4. Participants visualize private sexual fantasies.

5. The Enochian Invocation to the Moon is delivered.

Fantasies may continue.

6. The Moon Dance:
Participants dance on the spot in a sensual,
suggestive and inviting fashion whilst stroking and
caressing themselves at will. Participants dance mainly
with closed eyes, opening them occasionally to project
the Moon Glance.

7. The Enochian Invocation is repeated.

Participants may continue with any mixture of the
Moon Dance, “U” mantra, fantasies, and Moon Glance of
their choice.

8. The rite is concluded with Laughter Banishing or by any
other desired means.

THE ENOCHIAN INVOCATION OF THE MOON

Z I R D O H O A T H E I A I D O N G R A A

T O L T O R G I C O M O B I L O R T
L E V I T H M O N G Z O R G Y O L C A N M O Z O D

I A L P O N H O L D O Z B A L T A N M A L P I R G

S I A I O N D A X I L V E G E D A A I O M

B A B A L O N D L O H O L O V E P Z O N D

S A L M A N P A R A D I Z L U C I F T I A N

C H I S E M O B L O C A B A B A L O N D B A L T O H

D R I X M A B Z A G O H O L O R O B O L E H

C O M M A H P A R A C L E D A C Y N X I R S A

T I A N T A I M U A M A I A L P O N D A X I L

Q U A A N D O S I G G R A A I X O M A X I P
P A N P I R A L O N S H I C A O S A G I O L P I R T

G R A A L O H O L O

(I am - the true worshipper - of the all powerful - moon -
with all her creatures - a window - of comfort - for the
beasts of the field - be friendly unto me - bring forth -
joy - burn - groaning - in her - the fire of life and
increase - the temple of - the loins - becomes strong -
amongst us - a harlot - shineth - as a flame - in the midst
- of the house - of virgins - the ornaments of brightness -
are mine - a garland - of a harlot - of righteousness -
bring down your - robe - lift up - your garments - trussed
together - for a wedding - mingled - in - the bed - apply
yourself to us - burn - thy loins - in your creation -
night - moon - let her be known - pouring down - power -
upon the earth - the light - of the moon - shineth.)

THE MERCURY RITE

Introduction
The various gods of the mercurial archetype, Thoth,
Hermes, and the roman Mercury himself are representations
of the prototypical magician and trickster. This archetype
is classically associated with writing, speech, learning,
fleetness of thought, and intellect. Mercury is thus the
patron of businessmen, doctors, thieves, mathematicians,
gamblers, confidence tricksters, academics, writers,
scientists, and magicians. However, many magicians tend to
neglect direct work with this form of consciousness,
presumably because they feel it is adequately represented
as a factor in all thier work. When rites of an overtly
mercurial nature are performed it is usually as a prelude
to divination of some kind. Yet since the root quality of
the archetype is intellect in the sense of fleetness of
thought rather than wisdom, whatever that may be, a truly
protean mercurial invocation should have as it’s primary
objective “increase of intelligence”.

Conventional education, with it’s emphasis on
acquisition of knowledge and concrete techniques only
manages to convey thinking skills by accident and most
people emerge from it every bit as dull as they entered.
The basic trick of fast effective thinking is,
paradoxically enough, not to think about thinking. Rather,
one must acquire the habit of letting thought gush forth
spontaneously without cumbersome deliberation. Naturally
the tools of thought, such as a store of memories, ideas,
and words, must already be present; but to use them
effectively a certain automatism is required if you want to
surprise yourself with creativity. Most people can throw
and catch a ball; actions which require tremendously
complex calculations in curved four dementional spacetime
yet, yet this is experienced as easy. Conscious
deliberation however, reduces this task to near
impossibilty.

The trick of not thinking about thinking is basically
the same trick or “slieght of mind” that is used in magic
generally. One must cultivate that state of no-mind from
which pre-verbal thought, then verbal thought, and then
speech leap out in an unbroken, inspired sequence. Most,
if not all, brilliant ideas arise when the thinker, having
exhausted the possibilities of conscious deliberation,
sinks into partial vacuity and relaxation and astounds
hirself with a sudden insight. One of the reasons that
conversation with another is often so much more effective
than solitary thought is that the periods of listening
force interludes of comparative passive vacuity upon the
listener.

The following Mercury Rite is designed to implant and
trigger the technique of allowing automatic thought through
no-mind. After the preparatory steps and the first
invocation, gnosis is deepened by the cry of a brief
Enochian refrain followed by the “I” mantra for one
complete exhalation. Participants then mentally add up one
column or rank from a large representation of the magic
square or “kamea” of Mercury, seeking to effortlessly allow
the numbers to fall together to a total of 260.

Participants then fold their palms, representing the
tips of the wings of the caduceus over their eyes (which
they close), and seek total mental vacuity for a few
seconds before the Enochian refrain begins again to signal
a return to the outstreched caduceus posture and work on
the next set of numbers.

This should be performed eight times as a minimum
although sequences of 16 or 32 additions can be performed
by beginning with any of the outer numbers and adding
towards the opposite side of the magic square.

THE MERCURY RITE

1. Preparation:

A large representation of the magic square (kamea)
of Mercury should be prepared and displayed
prominately. Participants may take moderate doses of
stimulants if desired. Hallucinogens should be
avoided.

2. Statement of Intent: